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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BA979 it is the complementary color #D45686. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BA979. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BA979 shade: #30A974, #41BB87, #52CD9A, #63DFAD and #74F1C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BA979. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BA979 shade: #2BA979, #1A9766, #098553, #007340 and #00612D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BA979 shade: #2BAA7A, #2BAA58, #2BAA35, #43AA2B and #66AA2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BA979 shade: #2BAA7A, #2BAA9C, #2B96AA, #2B74AA and #2B52AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BA979 shade matches the following richer shades: #2BAA7A, #1ABB7E and #09CC82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BA979 shade: #2BAA7A, #3D9876, #4E8771, #5F766D and #716469

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BA979 shade: #2BAA36, #2BAA58, #2BAA79, #2BAA9B and #2B97AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BA979 shade: #1A684B, #238962, #2BAA7A, #34CA91 and #55D3A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BA979 shade: #2BA979, #2B43AA and #AA472B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BA979 shade: #2BA979, #792BAA and #AA792B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BA979 shade: #2BA979, #2B43AA, #AA2B5C and #AA932B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BA979 shade: #2BA979, #3A2BAA, #AA2B5C and #9BAA2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 28 / 34

HEX #2BA979

RGB 43 169 121

HSL 157.14, 0.59%, 0.42%

LAB 61.89, -45.25, 15.26

 

Complementary color

CMYK 0 / 59 / 37 / 17

HEX #D45686

RGB 212 86 134

HSL 337.14, 0.59%, 0.58%

LAB 54.42, 54.1, -1.12

 

CMYK 72 / 0 / 31 / 34

HEX #30A974

RGB 48 169 116

HSL 153.72, 0.56%, 0.43%

LAB 61.88, -45.62, 18.02

 

CMYK 65 / 0 / 28 / 27

HEX #41BB87

RGB 65 187 135

HSL 154.43, 0.48%, 0.49%

LAB 68.32, -46.02, 16.63

 

CMYK 60 / 0 / 25 / 20

HEX #52CD9A

RGB 82 205 154

HSL 155.12, 0.55%, 0.56%

LAB 74.69, -46.21, 15.36

 

CMYK 56 / 0 / 22 / 13

HEX #63DFAD

RGB 99 223 173

HSL 155.81, 0.66%, 0.63%

LAB 80.99, -46.25, 14.21

 

CMYK 52 / 0 / 20 / 5

HEX #74F1C0

RGB 116 241 192

HSL 156.48, 0.82%, 0.7%

LAB 87.21, -46.21, 13.14

 

CMYK 75 / 0 / 28 / 34

HEX #2BA979

RGB 43 169 121

HSL 157.14, 0.59%, 0.42%

LAB 61.89, -45.25, 15.26

 

CMYK 83 / 0 / 32 / 41

HEX #1A9766

RGB 26 151 102

HSL 156.48, 0.71%, 0.35%

LAB 55.39, -44.36, 16.81

 

CMYK 93 / 0 / 38 / 48

HEX #098553

RGB 9 133 83

HSL 155.81, 0.87%, 0.28%

LAB 48.83, -42.92, 18.57

 

CMYK 100 / 0 / 44 / 55

HEX #007340

RGB 0 115 64

HSL 153.39, 1%, 0.23%

LAB 42.2, -40.73, 20.55

 

CMYK 100 / 0 / 54 / 62

HEX #00612D

RGB 0 97 45

HSL 147.84, 1%, 0.19%

LAB 35.48, -37.73, 22.72

 

CMYK 75 / 0 / 28 / 33

HEX #2BAA7A

RGB 43 170 122

HSL 157.32, 0.6%, 0.42%

LAB 62.23, -45.43, 15.18

 

CMYK 75 / 0 / 48 / 33

HEX #2BAA58

RGB 43 170 88

HSL 141.26, 0.6%, 0.42%

LAB 61.63, -52.15, 32.62

 

CMYK 75 / 0 / 69 / 33

HEX #2BAA35

RGB 43 170 53

HSL 124.72, 0.6%, 0.42%

LAB 61.24, -56.77, 48.63

 

CMYK 61 / 0 / 75 / 33

HEX #43AA2B

RGB 67 170 43

HSL 108.66, 0.6%, 0.42%

LAB 61.76, -52.75, 53.2

 

CMYK 40 / 0 / 75 / 33

HEX #66AA2B

RGB 102 170 43

HSL 92.13, 0.6%, 0.42%

LAB 63.13, -42.27, 55.03

 

CMYK 75 / 0 / 28 / 33

HEX #2BAA7A

RGB 43 170 122

HSL 157.32, 0.6%, 0.42%

LAB 62.23, -45.43, 15.18

 

CMYK 75 / 0 / 8 / 33

HEX #2BAA9C

RGB 43 170 156

HSL 173.39, 0.6%, 0.42%

LAB 63.06, -36.75, -2.54

 

CMYK 75 / 12 / 0 / 33

HEX #2B96AA

RGB 43 150 170

HSL 189.45, 0.6%, 0.42%

LAB 57.3, -22.77, -19.09

 

CMYK 75 / 32 / 0 / 33

HEX #2B74AA

RGB 43 116 170

HSL 205.51, 0.6%, 0.42%

LAB 46.85, -3.76, -35.27

 

CMYK 75 / 52 / 0 / 33

HEX #2B52AA

RGB 43 82 170

HSL 221.57, 0.6%, 0.42%

LAB 36.84, 17.89, -51.25

 

CMYK 75 / 0 / 28 / 33

HEX #2BAA7A

RGB 43 170 122

HSL 157.32, 0.6%, 0.42%

LAB 62.23, -45.43, 15.18

 

CMYK 86 / 0 / 33 / 27

HEX #1ABB7E

RGB 26 187 126

HSL 157.27, 0.76%, 0.42%

LAB 67.48, -52.99, 20.21

 

CMYK 96 / 0 / 36 / 20

HEX #09CC82

RGB 9 204 130

HSL 157.23, 0.92%, 0.42%

LAB 72.8, -59.28, 25.28

 

CMYK 75 / 0 / 28 / 33

HEX #2BAA7A

RGB 43 170 122

HSL 157.32, 0.6%, 0.42%

LAB 62.23, -45.43, 15.18

 

CMYK 60 / 0 / 22 / 40

HEX #3D9876

RGB 61 152 118

HSL 157.58, 0.43%, 0.42%

LAB 56.84, -35.47, 9.93

 

CMYK 42 / 0 / 16 / 47

HEX #4E8771

RGB 78 135 113

HSL 156.84, 0.27%, 0.42%

LAB 52, -24.17, 6

 

CMYK 19 / 0 / 8 / 54

HEX #5F766D

RGB 95 118 109

HSL 156.52, 0.11%, 0.42%

LAB 47.62, -10.41, 2.17

 

CMYK 0 / 12 / 7 / 56

HEX #716469

RGB 113 100 105

HSL 336.92, 0.06%, 0.42%

LAB 43.72, 6.12, -0.93

 

CMYK 75 / 0 / 68 / 33

HEX #2BAA36

RGB 43 170 54

HSL 125.2, 0.6%, 0.42%

LAB 61.25, -56.67, 48.23

 

CMYK 75 / 0 / 48 / 33

HEX #2BAA58

RGB 43 170 88

HSL 141.26, 0.6%, 0.42%

LAB 61.63, -52.15, 32.62

 

CMYK 75 / 0 / 29 / 33

HEX #2BAA79

RGB 43 170 121

HSL 156.85, 0.6%, 0.42%

LAB 62.21, -45.65, 15.71

 

CMYK 75 / 0 / 9 / 33

HEX #2BAA9B

RGB 43 170 155

HSL 172.91, 0.6%, 0.42%

LAB 63.04, -37.03, -2.02

 

CMYK 75 / 11 / 0 / 33

HEX #2B97AA

RGB 43 151 170

HSL 188.98, 0.6%, 0.42%

LAB 57.61, -23.29, -18.62

 

CMYK 75 / 0 / 28 / 59

HEX #1A684B

RGB 26 104 75

HSL 157.69, 0.6%, 0.25%

LAB 38.95, -30.85, 9.74

 

CMYK 74 / 0 / 28 / 46

HEX #238962

RGB 35 137 98

HSL 157.06, 0.59%, 0.34%

LAB 50.84, -38.36, 12.82

 

CMYK 75 / 0 / 28 / 33

HEX #2BAA7A

RGB 43 170 122

HSL 157.32, 0.6%, 0.42%

LAB 62.23, -45.43, 15.18

 

CMYK 74 / 0 / 28 / 21

HEX #34CA91

RGB 52 202 145

HSL 157.2, 0.59%, 0.5%

LAB 72.9, -51.91, 17.57

 

CMYK 60 / 0 / 23 / 17

HEX #55D3A3

RGB 85 211 163

HSL 157.14, 0.59%, 0.58%

LAB 76.78, -46.19, 13.51

 

CMYK 75 / 0 / 28 / 34

HEX #2BA979

RGB 43 169 121

HSL 157.14, 0.59%, 0.42%

LAB 61.89, -45.25, 15.26

 

CMYK 75 / 61 / 0 / 33

HEX #2B43AA

RGB 43 67 170

HSL 228.66, 0.6%, 0.42%

LAB 32.77, 27.86, -57.86

 

CMYK 0 / 58 / 75 / 33

HEX #AA472B

RGB 170 71 43

HSL 13.23, 0.6%, 0.42%

LAB 43.1, 38.96, 36.41

 

CMYK 75 / 0 / 28 / 34

HEX #2BA979

RGB 43 169 121

HSL 157.14, 0.59%, 0.42%

LAB 61.89, -45.25, 15.26

 

CMYK 29 / 75 / 0 / 33

HEX #792BAA

RGB 121 43 170

HSL 276.85, 0.6%, 0.42%

LAB 35.39, 54.59, -53.27

 

CMYK 0 / 29 / 75 / 33

HEX #AA792B

RGB 170 121 43

HSL 36.85, 0.6%, 0.42%

LAB 54.44, 11.74, 48.2

 

CMYK 75 / 0 / 28 / 34

HEX #2BA979

RGB 43 169 121

HSL 157.14, 0.59%, 0.42%

LAB 61.89, -45.25, 15.26

 

CMYK 75 / 61 / 0 / 33

HEX #2B43AA

RGB 43 67 170

HSL 228.66, 0.6%, 0.42%

LAB 32.77, 27.86, -57.86

 

CMYK 0 / 75 / 46 / 33

HEX #AA2B5C

RGB 170 43 92

HSL 336.85, 0.6%, 0.42%

LAB 39.66, 54.35, 2.15

 

CMYK 0 / 14 / 75 / 33

HEX #AA932B

RGB 170 147 43

HSL 49.13, 0.6%, 0.42%

LAB 61.3, -2.69, 54.91

 

CMYK 75 / 0 / 28 / 34

HEX #2BA979

RGB 43 169 121

HSL 157.14, 0.59%, 0.42%

LAB 61.89, -45.25, 15.26

 

CMYK 66 / 75 / 0 / 33

HEX #3A2BAA

RGB 58 43 170

HSL 247.09, 0.6%, 0.42%

LAB 28.19, 44.48, -65.33

 

CMYK 0 / 75 / 46 / 33

HEX #AA2B5C

RGB 170 43 92

HSL 336.85, 0.6%, 0.42%

LAB 39.66, 54.35, 2.15

 

CMYK 9 / 0 / 75 / 33

HEX #9BAA2B

RGB 155 170 43

HSL 67.09, 0.6%, 0.42%

LAB 66.44, -21.35, 59.35

 

Description

Color code: HEX #2BA979 | qconv.com Color code: HEX #2BA979 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 169 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 169 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 28 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 28% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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