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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C5713 it is the complementary color #D3A8EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C5713. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C5713 shade: #31570E, #426921, #537B34, #648D47 and #759F5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C5713. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C5713 shade: #2C5713, #1B4500, #0A3300, #002100 and #000F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C5713 shade: #2C5713, #3E5713, #515713, #574B13 and #573913

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C5713 shade: #2C5713, #195713, #13571F, #135731 and #135744

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C5713 shade matches the following richer shades: #2C5713, #2A600A and #276901

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C5713 shade: #2C5713, #2E4F1B, #314624, #333D2D and #353535

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C5713 shade: #525713, #3F5713, #2D5713, #1B5713 and #13571D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C5713 shade: #0A1404, #1B350B, #2C5713, #3D791A and #4E9B22

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C5713 shade: #2C5713, #13574B and #571348

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C5713 shade: #2C5713, #132D57 and #57132D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C5713 shade: #2C5713, #13574B, #3D1357 and #57131F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C5713 shade: #2C5713, #134F57, #3D1357 and #571B13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 78 / 66

HEX #2C5713

RGB 44 87 19

HSL 97.94, 0.64%, 0.21%

LAB 32.7, -28.17, 32.98

 

Complementary color

CMYK 11 / 29 / 0 / 7

HEX #D3A8EC

RGB 211 168 236

HSL 277.94, 0.64%, 0.79%

LAB 74.77, 27.94, -28.13

 

CMYK 44 / 0 / 84 / 66

HEX #31570E

RGB 49 87 14

HSL 91.23, 0.72%, 0.2%

LAB 32.92, -26.64, 35.23

 

CMYK 37 / 0 / 69 / 59

HEX #426921

RGB 66 105 33

HSL 92.5, 0.52%, 0.27%

LAB 40.2, -27.08, 34.95

 

CMYK 33 / 0 / 58 / 52

HEX #537B34

RGB 83 123 52

HSL 93.8, 0.41%, 0.34%

LAB 47.3, -27.22, 33.93

 

CMYK 29 / 0 / 50 / 45

HEX #648D47

RGB 100 141 71

HSL 95.14, 0.33%, 0.42%

LAB 54.25, -27.21, 32.7

 

CMYK 26 / 0 / 43 / 38

HEX #759F5A

RGB 117 159 90

HSL 96.52, 0.28%, 0.49%

LAB 61.06, -27.13, 31.45

 

CMYK 49 / 0 / 78 / 66

HEX #2C5713

RGB 44 87 19

HSL 97.94, 0.64%, 0.21%

LAB 32.7, -28.17, 32.98

 

CMYK 61 / 0 / 100 / 73

HEX #1B4500

RGB 27 69 0

HSL 96.52, 1%, 0.14%

LAB 25.23, -27.43, 33.05

 

CMYK 80 / 0 / 100 / 80

HEX #0A3300

RGB 10 51 0

HSL 108.24, 1%, 0.1%

LAB 17.61, -25.02, 24.63

 

CMYK 100 / 0 / 100 / 87

HEX #002100

RGB 0 33 0

HSL 120, 1%, 0.06%

LAB 9.7, -19.54, 14.13

 

CMYK 100 / 0 / 100 / 94

HEX #000F00

RGB 0 15 0

HSL 120, 1%, 0.03%

LAB 3.09, -6.3, 4.51

 

CMYK 49 / 0 / 78 / 66

HEX #2C5713

RGB 44 87 19

HSL 97.94, 0.64%, 0.21%

LAB 32.7, -28.17, 32.98

 

CMYK 29 / 0 / 78 / 66

HEX #3E5713

RGB 62 87 19

HSL 82.06, 0.64%, 0.21%

LAB 33.75, -20.89, 34.37

 

CMYK 7 / 0 / 78 / 66

HEX #515713

RGB 81 87 19

HSL 65.29, 0.64%, 0.21%

LAB 35.23, -12.04, 36.32

 

CMYK 0 / 14 / 78 / 66

HEX #574B13

RGB 87 75 19

HSL 49.41, 0.64%, 0.21%

LAB 32.05, -1.95, 33.43

 

CMYK 0 / 34 / 78 / 66

HEX #573913

RGB 87 57 19

HSL 33.53, 0.64%, 0.21%

LAB 26.73, 9.33, 28.08

 

CMYK 49 / 0 / 78 / 66

HEX #2C5713

RGB 44 87 19

HSL 97.94, 0.64%, 0.21%

LAB 32.7, -28.17, 32.98

 

CMYK 71 / 0 / 78 / 66

HEX #195713

RGB 25 87 19

HSL 114.71, 0.64%, 0.21%

LAB 31.97, -33.9, 32

 

CMYK 78 / 0 / 64 / 66

HEX #13571F

RGB 19 87 31

HSL 130.59, 0.64%, 0.21%

LAB 31.93, -33.78, 26.17

 

CMYK 78 / 0 / 44 / 66

HEX #135731

RGB 19 87 49

HSL 146.47, 0.64%, 0.21%

LAB 32.21, -30.58, 16.25

 

CMYK 78 / 0 / 22 / 66

HEX #135744

RGB 19 87 68

HSL 163.24, 0.64%, 0.21%

LAB 32.64, -25.87, 5.13

 

CMYK 49 / 0 / 78 / 66

HEX #2C5713

RGB 44 87 19

HSL 97.94, 0.64%, 0.21%

LAB 32.7, -28.17, 32.98

 

CMYK 56 / 0 / 90 / 62

HEX #2A600A

RGB 42 96 10

HSL 97.67, 0.81%, 0.21%

LAB 35.75, -33.35, 38.97

 

CMYK 63 / 0 / 99 / 59

HEX #276901

RGB 39 105 1

HSL 98.08, 0.98%, 0.21%

LAB 38.79, -38.26, 43.97

 

CMYK 49 / 0 / 78 / 66

HEX #2C5713

RGB 44 87 19

HSL 97.94, 0.64%, 0.21%

LAB 32.7, -28.17, 32.98

 

CMYK 42 / 0 / 66 / 69

HEX #2E4F1B

RGB 46 79 27

HSL 98.08, 0.49%, 0.21%

LAB 30.04, -22.8, 26.38

 

CMYK 30 / 0 / 49 / 73

HEX #314624

RGB 49 70 36

HSL 97.06, 0.32%, 0.21%

LAB 27.19, -15.56, 17.87

 

CMYK 16 / 0 / 26 / 76

HEX #333D2D

RGB 51 61 45

HSL 97.5, 0.15%, 0.21%

LAB 24.42, -7.76, 8.53

 

CMYK 0 / 0 / 0 / 79

HEX #353535

RGB 53 53 53

HSL 0, 0%, 0.21%

LAB 22.16, 0, -0

 

CMYK 6 / 0 / 78 / 66

HEX #525713

RGB 82 87 19

HSL 64.41, 0.64%, 0.21%

LAB 35.32, -11.55, 36.44

 

CMYK 28 / 0 / 78 / 66

HEX #3F5713

RGB 63 87 19

HSL 81.18, 0.64%, 0.21%

LAB 33.82, -20.45, 34.46

 

CMYK 48 / 0 / 78 / 66

HEX #2D5713

RGB 45 87 19

HSL 97.06, 0.64%, 0.21%

LAB 32.75, -27.8, 33.04

 

CMYK 69 / 0 / 78 / 66

HEX #1B5713

RGB 27 87 19

HSL 112.94, 0.64%, 0.21%

LAB 32.03, -33.41, 32.08

 

CMYK 78 / 0 / 67 / 66

HEX #13571D

RGB 19 87 29

HSL 128.82, 0.64%, 0.21%

LAB 31.91, -34.06, 27.18

 

CMYK 50 / 0 / 80 / 92

HEX #0A1404

RGB 10 20 4

HSL 97.5, 0.67%, 0.05%

LAB 5.18, -6.06, 6.01

 

CMYK 49 / 0 / 79 / 79

HEX #1B350B

RGB 27 53 11

HSL 97.14, 0.66%, 0.13%

LAB 19.24, -18.97, 22.25

 

CMYK 49 / 0 / 78 / 66

HEX #2C5713

RGB 44 87 19

HSL 97.94, 0.64%, 0.21%

LAB 32.7, -28.17, 32.98

 

CMYK 50 / 0 / 79 / 53

HEX #3D791A

RGB 61 121 26

HSL 97.89, 0.65%, 0.29%

LAB 45.28, -36.67, 42.98

 

CMYK 50 / 0 / 78 / 39

HEX #4E9B22

RGB 78 155 34

HSL 98.18, 0.64%, 0.37%

LAB 57.25, -44.61, 52.03

 

CMYK 49 / 0 / 78 / 66

HEX #2C5713

RGB 44 87 19

HSL 97.94, 0.64%, 0.21%

LAB 32.7, -28.17, 32.98

 

CMYK 78 / 0 / 14 / 66

HEX #13574B

RGB 19 87 75

HSL 169.41, 0.64%, 0.21%

LAB 32.84, -23.83, 1.01

 

CMYK 0 / 78 / 17 / 66

HEX #571348

RGB 87 19 72

HSL 313.24, 0.64%, 0.21%

LAB 19.88, 36.75, -15.98

 

CMYK 49 / 0 / 78 / 66

HEX #2C5713

RGB 44 87 19

HSL 97.94, 0.64%, 0.21%

LAB 32.7, -28.17, 32.98

 

CMYK 78 / 48 / 0 / 66

HEX #132D57

RGB 19 45 87

HSL 217.06, 0.64%, 0.21%

LAB 18.81, 6.67, -28.32

 

CMYK 0 / 78 / 48 / 66

HEX #57132D

RGB 87 19 45

HSL 337.06, 0.64%, 0.21%

LAB 18.72, 33.04, 1.14

 

CMYK 49 / 0 / 78 / 66

HEX #2C5713

RGB 44 87 19

HSL 97.94, 0.64%, 0.21%

LAB 32.7, -28.17, 32.98

 

CMYK 78 / 0 / 14 / 66

HEX #13574B

RGB 19 87 75

HSL 169.41, 0.64%, 0.21%

LAB 32.84, -23.83, 1.01

 

CMYK 30 / 78 / 0 / 66

HEX #3D1357

RGB 61 19 87

HSL 277.06, 0.64%, 0.21%

LAB 16.24, 33.18, -32.27

 

CMYK 0 / 78 / 64 / 66

HEX #57131F

RGB 87 19 31

HSL 349.41, 0.64%, 0.21%

LAB 18.32, 31.72, 10.56

 

CMYK 49 / 0 / 78 / 66

HEX #2C5713

RGB 44 87 19

HSL 97.94, 0.64%, 0.21%

LAB 32.7, -28.17, 32.98

 

CMYK 78 / 9 / 0 / 66

HEX #134F57

RGB 19 79 87

HSL 187.06, 0.64%, 0.21%

LAB 30.44, -15.57, -10.17

 

CMYK 30 / 78 / 0 / 66

HEX #3D1357

RGB 61 19 87

HSL 277.06, 0.64%, 0.21%

LAB 16.24, 33.18, -32.27

 

CMYK 0 / 69 / 78 / 66

HEX #571B13

RGB 87 27 19

HSL 7.06, 0.64%, 0.21%

LAB 19.46, 27.22, 20.2

 

Description

Color code: HEX #2C5713 | qconv.com Color code: HEX #2C5713 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 87 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 87 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 78 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 78% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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