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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BDB1F it is the complementary color #D424E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BDB1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BDB1F shade: #30DB1A, #41ED2D, #52FF40, #63FF53 and #74FF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BDB1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BDB1F shade: #2BDB1F, #1AC90C, #09B700, #00A500 and #009300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BDB1F shade: #2BDA1F, #5DDA1F, #90DA1F, #C2DA1F and #DABF1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BDB1F shade: #2BDA1F, #1FDA45, #1FDA78, #1FDAAA and #1FD7DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BDB1F shade matches the following richer shades: #2BDA1F and #19EE0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BDB1F shade: #2BDA1F, #3CC633, #4EB247, #609E5B and #718970

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BDB1F shade: #8FDA1F, #5DDA1F, #2BDA1F, #1FDA44 and #1FDA76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BDB1F shade: #1C9214, #24B61A, #2BDA1F, #49E33F and #6CE863

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BDB1F shade: #2BDB1F, #1FC1DA and #DA1F76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BDB1F shade: #2BDB1F, #1F2BDA and #DA1F2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BDB1F shade: #2BDB1F, #1FC1DA, #CE1FDA and #DA381F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BDB1F shade: #2BDB1F, #1F89DA, #CE1FDA and #DA701F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 86 / 14

HEX #2BDB1F

RGB 43 219 31

HSL 116.17, 0.75%, 0.49%

LAB 76.85, -73.25, 70.47

 

Complementary color

CMYK 5 / 84 / 0 / 12

HEX #D424E0

RGB 212 36 224

HSL 296.17, 0.75%, 0.51%

LAB 52.55, 83.03, -56.31

 

CMYK 78 / 0 / 88 / 14

HEX #30DB1A

RGB 48 219 26

HSL 113.16, 0.79%, 0.48%

LAB 76.9, -72.82, 71.52

 

CMYK 73 / 0 / 81 / 7

HEX #41ED2D

RGB 65 237 45

HSL 113.75, 0.84%, 0.55%

LAB 82.85, -74.88, 72.74

 

CMYK 68 / 0 / 75 / 0

HEX #52FF40

RGB 82 255 64

HSL 114.35, 1%, 0.63%

LAB 88.77, -76.4, 73.04

 

CMYK 61 / 0 / 67 / 0

HEX #63FF53

RGB 99 255 83

HSL 114.42, 1%, 0.66%

LAB 89.3, -71.63, 67.14

 

CMYK 55 / 0 / 60 / 0

HEX #74FF66

RGB 116 255 102

HSL 114.51, 1%, 0.7%

LAB 89.95, -65.94, 60.39

 

CMYK 80 / 0 / 86 / 14

HEX #2BDB1F

RGB 43 219 31

HSL 116.17, 0.75%, 0.49%

LAB 76.85, -73.25, 70.47

 

CMYK 87 / 0 / 94 / 21

HEX #1AC90C

RGB 26 201 12

HSL 115.56, 0.89%, 0.42%

LAB 70.88, -70.42, 68.43

 

CMYK 95 / 0 / 100 / 28

HEX #09B700

RGB 9 183 0

HSL 117.05, 1%, 0.36%

LAB 64.9, -66.75, 64.89

 

CMYK 100 / 0 / 100 / 35

HEX #00A500

RGB 0 165 0

HSL 120, 1%, 0.32%

LAB 58.89, -62.22, 60.05

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 80 / 0 / 86 / 15

HEX #2BDA1F

RGB 43 218 31

HSL 116.15, 0.75%, 0.49%

LAB 76.53, -72.96, 70.19

 

CMYK 57 / 0 / 86 / 15

HEX #5DDA1F

RGB 93 218 31

HSL 100.11, 0.75%, 0.49%

LAB 77.62, -63.73, 71.57

 

CMYK 34 / 0 / 86 / 15

HEX #90DA1F

RGB 144 218 31

HSL 83.74, 0.75%, 0.49%

LAB 79.71, -48.06, 74.19

 

CMYK 11 / 0 / 86 / 15

HEX #C2DA1F

RGB 194 218 31

HSL 67.7, 0.75%, 0.49%

LAB 82.76, -28.72, 77.98

 

CMYK 0 / 12 / 86 / 15

HEX #DABF1F

RGB 218 191 31

HSL 51.34, 0.75%, 0.49%

LAB 77.44, -5.16, 74.42

 

CMYK 80 / 0 / 86 / 15

HEX #2BDA1F

RGB 43 218 31

HSL 116.15, 0.75%, 0.49%

LAB 76.53, -72.96, 70.19

 

CMYK 86 / 0 / 68 / 15

HEX #1FDA45

RGB 31 218 69

HSL 132.19, 0.75%, 0.49%

LAB 76.6, -71.62, 58.61

 

CMYK 86 / 0 / 45 / 15

HEX #1FDA78

RGB 31 218 120

HSL 148.56, 0.75%, 0.49%

LAB 77.16, -64.82, 36.16

 

CMYK 86 / 0 / 22 / 15

HEX #1FDAAA

RGB 31 218 170

HSL 164.6, 0.75%, 0.49%

LAB 78.07, -54.45, 11.48

 

CMYK 86 / 1 / 0 / 15

HEX #1FD7DA

RGB 31 215 218

HSL 180.96, 0.75%, 0.49%

LAB 78.43, -40.26, -13.63

 

CMYK 80 / 0 / 86 / 15

HEX #2BDA1F

RGB 43 218 31

HSL 116.15, 0.75%, 0.49%

LAB 76.53, -72.96, 70.19

 

CMYK 89 / 0 / 95 / 7

HEX #19EE0B

RGB 25 238 11

HSL 116.3, 0.91%, 0.49%

LAB 82.58, -80.62, 78.17

 

CMYK 80 / 0 / 86 / 15

HEX #2BDA1F

RGB 43 218 31

HSL 116.15, 0.75%, 0.49%

LAB 76.53, -72.96, 70.19

 

CMYK 70 / 0 / 74 / 22

HEX #3CC633

RGB 60 198 51

HSL 116.33, 0.59%, 0.49%

LAB 70.59, -63.2, 59.16

 

CMYK 56 / 0 / 60 / 30

HEX #4EB247

RGB 78 178 71

HSL 116.07, 0.43%, 0.49%

LAB 64.9, -50.31, 45.09

 

CMYK 39 / 0 / 42 / 38

HEX #609E5B

RGB 96 158 91

HSL 115.52, 0.27%, 0.49%

LAB 59.61, -33.88, 28.84

 

CMYK 18 / 0 / 18 / 46

HEX #718970

RGB 113 137 112

HSL 117.6, 0.1%, 0.49%

LAB 54.63, -13.73, 10.6

 

CMYK 34 / 0 / 86 / 15

HEX #8FDA1F

RGB 143 218 31

HSL 84.06, 0.75%, 0.49%

LAB 79.66, -48.41, 74.13

 

CMYK 57 / 0 / 86 / 15

HEX #5DDA1F

RGB 93 218 31

HSL 100.11, 0.75%, 0.49%

LAB 77.62, -63.73, 71.57

 

CMYK 80 / 0 / 86 / 15

HEX #2BDA1F

RGB 43 218 31

HSL 116.15, 0.75%, 0.49%

LAB 76.53, -72.96, 70.19

 

CMYK 86 / 0 / 69 / 15

HEX #1FDA44

RGB 31 218 68

HSL 131.87, 0.75%, 0.49%

LAB 76.59, -71.71, 58.98

 

CMYK 86 / 0 / 46 / 15

HEX #1FDA76

RGB 31 218 118

HSL 147.91, 0.75%, 0.49%

LAB 77.13, -65.16, 37.12

 

CMYK 81 / 0 / 86 / 43

HEX #1C9214

RGB 28 146 20

HSL 116.19, 0.76%, 0.33%

LAB 52.79, -53.71, 51.49

 

CMYK 80 / 0 / 86 / 29

HEX #24B61A

RGB 36 182 26

HSL 116.15, 0.75%, 0.41%

LAB 64.89, -63.44, 60.93

 

CMYK 80 / 0 / 86 / 15

HEX #2BDA1F

RGB 43 218 31

HSL 116.15, 0.75%, 0.49%

LAB 76.53, -72.96, 70.19

 

CMYK 68 / 0 / 72 / 11

HEX #49E33F

RGB 73 227 63

HSL 116.34, 0.75%, 0.57%

LAB 80.02, -69.28, 64.58

 

CMYK 53 / 0 / 57 / 9

HEX #6CE863

RGB 108 232 99

HSL 115.94, 0.74%, 0.65%

LAB 82.81, -59.85, 53.41

 

CMYK 80 / 0 / 86 / 14

HEX #2BDB1F

RGB 43 219 31

HSL 116.17, 0.75%, 0.49%

LAB 76.85, -73.25, 70.47

 

CMYK 86 / 11 / 0 / 15

HEX #1FC1DA

RGB 31 193 218

HSL 188.02, 0.75%, 0.49%

LAB 71.89, -29.95, -23.53

 

CMYK 0 / 86 / 46 / 15

HEX #DA1F76

RGB 218 31 118

HSL 332.09, 0.75%, 0.49%

LAB 48.5, 72.23, -0.03

 

CMYK 80 / 0 / 86 / 14

HEX #2BDB1F

RGB 43 219 31

HSL 116.17, 0.75%, 0.49%

LAB 76.85, -73.25, 70.47

 

CMYK 86 / 80 / 0 / 15

HEX #1F2BDA

RGB 31 43 218

HSL 236.15, 0.75%, 0.49%

LAB 31.99, 57.73, -87.33

 

CMYK 0 / 86 / 80 / 15

HEX #DA1F2B

RGB 218 31 43

HSL 356.15, 0.75%, 0.49%

LAB 47.05, 68.04, 43.28

 

CMYK 80 / 0 / 86 / 14

HEX #2BDB1F

RGB 43 219 31

HSL 116.17, 0.75%, 0.49%

LAB 76.85, -73.25, 70.47

 

CMYK 86 / 11 / 0 / 15

HEX #1FC1DA

RGB 31 193 218

HSL 188.02, 0.75%, 0.49%

LAB 71.89, -29.95, -23.53

 

CMYK 6 / 86 / 0 / 15

HEX #CE1FDA

RGB 206 31 218

HSL 296.15, 0.75%, 0.49%

LAB 50.88, 82, -55.64

 

CMYK 0 / 74 / 86 / 15

HEX #DA381F

RGB 218 56 31

HSL 8.02, 0.75%, 0.49%

LAB 49.29, 61.16, 51.33

 

CMYK 80 / 0 / 86 / 14

HEX #2BDB1F

RGB 43 219 31

HSL 116.17, 0.75%, 0.49%

LAB 76.85, -73.25, 70.47

 

CMYK 86 / 37 / 0 / 15

HEX #1F89DA

RGB 31 137 218

HSL 205.99, 0.75%, 0.49%

LAB 55.32, 0.34, -49.35

 

CMYK 6 / 86 / 0 / 15

HEX #CE1FDA

RGB 206 31 218

HSL 296.15, 0.75%, 0.49%

LAB 50.88, 82, -55.64

 

CMYK 0 / 49 / 86 / 15

HEX #DA701F

RGB 218 112 31

HSL 25.99, 0.75%, 0.49%

LAB 58.6, 36.7, 59.02

 

Description

Color code: HEX #2BDB1F | qconv.com Color code: HEX #2BDB1F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 219 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 219 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 86 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 86% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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