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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B6015 it is the complementary color #D49FEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B6015. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B6015 shade: #306010, #417223, #528436, #639649 and #74A85C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B6015. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B6015 shade: #2B6015, #1A4E02, #093C00, #002A00 and #001800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B6015 shade: #2B6015, #3F6015, #536015, #605815 and #604415

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B6015 shade: #2B6015, #166015, #156027, #15603B and #156050

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B6015 shade matches the following richer shades: #2B6015, #27690B and #237302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B6015 shade: #2B6015, #2F561E, #324D28, #364331 and #3A3A3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B6015 shade: #536015, #3F6015, #2B6015, #176015 and #156026

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B6015 shade: #0C1C06, #1B3E0D, #2B6015, #3A821C and #49A323

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B6015 shade: #2B6015, #156058 and #601549

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B6015 shade: #2B6015, #152B60 and #60152B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B6015 shade: #2B6015, #156058, #491560 and #60151C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B6015 shade: #2B6015, #155160, #491560 and #602415

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 78 / 62

HEX #2B6015

RGB 43 96 21

HSL 102.4, 0.64%, 0.23%

LAB 35.86, -32.32, 35.32

 

Complementary color

CMYK 9 / 32 / 0 / 8

HEX #D49FEA

RGB 212 159 234

HSL 282.4, 0.64%, 0.77%

LAB 72.72, 32.74, -30.19

 

CMYK 50 / 0 / 83 / 62

HEX #306010

RGB 48 96 16

HSL 96, 0.71%, 0.22%

LAB 36.04, -30.99, 37.46

 

CMYK 43 / 0 / 69 / 55

HEX #417223

RGB 65 114 35

HSL 97.22, 0.53%, 0.29%

LAB 43.18, -31.49, 37.23

 

CMYK 38 / 0 / 59 / 48

HEX #528436

RGB 82 132 54

HSL 98.46, 0.42%, 0.36%

LAB 50.17, -31.65, 36.25

 

CMYK 34 / 0 / 51 / 41

HEX #639649

RGB 99 150 73

HSL 99.74, 0.35%, 0.44%

LAB 57.02, -31.64, 35.04

 

CMYK 31 / 0 / 45 / 34

HEX #74A85C

RGB 116 168 92

HSL 101.05, 0.3%, 0.51%

LAB 63.75, -31.54, 33.8

 

CMYK 55 / 0 / 78 / 62

HEX #2B6015

RGB 43 96 21

HSL 102.4, 0.64%, 0.23%

LAB 35.86, -32.32, 35.32

 

CMYK 67 / 0 / 97 / 69

HEX #1A4E02

RGB 26 78 2

HSL 101.05, 0.95%, 0.16%

LAB 28.57, -31.32, 35.16

 

CMYK 85 / 0 / 100 / 76

HEX #093C00

RGB 9 60 0

HSL 111, 1%, 0.12%

LAB 21.17, -28.72, 28.72

 

CMYK 100 / 0 / 100 / 84

HEX #002A00

RGB 0 42 0

HSL 120, 1%, 0.08%

LAB 13.57, -24.56, 19.44

 

CMYK 100 / 0 / 100 / 91

HEX #001800

RGB 0 24 0

HSL 120, 1%, 0.05%

LAB 5.9, -12.05, 8.62

 

CMYK 55 / 0 / 78 / 62

HEX #2B6015

RGB 43 96 21

HSL 102.4, 0.64%, 0.23%

LAB 35.86, -32.32, 35.32

 

CMYK 34 / 0 / 78 / 62

HEX #3F6015

RGB 63 96 21

HSL 86.4, 0.64%, 0.23%

LAB 36.89, -24.88, 36.69

 

CMYK 14 / 0 / 78 / 62

HEX #536015

RGB 83 96 21

HSL 70.4, 0.64%, 0.23%

LAB 38.3, -15.99, 38.55

 

CMYK 0 / 8 / 78 / 62

HEX #605815

RGB 96 88 21

HSL 53.6, 0.64%, 0.23%

LAB 36.97, -5.16, 37.67

 

CMYK 0 / 29 / 78 / 62

HEX #604415

RGB 96 68 21

HSL 37.6, 0.64%, 0.23%

LAB 31.06, 7.02, 31.86

 

CMYK 55 / 0 / 78 / 62

HEX #2B6015

RGB 43 96 21

HSL 102.4, 0.64%, 0.23%

LAB 35.86, -32.32, 35.32

 

CMYK 77 / 0 / 78 / 62

HEX #166015

RGB 22 96 21

HSL 119.2, 0.64%, 0.23%

LAB 35.18, -37.76, 34.42

 

CMYK 78 / 0 / 59 / 62

HEX #156027

RGB 21 96 39

HSL 134.4, 0.64%, 0.23%

LAB 35.34, -35.75, 25.93

 

CMYK 78 / 0 / 39 / 62

HEX #15603B

RGB 21 96 59

HSL 150.4, 0.64%, 0.23%

LAB 35.68, -31.94, 14.87

 

CMYK 78 / 0 / 17 / 62

HEX #156050

RGB 21 96 80

HSL 167.2, 0.64%, 0.23%

LAB 36.18, -26.51, 2.74

 

CMYK 55 / 0 / 78 / 62

HEX #2B6015

RGB 43 96 21

HSL 102.4, 0.64%, 0.23%

LAB 35.86, -32.32, 35.32

 

CMYK 63 / 0 / 90 / 59

HEX #27690B

RGB 39 105 11

HSL 102.13, 0.81%, 0.23%

LAB 38.83, -37.81, 41.4

 

CMYK 70 / 0 / 98 / 55

HEX #237302

RGB 35 115 2

HSL 102.48, 0.97%, 0.23%

LAB 42.19, -42.9, 46.41

 

CMYK 55 / 0 / 78 / 62

HEX #2B6015

RGB 43 96 21

HSL 102.4, 0.64%, 0.23%

LAB 35.86, -32.32, 35.32

 

CMYK 45 / 0 / 65 / 66

HEX #2F561E

RGB 47 86 30

HSL 101.79, 0.48%, 0.23%

LAB 32.6, -25.51, 27.73

 

CMYK 35 / 0 / 48 / 70

HEX #324D28

RGB 50 77 40

HSL 103.78, 0.32%, 0.23%

LAB 29.76, -18.36, 18.74

 

CMYK 19 / 0 / 27 / 74

HEX #364331

RGB 54 67 49

HSL 103.33, 0.16%, 0.23%

LAB 26.79, -9.34, 9.24

 

CMYK 2 / 2 / 0 / 77

HEX #3A3A3B

RGB 58 58 59

HSL 240, 0.01%, 0.23%

LAB 24.45, 0.23, -0.62

 

CMYK 14 / 0 / 78 / 62

HEX #536015

RGB 83 96 21

HSL 70.4, 0.64%, 0.23%

LAB 38.3, -15.99, 38.55

 

CMYK 34 / 0 / 78 / 62

HEX #3F6015

RGB 63 96 21

HSL 86.4, 0.64%, 0.23%

LAB 36.89, -24.88, 36.69

 

CMYK 55 / 0 / 78 / 62

HEX #2B6015

RGB 43 96 21

HSL 102.4, 0.64%, 0.23%

LAB 35.86, -32.32, 35.32

 

CMYK 76 / 0 / 78 / 62

HEX #176015

RGB 23 96 21

HSL 118.4, 0.64%, 0.23%

LAB 35.21, -37.57, 34.45

 

CMYK 78 / 0 / 60 / 62

HEX #156026

RGB 21 96 38

HSL 133.6, 0.64%, 0.23%

LAB 35.33, -35.9, 26.46

 

CMYK 57 / 0 / 79 / 89

HEX #0C1C06

RGB 12 28 6

HSL 103.64, 0.65%, 0.07%

LAB 8.32, -11.3, 9.79

 

CMYK 56 / 0 / 79 / 76

HEX #1B3E0D

RGB 27 62 13

HSL 102.86, 0.65%, 0.15%

LAB 22.68, -23.21, 25.12

 

CMYK 55 / 0 / 78 / 62

HEX #2B6015

RGB 43 96 21

HSL 102.4, 0.64%, 0.23%

LAB 35.86, -32.32, 35.32

 

CMYK 55 / 0 / 78 / 49

HEX #3A821C

RGB 58 130 28

HSL 102.35, 0.65%, 0.31%

LAB 48.2, -41.16, 45.06

 

CMYK 55 / 0 / 79 / 36

HEX #49A323

RGB 73 163 35

HSL 102.19, 0.65%, 0.39%

LAB 59.65, -49.13, 53.93

 

CMYK 55 / 0 / 78 / 62

HEX #2B6015

RGB 43 96 21

HSL 102.4, 0.64%, 0.23%

LAB 35.86, -32.32, 35.32

 

CMYK 78 / 0 / 8 / 62

HEX #156058

RGB 21 96 88

HSL 173.6, 0.64%, 0.23%

LAB 36.42, -24.11, -1.86

 

CMYK 0 / 78 / 24 / 62

HEX #601549

RGB 96 21 73

HSL 318.4, 0.64%, 0.23%

LAB 21.96, 38.67, -13.31

 

CMYK 55 / 0 / 78 / 62

HEX #2B6015

RGB 43 96 21

HSL 102.4, 0.64%, 0.23%

LAB 35.86, -32.32, 35.32

 

CMYK 78 / 55 / 0 / 62

HEX #152B60

RGB 21 43 96

HSL 222.4, 0.64%, 0.23%

LAB 18.94, 12.27, -34.09

 

CMYK 0 / 78 / 55 / 62

HEX #60152B

RGB 96 21 43

HSL 342.4, 0.64%, 0.23%

LAB 20.82, 35.02, 5.8

 

CMYK 55 / 0 / 78 / 62

HEX #2B6015

RGB 43 96 21

HSL 102.4, 0.64%, 0.23%

LAB 35.86, -32.32, 35.32

 

CMYK 78 / 0 / 8 / 62

HEX #156058

RGB 21 96 88

HSL 173.6, 0.64%, 0.23%

LAB 36.42, -24.11, -1.86

 

CMYK 24 / 78 / 0 / 62

HEX #491560

RGB 73 21 96

HSL 281.6, 0.64%, 0.23%

LAB 19.21, 37.14, -33.37

 

CMYK 0 / 78 / 71 / 62

HEX #60151C

RGB 96 21 28

HSL 354.4, 0.64%, 0.23%

LAB 20.47, 33.85, 15.81

 

CMYK 55 / 0 / 78 / 62

HEX #2B6015

RGB 43 96 21

HSL 102.4, 0.64%, 0.23%

LAB 35.86, -32.32, 35.32

 

CMYK 78 / 16 / 0 / 62

HEX #155160

RGB 21 81 96

HSL 192, 0.64%, 0.23%

LAB 31.55, -13.19, -14.2

 

CMYK 24 / 78 / 0 / 62

HEX #491560

RGB 73 21 96

HSL 281.6, 0.64%, 0.23%

LAB 19.21, 37.14, -33.37

 

CMYK 0 / 63 / 78 / 62

HEX #602415

RGB 96 36 21

HSL 12, 0.64%, 0.23%

LAB 23.01, 26.31, 23.39

 

Description

Color code: HEX #2B6015 | qconv.com Color code: HEX #2B6015 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 96 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 96 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 78 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 78% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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