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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C4781 it is the complementary color #D3B87E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C4781. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C4781 shade: #31477C, #42598F, #536BA2, #647DB5 and #758FC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C4781. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C4781 shade: #2C4781, #1B356E, #0A235B, #001148 and #000035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C4781 shade: #2C4781, #2C3081, #3F2C81, #552C81 and #6C2C81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C4781 shade: #2C4781, #2C3081 and #2C2C81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C4781 shade matches the following richer shades: #2C4781, #1E428F, #103C9D and #0237AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C4781 shade: #2C4781, #3A4C73, #485165, #565657 and #645B49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C4781 shade: #2C7581, #2C5F81, #2C4881, #2C3181 and #3D2C81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C4781 shade: #172543, #213662, #2C4781, #36589F and #4169BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C4781 shade: #2C4781, #752C81 and #6A812C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C4781 shade: #2C4781, #812C48 and #48812C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C4781 shade: #2C4781, #752C81, #81642C and #37812C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C4781 shade: #2C4781, #812C73, #81642C and #2C813A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 45 / 0 / 49

HEX #2C4781

RGB 44 71 129

HSL 220.94, 0.49%, 0.34%

LAB 30.94, 9.76, -35.83

 

Complementary color

CMYK 0 / 13 / 40 / 17

HEX #D3B87E

RGB 211 184 126

HSL 40.94, 0.49%, 0.66%

LAB 75.85, 1.65, 33.01

 

CMYK 60 / 43 / 0 / 51

HEX #31477C

RGB 49 71 124

HSL 222.4, 0.43%, 0.34%

LAB 30.91, 8.94, -32.74

 

CMYK 54 / 38 / 0 / 44

HEX #42598F

RGB 66 89 143

HSL 222.08, 0.37%, 0.41%

LAB 38.35, 7.73, -32.57

 

CMYK 49 / 34 / 0 / 36

HEX #536BA2

RGB 83 107 162

HSL 221.77, 0.32%, 0.48%

LAB 45.58, 6.82, -32.45

 

CMYK 45 / 31 / 0 / 29

HEX #647DB5

RGB 100 125 181

HSL 221.48, 0.35%, 0.55%

LAB 52.63, 6.1, -32.4

 

CMYK 42 / 29 / 0 / 22

HEX #758FC8

RGB 117 143 200

HSL 221.2, 0.43%, 0.62%

LAB 59.52, 5.51, -32.39

 

CMYK 66 / 45 / 0 / 49

HEX #2C4781

RGB 44 71 129

HSL 220.94, 0.49%, 0.34%

LAB 30.94, 9.76, -35.83

 

CMYK 75 / 52 / 0 / 57

HEX #1B356E

RGB 27 53 110

HSL 221.2, 0.61%, 0.27%

LAB 23.35, 11.78, -36.05

 

CMYK 89 / 62 / 0 / 64

HEX #0A235B

RGB 10 35 91

HSL 221.48, 0.8%, 0.2%

LAB 15.6, 14.72, -36.2

 

CMYK 100 / 76 / 0 / 72

HEX #001148

RGB 0 17 72

HSL 225.83, 1%, 0.14%

LAB 7.85, 18.9, -35.94

 

CMYK 100 / 100 / 0 / 79

HEX #000035

RGB 0 0 53

HSL 240, 1%, 0.1%

LAB 2.32, 16.32, -31.29

 

CMYK 66 / 45 / 0 / 49

HEX #2C4781

RGB 44 71 129

HSL 220.94, 0.49%, 0.34%

LAB 30.94, 9.76, -35.83

 

CMYK 66 / 63 / 0 / 49

HEX #2C3081

RGB 44 48 129

HSL 237.18, 0.49%, 0.34%

LAB 24.43, 25.45, -46.33

 

CMYK 51 / 66 / 0 / 49

HEX #3F2C81

RGB 63 44 129

HSL 253.41, 0.49%, 0.34%

LAB 25.09, 31.62, -45.2

 

CMYK 34 / 66 / 0 / 49

HEX #552C81

RGB 85 44 129

HSL 268.94, 0.49%, 0.34%

LAB 27.62, 36.53, -40.97

 

CMYK 16 / 66 / 0 / 49

HEX #6C2C81

RGB 108 44 129

HSL 285.18, 0.49%, 0.34%

LAB 30.82, 42.21, -35.66

 

CMYK 66 / 45 / 0 / 49

HEX #2C4781

RGB 44 71 129

HSL 220.94, 0.49%, 0.34%

LAB 30.94, 9.76, -35.83

 

CMYK 66 / 63 / 0 / 49

HEX #2C3081

RGB 44 48 129

HSL 237.18, 0.49%, 0.34%

LAB 24.43, 25.45, -46.33

 

CMYK 66 / 66 / 0 / 49

HEX #2C2C81

RGB 44 44 129

HSL 240, 0.49%, 0.34%

LAB 23.41, 28.12, -48

 

CMYK 66 / 45 / 0 / 49

HEX #2C4781

RGB 44 71 129

HSL 220.94, 0.49%, 0.34%

LAB 30.94, 9.76, -35.83

 

CMYK 79 / 54 / 0 / 44

HEX #1E428F

RGB 30 66 143

HSL 220.88, 0.65%, 0.34%

LAB 29.8, 16.48, -46.34

 

CMYK 90 / 62 / 0 / 38

HEX #103C9D

RGB 16 60 157

HSL 221.28, 0.82%, 0.34%

LAB 28.84, 25.07, -56.48

 

CMYK 99 / 68 / 0 / 33

HEX #0237AB

RGB 2 55 171

HSL 221.18, 0.98%, 0.34%

LAB 28.6, 33.43, -65.33

 

CMYK 66 / 45 / 0 / 49

HEX #2C4781

RGB 44 71 129

HSL 220.94, 0.49%, 0.34%

LAB 30.94, 9.76, -35.83

 

CMYK 50 / 34 / 0 / 55

HEX #3A4C73

RGB 58 76 115

HSL 221.05, 0.33%, 0.34%

LAB 32.49, 4.7, -24.59

 

CMYK 29 / 20 / 0 / 60

HEX #485165

RGB 72 81 101

HSL 221.38, 0.17%, 0.34%

LAB 34.4, 1.55, -12.77

 

CMYK 1 / 1 / 0 / 66

HEX #565657

RGB 86 86 87

HSL 240, 0.01%, 0.34%

LAB 36.6, 0.22, -0.58

 

CMYK 0 / 9 / 27 / 61

HEX #645B49

RGB 100 91 73

HSL 40, 0.16%, 0.34%

LAB 39.02, 0.43, 11.71

 

CMYK 66 / 9 / 0 / 49

HEX #2C7581

RGB 44 117 129

HSL 188.47, 0.49%, 0.34%

LAB 45.42, -18.43, -13.28

 

CMYK 66 / 26 / 0 / 49

HEX #2C5F81

RGB 44 95 129

HSL 204, 0.49%, 0.34%

LAB 38.38, -5.73, -24.09

 

CMYK 66 / 44 / 0 / 49

HEX #2C4881

RGB 44 72 129

HSL 220.24, 0.49%, 0.34%

LAB 31.24, 9.08, -35.35

 

CMYK 66 / 62 / 0 / 49

HEX #2C3181

RGB 44 49 129

HSL 236.47, 0.49%, 0.34%

LAB 24.69, 24.78, -45.91

 

CMYK 53 / 66 / 0 / 49

HEX #3D2C81

RGB 61 44 129

HSL 252, 0.49%, 0.34%

LAB 24.89, 31.21, -45.53

 

CMYK 66 / 45 / 0 / 74

HEX #172543

RGB 23 37 67

HSL 220.91, 0.49%, 0.18%

LAB 15.01, 5.01, -20.79

 

CMYK 66 / 45 / 0 / 62

HEX #213662

RGB 33 54 98

HSL 220.62, 0.5%, 0.26%

LAB 23.15, 7.34, -28.6

 

CMYK 66 / 45 / 0 / 49

HEX #2C4781

RGB 44 71 129

HSL 220.94, 0.49%, 0.34%

LAB 30.94, 9.76, -35.83

 

CMYK 66 / 45 / 0 / 38

HEX #36589F

RGB 54 88 159

HSL 220.57, 0.49%, 0.42%

LAB 38.32, 11.51, -42.29

 

CMYK 66 / 45 / 0 / 25

HEX #4169BE

RGB 65 105 190

HSL 220.8, 0.49%, 0.5%

LAB 45.56, 13.73, -48.91

 

CMYK 66 / 45 / 0 / 49

HEX #2C4781

RGB 44 71 129

HSL 220.94, 0.49%, 0.34%

LAB 30.94, 9.76, -35.83

 

CMYK 9 / 66 / 0 / 49

HEX #752C81

RGB 117 44 129

HSL 291.53, 0.49%, 0.34%

LAB 32.19, 44.51, -33.4

 

CMYK 18 / 0 / 66 / 49

HEX #6A812C

RGB 106 129 44

HSL 76.24, 0.49%, 0.34%

LAB 50.62, -21.56, 41.9

 

CMYK 66 / 45 / 0 / 49

HEX #2C4781

RGB 44 71 129

HSL 220.94, 0.49%, 0.34%

LAB 30.94, 9.76, -35.83

 

CMYK 0 / 66 / 44 / 49

HEX #812C48

RGB 129 44 72

HSL 340.24, 0.49%, 0.34%

LAB 31.66, 39.13, 2.5

 

CMYK 44 / 0 / 66 / 49

HEX #48812C

RGB 72 129 44

HSL 100.24, 0.49%, 0.34%

LAB 48.59, -34.89, 39.09

 

CMYK 66 / 45 / 0 / 49

HEX #2C4781

RGB 44 71 129

HSL 220.94, 0.49%, 0.34%

LAB 30.94, 9.76, -35.83

 

CMYK 9 / 66 / 0 / 49

HEX #752C81

RGB 117 44 129

HSL 291.53, 0.49%, 0.34%

LAB 32.19, 44.51, -33.4

 

CMYK 0 / 22 / 66 / 49

HEX #81642C

RGB 129 100 44

HSL 39.53, 0.49%, 0.34%

LAB 44.18, 5.07, 35.46

 

CMYK 57 / 0 / 66 / 49

HEX #37812C

RGB 55 129 44

HSL 112.24, 0.49%, 0.34%

LAB 47.87, -40.22, 38.1

 

CMYK 66 / 45 / 0 / 49

HEX #2C4781

RGB 44 71 129

HSL 220.94, 0.49%, 0.34%

LAB 30.94, 9.76, -35.83

 

CMYK 0 / 66 / 11 / 49

HEX #812C73

RGB 129 44 115

HSL 309.88, 0.49%, 0.34%

LAB 33.36, 45.16, -22.63

 

CMYK 0 / 22 / 66 / 49

HEX #81642C

RGB 129 100 44

HSL 39.53, 0.49%, 0.34%

LAB 44.18, 5.07, 35.46

 

CMYK 66 / 0 / 55 / 49

HEX #2C813A

RGB 44 129 58

HSL 129.88, 0.49%, 0.34%

LAB 47.68, -41.19, 30.88

 

Description

Color code: HEX #2C4781 | qconv.com Color code: HEX #2C4781 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 71 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 71 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 45 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 45% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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