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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C483B it is the complementary color #D3B7C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C483B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C483B shade: #314836, #425A49, #536C5C, #647E6F and #759082

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C483B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C483B shade: #2C483B, #1B3628, #0A2415, #001202 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C483B shade: #2C483B, #2C4834, #2C482C, #34482C and #3B482C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C483B shade: #2C483B, #2C4843, #2C4648, #2C3F48 and #2C3748

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C483B shade matches the following richer shades: #2C483B, #23523C, #195B3D, #10653D and #066E3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C483B shade: #2C483B, #363F3A, #3F353A, #492C39 and #522238

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C483B shade: #2C482C, #2C4834, #2C483B, #2C4843 and #2C4648

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C483B shade: #0D1511, #1C2F26, #2C483B, #3C6250 and #4B7B65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C483B shade: #2C483B, #2C3448 and #48302C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C483B shade: #2C483B, #3B2C48 and #483B2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C483B shade: #2C483B, #2C3448, #482C39 and #48412C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C483B shade: #2C483B, #2D2C48, #482C39 and #47482C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 18 / 72

HEX #2C483B

RGB 44 72 59

HSL 152.14, 0.24%, 0.23%

LAB 28.08, -13.98, 4.48

 

Complementary color

CMYK 0 / 13 / 7 / 17

HEX #D3B7C4

RGB 211 183 196

HSL 332.14, 0.24%, 0.77%

LAB 77.1, 12.2, -2.87

 

CMYK 32 / 0 / 25 / 72

HEX #314836

RGB 49 72 54

HSL 133.04, 0.19%, 0.24%

LAB 28.26, -13.3, 8

 

CMYK 27 / 0 / 19 / 65

HEX #425A49

RGB 66 90 73

HSL 137.5, 0.15%, 0.31%

LAB 35.89, -13.04, 6.92

 

CMYK 23 / 0 / 15 / 58

HEX #536C5C

RGB 83 108 92

HSL 141.6, 0.13%, 0.37%

LAB 43.27, -12.82, 5.96

 

CMYK 21 / 0 / 12 / 51

HEX #647E6F

RGB 100 126 111

HSL 145.38, 0.12%, 0.44%

LAB 50.43, -12.65, 5.09

 

CMYK 19 / 0 / 10 / 44

HEX #759082

RGB 117 144 130

HSL 148.89, 0.11%, 0.51%

LAB 57.41, -12.51, 4.28

 

CMYK 39 / 0 / 18 / 72

HEX #2C483B

RGB 44 72 59

HSL 152.14, 0.24%, 0.23%

LAB 28.08, -13.98, 4.48

 

CMYK 50 / 0 / 26 / 79

HEX #1B3628

RGB 27 54 40

HSL 148.89, 0.33%, 0.16%

LAB 20.14, -14.29, 5.64

 

CMYK 72 / 0 / 42 / 86

HEX #0A2415

RGB 10 36 21

HSL 145.38, 0.57%, 0.09%

LAB 11.83, -14.5, 7.1

 

CMYK 100 / 0 / 89 / 93

HEX #001202

RGB 0 18 2

HSL 126.67, 1%, 0.04%

LAB 3.95, -7.7, 4.95

 

CMYK 39 / 0 / 18 / 72

HEX #2C483B

RGB 44 72 59

HSL 152.14, 0.24%, 0.23%

LAB 28.08, -13.98, 4.48

 

CMYK 39 / 0 / 28 / 72

HEX #2C4834

RGB 44 72 52

HSL 137.14, 0.24%, 0.23%

LAB 27.89, -15.63, 8.73

 

CMYK 39 / 0 / 39 / 72

HEX #2C482C

RGB 44 72 44

HSL 120, 0.24%, 0.23%

LAB 27.72, -17.3, 13.55

 

CMYK 28 / 0 / 39 / 72

HEX #34482C

RGB 52 72 44

HSL 102.86, 0.24%, 0.23%

LAB 28.24, -14.08, 14.34

 

CMYK 18 / 0 / 39 / 72

HEX #3B482C

RGB 59 72 44

HSL 87.86, 0.24%, 0.23%

LAB 28.76, -11.06, 15.13

 

CMYK 39 / 0 / 18 / 72

HEX #2C483B

RGB 44 72 59

HSL 152.14, 0.24%, 0.23%

LAB 28.08, -13.98, 4.48

 

CMYK 39 / 0 / 7 / 72

HEX #2C4843

RGB 44 72 67

HSL 169.29, 0.24%, 0.23%

LAB 28.32, -11.9, -0.36

 

CMYK 39 / 3 / 0 / 72

HEX #2C4648

RGB 44 70 72

HSL 184.29, 0.24%, 0.23%

LAB 27.8, -9.29, -4.36

 

CMYK 39 / 13 / 0 / 72

HEX #2C3F48

RGB 44 63 72

HSL 199.29, 0.24%, 0.23%

LAB 25.44, -4.9, -7.91

 

CMYK 39 / 24 / 0 / 72

HEX #2C3748

RGB 44 55 72

HSL 216.43, 0.24%, 0.23%

LAB 22.78, 0.37, -11.96

 

CMYK 39 / 0 / 18 / 72

HEX #2C483B

RGB 44 72 59

HSL 152.14, 0.24%, 0.23%

LAB 28.08, -13.98, 4.48

 

CMYK 57 / 0 / 27 / 68

HEX #23523C

RGB 35 82 60

HSL 151.91, 0.4%, 0.23%

LAB 31.16, -22.03, 8.13

 

CMYK 73 / 0 / 33 / 64

HEX #195B3D

RGB 25 91 61

HSL 152.73, 0.57%, 0.23%

LAB 34.04, -28.52, 11.45

 

CMYK 84 / 0 / 40 / 60

HEX #10653D

RGB 16 101 61

HSL 151.76, 0.73%, 0.23%

LAB 37.4, -34.34, 15.97

 

CMYK 95 / 0 / 44 / 57

HEX #066E3E

RGB 6 110 62

HSL 152.31, 0.9%, 0.23%

LAB 40.47, -38.73, 19.44

 

CMYK 39 / 0 / 18 / 72

HEX #2C483B

RGB 44 72 59

HSL 152.14, 0.24%, 0.23%

LAB 28.08, -13.98, 4.48

 

CMYK 14 / 0 / 8 / 75

HEX #363F3A

RGB 54 63 58

HSL 146.67, 0.08%, 0.23%

LAB 25.7, -4.91, 1.81

 

CMYK 0 / 16 / 8 / 75

HEX #3F353A

RGB 63 53 58

HSL 330, 0.09%, 0.23%

LAB 23.37, 5.48, -1.49

 

CMYK 0 / 40 / 22 / 71

HEX #492C39

RGB 73 44 57

HSL 333.1, 0.25%, 0.23%

LAB 21.99, 15.59, -2.7

 

CMYK 0 / 59 / 32 / 68

HEX #522238

RGB 82 34 56

HSL 332.5, 0.41%, 0.23%

LAB 20.92, 25.25, -3.45

 

CMYK 39 / 0 / 39 / 72

HEX #2C482C

RGB 44 72 44

HSL 120, 0.24%, 0.23%

LAB 27.72, -17.3, 13.55

 

CMYK 39 / 0 / 28 / 72

HEX #2C4834

RGB 44 72 52

HSL 137.14, 0.24%, 0.23%

LAB 27.89, -15.63, 8.73

 

CMYK 39 / 0 / 18 / 72

HEX #2C483B

RGB 44 72 59

HSL 152.14, 0.24%, 0.23%

LAB 28.08, -13.98, 4.48

 

CMYK 39 / 0 / 7 / 72

HEX #2C4843

RGB 44 72 67

HSL 169.29, 0.24%, 0.23%

LAB 28.32, -11.9, -0.36

 

CMYK 39 / 3 / 0 / 72

HEX #2C4648

RGB 44 70 72

HSL 184.29, 0.24%, 0.23%

LAB 27.8, -9.29, -4.36

 

CMYK 38 / 0 / 19 / 92

HEX #0D1511

RGB 13 21 17

HSL 150, 0.24%, 0.07%

LAB 5.98, -3.86, 1.31

 

CMYK 40 / 0 / 19 / 82

HEX #1C2F26

RGB 28 47 38

HSL 151.58, 0.25%, 0.15%

LAB 17.55, -10.24, 3.35

 

CMYK 39 / 0 / 18 / 72

HEX #2C483B

RGB 44 72 59

HSL 152.14, 0.24%, 0.23%

LAB 28.08, -13.98, 4.48

 

CMYK 39 / 0 / 18 / 62

HEX #3C6250

RGB 60 98 80

HSL 151.58, 0.24%, 0.31%

LAB 38.33, -18.04, 6.02

 

CMYK 39 / 0 / 18 / 52

HEX #4B7B65

RGB 75 123 101

HSL 152.5, 0.24%, 0.39%

LAB 47.75, -21.66, 6.93

 

CMYK 39 / 0 / 18 / 72

HEX #2C483B

RGB 44 72 59

HSL 152.14, 0.24%, 0.23%

LAB 28.08, -13.98, 4.48

 

CMYK 39 / 28 / 0 / 72

HEX #2C3448

RGB 44 52 72

HSL 222.86, 0.24%, 0.23%

LAB 21.8, 2.42, -13.47

 

CMYK 0 / 33 / 39 / 72

HEX #48302C

RGB 72 48 44

HSL 8.57, 0.24%, 0.23%

LAB 22.56, 10.33, 6.95

 

CMYK 39 / 0 / 18 / 72

HEX #2C483B

RGB 44 72 59

HSL 152.14, 0.24%, 0.23%

LAB 28.08, -13.98, 4.48

 

CMYK 18 / 39 / 0 / 72

HEX #3B2C48

RGB 59 44 72

HSL 272.14, 0.24%, 0.23%

LAB 20.82, 13.35, -14.85

 

CMYK 0 / 18 / 39 / 72

HEX #483B2C

RGB 72 59 44

HSL 32.14, 0.24%, 0.23%

LAB 25.83, 3.13, 11.44

 

CMYK 39 / 0 / 18 / 72

HEX #2C483B

RGB 44 72 59

HSL 152.14, 0.24%, 0.23%

LAB 28.08, -13.98, 4.48

 

CMYK 39 / 28 / 0 / 72

HEX #2C3448

RGB 44 52 72

HSL 222.86, 0.24%, 0.23%

LAB 21.8, 2.42, -13.47

 

CMYK 0 / 39 / 21 / 72

HEX #482C39

RGB 72 44 57

HSL 332.14, 0.24%, 0.23%

LAB 21.85, 15.17, -2.92

 

CMYK 0 / 10 / 39 / 72

HEX #48412C

RGB 72 65 44

HSL 45, 0.24%, 0.23%

LAB 27.68, -0.72, 13.92

 

CMYK 39 / 0 / 18 / 72

HEX #2C483B

RGB 44 72 59

HSL 152.14, 0.24%, 0.23%

LAB 28.08, -13.98, 4.48

 

CMYK 38 / 39 / 0 / 72

HEX #2D2C48

RGB 45 44 72

HSL 242.14, 0.24%, 0.23%

LAB 19.34, 8.33, -17.28

 

CMYK 0 / 39 / 21 / 72

HEX #482C39

RGB 72 44 57

HSL 332.14, 0.24%, 0.23%

LAB 21.85, 15.17, -2.92

 

CMYK 1 / 0 / 39 / 72

HEX #47482C

RGB 71 72 44

HSL 62.14, 0.24%, 0.23%

LAB 29.8, -5.56, 16.69

 

Description

Color code: HEX #2C483B | qconv.com Color code: HEX #2C483B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 72 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 72 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 18 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 18% 72% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

68% - Achat de matériel, s...
Link: http://golfdesmarques.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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