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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BECA9 it is the complementary color #D41356. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BECA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BECA9 shade: #30ECA4, #41FEB7, #52FFCA, #63FFDD and #74FFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BECA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BECA9 shade: #2BECA9, #1ADA96, #09C883, #00B670 and #00A45D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BECA9 shade: #2BECA9, #2BEC75, #2BEC41, #49EC2B and #7DEC2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BECA9 shade: #2BECA9, #2BECDD, #2BC7EC, #2B93EC and #2B5FEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BECA9 shade matches the following richer shades: #2BECA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BECA9 shade: #2BECA9, #3EDAA4, #50C79E, #63B498 and #76A293

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BECA9 shade: #2BEC42, #2BEC75, #2BECA9, #2BECDC and #2BC9EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BECA9 shade: #0FB67C, #13DC96, #2BECA9, #51EFB9 and #77F3C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BECA9 shade: #2BECA9, #2B48EC and #EC5C2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BECA9 shade: #2BECA9, #A92BEC and #ECA92B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BECA9 shade: #2BECA9, #2B48EC, #EC2B6F and #ECCF2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BECA9 shade: #2BECA9, #482BEC, #EC2B6F and #CFEC2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 28 / 7

HEX #2BECA9

RGB 43 236 169

HSL 159.17, 0.84%, 0.55%

LAB 83.64, -60.63, 19.83

 

Complementary color

CMYK 0 / 91 / 59 / 17

HEX #D41356

RGB 212 19 86

HSL 339.17, 0.84%, 0.45%

LAB 45.82, 70.4, 15.77

 

CMYK 80 / 0 / 31 / 7

HEX #30ECA4

RGB 48 236 164

HSL 157.02, 0.83%, 0.56%

LAB 83.6, -61.24, 22.37

 

CMYK 74 / 0 / 28 / 0

HEX #41FEB7

RGB 65 254 183

HSL 157.46, 0.99%, 0.63%

LAB 89.59, -62.1, 20.94

 

CMYK 68 / 0 / 21 / 0

HEX #52FFCA

RGB 82 255 202

HSL 161.62, 1%, 0.66%

LAB 90.59, -56.07, 12.63

 

CMYK 61 / 0 / 13 / 0

HEX #63FFDD

RGB 99 255 221

HSL 166.92, 1%, 0.69%

LAB 91.41, -48.98, 4.06

 

CMYK 55 / 0 / 6 / 0

HEX #74FFF0

RGB 116 255 240

HSL 173.53, 1%, 0.73%

LAB 92.36, -41.31, -4.33

 

CMYK 82 / 0 / 28 / 7

HEX #2BECA9

RGB 43 236 169

HSL 159.17, 0.84%, 0.55%

LAB 83.64, -60.63, 19.83

 

CMYK 88 / 0 / 31 / 15

HEX #1ADA96

RGB 26 218 150

HSL 158.75, 0.79%, 0.48%

LAB 77.62, -59.34, 21.38

 

CMYK 96 / 0 / 35 / 22

HEX #09C883

RGB 9 200 131

HSL 158.32, 0.91%, 0.41%

LAB 71.56, -57.63, 23.08

 

CMYK 100 / 0 / 38 / 29

HEX #00B670

RGB 0 182 112

HSL 156.92, 1%, 0.36%

LAB 65.46, -55.44, 24.93

 

CMYK 100 / 0 / 43 / 36

HEX #00A45D

RGB 0 164 93

HSL 154.02, 1%, 0.32%

LAB 59.29, -52.82, 26.91

 

CMYK 82 / 0 / 28 / 7

HEX #2BECA9

RGB 43 236 169

HSL 159.17, 0.84%, 0.55%

LAB 83.64, -60.63, 19.83

 

CMYK 82 / 0 / 50 / 7

HEX #2BEC75

RGB 43 236 117

HSL 143.01, 0.84%, 0.55%

LAB 82.8, -70.23, 44.77

 

CMYK 82 / 0 / 72 / 7

HEX #2BEC41

RGB 43 236 65

HSL 126.84, 0.84%, 0.55%

LAB 82.32, -76.14, 66.06

 

CMYK 69 / 0 / 82 / 7

HEX #49EC2B

RGB 73 236 43

HSL 110.67, 0.84%, 0.55%

LAB 82.69, -73.33, 73.15

 

CMYK 47 / 0 / 82 / 7

HEX #7DEC2B

RGB 125 236 43

HSL 94.51, 0.84%, 0.55%

LAB 84.24, -60.87, 75.13

 

CMYK 82 / 0 / 28 / 7

HEX #2BECA9

RGB 43 236 169

HSL 159.17, 0.84%, 0.55%

LAB 83.64, -60.63, 19.83

 

CMYK 82 / 0 / 6 / 7

HEX #2BECDD

RGB 43 236 221

HSL 175.34, 0.84%, 0.55%

LAB 84.86, -47.81, -5.65

 

CMYK 82 / 16 / 0 / 7

HEX #2BC7EC

RGB 43 199 236

HSL 191.5, 0.84%, 0.55%

LAB 74.46, -26.26, -29.33

 

CMYK 82 / 38 / 0 / 7

HEX #2B93EC

RGB 43 147 236

HSL 207.67, 0.84%, 0.55%

LAB 59.38, 2.03, -52.92

 

CMYK 82 / 60 / 0 / 7

HEX #2B5FEC

RGB 43 95 236

HSL 223.83, 0.84%, 0.55%

LAB 45.3, 34.32, -75.64

 

CMYK 82 / 0 / 28 / 7

HEX #2BECA9

RGB 43 236 169

HSL 159.17, 0.84%, 0.55%

LAB 83.64, -60.63, 19.83

 

CMYK 82 / 0 / 28 / 7

HEX #2BECA9

RGB 43 236 169

HSL 159.17, 0.84%, 0.55%

LAB 83.64, -60.63, 19.83

 

CMYK 72 / 0 / 25 / 15

HEX #3EDAA4

RGB 62 218 164

HSL 159.23, 0.68%, 0.55%

LAB 78.37, -52.68, 15.14

 

CMYK 60 / 0 / 21 / 22

HEX #50C79E

RGB 80 199 158

HSL 159.33, 0.52%, 0.55%

LAB 72.91, -43.15, 10.69

 

CMYK 45 / 0 / 16 / 29

HEX #63B498

RGB 99 180 152

HSL 159.26, 0.35%, 0.55%

LAB 67.7, -31.53, 6.62

 

CMYK 27 / 0 / 9 / 36

HEX #76A293

RGB 118 162 147

HSL 159.55, 0.19%, 0.55%

LAB 63.18, -18.13, 3

 

CMYK 82 / 0 / 72 / 7

HEX #2BEC42

RGB 43 236 66

HSL 127.15, 0.84%, 0.55%

LAB 82.32, -76.06, 65.72

 

CMYK 82 / 0 / 50 / 7

HEX #2BEC75

RGB 43 236 117

HSL 143.01, 0.84%, 0.55%

LAB 82.8, -70.23, 44.77

 

CMYK 82 / 0 / 28 / 7

HEX #2BECA9

RGB 43 236 169

HSL 159.17, 0.84%, 0.55%

LAB 83.64, -60.63, 19.83

 

CMYK 82 / 0 / 7 / 7

HEX #2BECDC

RGB 43 236 220

HSL 175.03, 0.84%, 0.55%

LAB 84.83, -48.08, -5.17

 

CMYK 82 / 15 / 0 / 7

HEX #2BC9EC

RGB 43 201 236

HSL 190.88, 0.84%, 0.55%

LAB 75.04, -27.26, -28.43

 

CMYK 92 / 0 / 32 / 29

HEX #0FB67C

RGB 15 182 124

HSL 159.16, 0.85%, 0.39%

LAB 65.76, -52.25, 18.92

 

CMYK 91 / 0 / 32 / 14

HEX #13DC96

RGB 19 220 150

HSL 159.1, 0.84%, 0.47%

LAB 78.19, -60.44, 22.16

 

CMYK 82 / 0 / 28 / 7

HEX #2BECA9

RGB 43 236 169

HSL 159.17, 0.84%, 0.55%

LAB 83.64, -60.63, 19.83

 

CMYK 66 / 0 / 23 / 6

HEX #51EFB9

RGB 81 239 185

HSL 159.49, 0.83%, 0.63%

LAB 85.5, -53.6, 14.22

 

CMYK 51 / 0 / 18 / 5

HEX #77F3C8

RGB 119 243 200

HSL 159.19, 0.84%, 0.71%

LAB 88.06, -44.69, 10.21

 

CMYK 82 / 0 / 28 / 7

HEX #2BECA9

RGB 43 236 169

HSL 159.17, 0.84%, 0.55%

LAB 83.64, -60.63, 19.83

 

CMYK 82 / 69 / 0 / 7

HEX #2B48EC

RGB 43 72 236

HSL 230.98, 0.84%, 0.55%

LAB 39.92, 48.48, -84.46

 

CMYK 0 / 61 / 82 / 7

HEX #EC5C2B

RGB 236 92 43

HSL 15.23, 0.84%, 0.55%

LAB 57.71, 53.35, 54.57

 

CMYK 82 / 0 / 28 / 7

HEX #2BECA9

RGB 43 236 169

HSL 159.17, 0.84%, 0.55%

LAB 83.64, -60.63, 19.83

 

CMYK 28 / 82 / 0 / 7

HEX #A92BEC

RGB 169 43 236

HSL 279.17, 0.84%, 0.55%

LAB 47.26, 76.48, -71.99

 

CMYK 0 / 28 / 82 / 7

HEX #ECA92B

RGB 236 169 43

HSL 39.17, 0.84%, 0.55%

LAB 73.79, 14.47, 68.86

 

CMYK 82 / 0 / 28 / 7

HEX #2BECA9

RGB 43 236 169

HSL 159.17, 0.84%, 0.55%

LAB 83.64, -60.63, 19.83

 

CMYK 82 / 69 / 0 / 7

HEX #2B48EC

RGB 43 72 236

HSL 230.98, 0.84%, 0.55%

LAB 39.92, 48.48, -84.46

 

CMYK 0 / 82 / 53 / 7

HEX #EC2B6F

RGB 236 43 111

HSL 338.86, 0.84%, 0.55%

LAB 52.63, 73.58, 10.6

 

CMYK 0 / 12 / 82 / 7

HEX #ECCF2B

RGB 236 207 43

HSL 50.98, 0.84%, 0.55%

LAB 83.25, -5.31, 76.99

 

CMYK 82 / 0 / 28 / 7

HEX #2BECA9

RGB 43 236 169

HSL 159.17, 0.84%, 0.55%

LAB 83.64, -60.63, 19.83

 

CMYK 69 / 82 / 0 / 7

HEX #482BEC

RGB 72 43 236

HSL 249.02, 0.84%, 0.55%

LAB 36.29, 65.28, -90.42

 

CMYK 0 / 82 / 53 / 7

HEX #EC2B6F

RGB 236 43 111

HSL 338.86, 0.84%, 0.55%

LAB 52.63, 73.58, 10.6

 

CMYK 12 / 0 / 82 / 7

HEX #CFEC2B

RGB 207 236 43

HSL 69.02, 0.84%, 0.55%

LAB 88.65, -31.52, 80.71

 

Description

Color code: HEX #2BECA9 | qconv.com Color code: HEX #2BECA9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 236 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 236 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 28 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 28% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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