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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B964D it is the complementary color #D469B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B964D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B964D shade: #309648, #41A85B, #52BA6E, #63CC81 and #74DE94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B964D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B964D shade: #2B964D, #1A843A, #097227, #006014 and #004E01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B964D shade: #2B964D, #2B9630, #43962B, #5F962B and #7C962B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B964D shade: #2B964D, #2B966A, #2B9686, #2B8896 and #2B6B96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B964D shade matches the following richer shades: #2B964D, #1BA547 and #0CB542

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B964D shade: #2B964D, #3B8653, #4A7658, #5A675E and #6A5764

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B964D shade: #42962B, #2B9630, #2B964D, #2B9669 and #2B9686

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B964D shade: #19562C, #22763C, #2B964D, #34B65D and #49CA72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B964D shade: #2B964D, #2B5F96 and #962B34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B964D shade: #2B964D, #4D2B96 and #964D2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B964D shade: #2B964D, #2B5F96, #962B74 and #96622B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B964D shade: #2B964D, #2B3F96, #962B74 and #96822B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 49 / 41

HEX #2B964D

RGB 43 150 77

HSL 139.07, 0.55%, 0.38%

LAB 54.93, -46.53, 29.9

 

Complementary color

CMYK 0 / 50 / 16 / 17

HEX #D469B2

RGB 212 105 178

HSL 319.07, 0.55%, 0.62%

LAB 59.26, 51.02, -19.51

 

CMYK 68 / 0 / 52 / 41

HEX #309648

RGB 48 150 72

HSL 134.12, 0.52%, 0.39%

LAB 54.98, -46.39, 32.59

 

CMYK 61 / 0 / 46 / 34

HEX #41A85B

RGB 65 168 91

HSL 135.15, 0.44%, 0.46%

LAB 61.55, -46.78, 31.08

 

CMYK 56 / 0 / 41 / 27

HEX #52BA6E

RGB 82 186 110

HSL 136.15, 0.43%, 0.53%

LAB 68.05, -46.89, 29.66

 

CMYK 51 / 0 / 37 / 20

HEX #63CC81

RGB 99 204 129

HSL 137.14, 0.51%, 0.59%

LAB 74.46, -46.85, 28.32

 

CMYK 48 / 0 / 33 / 13

HEX #74DE94

RGB 116 222 148

HSL 138.11, 0.62%, 0.66%

LAB 80.79, -46.71, 27.07

 

CMYK 71 / 0 / 49 / 41

HEX #2B964D

RGB 43 150 77

HSL 139.07, 0.55%, 0.38%

LAB 54.93, -46.53, 29.9

 

CMYK 80 / 0 / 56 / 48

HEX #1A843A

RGB 26 132 58

HSL 138.11, 0.67%, 0.31%

LAB 48.29, -45.57, 31.53

 

CMYK 92 / 0 / 66 / 55

HEX #097227

RGB 9 114 39

HSL 137.14, 0.85%, 0.24%

LAB 41.59, -43.82, 33.15

 

CMYK 100 / 0 / 79 / 62

HEX #006014

RGB 0 96 20

HSL 132.5, 1%, 0.19%

LAB 34.84, -40.83, 34.36

 

CMYK 100 / 0 / 99 / 69

HEX #004E01

RGB 0 78 1

HSL 120.77, 1%, 0.15%

LAB 27.98, -36.46, 34.84

 

CMYK 71 / 0 / 49 / 41

HEX #2B964D

RGB 43 150 77

HSL 139.07, 0.55%, 0.38%

LAB 54.93, -46.53, 29.9

 

CMYK 71 / 0 / 68 / 41

HEX #2B9630

RGB 43 150 48

HSL 122.8, 0.55%, 0.38%

LAB 54.59, -50.45, 43.58

 

CMYK 55 / 0 / 71 / 41

HEX #43962B

RGB 67 150 43

HSL 106.54, 0.55%, 0.38%

LAB 55.26, -45.26, 46.58

 

CMYK 37 / 0 / 71 / 41

HEX #5F962B

RGB 95 150 43

HSL 90.84, 0.55%, 0.38%

LAB 56.51, -36.09, 48.26

 

CMYK 17 / 0 / 71 / 41

HEX #7C962B

RGB 124 150 43

HSL 74.58, 0.55%, 0.38%

LAB 58.29, -24.56, 50.65

 

CMYK 71 / 0 / 49 / 41

HEX #2B964D

RGB 43 150 77

HSL 139.07, 0.55%, 0.38%

LAB 54.93, -46.53, 29.9

 

CMYK 71 / 0 / 29 / 41

HEX #2B966A

RGB 43 150 106

HSL 155.33, 0.55%, 0.38%

LAB 55.45, -40.78, 14.69

 

CMYK 71 / 0 / 11 / 41

HEX #2B9686

RGB 43 150 134

HSL 171.03, 0.55%, 0.38%

LAB 56.14, -33.67, -0.25

 

CMYK 71 / 9 / 0 / 41

HEX #2B8896

RGB 43 136 150

HSL 187.85, 0.55%, 0.38%

LAB 52.2, -21.95, -15.34

 

CMYK 71 / 29 / 0 / 41

HEX #2B6B96

RGB 43 107 150

HSL 204.11, 0.55%, 0.38%

LAB 43.11, -5.64, -29.36

 

CMYK 71 / 0 / 49 / 41

HEX #2B964D

RGB 43 150 77

HSL 139.07, 0.55%, 0.38%

LAB 54.93, -46.53, 29.9

 

CMYK 84 / 0 / 57 / 35

HEX #1BA547

RGB 27 165 71

HSL 139.13, 0.72%, 0.38%

LAB 59.52, -55.07, 38.51

 

CMYK 93 / 0 / 64 / 29

HEX #0CB542

RGB 12 181 66

HSL 139.17, 0.88%, 0.38%

LAB 64.58, -62.02, 46.66

 

CMYK 71 / 0 / 49 / 41

HEX #2B964D

RGB 43 150 77

HSL 139.07, 0.55%, 0.38%

LAB 54.93, -46.53, 29.9

 

CMYK 56 / 0 / 38 / 47

HEX #3B8653

RGB 59 134 83

HSL 139.2, 0.39%, 0.38%

LAB 50.22, -35.37, 20.61

 

CMYK 37 / 0 / 25 / 54

HEX #4A7658

RGB 74 118 88

HSL 139.09, 0.23%, 0.38%

LAB 45.79, -22.22, 11.82

 

CMYK 13 / 0 / 9 / 60

HEX #5A675E

RGB 90 103 94

HSL 138.46, 0.07%, 0.38%

LAB 42.28, -6.91, 3.4

 

CMYK 0 / 18 / 6 / 58

HEX #6A5764

RGB 106 87 100

HSL 318.95, 0.1%, 0.38%

LAB 39.24, 10.27, -4.55

 

CMYK 56 / 0 / 71 / 41

HEX #42962B

RGB 66 150 43

HSL 107.1, 0.55%, 0.38%

LAB 55.22, -45.54, 46.53

 

CMYK 71 / 0 / 68 / 41

HEX #2B9630

RGB 43 150 48

HSL 122.8, 0.55%, 0.38%

LAB 54.59, -50.45, 43.58

 

CMYK 71 / 0 / 49 / 41

HEX #2B964D

RGB 43 150 77

HSL 139.07, 0.55%, 0.38%

LAB 54.93, -46.53, 29.9

 

CMYK 71 / 0 / 30 / 41

HEX #2B9669

RGB 43 150 105

HSL 154.77, 0.55%, 0.38%

LAB 55.43, -41, 15.23

 

CMYK 71 / 0 / 11 / 41

HEX #2B9686

RGB 43 150 134

HSL 171.03, 0.55%, 0.38%

LAB 56.14, -33.67, -0.25

 

CMYK 71 / 0 / 49 / 66

HEX #19562C

RGB 25 86 44

HSL 138.69, 0.55%, 0.22%

LAB 31.91, -29.96, 18.87

 

CMYK 71 / 0 / 49 / 54

HEX #22763C

RGB 34 118 60

HSL 138.57, 0.55%, 0.3%

LAB 43.69, -38.57, 24.8

 

CMYK 71 / 0 / 49 / 41

HEX #2B964D

RGB 43 150 77

HSL 139.07, 0.55%, 0.38%

LAB 54.93, -46.53, 29.9

 

CMYK 71 / 0 / 49 / 29

HEX #34B65D

RGB 52 182 93

HSL 138.92, 0.56%, 0.46%

LAB 65.73, -54.3, 35.27

 

CMYK 64 / 0 / 44 / 21

HEX #49CA72

RGB 73 202 114

HSL 139.07, 0.55%, 0.54%

LAB 72.81, -54.49, 33.73

 

CMYK 71 / 0 / 49 / 41

HEX #2B964D

RGB 43 150 77

HSL 139.07, 0.55%, 0.38%

LAB 54.93, -46.53, 29.9

 

CMYK 71 / 37 / 0 / 41

HEX #2B5F96

RGB 43 95 150

HSL 210.84, 0.55%, 0.38%

LAB 39.41, 1.78, -35.18

 

CMYK 0 / 71 / 65 / 41

HEX #962B34

RGB 150 43 52

HSL 354.95, 0.55%, 0.38%

LAB 34.92, 44.95, 20.54

 

CMYK 71 / 0 / 49 / 41

HEX #2B964D

RGB 43 150 77

HSL 139.07, 0.55%, 0.38%

LAB 54.93, -46.53, 29.9

 

CMYK 49 / 71 / 0 / 41

HEX #4D2B96

RGB 77 43 150

HSL 259.07, 0.55%, 0.38%

LAB 28.13, 41.23, -53.2

 

CMYK 0 / 49 / 71 / 41

HEX #964D2B

RGB 150 77 43

HSL 19.07, 0.55%, 0.38%

LAB 41.16, 27.76, 33.37

 

CMYK 71 / 0 / 49 / 41

HEX #2B964D

RGB 43 150 77

HSL 139.07, 0.55%, 0.38%

LAB 54.93, -46.53, 29.9

 

CMYK 71 / 37 / 0 / 41

HEX #2B5F96

RGB 43 95 150

HSL 210.84, 0.55%, 0.38%

LAB 39.41, 1.78, -35.18

 

CMYK 0 / 71 / 23 / 41

HEX #962B74

RGB 150 43 116

HSL 319.07, 0.55%, 0.38%

LAB 36.88, 51.53, -17.52

 

CMYK 0 / 35 / 71 / 41

HEX #96622B

RGB 150 98 43

HSL 30.84, 0.55%, 0.38%

LAB 46.17, 15.83, 38.87

 

CMYK 71 / 0 / 49 / 41

HEX #2B964D

RGB 43 150 77

HSL 139.07, 0.55%, 0.38%

LAB 54.93, -46.53, 29.9

 

CMYK 71 / 58 / 0 / 41

HEX #2B3F96

RGB 43 63 150

HSL 228.79, 0.55%, 0.38%

LAB 30.09, 23, -50.14

 

CMYK 0 / 71 / 23 / 41

HEX #962B74

RGB 150 43 116

HSL 319.07, 0.55%, 0.38%

LAB 36.88, 51.53, -17.52

 

CMYK 0 / 13 / 71 / 41

HEX #96822B

RGB 150 130 43

HSL 48.79, 0.55%, 0.38%

LAB 54.68, -2.41, 47.73

 

Description

Color code: HEX #2B964D | qconv.com Color code: HEX #2B964D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 150 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 150 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 49 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 49% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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