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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C580D it is the complementary color #D3A7F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C580D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C580D shade: #315808, #426A1B, #537C2E, #648E41 and #75A054

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C580D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C580D shade: #2C580D, #1B4600, #0A3400, #002200 and #001000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C580D shade: #2C580D, #40580D, #55580D, #58470D and #58330D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C580D shade: #2C580D, #18580D, #0D5816, #0D582B and #0D583F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C580D shade matches the following richer shades: #2C580D and #2B6005

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C580D shade: #2C580D, #2D5015, #2F481D, #303F26 and #32372E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C580D shade: #54580D, #40580D, #2C580D, #18580D and #0D5816

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C580D shade: #081002, #1A3407, #2C580D, #3E7C12 and #50A017

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C580D shade: #2C580D, #0D5848 and #580D4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C580D shade: #2C580D, #0D2C58 and #580D2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C580D shade: #2C580D, #0D5848, #390D58 and #580D1D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C580D shade: #2C580D, #0D5258, #390D58 and #58130D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 85 / 65

HEX #2C580D

RGB 44 88 13

HSL 95.2, 0.74%, 0.2%

LAB 33.01, -29.04, 35.58

 

Complementary color

CMYK 13 / 31 / 0 / 5

HEX #D3A7F2

RGB 211 167 242

HSL 275.2, 0.74%, 0.8%

LAB 74.76, 29.72, -31.4

 

CMYK 44 / 0 / 91 / 65

HEX #315808

RGB 49 88 8

HSL 89.25, 0.83%, 0.19%

LAB 33.24, -27.44, 37.46

 

CMYK 38 / 0 / 75 / 58

HEX #426A1B

RGB 66 106 27

HSL 90.38, 0.59%, 0.26%

LAB 40.48, -28.07, 37.9

 

CMYK 33 / 0 / 63 / 51

HEX #537C2E

RGB 83 124 46

HSL 91.54, 0.46%, 0.33%

LAB 47.56, -28.35, 37.18

 

CMYK 30 / 0 / 54 / 44

HEX #648E41

RGB 100 142 65

HSL 92.73, 0.37%, 0.41%

LAB 54.49, -28.43, 36.07

 

CMYK 27 / 0 / 48 / 37

HEX #75A054

RGB 117 160 84

HSL 93.95, 0.31%, 0.48%

LAB 61.28, -28.4, 34.85

 

CMYK 50 / 0 / 85 / 65

HEX #2C580D

RGB 44 88 13

HSL 95.2, 0.74%, 0.2%

LAB 33.01, -29.04, 35.58

 

CMYK 61 / 0 / 100 / 73

HEX #1B4600

RGB 27 70 0

HSL 96.86, 1%, 0.14%

LAB 25.6, -27.86, 33.4

 

CMYK 81 / 0 / 100 / 80

HEX #0A3400

RGB 10 52 0

HSL 108.46, 1%, 0.1%

LAB 18.01, -25.42, 25.12

 

CMYK 100 / 0 / 100 / 87

HEX #002200

RGB 0 34 0

HSL 120, 1%, 0.07%

LAB 10.14, -20.27, 14.75

 

CMYK 100 / 0 / 100 / 94

HEX #001000

RGB 0 16 0

HSL 120, 1%, 0.03%

LAB 3.35, -6.84, 4.89

 

CMYK 50 / 0 / 85 / 65

HEX #2C580D

RGB 44 88 13

HSL 95.2, 0.74%, 0.2%

LAB 33.01, -29.04, 35.58

 

CMYK 27 / 0 / 85 / 65

HEX #40580D

RGB 64 88 13

HSL 79.2, 0.74%, 0.2%

LAB 34.19, -20.88, 37.09

 

CMYK 3 / 0 / 85 / 65

HEX #55580D

RGB 85 88 13

HSL 62.4, 0.74%, 0.2%

LAB 35.87, -10.95, 39.23

 

CMYK 0 / 19 / 85 / 65

HEX #58470D

RGB 88 71 13

HSL 46.4, 0.74%, 0.2%

LAB 30.9, 0.72, 34.9

 

CMYK 0 / 42 / 85 / 65

HEX #58330D

RGB 88 51 13

HSL 30.4, 0.74%, 0.2%

LAB 25.17, 13.33, 29.59

 

CMYK 50 / 0 / 85 / 65

HEX #2C580D

RGB 44 88 13

HSL 95.2, 0.74%, 0.2%

LAB 33.01, -29.04, 35.58

 

CMYK 73 / 0 / 85 / 65

HEX #18580D

RGB 24 88 13

HSL 111.2, 0.74%, 0.2%

LAB 32.26, -35, 34.6

 

CMYK 85 / 0 / 75 / 65

HEX #0D5816

RGB 13 88 22

HSL 127.2, 0.74%, 0.2%

LAB 32.09, -36.29, 30.73

 

CMYK 85 / 0 / 51 / 65

HEX #0D582B

RGB 13 88 43

HSL 144, 0.74%, 0.2%

LAB 32.35, -33.15, 19.96

 

CMYK 85 / 0 / 28 / 65

HEX #0D583F

RGB 13 88 63

HSL 160, 0.74%, 0.2%

LAB 32.75, -28.55, 8.39

 

CMYK 50 / 0 / 85 / 65

HEX #2C580D

RGB 44 88 13

HSL 95.2, 0.74%, 0.2%

LAB 33.01, -29.04, 35.58

 

CMYK 55 / 0 / 95 / 62

HEX #2B6005

RGB 43 96 5

HSL 94.95, 0.9%, 0.2%

LAB 35.77, -33.26, 40.43

 

CMYK 50 / 0 / 85 / 65

HEX #2C580D

RGB 44 88 13

HSL 95.2, 0.74%, 0.2%

LAB 33.01, -29.04, 35.58

 

CMYK 44 / 0 / 74 / 69

HEX #2D5015

RGB 45 80 21

HSL 95.59, 0.58%, 0.2%

LAB 30.28, -24.31, 29.61

 

CMYK 35 / 0 / 60 / 72

HEX #2F481D

RGB 47 72 29

HSL 94.88, 0.43%, 0.2%

LAB 27.65, -18.51, 22.53

 

CMYK 24 / 0 / 40 / 75

HEX #303F26

RGB 48 63 38

HSL 96, 0.25%, 0.2%

LAB 24.71, -11.61, 13.41

 

CMYK 9 / 0 / 16 / 78

HEX #32372E

RGB 50 55 46

HSL 93.33, 0.09%, 0.2%

LAB 22.33, -4.19, 4.92

 

CMYK 5 / 0 / 85 / 65

HEX #54580D

RGB 84 88 13

HSL 63.2, 0.74%, 0.2%

LAB 35.78, -11.44, 39.12

 

CMYK 27 / 0 / 85 / 65

HEX #40580D

RGB 64 88 13

HSL 79.2, 0.74%, 0.2%

LAB 34.19, -20.88, 37.09

 

CMYK 50 / 0 / 85 / 65

HEX #2C580D

RGB 44 88 13

HSL 95.2, 0.74%, 0.2%

LAB 33.01, -29.04, 35.58

 

CMYK 73 / 0 / 85 / 65

HEX #18580D

RGB 24 88 13

HSL 111.2, 0.74%, 0.2%

LAB 32.26, -35, 34.6

 

CMYK 85 / 0 / 75 / 65

HEX #0D5816

RGB 13 88 22

HSL 127.2, 0.74%, 0.2%

LAB 32.09, -36.29, 30.73

 

CMYK 50 / 0 / 88 / 94

HEX #081002

RGB 8 16 2

HSL 94.29, 0.78%, 0.04%

LAB 3.85, -4.47, 4.87

 

CMYK 50 / 0 / 87 / 80

HEX #1A3407

RGB 26 52 7

HSL 94.67, 0.76%, 0.12%

LAB 18.76, -19.27, 23.32

 

CMYK 50 / 0 / 85 / 65

HEX #2C580D

RGB 44 88 13

HSL 95.2, 0.74%, 0.2%

LAB 33.01, -29.04, 35.58

 

CMYK 50 / 0 / 85 / 51

HEX #3E7C12

RGB 62 124 18

HSL 95.09, 0.75%, 0.28%

LAB 46.29, -38.06, 46.52

 

CMYK 50 / 0 / 86 / 37

HEX #50A017

RGB 80 160 23

HSL 95.04, 0.75%, 0.36%

LAB 58.89, -46.53, 56.75

 

CMYK 50 / 0 / 85 / 65

HEX #2C580D

RGB 44 88 13

HSL 95.2, 0.74%, 0.2%

LAB 33.01, -29.04, 35.58

 

CMYK 85 / 0 / 18 / 65

HEX #0D5848

RGB 13 88 72

HSL 167.2, 0.74%, 0.2%

LAB 32.99, -26.03, 3.1

 

CMYK 0 / 85 / 16 / 65

HEX #580D4A

RGB 88 13 74

HSL 311.2, 0.74%, 0.2%

LAB 19.46, 39.42, -18

 

CMYK 50 / 0 / 85 / 65

HEX #2C580D

RGB 44 88 13

HSL 95.2, 0.74%, 0.2%

LAB 33.01, -29.04, 35.58

 

CMYK 85 / 50 / 0 / 65

HEX #0D2C58

RGB 13 44 88

HSL 215.2, 0.74%, 0.2%

LAB 18.33, 6.97, -29.78

 

CMYK 0 / 85 / 50 / 65

HEX #580D2C

RGB 88 13 44

HSL 335.2, 0.74%, 0.2%

LAB 18.12, 35.45, 1.01

 

CMYK 50 / 0 / 85 / 65

HEX #2C580D

RGB 44 88 13

HSL 95.2, 0.74%, 0.2%

LAB 33.01, -29.04, 35.58

 

CMYK 85 / 0 / 18 / 65

HEX #0D5848

RGB 13 88 72

HSL 167.2, 0.74%, 0.2%

LAB 32.99, -26.03, 3.1

 

CMYK 35 / 85 / 0 / 65

HEX #390D58

RGB 57 13 88

HSL 275.2, 0.74%, 0.2%

LAB 14.75, 35.27, -35.39

 

CMYK 0 / 85 / 67 / 65

HEX #580D1D

RGB 88 13 29

HSL 347.2, 0.74%, 0.2%

LAB 17.7, 34.15, 11.2

 

CMYK 50 / 0 / 85 / 65

HEX #2C580D

RGB 44 88 13

HSL 95.2, 0.74%, 0.2%

LAB 33.01, -29.04, 35.58

 

CMYK 85 / 7 / 0 / 65

HEX #0D5258

RGB 13 82 88

HSL 184.8, 0.74%, 0.2%

LAB 31.4, -17.68, -9.37

 

CMYK 35 / 85 / 0 / 65

HEX #390D58

RGB 57 13 88

HSL 275.2, 0.74%, 0.2%

LAB 14.75, 35.27, -35.39

 

CMYK 0 / 78 / 85 / 65

HEX #58130D

RGB 88 19 13

HSL 4.8, 0.74%, 0.2%

LAB 18.23, 31.03, 22.16

 

Description

Color code: HEX #2C580D | qconv.com Color code: HEX #2C580D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 88 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 88 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 85 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 85% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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