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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C6333 it is the complementary color #D39CCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C6333. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C6333 shade: #31632E, #427541, #538754, #649967 and #75AB7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C6333. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C6333 shade: #2C6333, #1B5120, #0A3F0D, #002D00 and #001B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C6333 shade: #2C6233, #33622C, #42622C, #51622C and #5F622C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C6333 shade: #2C6233, #2C6241, #2C6250, #2C625F and #2C5762

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C6333 shade matches the following richer shades: #2C6233, #206E2A, #157921 and #098519

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C6333 shade: #2C6233, #37563B, #434B44, #4E3F4D and #5A3455

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C6333 shade: #42622C, #34622C, #2C6232, #2C6241 and #2C624F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C6333 shade: #122915, #1F4624, #2C6233, #397F41 and #459B50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C6333 shade: #2C6333, #2C5162 and #622C3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C6333 shade: #2C6333, #322C62 and #62322C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C6333 shade: #2C6333, #2C5162, #622C5C and #623D2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C6333 shade: #2C6333, #2C4162, #622C5C and #624D2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 48 / 61

HEX #2C6333

RGB 44 99 51

HSL 127.64, 0.38%, 0.28%

LAB 37.3, -29.56, 21.82

 

Complementary color

CMYK 0 / 26 / 3 / 17

HEX #D39CCC

RGB 211 156 204

HSL 307.64, 0.38%, 0.72%

LAB 70.86, 28.29, -16.56

 

CMYK 51 / 0 / 54 / 61

HEX #31632E

RGB 49 99 46

HSL 116.6, 0.37%, 0.28%

LAB 37.43, -28.81, 24.86

 

CMYK 44 / 0 / 44 / 54

HEX #427541

RGB 66 117 65

HSL 118.85, 0.29%, 0.36%

LAB 44.61, -28.69, 23.43

 

CMYK 39 / 0 / 38 / 47

HEX #538754

RGB 83 135 84

HSL 121.15, 0.24%, 0.43%

LAB 51.62, -28.46, 22.1

 

CMYK 35 / 0 / 33 / 40

HEX #649967

RGB 100 153 103

HSL 123.4, 0.21%, 0.5%

LAB 58.48, -28.2, 20.86

 

CMYK 32 / 0 / 29 / 33

HEX #75AB7A

RGB 117 171 122

HSL 125.56, 0.24%, 0.56%

LAB 65.21, -27.93, 19.72

 

CMYK 56 / 0 / 48 / 61

HEX #2C6333

RGB 44 99 51

HSL 127.64, 0.38%, 0.28%

LAB 37.3, -29.56, 21.82

 

CMYK 67 / 0 / 60 / 68

HEX #1B5120

RGB 27 81 32

HSL 125.56, 0.5%, 0.21%

LAB 29.97, -29.36, 23.37

 

CMYK 84 / 0 / 79 / 75

HEX #0A3F0D

RGB 10 63 13

HSL 123.4, 0.73%, 0.14%

LAB 22.47, -28.37, 24.72

 

CMYK 100 / 0 / 100 / 82

HEX #002D00

RGB 0 45 0

HSL 120, 1%, 0.09%

LAB 14.83, -25.61, 21.09

 

CMYK 100 / 0 / 100 / 89

HEX #001B00

RGB 0 27 0

HSL 120, 1%, 0.05%

LAB 7.08, -14.46, 10.34

 

CMYK 55 / 0 / 48 / 62

HEX #2C6233

RGB 44 98 51

HSL 127.78, 0.38%, 0.28%

LAB 36.95, -29.09, 21.38

 

CMYK 48 / 0 / 55 / 62

HEX #33622C

RGB 51 98 44

HSL 112.22, 0.38%, 0.28%

LAB 37.15, -27.97, 25.64

 

CMYK 33 / 0 / 55 / 62

HEX #42622C

RGB 66 98 44

HSL 95.56, 0.38%, 0.28%

LAB 37.98, -22.39, 26.83

 

CMYK 17 / 0 / 55 / 62

HEX #51622C

RGB 81 98 44

HSL 78.89, 0.38%, 0.28%

LAB 39.01, -16.05, 28.32

 

CMYK 3 / 0 / 55 / 62

HEX #5F622C

RGB 95 98 44

HSL 63.33, 0.38%, 0.28%

LAB 40.16, -9.71, 29.96

 

CMYK 55 / 0 / 48 / 62

HEX #2C6233

RGB 44 98 51

HSL 127.78, 0.38%, 0.28%

LAB 36.95, -29.09, 21.38

 

CMYK 55 / 0 / 34 / 62

HEX #2C6241

RGB 44 98 65

HSL 143.33, 0.38%, 0.28%

LAB 37.21, -26.36, 13.46

 

CMYK 55 / 0 / 18 / 62

HEX #2C6250

RGB 44 98 80

HSL 160, 0.38%, 0.28%

LAB 37.57, -22.79, 4.83

 

CMYK 55 / 0 / 3 / 62

HEX #2C625F

RGB 44 98 95

HSL 176.67, 0.38%, 0.28%

LAB 38.02, -18.64, -3.76

 

CMYK 55 / 11 / 0 / 62

HEX #2C5762

RGB 44 87 98

HSL 192.22, 0.38%, 0.28%

LAB 34.46, -11.48, -10.95

 

CMYK 55 / 0 / 48 / 62

HEX #2C6233

RGB 44 98 51

HSL 127.78, 0.38%, 0.28%

LAB 36.95, -29.09, 21.38

 

CMYK 71 / 0 / 62 / 57

HEX #206E2A

RGB 32 110 42

HSL 127.69, 0.55%, 0.28%

LAB 40.62, -38.63, 30.65

 

CMYK 83 / 0 / 73 / 53

HEX #157921

RGB 21 121 33

HSL 127.2, 0.7%, 0.28%

LAB 44.15, -45.57, 38.7

 

CMYK 93 / 0 / 81 / 48

HEX #098519

RGB 9 133 25

HSL 127.74, 0.87%, 0.28%

LAB 48.14, -51.33, 45.66

 

CMYK 55 / 0 / 48 / 62

HEX #2C6233

RGB 44 98 51

HSL 127.78, 0.38%, 0.28%

LAB 36.95, -29.09, 21.38

 

CMYK 36 / 0 / 31 / 66

HEX #37563B

RGB 55 86 59

HSL 127.74, 0.22%, 0.28%

LAB 33.53, -17.85, 12.19

 

CMYK 11 / 0 / 9 / 71

HEX #434B44

RGB 67 75 68

HSL 127.5, 0.06%, 0.28%

LAB 30.98, -4.81, 3.07

 

CMYK 0 / 19 / 1 / 69

HEX #4E3F4D

RGB 78 63 77

HSL 304, 0.11%, 0.28%

LAB 28.67, 9.37, -6.02

 

CMYK 0 / 42 / 6 / 65

HEX #5A3455

RGB 90 52 85

HSL 307.89, 0.27%, 0.28%

LAB 27.53, 22.78, -12.84

 

CMYK 33 / 0 / 55 / 62

HEX #42622C

RGB 66 98 44

HSL 95.56, 0.38%, 0.28%

LAB 37.98, -22.39, 26.83

 

CMYK 47 / 0 / 55 / 62

HEX #34622C

RGB 52 98 44

HSL 111.11, 0.38%, 0.28%

LAB 37.2, -27.63, 25.71

 

CMYK 55 / 0 / 49 / 62

HEX #2C6232

RGB 44 98 50

HSL 126.67, 0.38%, 0.28%

LAB 36.93, -29.27, 21.93

 

CMYK 55 / 0 / 34 / 62

HEX #2C6241

RGB 44 98 65

HSL 143.33, 0.38%, 0.28%

LAB 37.21, -26.36, 13.46

 

CMYK 55 / 0 / 19 / 62

HEX #2C624F

RGB 44 98 79

HSL 158.89, 0.38%, 0.28%

LAB 37.55, -23.05, 5.4

 

CMYK 56 / 0 / 49 / 84

HEX #122915

RGB 18 41 21

HSL 127.83, 0.39%, 0.12%

LAB 14.22, -14.57, 10.38

 

CMYK 56 / 0 / 49 / 73

HEX #1F4624

RGB 31 70 36

HSL 127.69, 0.39%, 0.2%

LAB 26.15, -22.4, 16.34

 

CMYK 55 / 0 / 48 / 62

HEX #2C6233

RGB 44 98 51

HSL 127.78, 0.38%, 0.28%

LAB 36.95, -29.09, 21.38

 

CMYK 55 / 0 / 49 / 50

HEX #397F41

RGB 57 127 65

HSL 126.86, 0.38%, 0.36%

LAB 47.53, -36.01, 27.07

 

CMYK 55 / 0 / 48 / 39

HEX #459B50

RGB 69 155 80

HSL 127.67, 0.38%, 0.44%

LAB 57.35, -42.29, 31.53

 

CMYK 56 / 0 / 48 / 61

HEX #2C6333

RGB 44 99 51

HSL 127.64, 0.38%, 0.28%

LAB 37.3, -29.56, 21.82

 

CMYK 55 / 17 / 0 / 62

HEX #2C5162

RGB 44 81 98

HSL 198.89, 0.38%, 0.28%

LAB 32.49, -7.87, -13.97

 

CMYK 0 / 55 / 40 / 62

HEX #622C3B

RGB 98 44 59

HSL 343.33, 0.38%, 0.28%

LAB 25.9, 26.21, 2.12

 

CMYK 56 / 0 / 48 / 61

HEX #2C6333

RGB 44 99 51

HSL 127.64, 0.38%, 0.28%

LAB 37.3, -29.56, 21.82

 

CMYK 49 / 55 / 0 / 62

HEX #322C62

RGB 50 44 98

HSL 246.67, 0.38%, 0.28%

LAB 21.44, 18.45, -31.27

 

CMYK 0 / 49 / 55 / 62

HEX #62322C

RGB 98 50 44

HSL 6.67, 0.38%, 0.28%

LAB 26.9, 20.91, 13.5

 

CMYK 56 / 0 / 48 / 61

HEX #2C6333

RGB 44 99 51

HSL 127.64, 0.38%, 0.28%

LAB 37.3, -29.56, 21.82

 

CMYK 55 / 17 / 0 / 62

HEX #2C5162

RGB 44 81 98

HSL 198.89, 0.38%, 0.28%

LAB 32.49, -7.87, -13.97

 

CMYK 0 / 55 / 6 / 62

HEX #622C5C

RGB 98 44 92

HSL 306.67, 0.38%, 0.28%

LAB 27.22, 31.65, -17.81

 

CMYK 0 / 38 / 55 / 62

HEX #623D2C

RGB 98 61 44

HSL 18.89, 0.38%, 0.28%

LAB 29.7, 14.17, 17.17

 

CMYK 56 / 0 / 48 / 61

HEX #2C6333

RGB 44 99 51

HSL 127.64, 0.38%, 0.28%

LAB 37.3, -29.56, 21.82

 

CMYK 55 / 34 / 0 / 62

HEX #2C4162

RGB 44 65 98

HSL 216.67, 0.38%, 0.28%

LAB 27.29, 2.4, -22.01

 

CMYK 0 / 55 / 6 / 62

HEX #622C5C

RGB 98 44 92

HSL 306.67, 0.38%, 0.28%

LAB 27.22, 31.65, -17.81

 

CMYK 0 / 21 / 55 / 62

HEX #624D2C

RGB 98 77 44

HSL 36.67, 0.38%, 0.28%

LAB 34.16, 4.23, 22.81

 

Description

Color code: HEX #2C6333 | qconv.com Color code: HEX #2C6333 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 99 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 99 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 48 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 48% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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