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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B86E7 it is the complementary color #D47918. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B86E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B86E7 shade: #3086E2, #4198F5, #52AAFF, #63BCFF and #74CEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B86E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B86E7 shade: #2B86E7, #1A74D4, #0962C1, #0050AE and #003E9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B86E7 shade: #2B86E7, #2B54E7, #362BE7, #682BE7 and #9B2BE7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B86E7 shade: #2B86E7, #2B54E7 and #2B2BE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B86E7 shade matches the following richer shades: #2B86E7 and #1886FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B86E7 shade: #2B86E7, #3E87D4, #5187C1, #6488AE and #77899B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B86E7 shade: #2BE7E1, #2BBBE7, #2B89E7, #2B57E7 and #322BE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B86E7 shade: #135DAD, #1772D2, #2B86E7, #509BEB and #76B1EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B86E7 shade: #2B86E7, #AF2BE7 and #D4E72B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B86E7 shade: #2B86E7, #E72B89 and #89E72B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B86E7 shade: #2B86E7, #AF2BE7, #E7892B and #64E72B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B86E7 shade: #2B86E7, #E72BE7, #E7892B and #2BE72B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 42 / 0 / 9

HEX #2B86E7

RGB 43 134 231

HSL 210.96, 0.8%, 0.54%

LAB 55.41, 7.97, -56.47

 

Complementary color

CMYK 0 / 43 / 89 / 17

HEX #D47918

RGB 212 121 24

HSL 30.96, 0.8%, 0.46%

LAB 59.65, 29.39, 61.71

 

CMYK 79 / 41 / 0 / 11

HEX #3086E2

RGB 48 134 226

HSL 211.01, 0.75%, 0.54%

LAB 55.25, 6.6, -53.94

 

CMYK 73 / 38 / 0 / 4

HEX #4198F5

RGB 65 152 245

HSL 211, 0.9%, 0.61%

LAB 61.8, 4.66, -53.99

 

CMYK 68 / 33 / 0 / 0

HEX #52AAFF

RGB 82 170 255

HSL 209.48, 1%, 0.66%

LAB 67.85, 0.04, -49.85

 

CMYK 61 / 26 / 0 / 0

HEX #63BCFF

RGB 99 188 255

HSL 205.77, 1%, 0.69%

LAB 73.44, -7.18, -41.03

 

CMYK 55 / 19 / 0 / 0

HEX #74CEFF

RGB 116 206 255

HSL 201.15, 1%, 0.73%

LAB 79.08, -13.55, -32.23

 

CMYK 81 / 42 / 0 / 9

HEX #2B86E7

RGB 43 134 231

HSL 210.96, 0.8%, 0.54%

LAB 55.41, 7.97, -56.47

 

CMYK 88 / 45 / 0 / 17

HEX #1A74D4

RGB 26 116 212

HSL 210.97, 0.78%, 0.47%

LAB 48.84, 10.57, -56.33

 

CMYK 95 / 49 / 0 / 24

HEX #0962C1

RGB 9 98 193

HSL 210.98, 0.91%, 0.4%

LAB 42.22, 13.77, -56.1

 

CMYK 100 / 54 / 0 / 32

HEX #0050AE

RGB 0 80 174

HSL 212.41, 1%, 0.34%

LAB 35.58, 17.64, -55.71

 

CMYK 100 / 60 / 0 / 39

HEX #003E9B

RGB 0 62 155

HSL 216, 1%, 0.3%

LAB 28.93, 22.1, -55.13

 

CMYK 81 / 42 / 0 / 9

HEX #2B86E7

RGB 43 134 231

HSL 210.96, 0.8%, 0.54%

LAB 55.41, 7.97, -56.47

 

CMYK 81 / 64 / 0 / 9

HEX #2B54E7

RGB 43 84 231

HSL 226.91, 0.8%, 0.54%

LAB 42.19, 39.42, -77.9

 

CMYK 77 / 81 / 0 / 9

HEX #362BE7

RGB 54 43 231

HSL 243.51, 0.8%, 0.54%

LAB 34.56, 62.71, -90.48

 

CMYK 55 / 81 / 0 / 9

HEX #682BE7

RGB 104 43 231

HSL 259.47, 0.8%, 0.54%

LAB 38.62, 66.82, -83.63

 

CMYK 33 / 81 / 0 / 9

HEX #9B2BE7

RGB 155 43 231

HSL 275.74, 0.8%, 0.54%

LAB 44.89, 73.38, -73.1

 

CMYK 81 / 42 / 0 / 9

HEX #2B86E7

RGB 43 134 231

HSL 210.96, 0.8%, 0.54%

LAB 55.41, 7.97, -56.47

 

CMYK 81 / 64 / 0 / 9

HEX #2B54E7

RGB 43 84 231

HSL 226.91, 0.8%, 0.54%

LAB 42.19, 39.42, -77.9

 

CMYK 81 / 81 / 0 / 9

HEX #2B2BE7

RGB 43 43 231

HSL 240, 0.8%, 0.54%

LAB 34.01, 62.16, -91.42

 

CMYK 81 / 42 / 0 / 9

HEX #2B86E7

RGB 43 134 231

HSL 210.96, 0.8%, 0.54%

LAB 55.41, 7.97, -56.47

 

CMYK 90 / 46 / 0 / 2

HEX #1886FA

RGB 24 134 250

HSL 210.8, 0.96%, 0.54%

LAB 56.23, 13.87, -65.71

 

CMYK 81 / 42 / 0 / 9

HEX #2B86E7

RGB 43 134 231

HSL 210.96, 0.8%, 0.54%

LAB 55.41, 7.97, -56.47

 

CMYK 71 / 36 / 0 / 17

HEX #3E87D4

RGB 62 135 212

HSL 210.8, 0.64%, 0.54%

LAB 55.18, 2.65, -46.16

 

CMYK 58 / 30 / 0 / 24

HEX #5187C1

RGB 81 135 193

HSL 211.07, 0.47%, 0.54%

LAB 55, -0.51, -35.64

 

CMYK 43 / 22 / 0 / 32

HEX #6488AE

RGB 100 136 174

HSL 210.81, 0.31%, 0.54%

LAB 55.46, -2.4, -24

 

CMYK 23 / 12 / 0 / 39

HEX #77899B

RGB 119 137 155

HSL 210, 0.15%, 0.54%

LAB 56.27, -2.33, -11.74

 

CMYK 81 / 0 / 3 / 9

HEX #2BE7E1

RGB 43 231 225

HSL 178.09, 0.8%, 0.54%

LAB 83.5, -44.54, -9.78

 

CMYK 81 / 19 / 0 / 9

HEX #2BBBE7

RGB 43 187 231

HSL 194.04, 0.8%, 0.54%

LAB 70.75, -21.82, -32.34

 

CMYK 81 / 41 / 0 / 9

HEX #2B89E7

RGB 43 137 231

HSL 210, 0.8%, 0.54%

LAB 56.26, 6.15, -55.11

 

CMYK 81 / 62 / 0 / 9

HEX #2B57E7

RGB 43 87 231

HSL 225.96, 0.8%, 0.54%

LAB 42.91, 37.54, -76.72

 

CMYK 78 / 81 / 0 / 9

HEX #322BE7

RGB 50 43 231

HSL 242.23, 0.8%, 0.54%

LAB 34.35, 62.5, -90.85

 

CMYK 89 / 46 / 0 / 32

HEX #135DAD

RGB 19 93 173

HSL 211.17, 0.8%, 0.38%

LAB 39.55, 9.45, -48.68

 

CMYK 89 / 46 / 0 / 18

HEX #1772D2

RGB 23 114 210

HSL 210.8, 0.8%, 0.46%

LAB 48.1, 10.88, -56.39

 

CMYK 81 / 42 / 0 / 9

HEX #2B86E7

RGB 43 134 231

HSL 210.96, 0.8%, 0.54%

LAB 55.41, 7.97, -56.47

 

CMYK 66 / 34 / 0 / 8

HEX #509BEB

RGB 80 155 235

HSL 210.97, 0.79%, 0.62%

LAB 62.63, 1.6, -47.15

 

CMYK 51 / 26 / 0 / 6

HEX #76B1EF

RGB 118 177 239

HSL 210.74, 0.79%, 0.7%

LAB 70.54, -2.21, -36.82

 

CMYK 81 / 42 / 0 / 9

HEX #2B86E7

RGB 43 134 231

HSL 210.96, 0.8%, 0.54%

LAB 55.41, 7.97, -56.47

 

CMYK 24 / 81 / 0 / 9

HEX #AF2BE7

RGB 175 43 231

HSL 282.13, 0.8%, 0.54%

LAB 47.77, 76.45, -68.3

 

CMYK 8 / 0 / 81 / 9

HEX #D4E72B

RGB 212 231 43

HSL 66.06, 0.8%, 0.54%

LAB 87.64, -27.16, 79.98

 

CMYK 81 / 42 / 0 / 9

HEX #2B86E7

RGB 43 134 231

HSL 210.96, 0.8%, 0.54%

LAB 55.41, 7.97, -56.47

 

CMYK 0 / 81 / 41 / 9

HEX #E72B89

RGB 231 43 137

HSL 330, 0.8%, 0.54%

LAB 52.42, 74.49, -5.48

 

CMYK 41 / 0 / 81 / 9

HEX #89E72B

RGB 137 231 43

HSL 90, 0.8%, 0.54%

LAB 83.26, -55.24, 74.44

 

CMYK 81 / 42 / 0 / 9

HEX #2B86E7

RGB 43 134 231

HSL 210.96, 0.8%, 0.54%

LAB 55.41, 7.97, -56.47

 

CMYK 24 / 81 / 0 / 9

HEX #AF2BE7

RGB 175 43 231

HSL 282.13, 0.8%, 0.54%

LAB 47.77, 76.45, -68.3

 

CMYK 0 / 41 / 81 / 9

HEX #E7892B

RGB 231 137 43

HSL 30, 0.8%, 0.54%

LAB 65.79, 29.3, 61.59

 

CMYK 57 / 0 / 81 / 9

HEX #64E72B

RGB 100 231 43

HSL 101.81, 0.8%, 0.54%

LAB 81.86, -65.94, 72.65

 

CMYK 81 / 42 / 0 / 9

HEX #2B86E7

RGB 43 134 231

HSL 210.96, 0.8%, 0.54%

LAB 55.41, 7.97, -56.47

 

CMYK 0 / 81 / 0 / 9

HEX #E72BE7

RGB 231 43 231

HSL 300, 0.8%, 0.54%

LAB 56.57, 86.03, -53.67

 

CMYK 0 / 41 / 81 / 9

HEX #E7892B

RGB 231 137 43

HSL 30, 0.8%, 0.54%

LAB 65.79, 29.3, 61.59

 

CMYK 81 / 0 / 81 / 9

HEX #2BE72B

RGB 43 231 43

HSL 120, 0.8%, 0.54%

LAB 80.65, -76.13, 71.1

 

Description

Color code: HEX #2B86E7 | qconv.com Color code: HEX #2B86E7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 134 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 134 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 42 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 42% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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