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Color name
HEX #2C1E3B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C1E3B it is the complementary color #D3E1C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C1E3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C1E3B shade: #311E36, #423049, #53425C, #64546F and #756682

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C1E3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C1E3B shade: #2C1E3B, #1B0C28, #0A0015 and #000002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C1E3B shade: #2A1D39, #321D39, #391D39, #391D31 and #391D29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C1E3B shade: #2A1D39, #231D39 and #1D1D39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C1E3B shade matches the following richer shades: #2A1D39, #2A1640, #2A0F47, #2A084E and #290055

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C1E3B shade: #2A1D39, #2B2432, #2B2B2B, #2B3224 and #2B391D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C1E3B shade: #1D1E39, #221D39, #2A1D39, #321D39 and #391D39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C1E3B shade: #020102, #160F1E, #2A1D39, #3F2A55 and #533870

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C1E3B shade: #2C1E3B, #391D26 and #1D391E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C1E3B shade: #2C1E3B, #392A1D and #1D392A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C1E3B shade: #2C1E3B, #391D26, #2C391D and #1D3930

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C1E3B shade: #2C1E3B, #391D1D, #2C391D and #1D3938

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 49 / 0 / 77

HEX #2C1E3B

RGB 44 30 59

HSL 268.97, 0.33%, 0.17%

LAB 14.29, 13.92, -16.21

 

Complementary color

CMYK 6 / 0 / 13 / 12

HEX #D3E1C4

RGB 211 225 196

HSL 88.97, 0.33%, 0.83%

LAB 87.82, -9.8, 12.6

 

CMYK 9 / 44 / 0 / 79

HEX #311E36

RGB 49 30 54

HSL 287.5, 0.29%, 0.16%

LAB 14.67, 14.43, -12.02

 

CMYK 10 / 34 / 0 / 71

HEX #423049

RGB 66 48 73

HSL 283.2, 0.21%, 0.24%

LAB 22.84, 13.56, -12.35

 

CMYK 10 / 28 / 0 / 64

HEX #53425C

RGB 83 66 92

HSL 279.23, 0.16%, 0.31%

LAB 30.66, 12.84, -12.67

 

CMYK 10 / 24 / 0 / 56

HEX #64546F

RGB 100 84 111

HSL 275.56, 0.14%, 0.38%

LAB 38.19, 12.22, -13

 

CMYK 10 / 22 / 0 / 49

HEX #756682

RGB 117 102 130

HSL 272.14, 0.12%, 0.45%

LAB 45.49, 11.7, -13.34

 

CMYK 25 / 49 / 0 / 77

HEX #2C1E3B

RGB 44 30 59

HSL 268.97, 0.33%, 0.17%

LAB 14.29, 13.92, -16.21

 

CMYK 33 / 70 / 0 / 84

HEX #1B0C28

RGB 27 12 40

HSL 272.14, 0.54%, 0.1%

LAB 5.86, 14.08, -15.78

 

CMYK 52 / 100 / 0 / 92

HEX #0A0015

RGB 10 0 21

HSL 268.57, 1%, 0.04%

LAB 1.07, 6.05, -8.43

 

CMYK 100 / 100 / 0 / 99

HEX #000002

RGB 0 0 2

HSL 240, 1%, 0%

LAB 0.04, 0.28, -0.76

 

CMYK 26 / 49 / 0 / 78

HEX #2A1D39

RGB 42 29 57

HSL 267.86, 0.33%, 0.17%

LAB 13.63, 13.32, -15.84

 

CMYK 12 / 49 / 0 / 78

HEX #321D39

RGB 50 29 57

HSL 285, 0.33%, 0.17%

LAB 14.69, 16.27, -14.1

 

CMYK 0 / 49 / 0 / 78

HEX #391D39

RGB 57 29 57

HSL 300, 0.33%, 0.17%

LAB 15.72, 18.9, -12.43

 

CMYK 0 / 49 / 14 / 78

HEX #391D31

RGB 57 29 49

HSL 317.14, 0.33%, 0.17%

LAB 15.33, 17.16, -7.34

 

CMYK 0 / 49 / 28 / 78

HEX #391D29

RGB 57 29 41

HSL 334.29, 0.33%, 0.17%

LAB 15, 15.61, -2.1

 

CMYK 26 / 49 / 0 / 78

HEX #2A1D39

RGB 42 29 57

HSL 267.86, 0.33%, 0.17%

LAB 13.63, 13.32, -15.84

 

CMYK 39 / 49 / 0 / 78

HEX #231D39

RGB 35 29 57

HSL 252.86, 0.33%, 0.17%

LAB 12.81, 10.84, -17.19

 

CMYK 49 / 49 / 0 / 78

HEX #1D1D39

RGB 29 29 57

HSL 240, 0.33%, 0.17%

LAB 12.19, 8.85, -18.21

 

CMYK 26 / 49 / 0 / 78

HEX #2A1D39

RGB 42 29 57

HSL 267.86, 0.33%, 0.17%

LAB 13.63, 13.32, -15.84

 

CMYK 34 / 66 / 0 / 75

HEX #2A1640

RGB 42 22 64

HSL 268.57, 0.49%, 0.17%

LAB 12.2, 20.24, -23.07

 

CMYK 41 / 79 / 0 / 72

HEX #2A0F47

RGB 42 15 71

HSL 268.93, 0.65%, 0.17%

LAB 11.2, 26.61, -29.6

 

CMYK 46 / 90 / 0 / 69

HEX #2A084E

RGB 42 8 78

HSL 269.14, 0.81%, 0.17%

LAB 10.67, 32.05, -35.31

 

CMYK 52 / 100 / 0 / 67

HEX #290055

RGB 41 0 85

HSL 268.94, 1%, 0.17%

LAB 10.01, 37.65, -41.22

 

CMYK 26 / 49 / 0 / 78

HEX #2A1D39

RGB 42 29 57

HSL 267.86, 0.33%, 0.17%

LAB 13.63, 13.32, -15.84

 

CMYK 14 / 28 / 0 / 80

HEX #2B2432

RGB 43 36 50

HSL 270, 0.16%, 0.17%

LAB 15.52, 6.71, -7.95

 

CMYK 0 / 0 / 0 / 83

HEX #2B2B2B

RGB 43 43 43

HSL 0, 0%, 0.17%

LAB 17.53, 0, -0

 

CMYK 14 / 0 / 28 / 80

HEX #2B3224

RGB 43 50 36

HSL 90, 0.16%, 0.17%

LAB 19.73, -6.2, 7.94

 

CMYK 25 / 0 / 49 / 78

HEX #2B391D

RGB 43 57 29

HSL 90, 0.33%, 0.17%

LAB 22.05, -11.79, 15.59

 

CMYK 49 / 47 / 0 / 78

HEX #1D1E39

RGB 29 30 57

HSL 237.86, 0.33%, 0.17%

LAB 12.51, 8.1, -17.7

 

CMYK 40 / 49 / 0 / 78

HEX #221D39

RGB 34 29 57

HSL 250.71, 0.33%, 0.17%

LAB 12.7, 10.5, -17.37

 

CMYK 26 / 49 / 0 / 78

HEX #2A1D39

RGB 42 29 57

HSL 267.86, 0.33%, 0.17%

LAB 13.63, 13.32, -15.84

 

CMYK 12 / 49 / 0 / 78

HEX #321D39

RGB 50 29 57

HSL 285, 0.33%, 0.17%

LAB 14.69, 16.27, -14.1

 

CMYK 0 / 49 / 0 / 78

HEX #391D39

RGB 57 29 57

HSL 300, 0.33%, 0.17%

LAB 15.72, 18.9, -12.43

 

CMYK 0 / 50 / 0 / 99

HEX #020102

RGB 2 1 2

HSL 300, 0.33%, 0.01%

LAB 0.35, 0.4, -0.29

 

CMYK 27 / 50 / 0 / 88

HEX #160F1E

RGB 22 15 30

HSL 268, 0.33%, 0.09%

LAB 5.47, 6.56, -8.76

 

CMYK 26 / 49 / 0 / 78

HEX #2A1D39

RGB 42 29 57

HSL 267.86, 0.33%, 0.17%

LAB 13.63, 13.32, -15.84

 

CMYK 26 / 51 / 0 / 67

HEX #3F2A55

RGB 63 42 85

HSL 269.3, 0.34%, 0.25%

LAB 21.46, 19.64, -22.55

 

CMYK 26 / 50 / 0 / 56

HEX #533870

RGB 83 56 112

HSL 268.93, 0.33%, 0.33%

LAB 29, 24.31, -28.04

 

CMYK 25 / 49 / 0 / 77

HEX #2C1E3B

RGB 44 30 59

HSL 268.97, 0.33%, 0.17%

LAB 14.29, 13.92, -16.21

 

CMYK 0 / 49 / 33 / 78

HEX #391D26

RGB 57 29 38

HSL 340.71, 0.33%, 0.17%

LAB 14.89, 15.08, -0.1

 

CMYK 49 / 0 / 47 / 78

HEX #1D391E

RGB 29 57 30

HSL 122.14, 0.33%, 0.17%

LAB 21.14, -17.49, 13.6

 

CMYK 25 / 49 / 0 / 77

HEX #2C1E3B

RGB 44 30 59

HSL 268.97, 0.33%, 0.17%

LAB 14.29, 13.92, -16.21

 

CMYK 0 / 26 / 49 / 78

HEX #392A1D

RGB 57 42 29

HSL 27.86, 0.33%, 0.17%

LAB 18.43, 4.86, 11.17

 

CMYK 49 / 0 / 26 / 78

HEX #1D392A

RGB 29 57 42

HSL 147.86, 0.33%, 0.17%

LAB 21.41, -14.82, 6.09

 

CMYK 25 / 49 / 0 / 77

HEX #2C1E3B

RGB 44 30 59

HSL 268.97, 0.33%, 0.17%

LAB 14.29, 13.92, -16.21

 

CMYK 0 / 49 / 33 / 78

HEX #391D26

RGB 57 29 38

HSL 340.71, 0.33%, 0.17%

LAB 14.89, 15.08, -0.1

 

CMYK 23 / 0 / 49 / 78

HEX #2C391D

RGB 44 57 29

HSL 87.86, 0.33%, 0.17%

LAB 22.13, -11.33, 15.71

 

CMYK 49 / 0 / 16 / 78

HEX #1D3930

RGB 29 57 48

HSL 160.71, 0.33%, 0.17%

LAB 21.58, -13.23, 2.31

 

CMYK 25 / 49 / 0 / 77

HEX #2C1E3B

RGB 44 30 59

HSL 268.97, 0.33%, 0.17%

LAB 14.29, 13.92, -16.21

 

CMYK 0 / 49 / 49 / 78

HEX #391D1D

RGB 57 29 29

HSL 0, 0.33%, 0.17%

LAB 14.61, 13.69, 6

 

CMYK 23 / 0 / 49 / 78

HEX #2C391D

RGB 44 57 29

HSL 87.86, 0.33%, 0.17%

LAB 22.13, -11.33, 15.71

 

CMYK 49 / 0 / 2 / 78

HEX #1D3938

RGB 29 57 56

HSL 177.86, 0.33%, 0.17%

LAB 21.85, -10.88, -2.7

 

Description

Color code: HEX #2C1E3B | qconv.com Color code: HEX #2C1E3B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 30 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 30 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 49 magenta, none yellow and 77 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 49% 0% 77% C M Y K

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Provide designers and agencies with accurate color values.

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