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Color name
HEX #2BDD6C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BDD6C it is the complementary color #D42293. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BDD6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BDD6C shade: #30DD67, #41EF7A, #52FF8D, #63FFA0 and #74FFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BDD6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BDD6C shade: #2BDD6C, #1ACB59, #09B946, #00A733 and #009520

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BDD6C shade: #2CDC6C, #2CDC3D, #4BDC2C, #7ADC2C and #AADC2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BDD6C shade: #2CDC6C, #2CDC9C, #2CDCCB, #2CBEDC and #2C8EDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BDD6C shade matches the following richer shades: #2CDC6C and #18F067

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BDD6C shade: #2CDC6C, #40C872, #54B577, #67A17C and #7B8D82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BDD6C shade: #4CDC2C, #2CDC3B, #2CDC6A, #2CDC99 and #2CDCC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BDD6C shade: #199D49, #1FC05A, #2CDC6C, #4FE285 and #73E89E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BDD6C shade: #2BDD6C, #2C7BDC and #DC2C35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BDD6C shade: #2BDD6C, #6A2CDC and #DC6A2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BDD6C shade: #2BDD6C, #2C7BDC, #DC2C9F and #DC8D2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BDD6C shade: #2BDD6C, #2C46DC, #DC2C9F and #DCC22C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 51 / 13

HEX #2BDD6C

RGB 43 221 108

HSL 141.91, 0.72%, 0.52%

LAB 78.06, -66.66, 43.2

 

Complementary color

CMYK 0 / 84 / 31 / 17

HEX #D42293

RGB 212 34 147

HSL 321.91, 0.72%, 0.48%

LAB 48.57, 73.06, -17.64

 

CMYK 78 / 0 / 53 / 13

HEX #30DD67

RGB 48 221 103

HSL 139.08, 0.72%, 0.53%

LAB 78.06, -66.83, 45.59

 

CMYK 73 / 0 / 49 / 6

HEX #41EF7A

RGB 65 239 122

HSL 139.66, 0.84%, 0.6%

LAB 84.1, -67.85, 44.07

 

CMYK 68 / 0 / 45 / 0

HEX #52FF8D

RGB 82 255 141

HSL 140.46, 1%, 0.66%

LAB 89.5, -67.83, 41.84

 

CMYK 61 / 0 / 37 / 0

HEX #63FFA0

RGB 99 255 160

HSL 143.46, 1%, 0.69%

LAB 90.19, -61.62, 33.48

 

CMYK 55 / 0 / 30 / 0

HEX #74FFB3

RGB 116 255 179

HSL 147.19, 1%, 0.73%

LAB 91, -54.65, 25.1

 

CMYK 81 / 0 / 51 / 13

HEX #2BDD6C

RGB 43 221 108

HSL 141.91, 0.72%, 0.52%

LAB 78.06, -66.66, 43.2

 

CMYK 87 / 0 / 56 / 20

HEX #1ACB59

RGB 26 203 89

HSL 141.36, 0.77%, 0.45%

LAB 72, -65.09, 44.8

 

CMYK 95 / 0 / 62 / 27

HEX #09B946

RGB 9 185 70

HSL 140.8, 0.91%, 0.38%

LAB 65.9, -62.91, 46.37

 

CMYK 100 / 0 / 69 / 35

HEX #00A733

RGB 0 167 51

HSL 138.32, 1%, 0.33%

LAB 59.78, -59.97, 47.75

 

CMYK 100 / 0 / 79 / 42

HEX #009520

RGB 0 149 32

HSL 132.89, 1%, 0.29%

LAB 53.6, -56.27, 48.59

 

CMYK 80 / 0 / 51 / 14

HEX #2CDC6C

RGB 44 220 108

HSL 141.82, 0.72%, 0.52%

LAB 77.76, -66.22, 42.83

 

CMYK 80 / 0 / 72 / 14

HEX #2CDC3D

RGB 44 220 61

HSL 125.8, 0.72%, 0.52%

LAB 77.32, -71.63, 62.37

 

CMYK 66 / 0 / 80 / 14

HEX #4BDC2C

RGB 75 220 44

HSL 109.43, 0.72%, 0.52%

LAB 77.79, -67.88, 68.4

 

CMYK 45 / 0 / 80 / 14

HEX #7ADC2C

RGB 122 220 44

HSL 93.41, 0.72%, 0.52%

LAB 79.33, -55.72, 70.38

 

CMYK 23 / 0 / 80 / 14

HEX #AADC2C

RGB 170 220 44

HSL 77.05, 0.72%, 0.52%

LAB 81.79, -38.8, 73.52

 

CMYK 80 / 0 / 51 / 14

HEX #2CDC6C

RGB 44 220 108

HSL 141.82, 0.72%, 0.52%

LAB 77.76, -66.22, 42.83

 

CMYK 80 / 0 / 29 / 14

HEX #2CDC9C

RGB 44 220 156

HSL 158.18, 0.72%, 0.52%

LAB 78.53, -57.36, 19.53

 

CMYK 80 / 0 / 8 / 14

HEX #2CDCCB

RGB 44 220 203

HSL 174.2, 0.72%, 0.52%

LAB 79.63, -45.78, -3.81

 

CMYK 80 / 14 / 0 / 14

HEX #2CBEDC

RGB 44 190 220

HSL 190.23, 0.72%, 0.52%

LAB 71.23, -26.84, -25.61

 

CMYK 80 / 35 / 0 / 14

HEX #2C8EDC

RGB 44 142 220

HSL 206.59, 0.72%, 0.52%

LAB 57.12, -0.79, -47.6

 

CMYK 80 / 0 / 51 / 14

HEX #2CDC6C

RGB 44 220 108

HSL 141.82, 0.72%, 0.52%

LAB 77.76, -66.22, 42.83

 

CMYK 90 / 0 / 57 / 6

HEX #18F067

RGB 24 240 103

HSL 141.94, 0.88%, 0.52%

LAB 83.7, -74.86, 52.28

 

CMYK 80 / 0 / 51 / 14

HEX #2CDC6C

RGB 44 220 108

HSL 141.82, 0.72%, 0.52%

LAB 77.76, -66.22, 42.83

 

CMYK 68 / 0 / 43 / 22

HEX #40C872

RGB 64 200 114

HSL 142.06, 0.55%, 0.52%

LAB 71.97, -55.41, 32.6

 

CMYK 54 / 0 / 34 / 29

HEX #54B577

RGB 84 181 119

HSL 141.65, 0.4%, 0.52%

LAB 66.72, -42.7, 23.14

 

CMYK 36 / 0 / 23 / 37

HEX #67A17C

RGB 103 161 124

HSL 141.72, 0.24%, 0.52%

LAB 61.51, -27.19, 13.38

 

CMYK 13 / 0 / 8 / 45

HEX #7B8D82

RGB 123 141 130

HSL 143.33, 0.07%, 0.52%

LAB 56.95, -8.74, 3.68

 

CMYK 65 / 0 / 80 / 14

HEX #4CDC2C

RGB 76 220 44

HSL 109.09, 0.72%, 0.52%

LAB 77.82, -67.67, 68.43

 

CMYK 80 / 0 / 73 / 14

HEX #2CDC3B

RGB 44 220 59

HSL 125.11, 0.72%, 0.52%

LAB 77.3, -71.78, 63.06

 

CMYK 80 / 0 / 52 / 14

HEX #2CDC6A

RGB 44 220 106

HSL 141.14, 0.72%, 0.52%

LAB 77.73, -66.52, 43.76

 

CMYK 80 / 0 / 30 / 14

HEX #2CDC99

RGB 44 220 153

HSL 157.16, 0.72%, 0.52%

LAB 78.47, -58, 21.02

 

CMYK 80 / 0 / 9 / 14

HEX #2CDCC8

RGB 44 220 200

HSL 173.18, 0.72%, 0.52%

LAB 79.55, -46.59, -2.33

 

CMYK 84 / 0 / 54 / 38

HEX #199D49

RGB 25 157 73

HSL 141.82, 0.73%, 0.36%

LAB 56.88, -52.24, 34.32

 

CMYK 84 / 0 / 53 / 25

HEX #1FC05A

RGB 31 192 90

HSL 141.99, 0.72%, 0.44%

LAB 68.55, -60.94, 40.18

 

CMYK 80 / 0 / 51 / 14

HEX #2CDC6C

RGB 44 220 108

HSL 141.82, 0.72%, 0.52%

LAB 77.76, -66.22, 42.83

 

CMYK 65 / 0 / 41 / 11

HEX #4FE285

RGB 79 226 133

HSL 142.04, 0.72%, 0.6%

LAB 80.6, -59.17, 34.26

 

CMYK 50 / 0 / 32 / 9

HEX #73E89E

RGB 115 232 158

HSL 142.05, 0.72%, 0.68%

LAB 83.88, -49.36, 26.09

 

CMYK 81 / 0 / 51 / 13

HEX #2BDD6C

RGB 43 221 108

HSL 141.91, 0.72%, 0.52%

LAB 78.06, -66.66, 43.2

 

CMYK 80 / 44 / 0 / 14

HEX #2C7BDC

RGB 44 123 220

HSL 213.07, 0.72%, 0.52%

LAB 51.69, 10.7, -56.27

 

CMYK 0 / 80 / 76 / 14

HEX #DC2C35

RGB 220 44 53

HSL 356.93, 0.72%, 0.52%

LAB 48.6, 65.93, 39.45

 

CMYK 81 / 0 / 51 / 13

HEX #2BDD6C

RGB 43 221 108

HSL 141.91, 0.72%, 0.52%

LAB 78.06, -66.66, 43.2

 

CMYK 52 / 80 / 0 / 14

HEX #6A2CDC

RGB 106 44 220

HSL 261.14, 0.72%, 0.52%

LAB 37.9, 63.88, -78.53

 

CMYK 0 / 52 / 80 / 14

HEX #DC6A2C

RGB 220 106 44

HSL 21.14, 0.72%, 0.52%

LAB 57.76, 40.89, 53.26

 

CMYK 81 / 0 / 51 / 13

HEX #2BDD6C

RGB 43 221 108

HSL 141.91, 0.72%, 0.52%

LAB 78.06, -66.66, 43.2

 

CMYK 80 / 44 / 0 / 14

HEX #2C7BDC

RGB 44 123 220

HSL 213.07, 0.72%, 0.52%

LAB 51.69, 10.7, -56.27

 

CMYK 0 / 80 / 28 / 14

HEX #DC2C9F

RGB 220 44 159

HSL 320.8, 0.72%, 0.52%

LAB 51.29, 73.96, -20.51

 

CMYK 0 / 36 / 80 / 14

HEX #DC8D2C

RGB 220 141 44

HSL 33.07, 0.72%, 0.52%

LAB 65.32, 22.61, 60.27

 

CMYK 81 / 0 / 51 / 13

HEX #2BDD6C

RGB 43 221 108

HSL 141.91, 0.72%, 0.52%

LAB 78.06, -66.66, 43.2

 

CMYK 80 / 68 / 0 / 14

HEX #2C46DC

RGB 44 70 220

HSL 231.14, 0.72%, 0.52%

LAB 37.99, 44.2, -78.54

 

CMYK 0 / 80 / 28 / 14

HEX #DC2C9F

RGB 220 44 159

HSL 320.8, 0.72%, 0.52%

LAB 51.29, 73.96, -20.51

 

CMYK 0 / 12 / 80 / 14

HEX #DCC22C

RGB 220 194 44

HSL 51.14, 0.72%, 0.52%

LAB 78.45, -5.48, 72

 

Description

Color code: HEX #2BDD6C | qconv.com Color code: HEX #2BDD6C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 221 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 221 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 51 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 51% 13% C M Y K

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Provide designers and agencies with accurate color values.

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