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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BD34B it is the complementary color #D42CB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BD34B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BD34B shade: #30D346, #41E559, #52F76C, #63FF7F and #74FF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BD34B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BD34B shade: #2BD34B, #1AC138, #09AF25, #009D12 and #008B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BD34B shade: #2BD34B, #38D32B, #66D32B, #93D32B and #C0D32B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BD34B shade: #2BD34B, #2BD378, #2BD3A6, #2BD3D3 and #2BA6D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BD34B shade matches the following richer shades: #2BD34B, #16E83E and #02FC31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BD34B shade: #2BD34B, #3FBF58, #54AA64, #699571 and #7D817E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BD34B shade: #66D32B, #39D32B, #2BD34A, #2BD377 and #2BD3A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BD34B shade: #1D8F33, #24B13F, #2BD34B, #4DDA68 and #6FE185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BD34B shade: #2BD34B, #2B93D3 and #D32B4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BD34B shade: #2BD34B, #4A2BD3 and #D34A2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BD34B shade: #2BD34B, #2B93D3, #D32BB4 and #D36B2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BD34B shade: #2BD34B, #2B60D3, #D32BB4 and #D39E2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 64 / 17

HEX #2BD34B

RGB 43 211 75

HSL 131.43, 0.66%, 0.5%

LAB 74.58, -67.69, 54.04

 

Complementary color

CMYK 0 / 79 / 15 / 17

HEX #D42CB4

RGB 212 44 180

HSL 311.43, 0.66%, 0.5%

LAB 50.8, 74.82, -33.76

 

CMYK 77 / 0 / 67 / 17

HEX #30D346

RGB 48 211 70

HSL 128.1, 0.65%, 0.51%

LAB 74.61, -67.58, 56.14

 

CMYK 72 / 0 / 61 / 10

HEX #41E559

RGB 65 229 89

HSL 128.78, 0.76%, 0.58%

LAB 80.67, -68.85, 55.04

 

CMYK 67 / 0 / 56 / 3

HEX #52F76C

RGB 82 247 108

HSL 129.45, 0.91%, 0.65%

LAB 86.7, -69.72, 53.79

 

CMYK 61 / 0 / 50 / 0

HEX #63FF7F

RGB 99 255 127

HSL 130.77, 1%, 0.69%

LAB 89.72, -66.76, 48.85

 

CMYK 55 / 0 / 43 / 0

HEX #74FF92

RGB 116 255 146

HSL 132.95, 1%, 0.73%

LAB 90.46, -60.31, 40.82

 

CMYK 80 / 0 / 64 / 17

HEX #2BD34B

RGB 43 211 75

HSL 131.43, 0.66%, 0.5%

LAB 74.58, -67.69, 54.04

 

CMYK 87 / 0 / 71 / 24

HEX #1AC138

RGB 26 193 56

HSL 130.78, 0.76%, 0.43%

LAB 68.49, -65.76, 55.04

 

CMYK 95 / 0 / 79 / 31

HEX #09AF25

RGB 9 175 37

HSL 130.12, 0.9%, 0.36%

LAB 62.38, -63.07, 55.51

 

CMYK 100 / 0 / 89 / 38

HEX #009D12

RGB 0 157 18

HSL 126.88, 1%, 0.31%

LAB 56.25, -59.42, 54.93

 

CMYK 100 / 0 / 100 / 45

HEX #008B00

RGB 0 139 0

HSL 120, 1%, 0.27%

LAB 50.06, -54.88, 52.97

 

CMYK 80 / 0 / 64 / 17

HEX #2BD34B

RGB 43 211 75

HSL 131.43, 0.66%, 0.5%

LAB 74.58, -67.69, 54.04

 

CMYK 73 / 0 / 80 / 17

HEX #38D32B

RGB 56 211 43

HSL 115.36, 0.66%, 0.5%

LAB 74.57, -68.51, 65.52

 

CMYK 52 / 0 / 80 / 17

HEX #66D32B

RGB 102 211 43

HSL 98.93, 0.66%, 0.5%

LAB 75.82, -58.34, 67.12

 

CMYK 30 / 0 / 80 / 17

HEX #93D32B

RGB 147 211 43

HSL 82.86, 0.66%, 0.5%

LAB 77.85, -43.58, 69.74

 

CMYK 9 / 0 / 80 / 17

HEX #C0D32B

RGB 192 211 43

HSL 66.79, 0.66%, 0.5%

LAB 80.72, -25.86, 73.39

 

CMYK 80 / 0 / 64 / 17

HEX #2BD34B

RGB 43 211 75

HSL 131.43, 0.66%, 0.5%

LAB 74.58, -67.69, 54.04

 

CMYK 80 / 0 / 43 / 17

HEX #2BD378

RGB 43 211 120

HSL 147.5, 0.66%, 0.5%

LAB 75.11, -61.31, 33.55

 

CMYK 80 / 0 / 21 / 17

HEX #2BD3A6

RGB 43 211 166

HSL 163.93, 0.66%, 0.5%

LAB 75.98, -51.65, 10.66

 

CMYK 80 / 0 / 0 / 17

HEX #2BD3D3

RGB 43 211 211

HSL 180, 0.66%, 0.5%

LAB 77.16, -39.64, -11.76

 

CMYK 80 / 21 / 0 / 17

HEX #2BA6D3

RGB 43 166 211

HSL 196.07, 0.66%, 0.5%

LAB 63.75, -17.54, -32.2

 

CMYK 80 / 0 / 64 / 17

HEX #2BD34B

RGB 43 211 75

HSL 131.43, 0.66%, 0.5%

LAB 74.58, -67.69, 54.04

 

CMYK 91 / 0 / 73 / 9

HEX #16E83E

RGB 22 232 62

HSL 131.43, 0.83%, 0.5%

LAB 80.87, -76.88, 65.56

 

CMYK 99 / 0 / 81 / 1

HEX #02FC31

RGB 2 252 49

HSL 131.28, 0.98%, 0.5%

LAB 86.93, -83.94, 75.27

 

CMYK 80 / 0 / 64 / 17

HEX #2BD34B

RGB 43 211 75

HSL 131.43, 0.66%, 0.5%

LAB 74.58, -67.69, 54.04

 

CMYK 67 / 0 / 54 / 25

HEX #3FBF58

RGB 63 191 88

HSL 131.72, 0.5%, 0.5%

LAB 68.77, -56.34, 41.54

 

CMYK 51 / 0 / 41 / 33

HEX #54AA64

RGB 84 170 100

HSL 131.16, 0.34%, 0.5%

LAB 62.97, -41.37, 28.31

 

CMYK 30 / 0 / 24 / 42

HEX #699571

RGB 105 149 113

HSL 130.91, 0.17%, 0.5%

LAB 57.74, -22.69, 14.31

 

CMYK 3 / 0 / 2 / 49

HEX #7D817E

RGB 125 129 126

HSL 135, 0.02%, 0.5%

LAB 53.56, -2.09, 1.1

 

CMYK 52 / 0 / 80 / 17

HEX #66D32B

RGB 102 211 43

HSL 98.93, 0.66%, 0.5%

LAB 75.82, -58.34, 67.12

 

CMYK 73 / 0 / 80 / 17

HEX #39D32B

RGB 57 211 43

HSL 115, 0.66%, 0.5%

LAB 74.59, -68.35, 65.54

 

CMYK 80 / 0 / 65 / 17

HEX #2BD34A

RGB 43 211 74

HSL 131.07, 0.66%, 0.5%

LAB 74.57, -67.79, 54.45

 

CMYK 80 / 0 / 44 / 17

HEX #2BD377

RGB 43 211 119

HSL 147.14, 0.66%, 0.5%

LAB 75.1, -61.48, 34.04

 

CMYK 80 / 0 / 23 / 17

HEX #2BD3A3

RGB 43 211 163

HSL 162.86, 0.66%, 0.5%

LAB 75.91, -52.37, 12.17

 

CMYK 80 / 0 / 64 / 44

HEX #1D8F33

RGB 29 143 51

HSL 131.58, 0.66%, 0.34%

LAB 52, -49.99, 39.3

 

CMYK 80 / 0 / 64 / 31

HEX #24B13F

RGB 36 177 63

HSL 131.49, 0.66%, 0.42%

LAB 63.49, -59.01, 46.82

 

CMYK 80 / 0 / 64 / 17

HEX #2BD34B

RGB 43 211 75

HSL 131.43, 0.66%, 0.5%

LAB 74.58, -67.69, 54.04

 

CMYK 65 / 0 / 52 / 15

HEX #4DDA68

RGB 77 218 104

HSL 131.49, 0.66%, 0.58%

LAB 77.71, -61.12, 44.82

 

CMYK 51 / 0 / 41 / 12

HEX #6FE185

RGB 111 225 133

HSL 131.58, 0.66%, 0.66%

LAB 81.25, -51.76, 35.29

 

CMYK 80 / 0 / 64 / 17

HEX #2BD34B

RGB 43 211 75

HSL 131.43, 0.66%, 0.5%

LAB 74.58, -67.69, 54.04

 

CMYK 80 / 30 / 0 / 17

HEX #2B93D3

RGB 43 147 211

HSL 202.86, 0.66%, 0.5%

LAB 58.12, -7.05, -40.99

 

CMYK 0 / 80 / 63 / 17

HEX #D32B4F

RGB 211 43 79

HSL 347.14, 0.66%, 0.5%

LAB 47.16, 64.91, 21.85

 

CMYK 80 / 0 / 64 / 17

HEX #2BD34B

RGB 43 211 75

HSL 131.43, 0.66%, 0.5%

LAB 74.58, -67.69, 54.04

 

CMYK 65 / 80 / 0 / 17

HEX #4A2BD3

RGB 74 43 211

HSL 251.07, 0.66%, 0.5%

LAB 33.75, 58.43, -80.3

 

CMYK 0 / 65 / 80 / 17

HEX #D34A2B

RGB 211 74 43

HSL 11.07, 0.66%, 0.5%

LAB 50.59, 52.43, 46.34

 

CMYK 80 / 0 / 64 / 17

HEX #2BD34B

RGB 43 211 75

HSL 131.43, 0.66%, 0.5%

LAB 74.58, -67.69, 54.04

 

CMYK 80 / 30 / 0 / 17

HEX #2B93D3

RGB 43 147 211

HSL 202.86, 0.66%, 0.5%

LAB 58.12, -7.05, -40.99

 

CMYK 0 / 80 / 15 / 17

HEX #D32BB4

RGB 211 43 180

HSL 311.07, 0.66%, 0.5%

LAB 50.54, 74.85, -34.18

 

CMYK 0 / 49 / 80 / 17

HEX #D36B2B

RGB 211 107 43

HSL 22.86, 0.66%, 0.5%

LAB 56.62, 36.81, 52.16

 

CMYK 80 / 0 / 64 / 17

HEX #2BD34B

RGB 43 211 75

HSL 131.43, 0.66%, 0.5%

LAB 74.58, -67.69, 54.04

 

CMYK 80 / 55 / 0 / 17

HEX #2B60D3

RGB 43 96 211

HSL 221.07, 0.66%, 0.5%

LAB 43.63, 24.35, -64.16

 

CMYK 0 / 80 / 15 / 17

HEX #D32BB4

RGB 211 43 180

HSL 311.07, 0.66%, 0.5%

LAB 50.54, 74.85, -34.18

 

CMYK 0 / 25 / 80 / 17

HEX #D39E2B

RGB 211 158 43

HSL 41.07, 0.66%, 0.5%

LAB 68.37, 9.54, 63.02

 

Description

Color code: HEX #2BD34B | qconv.com Color code: HEX #2BD34B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 211 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 211 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 64 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 64% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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