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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C4057 it is the complementary color #D3BFA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C4057. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C4057 shade: #314052, #425265, #536478, #64768B and #75889E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C4057. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C4057 shade: #2C4057, #1B2E44, #0A1C31, #000A1E and #00000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C4057 shade: #2C4058, #2C3458, #2F2C58, #3B2C58 and #472C58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C4057 shade: #2C4058, #2C3458 and #2C2C58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C4057 shade matches the following richer shades: #2C4058, #214062, #163F6D, #0C3E78 and #013D83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C4057 shade: #2C4058, #37414D, #414242, #4C4337 and #57432D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C4057 shade: #2C5858, #2C4C58, #2C4058, #2C3558 and #2F2C58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C4057 shade: #101821, #1E2C3C, #2C4058, #3A5473 and #48698F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C4057 shade: #2C4057, #4C2C58 and #52582C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C4057 shade: #2C4057, #582C40 and #40582C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C4057 shade: #2C4057, #4C2C58, #58432C and #38582C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C4057 shade: #2C4057, #582C56, #58432C and #2C582D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 26 / 0 / 66

HEX #2C4057

RGB 44 64 87

HSL 212.09, 0.33%, 0.26%

LAB 26.42, -0.73, -16.24

 

Complementary color

CMYK 0 / 9 / 20 / 17

HEX #D3BFA8

RGB 211 191 168

HSL 32.09, 0.33%, 0.74%

LAB 78.43, 3.4, 14.17

 

CMYK 40 / 22 / 0 / 68

HEX #314052

RGB 49 64 82

HSL 212.73, 0.25%, 0.26%

LAB 26.53, -0.81, -12.78

 

CMYK 35 / 19 / 0 / 60

HEX #425265

RGB 66 82 101

HSL 212.57, 0.21%, 0.33%

LAB 34.26, -1.09, -13.03

 

CMYK 31 / 17 / 0 / 53

HEX #536478

RGB 83 100 120

HSL 212.43, 0.18%, 0.4%

LAB 41.7, -1.32, -13.32

 

CMYK 28 / 15 / 0 / 45

HEX #64768B

RGB 100 118 139

HSL 212.31, 0.16%, 0.47%

LAB 48.92, -1.51, -13.63

 

CMYK 26 / 14 / 0 / 38

HEX #75889E

RGB 117 136 158

HSL 212.2, 0.17%, 0.54%

LAB 55.95, -1.67, -13.97

 

CMYK 49 / 26 / 0 / 66

HEX #2C4057

RGB 44 64 87

HSL 212.09, 0.33%, 0.26%

LAB 26.42, -0.73, -16.24

 

CMYK 60 / 32 / 0 / 73

HEX #1B2E44

RGB 27 46 68

HSL 212.2, 0.43%, 0.19%

LAB 18.38, -0.06, -16.15

 

CMYK 80 / 43 / 0 / 81

HEX #0A1C31

RGB 10 28 49

HSL 212.31, 0.66%, 0.12%

LAB 9.93, 1.16, -16.13

 

CMYK 100 / 67 / 0 / 88

HEX #000A1E

RGB 0 10 30

HSL 220, 1%, 0.06%

LAB 2.81, 1.94, -12.93

 

CMYK 100 / 100 / 0 / 96

HEX #00000B

RGB 0 0 11

HSL 240, 1%, 0.02%

LAB 0.22, 1.53, -4.17

 

CMYK 50 / 27 / 0 / 65

HEX #2C4058

RGB 44 64 88

HSL 212.73, 0.33%, 0.26%

LAB 26.47, -0.4, -16.82

 

CMYK 50 / 41 / 0 / 65

HEX #2C3458

RGB 44 52 88

HSL 229.09, 0.33%, 0.26%

LAB 22.64, 7.77, -22.81

 

CMYK 47 / 50 / 0 / 65

HEX #2F2C58

RGB 47 44 88

HSL 244.09, 0.33%, 0.26%

LAB 20.48, 14.24, -26.21

 

CMYK 33 / 50 / 0 / 65

HEX #3B2C58

RGB 59 44 88

HSL 260.45, 0.33%, 0.26%

LAB 21.71, 17.88, -24.18

 

CMYK 19 / 50 / 0 / 65

HEX #472C58

RGB 71 44 88

HSL 276.82, 0.33%, 0.26%

LAB 23.15, 21.78, -21.81

 

CMYK 50 / 27 / 0 / 65

HEX #2C4058

RGB 44 64 88

HSL 212.73, 0.33%, 0.26%

LAB 26.47, -0.4, -16.82

 

CMYK 50 / 41 / 0 / 65

HEX #2C3458

RGB 44 52 88

HSL 229.09, 0.33%, 0.26%

LAB 22.64, 7.77, -22.81

 

CMYK 50 / 50 / 0 / 65

HEX #2C2C58

RGB 44 44 88

HSL 240, 0.33%, 0.26%

LAB 20.21, 13.4, -26.66

 

CMYK 50 / 27 / 0 / 65

HEX #2C4058

RGB 44 64 88

HSL 212.73, 0.33%, 0.26%

LAB 26.47, -0.4, -16.82

 

CMYK 66 / 35 / 0 / 62

HEX #214062

RGB 33 64 98

HSL 211.38, 0.5%, 0.26%

LAB 26.37, 0.45, -23.5

 

CMYK 80 / 42 / 0 / 57

HEX #163F6D

RGB 22 63 109

HSL 211.72, 0.66%, 0.26%

LAB 26.24, 3.61, -30.79

 

CMYK 90 / 48 / 0 / 53

HEX #0C3E78

RGB 12 62 120

HSL 212.22, 0.82%, 0.26%

LAB 26.39, 7.88, -37.56

 

CMYK 99 / 53 / 0 / 49

HEX #013D83

RGB 1 61 131

HSL 212.31, 0.98%, 0.26%

LAB 26.69, 12.61, -43.99

 

CMYK 50 / 27 / 0 / 65

HEX #2C4058

RGB 44 64 88

HSL 212.73, 0.33%, 0.26%

LAB 26.47, -0.4, -16.82

 

CMYK 29 / 16 / 0 / 70

HEX #37414D

RGB 55 65 77

HSL 212.73, 0.17%, 0.26%

LAB 27.1, -0.88, -8.61

 

CMYK 2 / 0 / 0 / 74

HEX #414242

RGB 65 66 66

HSL 180, 0.01%, 0.26%

LAB 27.88, -0.42, -0.15

 

CMYK 0 / 12 / 28 / 70

HEX #4C4337

RGB 76 67 55

HSL 34.29, 0.16%, 0.26%

LAB 28.97, 1.61, 8.7

 

CMYK 0 / 23 / 48 / 66

HEX #57432D

RGB 87 67 45

HSL 31.43, 0.32%, 0.26%

LAB 29.99, 5.32, 16.63

 

CMYK 50 / 0 / 0 / 65

HEX #2C5858

RGB 44 88 88

HSL 180, 0.33%, 0.26%

LAB 34.44, -15.15, -4.72

 

CMYK 50 / 14 / 0 / 65

HEX #2C4C58

RGB 44 76 88

HSL 196.36, 0.33%, 0.26%

LAB 30.42, -8.06, -10.75

 

CMYK 50 / 27 / 0 / 65

HEX #2C4058

RGB 44 64 88

HSL 212.73, 0.33%, 0.26%

LAB 26.47, -0.4, -16.82

 

CMYK 50 / 40 / 0 / 65

HEX #2C3558

RGB 44 53 88

HSL 227.73, 0.33%, 0.26%

LAB 22.95, 7.08, -22.31

 

CMYK 47 / 50 / 0 / 65

HEX #2F2C58

RGB 47 44 88

HSL 244.09, 0.33%, 0.26%

LAB 20.48, 14.24, -26.21

 

CMYK 52 / 27 / 0 / 87

HEX #101821

RGB 16 24 33

HSL 211.76, 0.35%, 0.1%

LAB 7.89, -0.62, -7.44

 

CMYK 50 / 27 / 0 / 76

HEX #1E2C3C

RGB 30 44 60

HSL 212, 0.33%, 0.18%

LAB 17.48, -0.7, -12.04

 

CMYK 50 / 27 / 0 / 65

HEX #2C4058

RGB 44 64 88

HSL 212.73, 0.33%, 0.26%

LAB 26.47, -0.4, -16.82

 

CMYK 50 / 27 / 0 / 55

HEX #3A5473

RGB 58 84 115

HSL 212.63, 0.33%, 0.34%

LAB 34.96, -0.44, -20.74

 

CMYK 50 / 27 / 0 / 44

HEX #48698F

RGB 72 105 143

HSL 212.11, 0.33%, 0.42%

LAB 43.45, -0.77, -24.55

 

CMYK 49 / 26 / 0 / 66

HEX #2C4057

RGB 44 64 87

HSL 212.09, 0.33%, 0.26%

LAB 26.42, -0.73, -16.24

 

CMYK 14 / 50 / 0 / 65

HEX #4C2C58

RGB 76 44 88

HSL 283.64, 0.33%, 0.26%

LAB 23.81, 23.45, -20.73

 

CMYK 7 / 0 / 50 / 65

HEX #52582C

RGB 82 88 44

HSL 68.18, 0.33%, 0.26%

LAB 35.9, -9.96, 24.58

 

CMYK 49 / 26 / 0 / 66

HEX #2C4057

RGB 44 64 87

HSL 212.09, 0.33%, 0.26%

LAB 26.42, -0.73, -16.24

 

CMYK 0 / 50 / 27 / 65

HEX #582C40

RGB 88 44 64

HSL 332.73, 0.33%, 0.26%

LAB 24.47, 22.98, -3.53

 

CMYK 27 / 0 / 50 / 65

HEX #40582C

RGB 64 88 44

HSL 92.73, 0.33%, 0.26%

LAB 34.5, -17.94, 22.55

 

CMYK 49 / 26 / 0 / 66

HEX #2C4057

RGB 44 64 87

HSL 212.09, 0.33%, 0.26%

LAB 26.42, -0.73, -16.24

 

CMYK 14 / 50 / 0 / 65

HEX #4C2C58

RGB 76 44 88

HSL 283.64, 0.33%, 0.26%

LAB 23.81, 23.45, -20.73

 

CMYK 0 / 24 / 50 / 65

HEX #58432C

RGB 88 67 44

HSL 31.36, 0.33%, 0.26%

LAB 30.09, 5.68, 17.41

 

CMYK 36 / 0 / 50 / 65

HEX #38582C

RGB 56 88 44

HSL 103.64, 0.33%, 0.26%

LAB 33.99, -21.19, 21.79

 

CMYK 49 / 26 / 0 / 66

HEX #2C4057

RGB 44 64 87

HSL 212.09, 0.33%, 0.26%

LAB 26.42, -0.73, -16.24

 

CMYK 0 / 50 / 2 / 65

HEX #582C56

RGB 88 44 86

HSL 302.73, 0.33%, 0.26%

LAB 25.41, 27.09, -16.8

 

CMYK 0 / 24 / 50 / 65

HEX #58432C

RGB 88 67 44

HSL 31.36, 0.33%, 0.26%

LAB 30.09, 5.68, 17.41

 

CMYK 50 / 0 / 49 / 65

HEX #2C582D

RGB 44 88 45

HSL 121.36, 0.33%, 0.26%

LAB 33.36, -25.38, 20.29

 

Description

Color code: HEX #2C4057 | qconv.com Color code: HEX #2C4057 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 64 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 64 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 26 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 26% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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