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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BB0B8 it is the complementary color #D44F47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BB0B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BB0B8 shade: #30B0B3, #41C2C6, #52D4D9, #63E6EC and #74F8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BB0B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BB0B8 shade: #2BB0B8, #1A9EA5, #098C92, #007A7F and #00686C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BB0B8 shade: #2BB1B9, #2B8BB9, #2B65B9, #2B3EB9 and #3E2BB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BB0B8 shade: #2BB1B9, #2B8BB9, #2B65B9, #2B3EB9 and #2B2BB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BB0B8 shade matches the following richer shades: #2BB1B9, #19C2CC and #06D2DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BB0B8 shade: #2BB1B9, #3EA1A7, #509094, #638082 and #756F6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BB0B8 shade: #2BB975, #2BB99B, #2BB2B9, #2B8CB9 and #2B66B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BB0B8 shade: #1B7177, #239198, #2BB1B9, #3DC9D1 and #5ED2D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BB0B8 shade: #2BB0B8, #4F2BB9 and #B9882B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BB0B8 shade: #2BB0B8, #B92BB2 and #B2B92B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BB0B8 shade: #2BB0B8, #4F2BB9, #B9322B and #96B92B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BB0B8 shade: #2BB0B8, #792BB9, #B9322B and #6BB92B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 4 / 0 / 28

HEX #2BB0B8

RGB 43 176 184

HSL 183.4, 0.62%, 0.45%

LAB 65.77, -31.35, -14.12

 

Complementary color

CMYK 0 / 63 / 67 / 17

HEX #D44F47

RGB 212 79 71

HSL 3.4, 0.62%, 0.55%

LAB 51.89, 51.87, 32.62

 

CMYK 73 / 2 / 0 / 30

HEX #30B0B3

RGB 48 176 179

HSL 181.37, 0.58%, 0.45%

LAB 65.7, -32.29, -11.44

 

CMYK 67 / 2 / 0 / 22

HEX #41C2C6

RGB 65 194 198

HSL 181.8, 0.54%, 0.52%

LAB 72.08, -33.06, -12.29

 

CMYK 62 / 2 / 0 / 15

HEX #52D4D9

RGB 82 212 217

HSL 182.22, 0.64%, 0.59%

LAB 78.4, -33.61, -13.06

 

CMYK 58 / 3 / 0 / 7

HEX #63E6EC

RGB 99 230 236

HSL 182.63, 0.78%, 0.66%

LAB 84.64, -34.01, -13.76

 

CMYK 55 / 3 / 0 / 0

HEX #74F8FF

RGB 116 248 255

HSL 183.02, 1%, 0.73%

LAB 90.81, -34.3, -14.42

 

CMYK 77 / 4 / 0 / 28

HEX #2BB0B8

RGB 43 176 184

HSL 183.4, 0.62%, 0.45%

LAB 65.77, -31.35, -14.12

 

CMYK 84 / 4 / 0 / 35

HEX #1A9EA5

RGB 26 158 165

HSL 183.02, 0.73%, 0.37%

LAB 59.33, -30.1, -13.19

 

CMYK 94 / 4 / 0 / 43

HEX #098C92

RGB 9 140 146

HSL 182.63, 0.88%, 0.3%

LAB 52.83, -28.41, -12.12

 

CMYK 100 / 4 / 0 / 50

HEX #007A7F

RGB 0 122 127

HSL 182.36, 1%, 0.25%

LAB 46.25, -26.2, -10.91

 

CMYK 100 / 4 / 0 / 58

HEX #00686C

RGB 0 104 108

HSL 182.22, 1%, 0.21%

LAB 39.55, -23.5, -9.55

 

CMYK 77 / 4 / 0 / 27

HEX #2BB1B9

RGB 43 177 185

HSL 183.38, 0.62%, 0.45%

LAB 66.11, -31.53, -14.17

 

CMYK 77 / 25 / 0 / 27

HEX #2B8BB9

RGB 43 139 185

HSL 199.44, 0.62%, 0.45%

LAB 54.53, -11.75, -31.9

 

CMYK 77 / 45 / 0 / 27

HEX #2B65B9

RGB 43 101 185

HSL 215.49, 0.62%, 0.45%

LAB 43.25, 11.22, -49.76

 

CMYK 77 / 66 / 0 / 27

HEX #2B3EB9

RGB 43 62 185

HSL 231.97, 0.62%, 0.45%

LAB 32.84, 36.63, -66.67

 

CMYK 66 / 77 / 0 / 27

HEX #3E2BB9

RGB 62 43 185

HSL 248.03, 0.62%, 0.45%

LAB 30.05, 49.59, -71.22

 

CMYK 77 / 4 / 0 / 27

HEX #2BB1B9

RGB 43 177 185

HSL 183.38, 0.62%, 0.45%

LAB 66.11, -31.53, -14.17

 

CMYK 77 / 25 / 0 / 27

HEX #2B8BB9

RGB 43 139 185

HSL 199.44, 0.62%, 0.45%

LAB 54.53, -11.75, -31.9

 

CMYK 77 / 45 / 0 / 27

HEX #2B65B9

RGB 43 101 185

HSL 215.49, 0.62%, 0.45%

LAB 43.25, 11.22, -49.76

 

CMYK 77 / 66 / 0 / 27

HEX #2B3EB9

RGB 43 62 185

HSL 231.97, 0.62%, 0.45%

LAB 32.84, 36.63, -66.67

 

CMYK 77 / 77 / 0 / 27

HEX #2B2BB9

RGB 43 43 185

HSL 240, 0.62%, 0.45%

LAB 28.76, 47.88, -73.39

 

CMYK 77 / 4 / 0 / 27

HEX #2BB1B9

RGB 43 177 185

HSL 183.38, 0.62%, 0.45%

LAB 66.11, -31.53, -14.17

 

CMYK 88 / 5 / 0 / 20

HEX #19C2CC

RGB 25 194 204

HSL 183.35, 0.78%, 0.45%

LAB 71.66, -35.17, -16.27

 

CMYK 97 / 6 / 0 / 13

HEX #06D2DF

RGB 6 210 223

HSL 183.59, 0.95%, 0.45%

LAB 76.96, -37.44, -18.55

 

CMYK 77 / 4 / 0 / 27

HEX #2BB1B9

RGB 43 177 185

HSL 183.38, 0.62%, 0.45%

LAB 66.11, -31.53, -14.17

 

CMYK 63 / 4 / 0 / 35

HEX #3EA1A7

RGB 62 161 167

HSL 183.43, 0.46%, 0.45%

LAB 61.05, -26.48, -11.66

 

CMYK 46 / 3 / 0 / 42

HEX #509094

RGB 80 144 148

HSL 183.53, 0.3%, 0.45%

LAB 55.88, -19.39, -8.53

 

CMYK 24 / 2 / 0 / 49

HEX #638082

RGB 99 128 130

HSL 183.87, 0.14%, 0.45%

LAB 51.5, -9.82, -4.49

 

CMYK 0 / 5 / 5 / 54

HEX #756F6F

RGB 117 111 111

HSL 0, 0.03%, 0.45%

LAB 47.36, 2.32, 0.82

 

CMYK 77 / 0 / 37 / 27

HEX #2BB975

RGB 43 185 117

HSL 151.27, 0.62%, 0.45%

LAB 66.9, -52.4, 24.27

 

CMYK 77 / 0 / 16 / 27

HEX #2BB99B

RGB 43 185 155

HSL 167.32, 0.62%, 0.45%

LAB 67.71, -43.64, 4.78

 

CMYK 77 / 4 / 0 / 27

HEX #2BB2B9

RGB 43 178 185

HSL 182.96, 0.62%, 0.45%

LAB 66.41, -32.01, -13.71

 

CMYK 77 / 24 / 0 / 27

HEX #2B8CB9

RGB 43 140 185

HSL 199.01, 0.62%, 0.45%

LAB 54.84, -12.31, -31.43

 

CMYK 77 / 45 / 0 / 27

HEX #2B66B9

RGB 43 102 185

HSL 215.07, 0.62%, 0.45%

LAB 43.54, 10.58, -49.3

 

CMYK 77 / 5 / 0 / 53

HEX #1B7177

RGB 27 113 119

HSL 183.91, 0.63%, 0.29%

LAB 43.32, -22.15, -10.5

 

CMYK 77 / 5 / 0 / 40

HEX #239198

RGB 35 145 152

HSL 183.59, 0.63%, 0.37%

LAB 54.94, -26.95, -12.37

 

CMYK 77 / 4 / 0 / 27

HEX #2BB1B9

RGB 43 177 185

HSL 183.38, 0.62%, 0.45%

LAB 66.11, -31.53, -14.17

 

CMYK 71 / 4 / 0 / 18

HEX #3DC9D1

RGB 61 201 209

HSL 183.24, 0.62%, 0.53%

LAB 74.43, -33.72, -14.76

 

CMYK 57 / 3 / 0 / 15

HEX #5ED2D9

RGB 94 210 217

HSL 183.41, 0.62%, 0.61%

LAB 78.16, -30.58, -13.38

 

CMYK 77 / 4 / 0 / 28

HEX #2BB0B8

RGB 43 176 184

HSL 183.4, 0.62%, 0.45%

LAB 65.77, -31.35, -14.12

 

CMYK 57 / 77 / 0 / 27

HEX #4F2BB9

RGB 79 43 185

HSL 255.21, 0.62%, 0.45%

LAB 31.56, 51.58, -68.67

 

CMYK 0 / 26 / 77 / 27

HEX #B9882B

RGB 185 136 43

HSL 39.3, 0.62%, 0.45%

LAB 59.98, 10.08, 54.19

 

CMYK 77 / 4 / 0 / 28

HEX #2BB0B8

RGB 43 176 184

HSL 183.4, 0.62%, 0.45%

LAB 65.77, -31.35, -14.12

 

CMYK 0 / 77 / 4 / 27

HEX #B92BB2

RGB 185 43 178

HSL 302.96, 0.62%, 0.45%

LAB 45.98, 69.08, -40.48

 

CMYK 4 / 0 / 77 / 27

HEX #B2B92B

RGB 178 185 43

HSL 62.96, 0.62%, 0.45%

LAB 72.45, -19.02, 65.58

 

CMYK 77 / 4 / 0 / 28

HEX #2BB0B8

RGB 43 176 184

HSL 183.4, 0.62%, 0.45%

LAB 65.77, -31.35, -14.12

 

CMYK 57 / 77 / 0 / 27

HEX #4F2BB9

RGB 79 43 185

HSL 255.21, 0.62%, 0.45%

LAB 31.56, 51.58, -68.67

 

CMYK 0 / 73 / 77 / 27

HEX #B9322B

RGB 185 50 43

HSL 2.96, 0.62%, 0.45%

LAB 42.41, 53.26, 36.45

 

CMYK 19 / 0 / 77 / 27

HEX #96B92B

RGB 150 185 43

HSL 74.79, 0.62%, 0.45%

LAB 70.42, -30.72, 62.97

 

CMYK 77 / 4 / 0 / 28

HEX #2BB0B8

RGB 43 176 184

HSL 183.4, 0.62%, 0.45%

LAB 65.77, -31.35, -14.12

 

CMYK 35 / 77 / 0 / 27

HEX #792BB9

RGB 121 43 185

HSL 272.96, 0.62%, 0.45%

LAB 36.55, 57.98, -60.31

 

CMYK 0 / 73 / 77 / 27

HEX #B9322B

RGB 185 50 43

HSL 2.96, 0.62%, 0.45%

LAB 42.41, 53.26, 36.45

 

CMYK 42 / 0 / 77 / 27

HEX #6BB92B

RGB 107 185 43

HSL 92.96, 0.62%, 0.45%

LAB 68.02, -46.79, 59.85

 

Description

Color code: HEX #2BB0B8 | qconv.com Color code: HEX #2BB0B8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 176 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 176 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 4 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 4% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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