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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B562E it is the complementary color #D4A9D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B562E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B562E shade: #305629, #41683C, #527A4F, #638C62 and #749E75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B562E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B562E shade: #2B562E, #1A441B, #093208, #002000 and #000E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B562E shade: #2A542D, #33542A, #3E542A, #49542A and #54542A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B562E shade: #2A542D, #2A5438, #2A5444, #2A544F and #2A4E54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B562E shade matches the following richer shades: #2A542D, #205F24, #16691B, #0B7313 and #017E0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B562E shade: #2A542D, #354A36, #3F403F, #493548 and #532B51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B562E shade: #3E542A, #33542A, #2A542D, #2A5438 and #2A5443

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B562E shade: #0F1D10, #1C391E, #2A542D, #38703C and #468B4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B562E shade: #2B562E, #2A4954 and #542A38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B562E shade: #2B562E, #2D2A54 and #542D2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B562E shade: #2B562E, #2A4954, #542A51 and #54352A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B562E shade: #2B562E, #2A3C54, #542A51 and #54422A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 47 / 66

HEX #2B562E

RGB 43 86 46

HSL 124.19, 0.33%, 0.25%

LAB 32.63, -24.56, 18.75

 

Complementary color

CMYK 0 / 20 / 1 / 17

HEX #D4A9D1

RGB 212 169 209

HSL 304.19, 0.33%, 0.75%

LAB 74.17, 22.47, -14.3

 

CMYK 44 / 0 / 52 / 66

HEX #305629

RGB 48 86 41

HSL 110.67, 0.35%, 0.25%

LAB 32.8, -23.65, 21.94

 

CMYK 38 / 0 / 42 / 59

HEX #41683C

RGB 65 104 60

HSL 113.18, 0.27%, 0.32%

LAB 40.16, -23.46, 20.53

 

CMYK 33 / 0 / 35 / 52

HEX #527A4F

RGB 82 122 79

HSL 115.81, 0.21%, 0.39%

LAB 47.34, -23.21, 19.22

 

CMYK 29 / 0 / 30 / 45

HEX #638C62

RGB 99 140 98

HSL 118.57, 0.18%, 0.47%

LAB 54.33, -22.96, 18.03

 

CMYK 27 / 0 / 26 / 38

HEX #749E75

RGB 116 158 117

HSL 121.43, 0.18%, 0.54%

LAB 61.18, -22.72, 16.93

 

CMYK 50 / 0 / 47 / 66

HEX #2B562E

RGB 43 86 46

HSL 124.19, 0.33%, 0.25%

LAB 32.63, -24.56, 18.75

 

CMYK 62 / 0 / 60 / 73

HEX #1A441B

RGB 26 68 27

HSL 121.43, 0.45%, 0.18%

LAB 25.05, -24.57, 20.3

 

CMYK 82 / 0 / 84 / 80

HEX #093208

RGB 9 50 8

HSL 118.57, 0.72%, 0.11%

LAB 17.26, -23.87, 20.94

 

CMYK 100 / 0 / 100 / 87

HEX #002000

RGB 0 32 0

HSL 120, 1%, 0.06%

LAB 9.26, -18.77, 13.51

 

CMYK 100 / 0 / 100 / 95

HEX #000E00

RGB 0 14 0

HSL 120, 1%, 0.03%

LAB 2.84, -5.8, 4.14

 

CMYK 50 / 0 / 46 / 67

HEX #2A542D

RGB 42 84 45

HSL 124.29, 0.33%, 0.25%

LAB 31.86, -24.09, 18.35

 

CMYK 39 / 0 / 50 / 67

HEX #33542A

RGB 51 84 42

HSL 107.14, 0.33%, 0.25%

LAB 32.28, -21.36, 20.76

 

CMYK 26 / 0 / 50 / 67

HEX #3E542A

RGB 62 84 42

HSL 91.43, 0.33%, 0.25%

LAB 32.99, -16.89, 21.79

 

CMYK 13 / 0 / 50 / 67

HEX #49542A

RGB 73 84 42

HSL 75.71, 0.33%, 0.25%

LAB 33.82, -12.03, 23.01

 

CMYK 0 / 0 / 50 / 67

HEX #54542A

RGB 84 84 42

HSL 60, 0.33%, 0.25%

LAB 34.79, -6.92, 24.41

 

CMYK 50 / 0 / 46 / 67

HEX #2A542D

RGB 42 84 45

HSL 124.29, 0.33%, 0.25%

LAB 31.86, -24.09, 18.35

 

CMYK 50 / 0 / 33 / 67

HEX #2A5438

RGB 42 84 56

HSL 140, 0.33%, 0.25%

LAB 32.07, -21.91, 11.94

 

CMYK 50 / 0 / 19 / 67

HEX #2A5444

RGB 42 84 68

HSL 157.14, 0.33%, 0.25%

LAB 32.37, -19.06, 4.85

 

CMYK 50 / 0 / 6 / 67

HEX #2A544F

RGB 42 84 79

HSL 172.86, 0.33%, 0.25%

LAB 32.7, -16.07, -1.63

 

CMYK 50 / 7 / 0 / 67

HEX #2A4E54

RGB 42 78 84

HSL 188.57, 0.33%, 0.25%

LAB 30.83, -11.09, -7.58

 

CMYK 50 / 0 / 46 / 67

HEX #2A542D

RGB 42 84 45

HSL 124.29, 0.33%, 0.25%

LAB 31.86, -24.09, 18.35

 

CMYK 66 / 0 / 62 / 63

HEX #205F24

RGB 32 95 36

HSL 123.81, 0.5%, 0.25%

LAB 35.24, -33.44, 27.48

 

CMYK 79 / 0 / 74 / 59

HEX #16691B

RGB 22 105 27

HSL 123.61, 0.65%, 0.25%

LAB 38.47, -40.45, 35.29

 

CMYK 90 / 0 / 83 / 55

HEX #0B7313

RGB 11 115 19

HSL 124.62, 0.83%, 0.25%

LAB 41.81, -45.92, 41.58

 

CMYK 99 / 0 / 92 / 51

HEX #017E0A

RGB 1 126 10

HSL 124.32, 0.98%, 0.25%

LAB 45.57, -50.64, 47.28

 

CMYK 50 / 0 / 46 / 67

HEX #2A542D

RGB 42 84 45

HSL 124.29, 0.33%, 0.25%

LAB 31.86, -24.09, 18.35

 

CMYK 28 / 0 / 27 / 71

HEX #354A36

RGB 53 74 54

HSL 122.86, 0.17%, 0.25%

LAB 29.21, -12.89, 9.36

 

CMYK 2 / 0 / 2 / 75

HEX #3F403F

RGB 63 64 63

HSL 120, 0.01%, 0.25%

LAB 26.97, -0.64, 0.46

 

CMYK 0 / 27 / 1 / 71

HEX #493548

RGB 73 53 72

HSL 303, 0.16%, 0.25%

LAB 25.05, 12.77, -8.24

 

CMYK 0 / 48 / 2 / 67

HEX #532B51

RGB 83 43 81

HSL 303, 0.32%, 0.25%

LAB 24.2, 24.9, -15.42

 

CMYK 26 / 0 / 50 / 67

HEX #3E542A

RGB 62 84 42

HSL 91.43, 0.33%, 0.25%

LAB 32.99, -16.89, 21.79

 

CMYK 39 / 0 / 50 / 67

HEX #33542A

RGB 51 84 42

HSL 107.14, 0.33%, 0.25%

LAB 32.28, -21.36, 20.76

 

CMYK 50 / 0 / 46 / 67

HEX #2A542D

RGB 42 84 45

HSL 124.29, 0.33%, 0.25%

LAB 31.86, -24.09, 18.35

 

CMYK 50 / 0 / 33 / 67

HEX #2A5438

RGB 42 84 56

HSL 140, 0.33%, 0.25%

LAB 32.07, -21.91, 11.94

 

CMYK 50 / 0 / 20 / 67

HEX #2A5443

RGB 42 84 67

HSL 155.71, 0.33%, 0.25%

LAB 32.34, -19.32, 5.44

 

CMYK 48 / 0 / 45 / 89

HEX #0F1D10

RGB 15 29 16

HSL 124.29, 0.32%, 0.09%

LAB 9.14, -9.49, 6.48

 

CMYK 51 / 0 / 47 / 78

HEX #1C391E

RGB 28 57 30

HSL 124.14, 0.34%, 0.17%

LAB 21.08, -17.86, 13.52

 

CMYK 50 / 0 / 46 / 67

HEX #2A542D

RGB 42 84 45

HSL 124.29, 0.33%, 0.25%

LAB 31.86, -24.09, 18.35

 

CMYK 50 / 0 / 46 / 56

HEX #38703C

RGB 56 112 60

HSL 124.29, 0.33%, 0.33%

LAB 42.39, -30.39, 23.31

 

CMYK 50 / 0 / 46 / 45

HEX #468B4B

RGB 70 139 75

HSL 124.35, 0.33%, 0.41%

LAB 52.15, -35.93, 27.61

 

CMYK 50 / 0 / 47 / 66

HEX #2B562E

RGB 43 86 46

HSL 124.19, 0.33%, 0.25%

LAB 32.63, -24.56, 18.75

 

CMYK 50 / 13 / 0 / 67

HEX #2A4954

RGB 42 73 84

HSL 195.71, 0.33%, 0.25%

LAB 29.15, -8.06, -10.12

 

CMYK 0 / 50 / 33 / 67

HEX #542A38

RGB 84 42 56

HSL 340, 0.33%, 0.25%

LAB 23.09, 21.3, -0.21

 

CMYK 50 / 0 / 47 / 66

HEX #2B562E

RGB 43 86 46

HSL 124.19, 0.33%, 0.25%

LAB 32.63, -24.56, 18.75

 

CMYK 46 / 50 / 0 / 67

HEX #2D2A54

RGB 45 42 84

HSL 244.29, 0.33%, 0.25%

LAB 19.45, 13.71, -25.2

 

CMYK 0 / 46 / 50 / 67

HEX #542D2A

RGB 84 45 42

HSL 4.29, 0.33%, 0.25%

LAB 23.43, 17.53, 9.78

 

CMYK 50 / 0 / 47 / 66

HEX #2B562E

RGB 43 86 46

HSL 124.19, 0.33%, 0.25%

LAB 32.63, -24.56, 18.75

 

CMYK 50 / 13 / 0 / 67

HEX #2A4954

RGB 42 73 84

HSL 195.71, 0.33%, 0.25%

LAB 29.15, -8.06, -10.12

 

CMYK 0 / 50 / 4 / 67

HEX #542A51

RGB 84 42 81

HSL 304.29, 0.33%, 0.25%

LAB 24.11, 25.85, -15.53

 

CMYK 0 / 37 / 50 / 67

HEX #54352A

RGB 84 53 42

HSL 15.71, 0.33%, 0.25%

LAB 25.56, 12.46, 12.65

 

CMYK 50 / 0 / 47 / 66

HEX #2B562E

RGB 43 86 46

HSL 124.19, 0.33%, 0.25%

LAB 32.63, -24.56, 18.75

 

CMYK 50 / 29 / 0 / 67

HEX #2A3C54

RGB 42 60 84

HSL 214.29, 0.33%, 0.25%

LAB 24.84, 0.33, -16.74

 

CMYK 0 / 50 / 4 / 67

HEX #542A51

RGB 84 42 81

HSL 304.29, 0.33%, 0.25%

LAB 24.11, 25.85, -15.53

 

CMYK 0 / 21 / 50 / 67

HEX #54422A

RGB 84 66 42

HSL 34.29, 0.33%, 0.25%

LAB 29.28, 4.15, 17.52

 

Description

Color code: HEX #2B562E | qconv.com Color code: HEX #2B562E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 86 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 86 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 47 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 47% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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