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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BA5A5 it is the complementary color #D45A5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BA5A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BA5A5 shade: #30A5A0, #41B7B3, #52C9C6, #63DBD9 and #74EDEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BA5A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BA5A5 shade: #2BA5A5, #1A9392, #09817F, #006F6C and #005D59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BA5A5 shade: #2AA6A6, #2AA684, #2AA663, #2AA642 and #34A62A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BA5A5 shade: #2AA6A6, #2A84A6, #2A63A6, #2A42A6 and #2A2AA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BA5A5 shade matches the following richer shades: #2AA6A6, #19B7B7 and #09C8C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BA5A5 shade: #2AA6A6, #3B9595, #4C8484, #5D7373 and #6E6262

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BA5A5 shade: #2AA664, #2AA685, #2AA6A6, #2A85A6 and #2A64A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BA5A5 shade: #196464, #228585, #2AA6A6, #33C7C7 and #51D2D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BA5A5 shade: #2BA5A5, #432AA6 and #A6742A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BA5A5 shade: #2BA5A5, #A62AA6 and #A6A62A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BA5A5 shade: #2BA5A5, #432AA6, #A62A2A and #8DA62A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BA5A5 shade: #2BA5A5, #682AA6, #A62A2A and #68A62A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 0 / 35

HEX #2BA5A5

RGB 43 165 165

HSL 180, 0.59%, 0.41%

LAB 61.78, -31.81, -9.5

 

Complementary color

CMYK 0 / 58 / 58 / 17

HEX #D45A5A

RGB 212 90 90

HSL 0, 0.59%, 0.59%

LAB 54.08, 48.13, 24.38

 

CMYK 71 / 0 / 3 / 35

HEX #30A5A0

RGB 48 165 160

HSL 177.44, 0.55%, 0.42%

LAB 61.72, -32.64, -6.76

 

CMYK 64 / 0 / 2 / 28

HEX #41B7B3

RGB 65 183 179

HSL 177.97, 0.48%, 0.49%

LAB 68.2, -33.24, -7.67

 

CMYK 59 / 0 / 1 / 21

HEX #52C9C6

RGB 82 201 198

HSL 178.49, 0.52%, 0.55%

LAB 74.6, -33.65, -8.49

 

CMYK 55 / 0 / 1 / 14

HEX #63DBD9

RGB 99 219 217

HSL 179, 0.63%, 0.62%

LAB 80.92, -33.91, -9.24

 

CMYK 51 / 0 / 0 / 7

HEX #74EDEC

RGB 116 237 236

HSL 179.5, 0.77%, 0.69%

LAB 87.16, -34.09, -9.94

 

CMYK 74 / 0 / 0 / 35

HEX #2BA5A5

RGB 43 165 165

HSL 180, 0.59%, 0.41%

LAB 61.78, -31.81, -9.5

 

CMYK 82 / 0 / 1 / 42

HEX #1A9392

RGB 26 147 146

HSL 179.5, 0.7%, 0.34%

LAB 55.24, -30.71, -8.49

 

CMYK 93 / 0 / 2 / 49

HEX #09817F

RGB 9 129 127

HSL 179, 0.87%, 0.27%

LAB 48.62, -29.17, -7.33

 

CMYK 100 / 0 / 3 / 56

HEX #006F6C

RGB 0 111 108

HSL 178.38, 1%, 0.22%

LAB 41.93, -27.04, -5.99

 

CMYK 100 / 0 / 4 / 64

HEX #005D59

RGB 0 93 89

HSL 177.42, 1%, 0.18%

LAB 35.1, -24.36, -4.47

 

CMYK 75 / 0 / 0 / 35

HEX #2AA6A6

RGB 42 166 166

HSL 180, 0.6%, 0.41%

LAB 62.1, -32.1, -9.58

 

CMYK 75 / 0 / 20 / 35

HEX #2AA684

RGB 42 166 132

HSL 163.55, 0.6%, 0.41%

LAB 61.16, -41.49, 8.13

 

CMYK 75 / 0 / 40 / 35

HEX #2AA663

RGB 42 166 99

HSL 147.58, 0.6%, 0.41%

LAB 60.49, -48.83, 25.35

 

CMYK 75 / 0 / 60 / 35

HEX #2AA642

RGB 42 166 66

HSL 131.61, 0.6%, 0.41%

LAB 60.03, -54.11, 41.55

 

CMYK 69 / 0 / 75 / 35

HEX #34A62A

RGB 52 166 42

HSL 115.16, 0.6%, 0.41%

LAB 60.04, -54.77, 51.71

 

CMYK 75 / 0 / 0 / 35

HEX #2AA6A6

RGB 42 166 166

HSL 180, 0.6%, 0.41%

LAB 62.1, -32.1, -9.58

 

CMYK 75 / 20 / 0 / 35

HEX #2A84A6

RGB 42 132 166

HSL 196.45, 0.6%, 0.41%

LAB 51.55, -14.58, -25.62

 

CMYK 75 / 40 / 0 / 35

HEX #2A63A6

RGB 42 99 166

HSL 212.42, 0.6%, 0.41%

LAB 41.48, 5.13, -41.43

 

CMYK 75 / 60 / 0 / 35

HEX #2A42A6

RGB 42 66 166

HSL 228.39, 0.6%, 0.41%

LAB 32.13, 26.9, -56.51

 

CMYK 75 / 75 / 0 / 35

HEX #2A2AA6

RGB 42 42 166

HSL 240, 0.6%, 0.41%

LAB 26.45, 42.06, -65.82

 

CMYK 75 / 0 / 0 / 35

HEX #2AA6A6

RGB 42 166 166

HSL 180, 0.6%, 0.41%

LAB 62.1, -32.1, -9.58

 

CMYK 86 / 0 / 0 / 28

HEX #19B7B7

RGB 25 183 183

HSL 180, 0.76%, 0.41%

LAB 67.64, -36.46, -10.77

 

CMYK 96 / 0 / 0 / 22

HEX #09C8C8

RGB 9 200 200

HSL 180, 0.91%, 0.41%

LAB 73.24, -39.79, -11.71

 

CMYK 75 / 0 / 0 / 35

HEX #2AA6A6

RGB 42 166 166

HSL 180, 0.6%, 0.41%

LAB 62.1, -32.1, -9.58

 

CMYK 60 / 0 / 0 / 42

HEX #3B9595

RGB 59 149 149

HSL 180, 0.43%, 0.41%

LAB 56.68, -26.26, -7.99

 

CMYK 42 / 0 / 0 / 48

HEX #4C8484

RGB 76 132 132

HSL 180, 0.27%, 0.41%

LAB 51.5, -18.39, -5.79

 

CMYK 19 / 0 / 0 / 55

HEX #5D7373

RGB 93 115 115

HSL 180, 0.11%, 0.41%

LAB 46.75, -8.05, -2.69

 

CMYK 0 / 11 / 11 / 57

HEX #6E6262

RGB 110 98 98

HSL 0, 0.06%, 0.41%

LAB 42.66, 4.78, 1.74

 

CMYK 75 / 0 / 40 / 35

HEX #2AA664

RGB 42 166 100

HSL 148.06, 0.6%, 0.41%

LAB 60.5, -48.64, 24.84

 

CMYK 75 / 0 / 20 / 35

HEX #2AA685

RGB 42 166 133

HSL 164.03, 0.6%, 0.41%

LAB 61.18, -41.24, 7.6

 

CMYK 75 / 0 / 0 / 35

HEX #2AA6A6

RGB 42 166 166

HSL 180, 0.6%, 0.41%

LAB 62.1, -32.1, -9.58

 

CMYK 75 / 20 / 0 / 35

HEX #2A85A6

RGB 42 133 166

HSL 195.97, 0.6%, 0.41%

LAB 51.86, -15.13, -25.14

 

CMYK 75 / 40 / 0 / 35

HEX #2A64A6

RGB 42 100 166

HSL 211.94, 0.6%, 0.41%

LAB 41.78, 4.49, -40.95

 

CMYK 75 / 0 / 0 / 61

HEX #196464

RGB 25 100 100

HSL 180, 0.6%, 0.25%

LAB 38.27, -21.8, -6.53

 

CMYK 74 / 0 / 0 / 48

HEX #228585

RGB 34 133 133

HSL 180, 0.59%, 0.33%

LAB 50.46, -27.02, -8.07

 

CMYK 75 / 0 / 0 / 35

HEX #2AA6A6

RGB 42 166 166

HSL 180, 0.6%, 0.41%

LAB 62.1, -32.1, -9.58

 

CMYK 74 / 0 / 0 / 22

HEX #33C7C7

RGB 51 199 199

HSL 180, 0.59%, 0.49%

LAB 73.33, -36.87, -10.99

 

CMYK 61 / 0 / 0 / 18

HEX #51D2D2

RGB 81 210 210

HSL 180, 0.59%, 0.57%

LAB 77.58, -34.77, -10.53

 

CMYK 74 / 0 / 0 / 35

HEX #2BA5A5

RGB 43 165 165

HSL 180, 0.59%, 0.41%

LAB 61.78, -31.81, -9.5

 

CMYK 60 / 75 / 0 / 35

HEX #432AA6

RGB 67 42 166

HSL 252.1, 0.6%, 0.41%

LAB 28.39, 44.92, -62.57

 

CMYK 0 / 30 / 75 / 35

HEX #A6742A

RGB 166 116 42

HSL 35.81, 0.6%, 0.41%

LAB 52.69, 12.71, 46.73

 

CMYK 74 / 0 / 0 / 35

HEX #2BA5A5

RGB 43 165 165

HSL 180, 0.59%, 0.41%

LAB 61.78, -31.81, -9.5

 

CMYK 0 / 75 / 0 / 35

HEX #A62AA6

RGB 166 42 166

HSL 300, 0.6%, 0.41%

LAB 42.02, 63.43, -39.84

 

CMYK 0 / 0 / 75 / 35

HEX #A6A62A

RGB 166 166 42

HSL 60, 0.6%, 0.41%

LAB 66.17, -14.59, 59.76

 

CMYK 74 / 0 / 0 / 35

HEX #2BA5A5

RGB 43 165 165

HSL 180, 0.59%, 0.41%

LAB 61.78, -31.81, -9.5

 

CMYK 60 / 75 / 0 / 35

HEX #432AA6

RGB 67 42 166

HSL 252.1, 0.6%, 0.41%

LAB 28.39, 44.92, -62.57

 

CMYK 0 / 75 / 75 / 35

HEX #A62A2A

RGB 166 42 42

HSL 0, 0.6%, 0.41%

LAB 37.72, 50.02, 30.81

 

CMYK 15 / 0 / 75 / 35

HEX #8DA62A

RGB 141 166 42

HSL 72.1, 0.6%, 0.41%

LAB 64.24, -25.35, 57.25

 

CMYK 74 / 0 / 0 / 35

HEX #2BA5A5

RGB 43 165 165

HSL 180, 0.59%, 0.41%

LAB 61.78, -31.81, -9.5

 

CMYK 37 / 75 / 0 / 35

HEX #682AA6

RGB 104 42 166

HSL 270, 0.6%, 0.41%

LAB 32.6, 50.9, -55.51

 

CMYK 0 / 75 / 75 / 35

HEX #A62A2A

RGB 166 42 42

HSL 0, 0.6%, 0.41%

LAB 37.72, 50.02, 30.81

 

CMYK 37 / 0 / 75 / 35

HEX #68A62A

RGB 104 166 42

HSL 90, 0.6%, 0.41%

LAB 61.98, -39.92, 54.28

 

Description

Color code: HEX #2BA5A5 | qconv.com Color code: HEX #2BA5A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 165 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 165 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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