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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BB96C it is the complementary color #D44693. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BB96C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BB96C shade: #30B967, #41CB7A, #52DD8D, #63EFA0 and #74FFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BB96C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BB96C shade: #2BB96C, #1AA759, #099546, #008333 and #007120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BB96C shade: #2BB96C, #2BB946, #37B92B, #5DB92B and #83B92B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BB96C shade: #2BB96C, #2BB993, #2BB9B9, #2B93B9 and #2B6DB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BB96C shade matches the following richer shades: #2BB96C, #19CC6B and #06DF69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BB96C shade: #2BB96C, #3EA76E, #50946F, #638271 and #756F73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BB96C shade: #37B92B, #2BB945, #2BB96B, #2BB991 and #2BB9B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BB96C shade: #1B7745, #239859, #2BB96C, #3DD181 and #5ED996

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BB96C shade: #2BB96C, #2B5DB9 and #B9322B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BB96C shade: #2BB96C, #6B2BB9 and #B96B2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BB96C shade: #2BB96C, #2B5DB9, #B92B79 and #B9882B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BB96C shade: #2BB96C, #2B32B9, #B92B79 and #B9B22B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 42 / 27

HEX #2BB96C

RGB 43 185 108

HSL 147.46, 0.62%, 0.45%

LAB 66.74, -54.14, 28.82

 

Complementary color

CMYK 0 / 67 / 31 / 17

HEX #D44693

RGB 212 70 147

HSL 327.46, 0.62%, 0.55%

LAB 52.38, 62.3, -11.86

 

CMYK 74 / 0 / 44 / 27

HEX #30B967

RGB 48 185 103

HSL 144.09, 0.59%, 0.46%

LAB 66.75, -54.34, 31.44

 

CMYK 68 / 0 / 40 / 20

HEX #41CB7A

RGB 65 203 122

HSL 144.78, 0.57%, 0.53%

LAB 73.05, -54.96, 29.9

 

CMYK 63 / 0 / 36 / 13

HEX #52DD8D

RGB 82 221 141

HSL 145.47, 0.67%, 0.59%

LAB 79.29, -55.29, 28.47

 

CMYK 59 / 0 / 33 / 6

HEX #63EFA0

RGB 99 239 160

HSL 146.14, 0.81%, 0.66%

LAB 85.47, -55.44, 27.14

 

CMYK 55 / 0 / 30 / 0

HEX #74FFB3

RGB 116 255 179

HSL 147.19, 1%, 0.73%

LAB 91, -54.65, 25.1

 

CMYK 77 / 0 / 42 / 27

HEX #2BB96C

RGB 43 185 108

HSL 147.46, 0.62%, 0.45%

LAB 66.74, -54.14, 28.82

 

CMYK 84 / 0 / 47 / 35

HEX #1AA759

RGB 26 167 89

HSL 146.81, 0.73%, 0.38%

LAB 60.41, -52.99, 30.5

 

CMYK 94 / 0 / 53 / 42

HEX #099546

RGB 9 149 70

HSL 146.14, 0.89%, 0.31%

LAB 54.02, -51.23, 32.31

 

CMYK 100 / 0 / 61 / 49

HEX #008333

RGB 0 131 51

HSL 143.36, 1%, 0.26%

LAB 47.59, -48.63, 34.16

 

CMYK 100 / 0 / 72 / 56

HEX #007120

RGB 0 113 32

HSL 136.99, 1%, 0.22%

LAB 41.08, -45.13, 35.8

 

CMYK 77 / 0 / 42 / 27

HEX #2BB96C

RGB 43 185 108

HSL 147.46, 0.62%, 0.45%

LAB 66.74, -54.14, 28.82

 

CMYK 77 / 0 / 62 / 27

HEX #2BB946

RGB 43 185 70

HSL 131.41, 0.62%, 0.45%

LAB 66.25, -59.9, 46.87

 

CMYK 70 / 0 / 77 / 27

HEX #37B92B

RGB 55 185 43

HSL 114.93, 0.62%, 0.45%

LAB 66.28, -60.46, 57.56

 

CMYK 50 / 0 / 77 / 27

HEX #5DB92B

RGB 93 185 43

HSL 98.87, 0.62%, 0.45%

LAB 67.43, -51.22, 59.07

 

CMYK 29 / 0 / 77 / 27

HEX #83B92B

RGB 131 185 43

HSL 82.82, 0.62%, 0.45%

LAB 69.25, -38.2, 61.45

 

CMYK 77 / 0 / 42 / 27

HEX #2BB96C

RGB 43 185 108

HSL 147.46, 0.62%, 0.45%

LAB 66.74, -54.14, 28.82

 

CMYK 77 / 0 / 21 / 27

HEX #2BB993

RGB 43 185 147

HSL 163.94, 0.62%, 0.45%

LAB 67.52, -45.66, 8.89

 

CMYK 77 / 0 / 0 / 27

HEX #2BB9B9

RGB 43 185 185

HSL 180, 0.62%, 0.45%

LAB 68.54, -35.31, -10.51

 

CMYK 77 / 21 / 0 / 27

HEX #2B93B9

RGB 43 147 185

HSL 196.06, 0.62%, 0.45%

LAB 56.96, -16.17, -28.13

 

CMYK 77 / 41 / 0 / 27

HEX #2B6DB9

RGB 43 109 185

HSL 212.11, 0.62%, 0.45%

LAB 45.57, 6.14, -46.04

 

CMYK 77 / 0 / 42 / 27

HEX #2BB96C

RGB 43 185 108

HSL 147.46, 0.62%, 0.45%

LAB 66.74, -54.14, 28.82

 

CMYK 88 / 0 / 48 / 20

HEX #19CC6B

RGB 25 204 107

HSL 147.49, 0.78%, 0.45%

LAB 72.53, -62.75, 36.74

 

CMYK 97 / 0 / 53 / 13

HEX #06DF69

RGB 6 223 105

HSL 147.37, 0.95%, 0.45%

LAB 78.36, -70.09, 44.94

 

CMYK 77 / 0 / 42 / 27

HEX #2BB96C

RGB 43 185 108

HSL 147.46, 0.62%, 0.45%

LAB 66.74, -54.14, 28.82

 

CMYK 63 / 0 / 34 / 35

HEX #3EA76E

RGB 62 167 110

HSL 147.43, 0.46%, 0.45%

LAB 61.47, -43.53, 20.8

 

CMYK 46 / 0 / 25 / 42

HEX #50946F

RGB 80 148 111

HSL 147.35, 0.3%, 0.45%

LAB 56.12, -30.44, 12.99

 

CMYK 24 / 0 / 13 / 49

HEX #638271

RGB 99 130 113

HSL 147.1, 0.14%, 0.45%

LAB 51.62, -14.77, 5.62

 

CMYK 0 / 5 / 2 / 54

HEX #756F73

RGB 117 111 115

HSL 320, 0.03%, 0.45%

LAB 47.48, 3.12, -1.39

 

CMYK 70 / 0 / 77 / 27

HEX #37B92B

RGB 55 185 43

HSL 114.93, 0.62%, 0.45%

LAB 66.28, -60.46, 57.56

 

CMYK 77 / 0 / 63 / 27

HEX #2BB945

RGB 43 185 69

HSL 130.99, 0.62%, 0.45%

LAB 66.24, -60.01, 47.3

 

CMYK 77 / 0 / 42 / 27

HEX #2BB96B

RGB 43 185 107

HSL 147.04, 0.62%, 0.45%

LAB 66.73, -54.32, 29.32

 

CMYK 77 / 0 / 22 / 27

HEX #2BB991

RGB 43 185 145

HSL 163.1, 0.62%, 0.45%

LAB 67.47, -46.15, 9.92

 

CMYK 77 / 0 / 1 / 27

HEX #2BB9B7

RGB 43 185 183

HSL 179.15, 0.62%, 0.45%

LAB 68.48, -35.9, -9.5

 

CMYK 77 / 0 / 42 / 53

HEX #1B7745

RGB 27 119 69

HSL 147.39, 0.63%, 0.29%

LAB 44.03, -38.49, 20.16

 

CMYK 77 / 0 / 41 / 40

HEX #239859

RGB 35 152 89

HSL 147.69, 0.63%, 0.37%

LAB 55.62, -46.39, 24.32

 

CMYK 77 / 0 / 42 / 27

HEX #2BB96C

RGB 43 185 108

HSL 147.46, 0.62%, 0.45%

LAB 66.74, -54.14, 28.82

 

CMYK 71 / 0 / 38 / 18

HEX #3DD181

RGB 61 209 129

HSL 147.57, 0.62%, 0.53%

LAB 74.94, -56.58, 28.77

 

CMYK 57 / 0 / 31 / 15

HEX #5ED996

RGB 94 217 150

HSL 147.32, 0.62%, 0.61%

LAB 78.58, -49.53, 22.91

 

CMYK 77 / 0 / 42 / 27

HEX #2BB96C

RGB 43 185 108

HSL 147.46, 0.62%, 0.45%

LAB 66.74, -54.14, 28.82

 

CMYK 77 / 50 / 0 / 27

HEX #2B5DB9

RGB 43 93 185

HSL 218.87, 0.62%, 0.45%

LAB 40.97, 16.4, -53.43

 

CMYK 0 / 73 / 77 / 27

HEX #B9322B

RGB 185 50 43

HSL 2.96, 0.62%, 0.45%

LAB 42.41, 53.26, 36.45

 

CMYK 77 / 0 / 42 / 27

HEX #2BB96C

RGB 43 185 108

HSL 147.46, 0.62%, 0.45%

LAB 66.74, -54.14, 28.82

 

CMYK 42 / 77 / 0 / 27

HEX #6B2BB9

RGB 107 43 185

HSL 267.04, 0.62%, 0.45%

LAB 34.71, 55.65, -63.37

 

CMYK 0 / 42 / 77 / 27

HEX #B96B2B

RGB 185 107 43

HSL 27.04, 0.62%, 0.45%

LAB 52.95, 26.11, 47.34

 

CMYK 77 / 0 / 42 / 27

HEX #2BB96C

RGB 43 185 108

HSL 147.46, 0.62%, 0.45%

LAB 66.74, -54.14, 28.82

 

CMYK 77 / 50 / 0 / 27

HEX #2B5DB9

RGB 43 93 185

HSL 218.87, 0.62%, 0.45%

LAB 40.97, 16.4, -53.43

 

CMYK 0 / 77 / 35 / 27

HEX #B92B79

RGB 185 43 121

HSL 327.04, 0.62%, 0.45%

LAB 43.39, 61.43, -10.14

 

CMYK 0 / 26 / 77 / 27

HEX #B9882B

RGB 185 136 43

HSL 39.3, 0.62%, 0.45%

LAB 59.98, 10.08, 54.19

 

CMYK 77 / 0 / 42 / 27

HEX #2BB96C

RGB 43 185 108

HSL 147.46, 0.62%, 0.45%

LAB 66.74, -54.14, 28.82

 

CMYK 77 / 73 / 0 / 27

HEX #2B32B9

RGB 43 50 185

HSL 237.04, 0.62%, 0.45%

LAB 30.15, 43.95, -71.09

 

CMYK 0 / 77 / 35 / 27

HEX #B92B79

RGB 185 43 121

HSL 327.04, 0.62%, 0.45%

LAB 43.39, 61.43, -10.14

 

CMYK 0 / 4 / 77 / 27

HEX #B9B22B

RGB 185 178 43

HSL 57.04, 0.62%, 0.45%

LAB 71.1, -12.44, 64.56

 

Description

Color code: HEX #2BB96C | qconv.com Color code: HEX #2BB96C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 185 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 185 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 42 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 42% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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