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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BAF45 it is the complementary color #D450BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BAF45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BAF45 shade: #30AF40, #41C153, #52D366, #63E579 and #74F78C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BAF45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BAF45 shade: #2BAF45, #1A9D32, #098B1F, #00790C and #006700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BAF45 shade: #2AB045, #34B02A, #58B02A, #7CB02A and #A0B02A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BAF45 shade: #2AB045, #2AB069, #2AB08D, #2AAFB0 and #2A8BB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BAF45 shade matches the following richer shades: #2AB045, #19C23A and #07D42F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BAF45 shade: #2AB045, #3C9E4F, #4E8D5A, #5F7B65 and #716970

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BAF45 shade: #59B02A, #35B02A, #2AB043, #2AB066 and #2AB08A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BAF45 shade: #1A6E2B, #228F38, #2AB045, #36CE54 and #57D670

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BAF45 shade: #2BAF45, #2A7DB0 and #B02A47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BAF45 shade: #2BAF45, #432AB0 and #B0432A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BAF45 shade: #2BAF45, #2A7DB0, #B02A98 and #B05E2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BAF45 shade: #2BAF45, #2A55B0, #B02A98 and #B0862A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 61 / 31

HEX #2BAF45

RGB 43 175 69

HSL 131.82, 0.61%, 0.43%

LAB 63.01, -56.67, 43.61

 

Complementary color

CMYK 0 / 62 / 12 / 17

HEX #D450BA

RGB 212 80 186

HSL 311.82, 0.61%, 0.57%

LAB 55.36, 63.59, -30.13

 

CMYK 73 / 0 / 63 / 31

HEX #30AF40

RGB 48 175 64

HSL 127.56, 0.57%, 0.44%

LAB 63.06, -56.47, 45.95

 

CMYK 66 / 0 / 57 / 24

HEX #41C153

RGB 65 193 83

HSL 128.44, 0.51%, 0.51%

LAB 69.39, -57.34, 44.67

 

CMYK 61 / 0 / 52 / 17

HEX #52D366

RGB 82 211 102

HSL 129.3, 0.59%, 0.57%

LAB 75.66, -57.83, 43.31

 

CMYK 57 / 0 / 47 / 10

HEX #63E579

RGB 99 229 121

HSL 130.15, 0.71%, 0.64%

LAB 81.88, -58.07, 41.94

 

CMYK 53 / 0 / 43 / 3

HEX #74F78C

RGB 116 247 140

HSL 130.99, 0.89%, 0.71%

LAB 88.03, -58.14, 40.62

 

CMYK 75 / 0 / 61 / 31

HEX #2BAF45

RGB 43 175 69

HSL 131.82, 0.61%, 0.43%

LAB 63.01, -56.67, 43.61

 

CMYK 83 / 0 / 68 / 38

HEX #1A9D32

RGB 26 157 50

HSL 130.99, 0.72%, 0.36%

LAB 56.65, -55.14, 44.87

 

CMYK 94 / 0 / 78 / 45

HEX #098B1F

RGB 9 139 31

HSL 130.15, 0.88%, 0.29%

LAB 50.24, -52.73, 45.66

 

CMYK 100 / 0 / 90 / 53

HEX #00790C

RGB 0 121 12

HSL 125.95, 1%, 0.24%

LAB 43.8, -49.15, 45.3

 

CMYK 100 / 0 / 100 / 60

HEX #006700

RGB 0 103 0

HSL 120, 1%, 0.2%

LAB 37.3, -44.28, 42.74

 

CMYK 76 / 0 / 61 / 31

HEX #2AB045

RGB 42 176 69

HSL 132.09, 0.61%, 0.43%

LAB 63.32, -57.16, 43.96

 

CMYK 70 / 0 / 76 / 31

HEX #34B02A

RGB 52 176 42

HSL 115.52, 0.61%, 0.43%

LAB 63.3, -58.12, 54.95

 

CMYK 50 / 0 / 76 / 31

HEX #58B02A

RGB 88 176 42

HSL 99.4, 0.61%, 0.43%

LAB 64.4, -49.3, 56.4

 

CMYK 30 / 0 / 76 / 31

HEX #7CB02A

RGB 124 176 42

HSL 83.28, 0.61%, 0.43%

LAB 66.14, -36.9, 58.68

 

CMYK 9 / 0 / 76 / 31

HEX #A0B02A

RGB 160 176 42

HSL 67.16, 0.61%, 0.43%

LAB 68.53, -22.25, 61.78

 

CMYK 76 / 0 / 61 / 31

HEX #2AB045

RGB 42 176 69

HSL 132.09, 0.61%, 0.43%

LAB 63.32, -57.16, 43.96

 

CMYK 76 / 0 / 40 / 31

HEX #2AB069

RGB 42 176 105

HSL 148.21, 0.61%, 0.43%

LAB 63.81, -51.48, 26.53

 

CMYK 76 / 0 / 20 / 31

HEX #2AB08D

RGB 42 176 141

HSL 164.33, 0.61%, 0.43%

LAB 64.54, -43.49, 7.94

 

CMYK 76 / 1 / 0 / 31

HEX #2AAFB0

RGB 42 175 176

HSL 180.45, 0.61%, 0.43%

LAB 65.19, -33.39, -10.55

 

CMYK 76 / 21 / 0 / 31

HEX #2A8BB0

RGB 42 139 176

HSL 196.57, 0.61%, 0.43%

LAB 54.12, -15, -27.39

 

CMYK 76 / 0 / 61 / 31

HEX #2AB045

RGB 42 176 69

HSL 132.09, 0.61%, 0.43%

LAB 63.32, -57.16, 43.96

 

CMYK 87 / 0 / 70 / 24

HEX #19C23A

RGB 25 194 58

HSL 131.72, 0.77%, 0.43%

LAB 68.82, -65.97, 54.61

 

CMYK 97 / 0 / 78 / 17

HEX #07D42F

RGB 7 212 47

HSL 131.71, 0.94%, 0.43%

LAB 74.41, -73.02, 64

 

CMYK 76 / 0 / 61 / 31

HEX #2AB045

RGB 42 176 69

HSL 132.09, 0.61%, 0.43%

LAB 63.32, -57.16, 43.96

 

CMYK 62 / 0 / 50 / 38

HEX #3C9E4F

RGB 60 158 79

HSL 131.63, 0.45%, 0.43%

LAB 58.02, -45.86, 32.82

 

CMYK 45 / 0 / 36 / 45

HEX #4E8D5A

RGB 78 141 90

HSL 131.43, 0.29%, 0.43%

LAB 53.39, -31.87, 21.06

 

CMYK 23 / 0 / 18 / 52

HEX #5F7B65

RGB 95 123 101

HSL 132.86, 0.13%, 0.43%

LAB 48.93, -14.87, 8.77

 

CMYK 0 / 7 / 1 / 56

HEX #716970

RGB 113 105 112

HSL 307.5, 0.04%, 0.43%

LAB 45.34, 4.53, -2.79

 

CMYK 49 / 0 / 76 / 31

HEX #59B02A

RGB 89 176 42

HSL 98.96, 0.61%, 0.43%

LAB 64.44, -49, 56.45

 

CMYK 70 / 0 / 76 / 31

HEX #35B02A

RGB 53 176 42

HSL 115.07, 0.61%, 0.43%

LAB 63.32, -57.94, 54.98

 

CMYK 76 / 0 / 62 / 31

HEX #2AB043

RGB 42 176 67

HSL 131.19, 0.61%, 0.43%

LAB 63.3, -57.4, 44.85

 

CMYK 76 / 0 / 42 / 31

HEX #2AB066

RGB 42 176 102

HSL 146.87, 0.61%, 0.43%

LAB 63.76, -52.05, 28.05

 

CMYK 76 / 0 / 22 / 31

HEX #2AB08A

RGB 42 176 138

HSL 162.99, 0.61%, 0.43%

LAB 64.47, -44.24, 9.5

 

CMYK 76 / 0 / 61 / 57

HEX #1A6E2B

RGB 26 110 43

HSL 132.14, 0.62%, 0.27%

LAB 40.49, -39.65, 29.95

 

CMYK 76 / 0 / 61 / 44

HEX #228F38

RGB 34 143 56

HSL 132.11, 0.62%, 0.35%

LAB 52.14, -48.61, 37.12

 

CMYK 76 / 0 / 61 / 31

HEX #2AB045

RGB 42 176 69

HSL 132.09, 0.61%, 0.43%

LAB 63.32, -57.16, 43.96

 

CMYK 74 / 0 / 59 / 19

HEX #36CE54

RGB 54 206 84

HSL 131.84, 0.61%, 0.51%

LAB 73.26, -63.58, 48.68

 

CMYK 59 / 0 / 48 / 16

HEX #57D670

RGB 87 214 112

HSL 131.81, 0.61%, 0.59%

LAB 76.85, -56.42, 39.95

 

CMYK 75 / 0 / 61 / 31

HEX #2BAF45

RGB 43 175 69

HSL 131.82, 0.61%, 0.43%

LAB 63.01, -56.67, 43.61

 

CMYK 76 / 29 / 0 / 31

HEX #2A7DB0

RGB 42 125 176

HSL 202.84, 0.61%, 0.43%

LAB 49.85, -7.05, -34.05

 

CMYK 0 / 76 / 60 / 31

HEX #B02A47

RGB 176 42 71

HSL 347.01, 0.61%, 0.43%

LAB 40.15, 54.73, 16.3

 

CMYK 75 / 0 / 61 / 31

HEX #2BAF45

RGB 43 175 69

HSL 131.82, 0.61%, 0.43%

LAB 63.01, -56.67, 43.61

 

CMYK 62 / 76 / 0 / 31

HEX #432AB0

RGB 67 42 176

HSL 251.19, 0.61%, 0.43%

LAB 29.37, 47.94, -66.96

 

CMYK 0 / 62 / 76 / 31

HEX #B0432A

RGB 176 67 42

HSL 11.19, 0.61%, 0.43%

LAB 43.38, 43.08, 37.55

 

CMYK 75 / 0 / 61 / 31

HEX #2BAF45

RGB 43 175 69

HSL 131.82, 0.61%, 0.43%

LAB 63.01, -56.67, 43.61

 

CMYK 76 / 29 / 0 / 31

HEX #2A7DB0

RGB 42 125 176

HSL 202.84, 0.61%, 0.43%

LAB 49.85, -7.05, -34.05

 

CMYK 0 / 76 / 14 / 31

HEX #B02A98

RGB 176 42 152

HSL 310.75, 0.61%, 0.43%

LAB 42.99, 63.5, -29.8

 

CMYK 0 / 47 / 76 / 31

HEX #B05E2A

RGB 176 94 42

HSL 23.28, 0.61%, 0.43%

LAB 48.76, 29.35, 43.17

 

CMYK 75 / 0 / 61 / 31

HEX #2BAF45

RGB 43 175 69

HSL 131.82, 0.61%, 0.43%

LAB 63.01, -56.67, 43.61

 

CMYK 76 / 52 / 0 / 31

HEX #2A55B0

RGB 42 85 176

HSL 220.75, 0.61%, 0.43%

LAB 38.06, 18.08, -52.83

 

CMYK 0 / 76 / 14 / 31

HEX #B02A98

RGB 176 42 152

HSL 310.75, 0.61%, 0.43%

LAB 42.99, 63.5, -29.8

 

CMYK 0 / 24 / 76 / 31

HEX #B0862A

RGB 176 134 42

HSL 41.19, 0.61%, 0.43%

LAB 58.46, 7.12, 52.78

 

Description

Color code: HEX #2BAF45 | qconv.com Color code: HEX #2BAF45 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 175 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 175 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 61 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 61% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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