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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C66EC it is the complementary color #D39913. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C66EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C66EC shade: #3166E7, #4278FA, #538AFF, #649CFF and #75AEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C66EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C66EC shade: #2C66EC, #1B54D9, #0A42C6, #0030B3 and #001EA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C66EC shade: #2D66EB, #2D33EB, #5A2DEB, #8D2DEB and #C02DEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C66EC shade: #2D66EB, #2D33EB and #2D2DEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C66EC shade matches the following richer shades: #2D66EB and #1A5FFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C66EC shade: #2D66EB, #3F6DD8, #5275C6, #647CB3 and #7783A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C66EC shade: #2DCEEB, #2D9CEB, #2D69EB, #2D36EB and #562DEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C66EC shade: #1042B5, #1450DA, #2D66EB, #5281EE and #789DF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C66EC shade: #2C66EC, #D52DEB and #B5EB2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C66EC shade: #2C66EC, #EB2D69 and #69EB2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C66EC shade: #2C66EC, #D52DEB, #EBAF2D and #43EB2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C66EC shade: #2C66EC, #EB2DC8, #EBAF2D and #2DEB4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 57 / 0 / 7

HEX #2C66EC

RGB 44 102 236

HSL 221.88, 0.83%, 0.55%

LAB 47.1, 29.96, -72.7

 

Complementary color

CMYK 0 / 27 / 91 / 17

HEX #D39913

RGB 211 153 19

HSL 41.88, 0.83%, 0.45%

LAB 67.04, 11.63, 68.46

 

CMYK 79 / 56 / 0 / 9

HEX #3166E7

RGB 49 102 231

HSL 222.53, 0.79%, 0.55%

LAB 46.88, 28.55, -70.24

 

CMYK 74 / 52 / 0 / 2

HEX #4278FA

RGB 66 120 250

HSL 222.39, 0.95%, 0.62%

LAB 53.49, 25.98, -70.1

 

CMYK 67 / 46 / 0 / 0

HEX #538AFF

RGB 83 138 255

HSL 220.81, 1%, 0.66%

LAB 59.19, 18.98, -63.62

 

CMYK 61 / 39 / 0 / 0

HEX #649CFF

RGB 100 156 255

HSL 218.32, 1%, 0.7%

LAB 64.73, 11.07, -54.74

 

CMYK 54 / 32 / 0 / 0

HEX #75AEFF

RGB 117 174 255

HSL 215.22, 1%, 0.73%

LAB 70.37, 4.04, -45.78

 

CMYK 81 / 57 / 0 / 7

HEX #2C66EC

RGB 44 102 236

HSL 221.88, 0.83%, 0.55%

LAB 47.1, 29.96, -72.7

 

CMYK 88 / 61 / 0 / 15

HEX #1B54D9

RGB 27 84 217

HSL 222, 0.78%, 0.48%

LAB 40.55, 33.18, -72.64

 

CMYK 95 / 67 / 0 / 22

HEX #0A42C6

RGB 10 66 198

HSL 222.13, 0.9%, 0.41%

LAB 34.06, 36.89, -72.32

 

CMYK 100 / 73 / 0 / 30

HEX #0030B3

RGB 0 48 179

HSL 223.91, 1%, 0.35%

LAB 27.76, 40.9, -71.51

 

CMYK 100 / 81 / 0 / 37

HEX #001EA0

RGB 0 30 160

HSL 228.75, 1%, 0.31%

LAB 21.82, 44.63, -69.9

 

CMYK 81 / 57 / 0 / 8

HEX #2D66EB

RGB 45 102 235

HSL 222, 0.83%, 0.55%

LAB 47.05, 29.67, -72.21

 

CMYK 81 / 78 / 0 / 8

HEX #2D33EB

RGB 45 51 235

HSL 238.11, 0.83%, 0.55%

LAB 35.84, 59.71, -90.65

 

CMYK 62 / 81 / 0 / 8

HEX #5A2DEB

RGB 90 45 235

HSL 254.21, 0.83%, 0.55%

LAB 37.93, 65.68, -87.09

 

CMYK 40 / 81 / 0 / 8

HEX #8D2DEB

RGB 141 45 235

HSL 270.32, 0.83%, 0.55%

LAB 43.56, 71.62, -77.62

 

CMYK 18 / 81 / 0 / 8

HEX #C02DEB

RGB 192 45 235

HSL 286.42, 0.83%, 0.55%

LAB 50.78, 79.42, -65.55

 

CMYK 81 / 57 / 0 / 8

HEX #2D66EB

RGB 45 102 235

HSL 222, 0.83%, 0.55%

LAB 47.05, 29.67, -72.21

 

CMYK 81 / 78 / 0 / 8

HEX #2D33EB

RGB 45 51 235

HSL 238.11, 0.83%, 0.55%

LAB 35.84, 59.71, -90.65

 

CMYK 81 / 81 / 0 / 8

HEX #2D2DEB

RGB 45 45 235

HSL 240, 0.83%, 0.55%

LAB 34.87, 62.54, -92.26

 

CMYK 81 / 57 / 0 / 8

HEX #2D66EB

RGB 45 102 235

HSL 222, 0.83%, 0.55%

LAB 47.05, 29.67, -72.21

 

CMYK 90 / 63 / 0 / 0

HEX #1A5FFE

RGB 26 95 254

HSL 221.84, 0.99%, 0.55%

LAB 46.39, 39.95, -83.93

 

CMYK 81 / 57 / 0 / 8

HEX #2D66EB

RGB 45 102 235

HSL 222, 0.83%, 0.55%

LAB 47.05, 29.67, -72.21

 

CMYK 71 / 50 / 0 / 15

HEX #3F6DD8

RGB 63 109 216

HSL 221.96, 0.66%, 0.55%

LAB 48.2, 20.24, -59.58

 

CMYK 59 / 41 / 0 / 22

HEX #5275C6

RGB 82 117 198

HSL 221.9, 0.5%, 0.55%

LAB 50.21, 12.18, -46.05

 

CMYK 44 / 31 / 0 / 30

HEX #647CB3

RGB 100 124 179

HSL 221.77, 0.34%, 0.55%

LAB 52.26, 6.1, -31.82

 

CMYK 26 / 19 / 0 / 37

HEX #7783A1

RGB 119 131 161

HSL 222.86, 0.18%, 0.55%

LAB 54.79, 2.59, -17.43

 

CMYK 81 / 12 / 0 / 8

HEX #2DCEEB

RGB 45 206 235

HSL 189.16, 0.83%, 0.55%

LAB 76.5, -29.87, -25.66

 

CMYK 81 / 34 / 0 / 8

HEX #2D9CEB

RGB 45 156 235

HSL 204.95, 0.83%, 0.55%

LAB 61.94, -3.39, -48.3

 

CMYK 81 / 55 / 0 / 8

HEX #2D69EB

RGB 45 105 235

HSL 221.05, 0.83%, 0.55%

LAB 47.83, 27.77, -70.95

 

CMYK 81 / 77 / 0 / 8

HEX #2D36EB

RGB 45 54 235

HSL 237.16, 0.83%, 0.55%

LAB 36.36, 58.22, -89.79

 

CMYK 63 / 81 / 0 / 8

HEX #562DEB

RGB 86 45 235

HSL 252.95, 0.83%, 0.55%

LAB 37.58, 65.32, -87.69

 

CMYK 91 / 64 / 0 / 29

HEX #1042B5

RGB 16 66 181

HSL 221.82, 0.84%, 0.39%

LAB 32.57, 30.56, -64.76

 

CMYK 91 / 63 / 0 / 15

HEX #1450DA

RGB 20 80 218

HSL 221.82, 0.83%, 0.47%

LAB 39.49, 35.8, -74.95

 

CMYK 81 / 57 / 0 / 8

HEX #2D66EB

RGB 45 102 235

HSL 222, 0.83%, 0.55%

LAB 47.05, 29.67, -72.21

 

CMYK 66 / 46 / 0 / 7

HEX #5281EE

RGB 82 129 238

HSL 221.92, 0.82%, 0.63%

LAB 55.75, 18.44, -59.75

 

CMYK 50 / 35 / 0 / 5

HEX #789DF2

RGB 120 157 242

HSL 221.8, 0.82%, 0.71%

LAB 65.37, 10.45, -46.55

 

CMYK 81 / 57 / 0 / 7

HEX #2C66EC

RGB 44 102 236

HSL 221.88, 0.83%, 0.55%

LAB 47.1, 29.96, -72.7

 

CMYK 9 / 81 / 0 / 8

HEX #D52DEB

RGB 213 45 235

HSL 293.05, 0.83%, 0.55%

LAB 54.05, 83.01, -60.12

 

CMYK 23 / 0 / 81 / 8

HEX #B5EB2D

RGB 181 235 45

HSL 77.05, 0.83%, 0.55%

LAB 86.72, -41.18, 77.89

 

CMYK 81 / 57 / 0 / 7

HEX #2C66EC

RGB 44 102 236

HSL 221.88, 0.83%, 0.55%

LAB 47.1, 29.96, -72.7

 

CMYK 0 / 81 / 55 / 8

HEX #EB2D69

RGB 235 45 105

HSL 341.05, 0.83%, 0.55%

LAB 52.46, 72.43, 13.96

 

CMYK 55 / 0 / 81 / 8

HEX #69EB2D

RGB 105 235 45

HSL 101.05, 0.83%, 0.55%

LAB 83.24, -65.95, 73.46

 

CMYK 81 / 57 / 0 / 7

HEX #2C66EC

RGB 44 102 236

HSL 221.88, 0.83%, 0.55%

LAB 47.1, 29.96, -72.7

 

CMYK 9 / 81 / 0 / 8

HEX #D52DEB

RGB 213 45 235

HSL 293.05, 0.83%, 0.55%

LAB 54.05, 83.01, -60.12

 

CMYK 0 / 26 / 81 / 8

HEX #EBAF2D

RGB 235 175 45

HSL 41.05, 0.83%, 0.55%

LAB 75.15, 10.93, 69.36

 

CMYK 71 / 0 / 81 / 8

HEX #43EB2D

RGB 67 235 45

HSL 113.05, 0.83%, 0.55%

LAB 82.27, -73.95, 72.22

 

CMYK 81 / 57 / 0 / 7

HEX #2C66EC

RGB 44 102 236

HSL 221.88, 0.83%, 0.55%

LAB 47.1, 29.96, -72.7

 

CMYK 0 / 81 / 15 / 8

HEX #EB2DC8

RGB 235 45 200

HSL 311.05, 0.83%, 0.55%

LAB 55.8, 82.03, -37.23

 

CMYK 0 / 26 / 81 / 8

HEX #EBAF2D

RGB 235 175 45

HSL 41.05, 0.83%, 0.55%

LAB 75.15, 10.93, 69.36

 

CMYK 81 / 0 / 66 / 8

HEX #2DEB4F

RGB 45 235 79

HSL 130.74, 0.83%, 0.55%

LAB 82.13, -74.41, 60.69

 

Description

Color code: HEX #2C66EC | qconv.com Color code: HEX #2C66EC | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 102 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 102 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 57 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 57% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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