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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C5E7B it is the complementary color #D3A184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C5E7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C5E7B shade: #315E76, #427089, #53829C, #6494AF and #75A6C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C5E7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C5E7B shade: #2C5E7B, #1B4C68, #0A3A55, #002842 and #00162F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C5E7B shade: #2C5E7B, #2C497B, #2C337B, #3A2C7B and #4F2C7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C5E7B shade: #2C5E7B, #2C497B, #2C337B and #2C2C7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C5E7B shade matches the following richer shades: #2C5E7B, #1E6289, #116596 and #0369A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C5E7B shade: #2C5E7B, #3A5B6E, #475760, #555352 and #635045

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C5E7B shade: #2C7B6E, #2C737B, #2C5E7B, #2C497B and #2C347B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C5E7B shade: #16303F, #21475D, #2C5E7B, #37759A and #428DB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C5E7B shade: #2C5E7B, #592C7B and #7B792C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C5E7B shade: #2C5E7B, #7B2C5E and #5E7B2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C5E7B shade: #2C5E7B, #592C7B, #7B492C and #4E7B2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C5E7B shade: #2C5E7B, #712C7B, #7B492C and #377B2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 24 / 0 / 52

HEX #2C5E7B

RGB 44 94 123

HSL 202.03, 0.47%, 0.33%

LAB 37.79, -7.24, -21.34

 

Complementary color

CMYK 0 / 24 / 37 / 17

HEX #D3A184

RGB 211 161 132

HSL 22.03, 0.47%, 0.67%

LAB 70.18, 14.66, 22.26

 

CMYK 58 / 20 / 0 / 54

HEX #315E76

RGB 49 94 118

HSL 200.87, 0.41%, 0.33%

LAB 37.78, -7.88, -18.27

 

CMYK 52 / 18 / 0 / 46

HEX #427089

RGB 66 112 137

HSL 201.13, 0.35%, 0.4%

LAB 45.02, -8.35, -18.58

 

CMYK 47 / 17 / 0 / 39

HEX #53829C

RGB 83 130 156

HSL 201.37, 0.31%, 0.47%

LAB 52.07, -8.67, -18.89

 

CMYK 43 / 15 / 0 / 31

HEX #6494AF

RGB 100 148 175

HSL 201.6, 0.32%, 0.54%

LAB 58.96, -8.91, -19.21

 

CMYK 40 / 14 / 0 / 24

HEX #75A6C2

RGB 117 166 194

HSL 201.82, 0.39%, 0.61%

LAB 65.71, -9.1, -19.52

 

CMYK 64 / 24 / 0 / 52

HEX #2C5E7B

RGB 44 94 123

HSL 202.03, 0.47%, 0.33%

LAB 37.79, -7.24, -21.34

 

CMYK 74 / 27 / 0 / 59

HEX #1B4C68

RGB 27 76 104

HSL 201.82, 0.59%, 0.26%

LAB 30.4, -6.21, -21.04

 

CMYK 88 / 32 / 0 / 67

HEX #0A3A55

RGB 10 58 85

HSL 201.6, 0.79%, 0.19%

LAB 22.82, -4.56, -20.66

 

CMYK 100 / 39 / 0 / 74

HEX #002842

RGB 0 40 66

HSL 203.64, 1%, 0.13%

LAB 15.01, -1.84, -20.15

 

CMYK 100 / 53 / 0 / 82

HEX #00162F

RGB 0 22 47

HSL 211.91, 1%, 0.09%

LAB 7.04, 2.44, -19.3

 

CMYK 64 / 24 / 0 / 52

HEX #2C5E7B

RGB 44 94 123

HSL 202.03, 0.47%, 0.33%

LAB 37.79, -7.24, -21.34

 

CMYK 64 / 41 / 0 / 52

HEX #2C497B

RGB 44 73 123

HSL 217.97, 0.47%, 0.33%

LAB 31.19, 6.16, -31.7

 

CMYK 64 / 59 / 0 / 52

HEX #2C337B

RGB 44 51 123

HSL 234.68, 0.47%, 0.33%

LAB 24.74, 21.2, -42.04

 

CMYK 53 / 64 / 0 / 52

HEX #3A2C7B

RGB 58 44 123

HSL 250.63, 0.47%, 0.33%

LAB 24.1, 28.65, -43.03

 

CMYK 36 / 64 / 0 / 52

HEX #4F2C7B

RGB 79 44 123

HSL 266.58, 0.47%, 0.33%

LAB 26.43, 33.46, -39.15

 

CMYK 64 / 24 / 0 / 52

HEX #2C5E7B

RGB 44 94 123

HSL 202.03, 0.47%, 0.33%

LAB 37.79, -7.24, -21.34

 

CMYK 64 / 41 / 0 / 52

HEX #2C497B

RGB 44 73 123

HSL 217.97, 0.47%, 0.33%

LAB 31.19, 6.16, -31.7

 

CMYK 64 / 59 / 0 / 52

HEX #2C337B

RGB 44 51 123

HSL 234.68, 0.47%, 0.33%

LAB 24.74, 21.2, -42.04

 

CMYK 64 / 64 / 0 / 52

HEX #2C2C7B

RGB 44 44 123

HSL 240, 0.47%, 0.33%

LAB 22.89, 25.96, -45.06

 

CMYK 64 / 24 / 0 / 52

HEX #2C5E7B

RGB 44 94 123

HSL 202.03, 0.47%, 0.33%

LAB 37.79, -7.24, -21.34

 

CMYK 78 / 28 / 0 / 46

HEX #1E6289

RGB 30 98 137

HSL 201.87, 0.64%, 0.33%

LAB 39.27, -6.86, -27.59

 

CMYK 89 / 33 / 0 / 41

HEX #116596

RGB 17 101 150

HSL 202.11, 0.8%, 0.33%

LAB 40.62, -4.98, -33.31

 

CMYK 98 / 36 / 0 / 36

HEX #0369A4

RGB 3 105 164

HSL 201.99, 0.96%, 0.33%

LAB 42.46, -2.64, -38.73

 

CMYK 64 / 24 / 0 / 52

HEX #2C5E7B

RGB 44 94 123

HSL 202.03, 0.47%, 0.33%

LAB 37.79, -7.24, -21.34

 

CMYK 47 / 17 / 0 / 57

HEX #3A5B6E

RGB 58 91 110

HSL 201.92, 0.31%, 0.33%

LAB 36.94, -6.37, -14.59

 

CMYK 26 / 9 / 0 / 62

HEX #475760

RGB 71 87 96

HSL 201.6, 0.15%, 0.33%

LAB 35.99, -3.88, -7.25

 

CMYK 0 / 2 / 4 / 67

HEX #555352

RGB 85 83 82

HSL 20, 0.02%, 0.33%

LAB 35.45, 0.6, 0.87

 

CMYK 0 / 19 / 30 / 61

HEX #635045

RGB 99 80 69

HSL 22, 0.18%, 0.33%

LAB 35.63, 6.08, 9.47

 

CMYK 64 / 0 / 11 / 52

HEX #2C7B6E

RGB 44 123 110

HSL 170.13, 0.47%, 0.33%

LAB 46.75, -27.27, 0.01

 

CMYK 64 / 7 / 0 / 52

HEX #2C737B

RGB 44 115 123

HSL 186.08, 0.47%, 0.33%

LAB 44.56, -19.26, -11

 

CMYK 64 / 24 / 0 / 52

HEX #2C5E7B

RGB 44 94 123

HSL 202.03, 0.47%, 0.33%

LAB 37.79, -7.24, -21.34

 

CMYK 64 / 41 / 0 / 52

HEX #2C497B

RGB 44 73 123

HSL 217.97, 0.47%, 0.33%

LAB 31.19, 6.16, -31.7

 

CMYK 64 / 58 / 0 / 52

HEX #2C347B

RGB 44 52 123

HSL 233.92, 0.47%, 0.33%

LAB 25.02, 20.52, -41.6

 

CMYK 65 / 24 / 0 / 75

HEX #16303F

RGB 22 48 63

HSL 201.95, 0.48%, 0.17%

LAB 18.55, -4.64, -12.48

 

CMYK 65 / 24 / 0 / 64

HEX #21475D

RGB 33 71 93

HSL 202, 0.48%, 0.25%

LAB 28.43, -5.99, -17.06

 

CMYK 64 / 24 / 0 / 52

HEX #2C5E7B

RGB 44 94 123

HSL 202.03, 0.47%, 0.33%

LAB 37.79, -7.24, -21.34

 

CMYK 64 / 24 / 0 / 40

HEX #37759A

RGB 55 117 154

HSL 202.42, 0.47%, 0.41%

LAB 46.8, -8.09, -25.94

 

CMYK 64 / 23 / 0 / 28

HEX #428DB8

RGB 66 141 184

HSL 201.86, 0.47%, 0.49%

LAB 55.75, -9.81, -29.38

 

CMYK 64 / 24 / 0 / 52

HEX #2C5E7B

RGB 44 94 123

HSL 202.03, 0.47%, 0.33%

LAB 37.79, -7.24, -21.34

 

CMYK 28 / 64 / 0 / 52

HEX #592C7B

RGB 89 44 123

HSL 274.18, 0.47%, 0.33%

LAB 27.72, 35.97, -37

 

CMYK 0 / 2 / 64 / 52

HEX #7B792C

RGB 123 121 44

HSL 58.48, 0.47%, 0.33%

LAB 49.58, -9.73, 41.18

 

CMYK 64 / 24 / 0 / 52

HEX #2C5E7B

RGB 44 94 123

HSL 202.03, 0.47%, 0.33%

LAB 37.79, -7.24, -21.34

 

CMYK 0 / 64 / 24 / 52

HEX #7B2C5E

RGB 123 44 94

HSL 322.03, 0.47%, 0.33%

LAB 31.39, 40.03, -12.33

 

CMYK 24 / 0 / 64 / 52

HEX #5E7B2C

RGB 94 123 44

HSL 82.03, 0.47%, 0.33%

LAB 47.91, -23.6, 38.72

 

CMYK 64 / 24 / 0 / 52

HEX #2C5E7B

RGB 44 94 123

HSL 202.03, 0.47%, 0.33%

LAB 37.79, -7.24, -21.34

 

CMYK 28 / 64 / 0 / 52

HEX #592C7B

RGB 89 44 123

HSL 274.18, 0.47%, 0.33%

LAB 27.72, 35.97, -37

 

CMYK 0 / 41 / 64 / 52

HEX #7B492C

RGB 123 73 44

HSL 22.03, 0.47%, 0.33%

LAB 36.29, 18.33, 26.13

 

CMYK 37 / 0 / 64 / 52

HEX #4E7B2C

RGB 78 123 44

HSL 94.18, 0.47%, 0.33%

LAB 46.93, -29.99, 37.35

 

CMYK 64 / 24 / 0 / 52

HEX #2C5E7B

RGB 44 94 123

HSL 202.03, 0.47%, 0.33%

LAB 37.79, -7.24, -21.34

 

CMYK 8 / 64 / 0 / 52

HEX #712C7B

RGB 113 44 123

HSL 292.41, 0.47%, 0.33%

LAB 31.21, 42.25, -31.23

 

CMYK 0 / 41 / 64 / 52

HEX #7B492C

RGB 123 73 44

HSL 22.03, 0.47%, 0.33%

LAB 36.29, 18.33, 26.13

 

CMYK 55 / 0 / 64 / 52

HEX #377B2C

RGB 55 123 44

HSL 111.65, 0.47%, 0.33%

LAB 45.85, -37.76, 35.85

 

Description

Color code: HEX #2C5E7B | qconv.com Color code: HEX #2C5E7B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 94 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 94 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 24 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 24% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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