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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BF76F it is the complementary color #D40890. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BF76F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BF76F shade: #30F76A, #41FF7D, #52FF90, #63FFA3 and #74FFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BF76F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BF76F shade: #2BF76F, #1AE55C, #09D349, #00C136 and #00AF23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BF76F shade: #2BF76F, #2BF738, #55F72B, #8CF72B and #C3F72B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BF76F shade: #2BF76F, #2BF7A6, #2BF7DD, #2BDAF7 and #2BA3F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BF76F shade matches the following richer shades: #2BF76F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BF76F shade: #2BF76F, #3DE575, #4ED37B, #60C281 and #72B087

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BF76F shade: #54F72B, #2BF738, #2BF76F, #2BF7A5 and #2BF7DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BF76F shade: #07C847, #08F056, #2BF76F, #53F88A and #7BFAA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BF76F shade: #2BF76F, #2B8AF7 and #F72B38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BF76F shade: #2BF76F, #6F2BF7 and #F76F2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BF76F shade: #2BF76F, #2B8AF7, #F72BB3 and #F7982B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BF76F shade: #2BF76F, #2B4DF7, #F72BB3 and #F7D52B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 55 / 3

HEX #2BF76F

RGB 43 247 111

HSL 140, 0.93%, 0.57%

LAB 86.1, -74.58, 51.57

 

Complementary color

CMYK 0 / 96 / 32 / 17

HEX #D40890

RGB 212 8 144

HSL 320, 0.93%, 0.43%

LAB 47.22, 76.34, -17.9

 

CMYK 81 / 0 / 57 / 3

HEX #30F76A

RGB 48 247 106

HSL 137.49, 0.93%, 0.58%

LAB 86.1, -74.74, 53.83

 

CMYK 75 / 0 / 51 / 0

HEX #41FF7D

RGB 65 255 125

HSL 138.95, 1%, 0.63%

LAB 88.98, -72.75, 48.71

 

CMYK 68 / 0 / 44 / 0

HEX #52FF90

RGB 82 255 144

HSL 141.5, 1%, 0.66%

LAB 89.55, -67.35, 40.44

 

CMYK 61 / 0 / 36 / 0

HEX #63FFA3

RGB 99 255 163

HSL 144.62, 1%, 0.69%

LAB 90.24, -61.09, 32.05

 

CMYK 55 / 0 / 29 / 0

HEX #74FFB6

RGB 116 255 182

HSL 148.49, 1%, 0.73%

LAB 91.06, -54.08, 23.66

 

CMYK 83 / 0 / 55 / 3

HEX #2BF76F

RGB 43 247 111

HSL 140, 0.93%, 0.57%

LAB 86.1, -74.58, 51.57

 

CMYK 89 / 0 / 60 / 10

HEX #1AE55C

RGB 26 229 92

HSL 139.51, 0.8%, 0.5%

LAB 80.2, -72.79, 53.06

 

CMYK 96 / 0 / 65 / 17

HEX #09D349

RGB 9 211 73

HSL 139.01, 0.92%, 0.43%

LAB 74.27, -70.42, 54.45

 

CMYK 100 / 0 / 72 / 24

HEX #00C136

RGB 0 193 54

HSL 136.79, 1%, 0.38%

LAB 68.32, -67.36, 55.56

 

CMYK 100 / 0 / 80 / 31

HEX #00AF23

RGB 0 175 35

HSL 132, 1%, 0.34%

LAB 62.32, -63.65, 56.05

 

CMYK 83 / 0 / 55 / 3

HEX #2BF76F

RGB 43 247 111

HSL 140, 0.93%, 0.57%

LAB 86.1, -74.58, 51.57

 

CMYK 83 / 0 / 77 / 3

HEX #2BF738

RGB 43 247 56

HSL 123.82, 0.93%, 0.57%

LAB 85.67, -79.93, 72.24

 

CMYK 66 / 0 / 83 / 3

HEX #55F72B

RGB 85 247 43

HSL 107.65, 0.93%, 0.57%

LAB 86.32, -74.5, 76.54

 

CMYK 43 / 0 / 83 / 3

HEX #8CF72B

RGB 140 247 43

HSL 91.47, 0.93%, 0.57%

LAB 88.1, -60.42, 78.8

 

CMYK 21 / 0 / 83 / 3

HEX #C3F72B

RGB 195 247 43

HSL 75.29, 0.93%, 0.57%

LAB 90.92, -41.17, 82.35

 

CMYK 83 / 0 / 55 / 3

HEX #2BF76F

RGB 43 247 111

HSL 140, 0.93%, 0.57%

LAB 86.1, -74.58, 51.57

 

CMYK 83 / 0 / 33 / 3

HEX #2BF7A6

RGB 43 247 166

HSL 156.18, 0.93%, 0.57%

LAB 86.89, -65.28, 25.85

 

CMYK 83 / 0 / 11 / 3

HEX #2BF7DD

RGB 43 247 221

HSL 172.35, 0.93%, 0.57%

LAB 88.09, -52.42, -0.9

 

CMYK 83 / 12 / 0 / 3

HEX #2BDAF7

RGB 43 218 247

HSL 188.53, 0.93%, 0.57%

LAB 80.39, -32.06, -26.13

 

CMYK 83 / 34 / 0 / 3

HEX #2BA3F7

RGB 43 163 247

HSL 204.71, 0.93%, 0.57%

LAB 64.5, -3.26, -50.84

 

CMYK 83 / 0 / 55 / 3

HEX #2BF76F

RGB 43 247 111

HSL 140, 0.93%, 0.57%

LAB 86.1, -74.58, 51.57

 

CMYK 83 / 0 / 55 / 3

HEX #2BF76F

RGB 43 247 111

HSL 140, 0.93%, 0.57%

LAB 86.1, -74.58, 51.57

 

CMYK 73 / 0 / 49 / 10

HEX #3DE575

RGB 61 229 117

HSL 140, 0.76%, 0.57%

LAB 80.91, -65.76, 42.48

 

CMYK 63 / 0 / 42 / 17

HEX #4ED37B

RGB 78 211 123

HSL 140.3, 0.6%, 0.57%

LAB 75.85, -55.42, 33.11

 

CMYK 51 / 0 / 34 / 24

HEX #60C281

RGB 96 194 129

HSL 140.2, 0.45%, 0.57%

LAB 71.32, -43.38, 24.1

 

CMYK 35 / 0 / 23 / 31

HEX #72B087

RGB 114 176 135

HSL 140.32, 0.28%, 0.57%

LAB 66.81, -28.9, 14.79

 

CMYK 66 / 0 / 83 / 3

HEX #54F72B

RGB 84 247 43

HSL 107.94, 0.93%, 0.57%

LAB 86.3, -74.69, 76.51

 

CMYK 83 / 0 / 77 / 3

HEX #2BF738

RGB 43 247 56

HSL 123.82, 0.93%, 0.57%

LAB 85.67, -79.93, 72.24

 

CMYK 83 / 0 / 55 / 3

HEX #2BF76F

RGB 43 247 111

HSL 140, 0.93%, 0.57%

LAB 86.1, -74.58, 51.57

 

CMYK 83 / 0 / 33 / 3

HEX #2BF7A5

RGB 43 247 165

HSL 155.88, 0.93%, 0.57%

LAB 86.87, -65.49, 26.33

 

CMYK 83 / 0 / 11 / 3

HEX #2BF7DC

RGB 43 247 220

HSL 172.06, 0.93%, 0.57%

LAB 88.07, -52.68, -0.41

 

CMYK 97 / 0 / 65 / 22

HEX #07C847

RGB 7 200 71

HSL 139.9, 0.93%, 0.41%

LAB 70.74, -67.44, 51.38

 

CMYK 97 / 0 / 64 / 6

HEX #08F056

RGB 8 240 86

HSL 140.17, 0.94%, 0.49%

LAB 83.47, -77.52, 59.27

 

CMYK 83 / 0 / 55 / 3

HEX #2BF76F

RGB 43 247 111

HSL 140, 0.93%, 0.57%

LAB 86.1, -74.58, 51.57

 

CMYK 67 / 0 / 44 / 3

HEX #53F88A

RGB 83 248 138

HSL 140, 0.92%, 0.65%

LAB 87.39, -65.66, 40.59

 

CMYK 51 / 0 / 34 / 2

HEX #7BFAA5

RGB 123 250 165

HSL 139.84, 0.93%, 0.73%

LAB 89.53, -53.57, 30.22

 

CMYK 83 / 0 / 55 / 3

HEX #2BF76F

RGB 43 247 111

HSL 140, 0.93%, 0.57%

LAB 86.1, -74.58, 51.57

 

CMYK 83 / 44 / 0 / 3

HEX #2B8AF7

RGB 43 138 247

HSL 212.06, 0.93%, 0.57%

LAB 57.47, 11.49, -62.05

 

CMYK 0 / 83 / 77 / 3

HEX #F72B38

RGB 247 43 56

HSL 356.18, 0.93%, 0.57%

LAB 53.8, 73.63, 44.91

 

CMYK 83 / 0 / 55 / 3

HEX #2BF76F

RGB 43 247 111

HSL 140, 0.93%, 0.57%

LAB 86.1, -74.58, 51.57

 

CMYK 55 / 83 / 0 / 3

HEX #6F2BF7

RGB 111 43 247

HSL 260, 0.93%, 0.57%

LAB 40.93, 71.54, -88.84

 

CMYK 0 / 55 / 83 / 3

HEX #F76F2B

RGB 247 111 43

HSL 20, 0.93%, 0.57%

LAB 62.77, 48.64, 59.77

 

CMYK 83 / 0 / 55 / 3

HEX #2BF76F

RGB 43 247 111

HSL 140, 0.93%, 0.57%

LAB 86.1, -74.58, 51.57

 

CMYK 83 / 44 / 0 / 3

HEX #2B8AF7

RGB 43 138 247

HSL 212.06, 0.93%, 0.57%

LAB 57.47, 11.49, -62.05

 

CMYK 0 / 83 / 28 / 3

HEX #F72BB3

RGB 247 43 179

HSL 320, 0.93%, 0.57%

LAB 56.84, 82.44, -23.32

 

CMYK 0 / 38 / 83 / 3

HEX #F7982B

RGB 247 152 43

HSL 32.06, 0.93%, 0.57%

LAB 71.15, 28.04, 67.07

 

CMYK 83 / 0 / 55 / 3

HEX #2BF76F

RGB 43 247 111

HSL 140, 0.93%, 0.57%

LAB 86.1, -74.58, 51.57

 

CMYK 83 / 69 / 0 / 3

HEX #2B4DF7

RGB 43 77 247

HSL 230, 0.93%, 0.57%

LAB 42.06, 49.31, -87.14

 

CMYK 0 / 83 / 28 / 3

HEX #F72BB3

RGB 247 43 179

HSL 320, 0.93%, 0.57%

LAB 56.84, 82.44, -23.32

 

CMYK 0 / 14 / 83 / 3

HEX #F7D52B

RGB 247 213 43

HSL 50, 0.93%, 0.57%

LAB 85.77, -3.68, 79.52

 

Description

Color code: HEX #2BF76F | qconv.com Color code: HEX #2BF76F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 247 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 247 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 55 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 55% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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