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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C3224 it is the complementary color #D3CDDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C3224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C3224 shade: #31321F, #424432, #535645, #646858 and #757A6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C3224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C3224 shade: #2C3224, #1B2011 and #0A0E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C3224 shade: #2C3224, #303224, #323024, #322D24 and #322924

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C3224 shade: #2C3224, #283224, #243224, #243227 and #24322B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C3224 shade matches the following richer shades: #2C3224, #2D391D, #2E4016, #2F470F and #304E08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C3224 shade: #2C3224, #2B2B2B, #2A2432, #291D39 and #281640

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C3224 shade: #323024, #303224, #2C3224, #283224 and #253224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C3224 shade: #020201, #171A13, #2C3224, #414A35 and #566247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C3224 shade: #2C3224, #24322C and #322432

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C3224 shade: #2C3224, #242C32 and #32242C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C3224 shade: #2C3224, #24322C, #2A2432 and #322429

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C3224 shade: #2C3224, #243231, #2A2432 and #322425

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 28 / 80

HEX #2C3224

RGB 44 50 36

HSL 85.71, 0.16%, 0.17%

LAB 19.82, -5.74, 8.07

 

Complementary color

CMYK 4 / 6 / 0 / 14

HEX #D3CDDB

RGB 211 205 219

HSL 265.71, 0.16%, 0.83%

LAB 83.25, 4.64, -6.19

 

CMYK 2 / 0 / 38 / 80

HEX #31321F

RGB 49 50 31

HSL 63.16, 0.23%, 0.16%

LAB 20.18, -4.23, 11.98

 

CMYK 3 / 0 / 26 / 73

HEX #424432

RGB 66 68 50

HSL 66.67, 0.15%, 0.23%

LAB 28.18, -4.45, 10.66

 

CMYK 3 / 0 / 20 / 66

HEX #535645

RGB 83 86 69

HSL 70.59, 0.11%, 0.3%

LAB 35.84, -4.6, 9.51

 

CMYK 4 / 0 / 15 / 59

HEX #646858

RGB 100 104 88

HSL 75, 0.08%, 0.38%

LAB 43.23, -4.71, 8.5

 

CMYK 4 / 0 / 12 / 52

HEX #757A6B

RGB 117 122 107

HSL 80, 0.07%, 0.45%

LAB 50.41, -4.81, 7.57

 

CMYK 12 / 0 / 28 / 80

HEX #2C3224

RGB 44 50 36

HSL 85.71, 0.16%, 0.17%

LAB 19.82, -5.74, 8.07

 

CMYK 16 / 0 / 47 / 87

HEX #1B2011

RGB 27 32 17

HSL 80, 0.31%, 0.1%

LAB 11.32, -5.71, 9.13

 

CMYK 29 / 0 / 100 / 95

HEX #0A0E00

RGB 10 14 0

HSL 77.14, 1%, 0.03%

LAB 3.42, -3.18, 5.06

 

CMYK 12 / 0 / 28 / 80

HEX #2C3224

RGB 44 50 36

HSL 85.71, 0.16%, 0.17%

LAB 19.82, -5.74, 8.07

 

CMYK 4 / 0 / 28 / 80

HEX #303224

RGB 48 50 36

HSL 68.57, 0.16%, 0.17%

LAB 20.19, -3.85, 8.64

 

CMYK 0 / 4 / 28 / 80

HEX #323024

RGB 50 48 36

HSL 51.43, 0.16%, 0.17%

LAB 19.72, -1.57, 8.03

 

CMYK 0 / 10 / 28 / 80

HEX #322D24

RGB 50 45 36

HSL 38.57, 0.16%, 0.17%

LAB 18.72, 0.45, 6.65

 

CMYK 0 / 18 / 28 / 80

HEX #322924

RGB 50 41 36

HSL 21.43, 0.16%, 0.17%

LAB 17.42, 3.18, 4.83

 

CMYK 12 / 0 / 28 / 80

HEX #2C3224

RGB 44 50 36

HSL 85.71, 0.16%, 0.17%

LAB 19.82, -5.74, 8.07

 

CMYK 20 / 0 / 28 / 80

HEX #283224

RGB 40 50 36

HSL 102.86, 0.16%, 0.17%

LAB 19.47, -7.57, 7.54

 

CMYK 28 / 0 / 28 / 80

HEX #243224

RGB 36 50 36

HSL 120, 0.16%, 0.17%

LAB 19.16, -9.33, 7.05

 

CMYK 28 / 0 / 22 / 80

HEX #243227

RGB 36 50 39

HSL 132.86, 0.16%, 0.17%

LAB 19.24, -8.65, 5.13

 

CMYK 28 / 0 / 14 / 80

HEX #24322B

RGB 36 50 43

HSL 150, 0.16%, 0.17%

LAB 19.35, -7.67, 2.56

 

CMYK 12 / 0 / 28 / 80

HEX #2C3224

RGB 44 50 36

HSL 85.71, 0.16%, 0.17%

LAB 19.82, -5.74, 8.07

 

CMYK 21 / 0 / 49 / 78

HEX #2D391D

RGB 45 57 29

HSL 85.71, 0.33%, 0.17%

LAB 22.21, -10.87, 15.82

 

CMYK 28 / 0 / 66 / 75

HEX #2E4016

RGB 46 64 22

HSL 85.71, 0.49%, 0.17%

LAB 24.66, -15.41, 22.95

 

CMYK 34 / 0 / 79 / 72

HEX #2F470F

RGB 47 71 15

HSL 85.71, 0.65%, 0.17%

LAB 27.14, -19.44, 29.15

 

CMYK 38 / 0 / 90 / 69

HEX #304E08

RGB 48 78 8

HSL 85.71, 0.81%, 0.17%

LAB 29.65, -23.04, 34.25

 

CMYK 12 / 0 / 28 / 80

HEX #2C3224

RGB 44 50 36

HSL 85.71, 0.16%, 0.17%

LAB 19.82, -5.74, 8.07

 

CMYK 0 / 0 / 0 / 83

HEX #2B2B2B

RGB 43 43 43

HSL 0, 0%, 0.17%

LAB 17.53, 0, -0

 

CMYK 16 / 28 / 0 / 80

HEX #2A2432

RGB 42 36 50

HSL 265.71, 0.16%, 0.17%

LAB 15.4, 6.29, -8.13

 

CMYK 28 / 49 / 0 / 78

HEX #291D39

RGB 41 29 57

HSL 265.71, 0.33%, 0.17%

LAB 13.5, 12.95, -16.05

 

CMYK 38 / 66 / 0 / 75

HEX #281640

RGB 40 22 64

HSL 265.71, 0.49%, 0.17%

LAB 11.92, 19.65, -23.52

 

CMYK 0 / 4 / 28 / 80

HEX #323024

RGB 50 48 36

HSL 51.43, 0.16%, 0.17%

LAB 19.72, -1.57, 8.03

 

CMYK 4 / 0 / 28 / 80

HEX #303224

RGB 48 50 36

HSL 68.57, 0.16%, 0.17%

LAB 20.19, -3.85, 8.64

 

CMYK 12 / 0 / 28 / 80

HEX #2C3224

RGB 44 50 36

HSL 85.71, 0.16%, 0.17%

LAB 19.82, -5.74, 8.07

 

CMYK 20 / 0 / 28 / 80

HEX #283224

RGB 40 50 36

HSL 102.86, 0.16%, 0.17%

LAB 19.47, -7.57, 7.54

 

CMYK 26 / 0 / 28 / 80

HEX #253224

RGB 37 50 36

HSL 115.71, 0.16%, 0.17%

LAB 19.23, -8.9, 7.17

 

CMYK 0 / 0 / 50 / 99

HEX #020201

RGB 2 2 1

HSL 60, 0.33%, 0.01%

LAB 0.53, -0.14, 0.38

 

CMYK 12 / 0 / 27 / 90

HEX #171A13

RGB 23 26 19

HSL 85.71, 0.16%, 0.09%

LAB 8.72, -3.17, 4.19

 

CMYK 12 / 0 / 28 / 80

HEX #2C3224

RGB 44 50 36

HSL 85.71, 0.16%, 0.17%

LAB 19.82, -5.74, 8.07

 

CMYK 12 / 0 / 28 / 71

HEX #414A35

RGB 65 74 53

HSL 85.71, 0.17%, 0.25%

LAB 30.1, -8.05, 11.37

 

CMYK 12 / 0 / 28 / 62

HEX #566247

RGB 86 98 71

HSL 86.67, 0.16%, 0.33%

LAB 39.86, -10.04, 13.88

 

CMYK 12 / 0 / 28 / 80

HEX #2C3224

RGB 44 50 36

HSL 85.71, 0.16%, 0.17%

LAB 19.82, -5.74, 8.07

 

CMYK 28 / 0 / 12 / 80

HEX #24322C

RGB 36 50 44

HSL 154.29, 0.16%, 0.17%

LAB 19.38, -7.42, 1.92

 

CMYK 0 / 28 / 0 / 80

HEX #322432

RGB 50 36 50

HSL 300, 0.16%, 0.17%

LAB 16.36, 9.67, -6.59

 

CMYK 12 / 0 / 28 / 80

HEX #2C3224

RGB 44 50 36

HSL 85.71, 0.16%, 0.17%

LAB 19.82, -5.74, 8.07

 

CMYK 28 / 12 / 0 / 80

HEX #242C32

RGB 36 44 50

HSL 205.71, 0.16%, 0.17%

LAB 17.49, -1.78, -5.03

 

CMYK 0 / 28 / 12 / 80

HEX #32242C

RGB 50 36 44

HSL 325.71, 0.16%, 0.17%

LAB 16.11, 8.29, -2.71

 

CMYK 12 / 0 / 28 / 80

HEX #2C3224

RGB 44 50 36

HSL 85.71, 0.16%, 0.17%

LAB 19.82, -5.74, 8.07

 

CMYK 28 / 0 / 12 / 80

HEX #24322C

RGB 36 50 44

HSL 154.29, 0.16%, 0.17%

LAB 19.38, -7.42, 1.92

 

CMYK 16 / 28 / 0 / 80

HEX #2A2432

RGB 42 36 50

HSL 265.71, 0.16%, 0.17%

LAB 15.4, 6.29, -8.13

 

CMYK 0 / 28 / 18 / 80

HEX #322429

RGB 50 36 41

HSL 338.57, 0.16%, 0.17%

LAB 16, 7.64, -0.74

 

CMYK 12 / 0 / 28 / 80

HEX #2C3224

RGB 44 50 36

HSL 85.71, 0.16%, 0.17%

LAB 19.82, -5.74, 8.07

 

CMYK 28 / 0 / 2 / 80

HEX #243231

RGB 36 50 49

HSL 175.71, 0.16%, 0.17%

LAB 19.55, -6.08, -1.28

 

CMYK 16 / 28 / 0 / 80

HEX #2A2432

RGB 42 36 50

HSL 265.71, 0.16%, 0.17%

LAB 15.4, 6.29, -8.13

 

CMYK 0 / 28 / 26 / 80

HEX #322425

RGB 50 36 37

HSL 355.71, 0.16%, 0.17%

LAB 15.87, 6.84, 1.91

 

Description

Color code: HEX #2C3224 | qconv.com Color code: HEX #2C3224 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 50 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 50 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 28 yellow and 80 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 28% 80% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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