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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C1AB6 it is the complementary color #D3E549. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C1AB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C1AB6 shade: #311AB1, #422CC4, #533ED7, #6450EA and #7562FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C1AB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C1AB6 shade: #2C1AB6, #1B08A3, #0A0090, #00007D and #00006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C1AB6 shade: #2C1AB6, #561AB6, #801AB6, #AB1AB6 and #B61A98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C1AB6 shade: #2C1AB6 and #1A1AB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C1AB6 shade matches the following richer shades: #2C1AB6 and #1F09C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C1AB6 shade: #2C1AB6, #392BA6, #463B95, #534C84 and #605D73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C1AB6 shade: #1A5EB6, #1A34B6, #291AB6, #531AB6 and #7D1AB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C1AB6 shade: #1A0F6E, #231492, #2C1AB6, #341FDB and #523FE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C1AB6 shade: #2C1AB6, #B61A87 and #49B61A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C1AB6 shade: #2C1AB6, #B6291A and #1AB629

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C1AB6 shade: #2C1AB6, #B61A87, #A7B61A and #1AB649

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C1AB6 shade: #2C1AB6, #B61A58, #A7B61A and #1AB678

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 86 / 0 / 29

HEX #2C1AB6

RGB 44 26 182

HSL 246.92, 0.75%, 0.41%

LAB 25.72, 55.05, -76.64

 

Complementary color

CMYK 8 / 0 / 68 / 10

HEX #D3E549

RGB 211 229 73

HSL 66.92, 0.75%, 0.59%

LAB 87.18, -25.35, 70.35

 

CMYK 72 / 85 / 0 / 31

HEX #311AB1

RGB 49 26 177

HSL 249.14, 0.74%, 0.4%

LAB 25.46, 53.91, -74.07

 

CMYK 66 / 78 / 0 / 23

HEX #422CC4

RGB 66 44 196

HSL 248.68, 0.63%, 0.47%

LAB 31.68, 52.82, -74.99

 

CMYK 61 / 71 / 0 / 16

HEX #533ED7

RGB 83 62 215

HSL 248.24, 0.66%, 0.54%

LAB 38.18, 51.21, -75.27

 

CMYK 57 / 66 / 0 / 8

HEX #6450EA

RGB 100 80 234

HSL 247.79, 0.79%, 0.62%

LAB 44.78, 49.47, -75.23

 

CMYK 54 / 61 / 0 / 1

HEX #7562FD

RGB 117 98 253

HSL 247.35, 0.97%, 0.69%

LAB 51.39, 47.79, -75.03

 

CMYK 76 / 86 / 0 / 29

HEX #2C1AB6

RGB 44 26 182

HSL 246.92, 0.75%, 0.41%

LAB 25.72, 55.05, -76.64

 

CMYK 83 / 95 / 0 / 36

HEX #1B08A3

RGB 27 8 163

HSL 247.35, 0.91%, 0.34%

LAB 20.25, 54.83, -74.33

 

CMYK 93 / 100 / 0 / 44

HEX #0A0090

RGB 10 0 144

HSL 244.17, 1%, 0.28%

LAB 15.89, 51.85, -69.91

 

CMYK 100 / 100 / 0 / 51

HEX #00007D

RGB 0 0 125

HSL 240, 1%, 0.25%

LAB 12.48, 46.7, -63.61

 

CMYK 100 / 100 / 0 / 58

HEX #00006A

RGB 0 0 106

HSL 240, 1%, 0.21%

LAB 9.33, 41.52, -56.55

 

CMYK 76 / 86 / 0 / 29

HEX #2C1AB6

RGB 44 26 182

HSL 246.92, 0.75%, 0.41%

LAB 25.72, 55.05, -76.64

 

CMYK 53 / 86 / 0 / 29

HEX #561AB6

RGB 86 26 182

HSL 263.08, 0.75%, 0.41%

LAB 29.65, 58.52, -70.01

 

CMYK 30 / 86 / 0 / 29

HEX #801AB6

RGB 128 26 182

HSL 279.23, 0.75%, 0.41%

LAB 35.41, 64.01, -60.34

 

CMYK 6 / 86 / 0 / 29

HEX #AB1AB6

RGB 171 26 182

HSL 295.77, 0.75%, 0.41%

LAB 42.42, 71.12, -48.66

 

CMYK 0 / 86 / 16 / 29

HEX #B61A98

RGB 182 26 152

HSL 311.54, 0.75%, 0.41%

LAB 42.69, 68.79, -30.2

 

CMYK 76 / 86 / 0 / 29

HEX #2C1AB6

RGB 44 26 182

HSL 246.92, 0.75%, 0.41%

LAB 25.72, 55.05, -76.64

 

CMYK 86 / 86 / 0 / 29

HEX #1A1AB6

RGB 26 26 182

HSL 240, 0.75%, 0.41%

LAB 24.75, 54.24, -78.28

 

CMYK 76 / 86 / 0 / 29

HEX #2C1AB6

RGB 44 26 182

HSL 246.92, 0.75%, 0.41%

LAB 25.72, 55.05, -76.64

 

CMYK 84 / 95 / 0 / 22

HEX #1F09C7

RGB 31 9 199

HSL 246.95, 0.91%, 0.41%

LAB 25.59, 64.17, -86.93

 

CMYK 76 / 86 / 0 / 29

HEX #2C1AB6

RGB 44 26 182

HSL 246.92, 0.75%, 0.41%

LAB 25.72, 55.05, -76.64

 

CMYK 66 / 74 / 0 / 35

HEX #392BA6

RGB 57 43 166

HSL 246.83, 0.59%, 0.41%

LAB 27.71, 43.09, -63.71

 

CMYK 53 / 60 / 0 / 42

HEX #463B95

RGB 70 59 149

HSL 247.33, 0.43%, 0.41%

LAB 30.88, 30.1, -48.16

 

CMYK 37 / 42 / 0 / 48

HEX #534C84

RGB 83 76 132

HSL 247.5, 0.27%, 0.41%

LAB 35.35, 17.18, -30.51

 

CMYK 17 / 19 / 0 / 55

HEX #605D73

RGB 96 93 115

HSL 248.18, 0.11%, 0.41%

LAB 40.5, 6.14, -12

 

CMYK 86 / 48 / 0 / 29

HEX #1A5EB6

RGB 26 94 182

HSL 213.85, 0.75%, 0.41%

LAB 40.58, 12.9, -52.32

 

CMYK 86 / 71 / 0 / 29

HEX #1A34B6

RGB 26 52 182

HSL 230, 0.75%, 0.41%

LAB 29.55, 40.49, -70.33

 

CMYK 77 / 86 / 0 / 29

HEX #291AB6

RGB 41 26 182

HSL 245.77, 0.75%, 0.41%

LAB 25.53, 54.89, -76.97

 

CMYK 54 / 86 / 0 / 29

HEX #531AB6

RGB 83 26 182

HSL 261.92, 0.75%, 0.41%

LAB 29.3, 58.2, -70.6

 

CMYK 31 / 86 / 0 / 29

HEX #7D1AB6

RGB 125 26 182

HSL 278.08, 0.75%, 0.41%

LAB 34.96, 63.56, -61.1

 

CMYK 76 / 86 / 0 / 57

HEX #1A0F6E

RGB 26 15 110

HSL 246.95, 0.76%, 0.25%

LAB 13.75, 36.69, -51.76

 

CMYK 76 / 86 / 0 / 43

HEX #231492

RGB 35 20 146

HSL 247.14, 0.76%, 0.33%

LAB 19.77, 46.34, -64.65

 

CMYK 76 / 86 / 0 / 29

HEX #2C1AB6

RGB 44 26 182

HSL 246.92, 0.75%, 0.41%

LAB 25.72, 55.05, -76.64

 

CMYK 76 / 86 / 0 / 14

HEX #341FDB

RGB 52 31 219

HSL 246.7, 0.75%, 0.49%

LAB 31.4, 64.01, -88.85

 

CMYK 64 / 72 / 0 / 11

HEX #523FE3

RGB 82 63 227

HSL 246.95, 0.75%, 0.57%

LAB 39.4, 54.17, -80.14

 

CMYK 76 / 86 / 0 / 29

HEX #2C1AB6

RGB 44 26 182

HSL 246.92, 0.75%, 0.41%

LAB 25.72, 55.05, -76.64

 

CMYK 0 / 86 / 26 / 29

HEX #B61A87

RGB 182 26 135

HSL 318.08, 0.75%, 0.41%

LAB 41.9, 66.63, -21.08

 

CMYK 60 / 0 / 86 / 29

HEX #49B61A

RGB 73 182 26

HSL 101.92, 0.75%, 0.41%

LAB 65.71, -56.48, 61.97

 

CMYK 76 / 86 / 0 / 29

HEX #2C1AB6

RGB 44 26 182

HSL 246.92, 0.75%, 0.41%

LAB 25.72, 55.05, -76.64

 

CMYK 0 / 77 / 86 / 29

HEX #B6291A

RGB 182 41 26

HSL 5.77, 0.75%, 0.41%

LAB 40.58, 54.84, 43.51

 

CMYK 86 / 0 / 77 / 29

HEX #1AB629

RGB 26 182 41

HSL 125.77, 0.75%, 0.41%

LAB 64.83, -63.67, 56.65

 

CMYK 76 / 86 / 0 / 29

HEX #2C1AB6

RGB 44 26 182

HSL 246.92, 0.75%, 0.41%

LAB 25.72, 55.05, -76.64

 

CMYK 0 / 86 / 26 / 29

HEX #B61A87

RGB 182 26 135

HSL 318.08, 0.75%, 0.41%

LAB 41.9, 66.63, -21.08

 

CMYK 8 / 0 / 86 / 29

HEX #A7B61A

RGB 167 182 26

HSL 65.77, 0.75%, 0.41%

LAB 70.7, -22.8, 68.21

 

CMYK 86 / 0 / 60 / 29

HEX #1AB649

RGB 26 182 73

HSL 138.08, 0.75%, 0.41%

LAB 65.09, -60.5, 44.11

 

CMYK 76 / 86 / 0 / 29

HEX #2C1AB6

RGB 44 26 182

HSL 246.92, 0.75%, 0.41%

LAB 25.72, 55.05, -76.64

 

CMYK 0 / 86 / 52 / 29

HEX #B61A58

RGB 182 26 88

HSL 336.15, 0.75%, 0.41%

LAB 40.23, 61.93, 5.81

 

CMYK 8 / 0 / 86 / 29

HEX #A7B61A

RGB 167 182 26

HSL 65.77, 0.75%, 0.41%

LAB 70.7, -22.8, 68.21

 

CMYK 86 / 0 / 34 / 29

HEX #1AB678

RGB 26 182 120

HSL 156.15, 0.75%, 0.41%

LAB 65.77, -52.4, 21.11

 

Description

Color code: HEX #2C1AB6 | qconv.com Color code: HEX #2C1AB6 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 26 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 26 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 86 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 86% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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