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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C392E it is the complementary color #D3C6D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C392E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C392E shade: #313929, #424B3C, #535D4F, #646F62 and #758175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C392E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C392E shade: #2C392E, #1B271B, #0A1508 and #000300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C392E shade: #2C392E, #2D392C, #31392C, #35392C and #38392C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C392E shade: #2C392E, #2C3931, #2C3935, #2C3939 and #2C3639

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C392E shade matches the following richer shades: #2C392E, #244128, #1B4A22, #13521D and #0B5A17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C392E shade: #2C392E, #343134, #3C2939, #45203F and #4D1845

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C392E shade: #31392C, #2D392C, #2C392E, #2C3931 and #2C3935

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C392E shade: #080B08, #1A221B, #2C392E, #3E5041 and #506853

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C392E shade: #2C392E, #2C3439 and #392C2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C392E shade: #2C392E, #2E2C39 and #392E2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C392E shade: #2C392E, #2C3439, #392C37 and #39312C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C392E shade: #2C392E, #2C3139, #392C37 and #39342C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 19 / 78

HEX #2C392E

RGB 44 57 46

HSL 129.23, 0.13%, 0.2%

LAB 22.51, -8.07, 5.11

 

Complementary color

CMYK 0 / 6 / 1 / 17

HEX #D3C6D1

RGB 211 198 209

HSL 309.23, 0.13%, 0.8%

LAB 81.2, 6.49, -3.86

 

CMYK 14 / 0 / 28 / 78

HEX #313929

RGB 49 57 41

HSL 90, 0.16%, 0.19%

LAB 22.79, -6.93, 8.89

 

CMYK 12 / 0 / 20 / 71

HEX #424B3C

RGB 66 75 60

HSL 96, 0.11%, 0.26%

LAB 30.68, -6.9, 7.74

 

CMYK 11 / 0 / 15 / 64

HEX #535D4F

RGB 83 93 79

HSL 102.86, 0.08%, 0.34%

LAB 38.26, -6.87, 6.74

 

CMYK 10 / 0 / 12 / 56

HEX #646F62

RGB 100 111 98

HSL 110.77, 0.06%, 0.41%

LAB 45.58, -6.86, 5.83

 

CMYK 9 / 0 / 9 / 49

HEX #758175

RGB 117 129 117

HSL 120, 0.05%, 0.48%

LAB 52.69, -6.86, 5

 

CMYK 23 / 0 / 19 / 78

HEX #2C392E

RGB 44 57 46

HSL 129.23, 0.13%, 0.2%

LAB 22.51, -8.07, 5.11

 

CMYK 31 / 0 / 31 / 85

HEX #1B271B

RGB 27 39 27

HSL 120, 0.18%, 0.13%

LAB 14.19, -8.3, 6.29

 

CMYK 52 / 0 / 62 / 92

HEX #0A1508

RGB 10 21 8

HSL 110.77, 0.45%, 0.06%

LAB 5.59, -6.17, 4.97

 

CMYK 100 / 0 / 100 / 99

HEX #000300

RGB 0 3 0

HSL 120, 1%, 0.01%

LAB 0.59, -1.2, 0.86

 

CMYK 23 / 0 / 19 / 78

HEX #2C392E

RGB 44 57 46

HSL 129.23, 0.13%, 0.2%

LAB 22.51, -8.07, 5.11

 

CMYK 21 / 0 / 23 / 78

HEX #2D392C

RGB 45 57 44

HSL 115.38, 0.13%, 0.2%

LAB 22.53, -8.09, 6.49

 

CMYK 14 / 0 / 23 / 78

HEX #31392C

RGB 49 57 44

HSL 96.92, 0.13%, 0.2%

LAB 22.87, -6.34, 7

 

CMYK 7 / 0 / 23 / 78

HEX #35392C

RGB 53 57 44

HSL 78.46, 0.13%, 0.2%

LAB 23.22, -4.53, 7.55

 

CMYK 2 / 0 / 23 / 78

HEX #38392C

RGB 56 57 44

HSL 64.62, 0.13%, 0.2%

LAB 23.5, -3.15, 7.98

 

CMYK 23 / 0 / 19 / 78

HEX #2C392E

RGB 44 57 46

HSL 129.23, 0.13%, 0.2%

LAB 22.51, -8.07, 5.11

 

CMYK 23 / 0 / 14 / 78

HEX #2C3931

RGB 44 57 49

HSL 143.08, 0.13%, 0.2%

LAB 22.6, -7.37, 3.22

 

CMYK 23 / 0 / 7 / 78

HEX #2C3935

RGB 44 57 53

HSL 161.54, 0.13%, 0.2%

LAB 22.72, -6.38, 0.72

 

CMYK 23 / 0 / 0 / 78

HEX #2C3939

RGB 44 57 57

HSL 180, 0.13%, 0.2%

LAB 22.85, -5.34, -1.78

 

CMYK 23 / 5 / 0 / 78

HEX #2C3639

RGB 44 54 57

HSL 193.85, 0.13%, 0.2%

LAB 21.83, -3.38, -3.29

 

CMYK 23 / 0 / 19 / 78

HEX #2C392E

RGB 44 57 46

HSL 129.23, 0.13%, 0.2%

LAB 22.51, -8.07, 5.11

 

CMYK 45 / 0 / 38 / 75

HEX #244128

RGB 36 65 40

HSL 128.28, 0.29%, 0.2%

LAB 24.67, -17.26, 11.93

 

CMYK 64 / 0 / 54 / 71

HEX #1B4A22

RGB 27 74 34

HSL 128.94, 0.47%, 0.2%

LAB 27.42, -25.9, 19.12

 

CMYK 77 / 0 / 65 / 68

HEX #13521D

RGB 19 82 29

HSL 129.52, 0.62%, 0.2%

LAB 30.06, -32.08, 25.06

 

CMYK 88 / 0 / 74 / 65

HEX #0B5A17

RGB 11 90 23

HSL 129.11, 0.78%, 0.2%

LAB 32.8, -37.17, 31.02

 

CMYK 23 / 0 / 19 / 78

HEX #2C392E

RGB 44 57 46

HSL 129.23, 0.13%, 0.2%

LAB 22.51, -8.07, 5.11

 

CMYK 0 / 6 / 0 / 80

HEX #343134

RGB 52 49 52

HSL 300, 0.03%, 0.2%

LAB 20.73, 2.02, -1.43

 

CMYK 0 / 32 / 5 / 76

HEX #3C2939

RGB 60 41 57

HSL 309.47, 0.19%, 0.2%

LAB 19.4, 12.08, -6.76

 

CMYK 0 / 54 / 9 / 73

HEX #45203F

RGB 69 32 63

HSL 309.73, 0.37%, 0.2%

LAB 18.61, 22.78, -11.99

 

CMYK 0 / 69 / 10 / 70

HEX #4D1845

RGB 77 24 69

HSL 309.06, 0.52%, 0.2%

LAB 18.63, 31.09, -16.01

 

CMYK 14 / 0 / 23 / 78

HEX #31392C

RGB 49 57 44

HSL 96.92, 0.13%, 0.2%

LAB 22.87, -6.34, 7

 

CMYK 21 / 0 / 23 / 78

HEX #2D392C

RGB 45 57 44

HSL 115.38, 0.13%, 0.2%

LAB 22.53, -8.09, 6.49

 

CMYK 23 / 0 / 19 / 78

HEX #2C392E

RGB 44 57 46

HSL 129.23, 0.13%, 0.2%

LAB 22.51, -8.07, 5.11

 

CMYK 23 / 0 / 14 / 78

HEX #2C3931

RGB 44 57 49

HSL 143.08, 0.13%, 0.2%

LAB 22.6, -7.37, 3.22

 

CMYK 23 / 0 / 7 / 78

HEX #2C3935

RGB 44 57 53

HSL 161.54, 0.13%, 0.2%

LAB 22.72, -6.38, 0.72

 

CMYK 27 / 0 / 27 / 96

HEX #080B08

RGB 8 11 8

HSL 120, 0.16%, 0.04%

LAB 2.79, -1.21, 0.87

 

CMYK 24 / 0 / 21 / 87

HEX #1A221B

RGB 26 34 27

HSL 127.5, 0.13%, 0.12%

LAB 12.24, -5.43, 3.54

 

CMYK 23 / 0 / 19 / 78

HEX #2C392E

RGB 44 57 46

HSL 129.23, 0.13%, 0.2%

LAB 22.51, -8.07, 5.11

 

CMYK 23 / 0 / 19 / 69

HEX #3E5041

RGB 62 80 65

HSL 130, 0.13%, 0.28%

LAB 32.13, -10.5, 6.57

 

CMYK 23 / 0 / 20 / 59

HEX #506853

RGB 80 104 83

HSL 127.5, 0.13%, 0.36%

LAB 41.58, -13.57, 8.96

 

CMYK 23 / 0 / 19 / 78

HEX #2C392E

RGB 44 57 46

HSL 129.23, 0.13%, 0.2%

LAB 22.51, -8.07, 5.11

 

CMYK 23 / 9 / 0 / 78

HEX #2C3439

RGB 44 52 57

HSL 203.08, 0.13%, 0.2%

LAB 21.16, -2.06, -4.29

 

CMYK 0 / 23 / 18 / 78

HEX #392C2F

RGB 57 44 47

HSL 346.15, 0.13%, 0.2%

LAB 19.54, 6.57, 0.33

 

CMYK 23 / 0 / 19 / 78

HEX #2C392E

RGB 44 57 46

HSL 129.23, 0.13%, 0.2%

LAB 22.51, -8.07, 5.11

 

CMYK 19 / 23 / 0 / 78

HEX #2E2C39

RGB 46 44 57

HSL 249.23, 0.13%, 0.2%

LAB 18.7, 4.21, -7.97

 

CMYK 0 / 19 / 23 / 78

HEX #392E2C

RGB 57 46 44

HSL 9.23, 0.13%, 0.2%

LAB 20.07, 4.62, 3.16

 

CMYK 23 / 0 / 19 / 78

HEX #2C392E

RGB 44 57 46

HSL 129.23, 0.13%, 0.2%

LAB 22.51, -8.07, 5.11

 

CMYK 23 / 9 / 0 / 78

HEX #2C3439

RGB 44 52 57

HSL 203.08, 0.13%, 0.2%

LAB 21.16, -2.06, -4.29

 

CMYK 0 / 23 / 4 / 78

HEX #392C37

RGB 57 44 55

HSL 309.23, 0.13%, 0.2%

LAB 19.83, 8.3, -4.77

 

CMYK 0 / 14 / 23 / 78

HEX #39312C

RGB 57 49 44

HSL 23.08, 0.13%, 0.2%

LAB 21.01, 2.59, 4.51

 

CMYK 23 / 0 / 19 / 78

HEX #2C392E

RGB 44 57 46

HSL 129.23, 0.13%, 0.2%

LAB 22.51, -8.07, 5.11

 

CMYK 23 / 14 / 0 / 78

HEX #2C3139

RGB 44 49 57

HSL 216.92, 0.13%, 0.2%

LAB 20.15, -0.04, -5.79

 

CMYK 0 / 23 / 4 / 78

HEX #392C37

RGB 57 44 55

HSL 309.23, 0.13%, 0.2%

LAB 19.83, 8.3, -4.77

 

CMYK 0 / 9 / 23 / 78

HEX #39342C

RGB 57 52 44

HSL 36.92, 0.13%, 0.2%

LAB 21.97, 0.59, 5.86

 

Description

Color code: HEX #2C392E | qconv.com Color code: HEX #2C392E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 57 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 57 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 19 yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 19% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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