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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C79A8 it is the complementary color #D38657. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C79A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C79A8 shade: #3179A3, #428BB6, #539DC9, #64AFDC and #75C1EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C79A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C79A8 shade: #2C79A8, #1B6795, #0A5582, #00436F and #00315C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C79A8 shade: #2C7AA9, #2C58A9, #2C37A9, #442CA9 and #652CA9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C79A8 shade: #2C7AA9, #2C58A9, #2C37A9 and #2C2CA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C79A8 shade matches the following richer shades: #2C7AA9, #1B7EBA and #0A82CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C79A8 shade: #2C7AA9, #3E7597, #4F7186, #606D75 and #726963

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C79A8 shade: #2CA994, #2C9CA9, #2C7BA9, #2C5AA9 and #2C39A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C79A8 shade: #1B4B68, #246288, #2C7AA9, #3591C9 and #56A3D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C79A8 shade: #2C79A8, #732CA9 and #A9A52C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C79A8 shade: #2C79A8, #A92C7B and #7BA92C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C79A8 shade: #2C79A8, #732CA9, #A95A2C and #62A92C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C79A8 shade: #2C79A8, #982CA9, #A95A2C and #3DA92C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 28 / 0 / 34

HEX #2C79A8

RGB 44 121 168

HSL 202.74, 0.58%, 0.42%

LAB 48.31, -7.32, -31.82

 

Complementary color

CMYK 0 / 36 / 59 / 17

HEX #D38657

RGB 211 134 87

HSL 22.74, 0.58%, 0.58%

LAB 63, 24.92, 37.33

 

CMYK 70 / 26 / 0 / 36

HEX #3179A3

RGB 49 121 163

HSL 202.11, 0.54%, 0.42%

LAB 48.22, -8.35, -29.02

 

CMYK 64 / 24 / 0 / 29

HEX #428BB6

RGB 66 139 182

HSL 202.24, 0.47%, 0.49%

LAB 55.07, -9.34, -29.3

 

CMYK 59 / 22 / 0 / 21

HEX #539DC9

RGB 83 157 201

HSL 202.37, 0.52%, 0.56%

LAB 61.8, -10.08, -29.56

 

CMYK 55 / 20 / 0 / 14

HEX #64AFDC

RGB 100 175 220

HSL 202.5, 0.63%, 0.63%

LAB 68.41, -10.65, -29.81

 

CMYK 51 / 19 / 0 / 6

HEX #75C1EF

RGB 117 193 239

HSL 202.62, 0.79%, 0.7%

LAB 74.92, -11.11, -30.06

 

CMYK 74 / 28 / 0 / 34

HEX #2C79A8

RGB 44 121 168

HSL 202.74, 0.58%, 0.42%

LAB 48.31, -7.32, -31.82

 

CMYK 82 / 31 / 0 / 42

HEX #1B6795

RGB 27 103 149

HSL 202.62, 0.69%, 0.35%

LAB 41.38, -5.7, -31.51

 

CMYK 92 / 35 / 0 / 49

HEX #0A5582

RGB 10 85 130

HSL 202.5, 0.86%, 0.27%

LAB 34.34, -3.46, -31.11

 

CMYK 100 / 40 / 0 / 56

HEX #00436F

RGB 0 67 111

HSL 203.78, 1%, 0.22%

LAB 27.19, -0.38, -30.58

 

CMYK 100 / 47 / 0 / 64

HEX #00315C

RGB 0 49 92

HSL 208.04, 1%, 0.18%

LAB 19.92, 3.71, -29.9

 

CMYK 74 / 28 / 0 / 34

HEX #2C7AA9

RGB 44 122 169

HSL 202.56, 0.59%, 0.42%

LAB 48.66, -7.55, -31.85

 

CMYK 74 / 48 / 0 / 34

HEX #2C58A9

RGB 44 88 169

HSL 218.88, 0.59%, 0.42%

LAB 38.52, 13.67, -47.95

 

CMYK 74 / 67 / 0 / 34

HEX #2C37A9

RGB 44 55 169

HSL 234.72, 0.59%, 0.42%

LAB 29.74, 35.41, -62.21

 

CMYK 60 / 74 / 0 / 34

HEX #442CA9

RGB 68 44 169

HSL 251.52, 0.59%, 0.42%

LAB 29.15, 44.91, -63.13

 

CMYK 40 / 74 / 0 / 34

HEX #652CA9

RGB 101 44 169

HSL 267.36, 0.59%, 0.42%

LAB 32.77, 50.19, -57.05

 

CMYK 74 / 28 / 0 / 34

HEX #2C7AA9

RGB 44 122 169

HSL 202.56, 0.59%, 0.42%

LAB 48.66, -7.55, -31.85

 

CMYK 74 / 48 / 0 / 34

HEX #2C58A9

RGB 44 88 169

HSL 218.88, 0.59%, 0.42%

LAB 38.52, 13.67, -47.95

 

CMYK 74 / 67 / 0 / 34

HEX #2C37A9

RGB 44 55 169

HSL 234.72, 0.59%, 0.42%

LAB 29.74, 35.41, -62.21

 

CMYK 74 / 74 / 0 / 34

HEX #2C2CA9

RGB 44 44 169

HSL 240, 0.59%, 0.42%

LAB 27.3, 42.1, -66.23

 

CMYK 74 / 28 / 0 / 34

HEX #2C7AA9

RGB 44 122 169

HSL 202.56, 0.59%, 0.42%

LAB 48.66, -7.55, -31.85

 

CMYK 85 / 32 / 0 / 27

HEX #1B7EBA

RGB 27 126 186

HSL 202.64, 0.75%, 0.42%

LAB 50.33, -5.45, -39.08

 

CMYK 95 / 36 / 0 / 20

HEX #0A82CB

RGB 10 130 203

HSL 202.69, 0.91%, 0.42%

LAB 52.22, -2.28, -45.83

 

CMYK 74 / 28 / 0 / 34

HEX #2C7AA9

RGB 44 122 169

HSL 202.56, 0.59%, 0.42%

LAB 48.66, -7.55, -31.85

 

CMYK 59 / 23 / 0 / 41

HEX #3E7597

RGB 62 117 151

HSL 202.92, 0.42%, 0.42%

LAB 46.95, -7.69, -23.92

 

CMYK 41 / 16 / 0 / 47

HEX #4F7186

RGB 79 113 134

HSL 202.91, 0.26%, 0.42%

LAB 45.9, -6.36, -15.38

 

CMYK 18 / 7 / 0 / 54

HEX #606D75

RGB 96 109 117

HSL 202.86, 0.1%, 0.42%

LAB 45.23, -3.03, -6.1

 

CMYK 0 / 8 / 13 / 55

HEX #726963

RGB 114 105 99

HSL 24, 0.07%, 0.42%

LAB 45.06, 2.41, 4.64

 

CMYK 74 / 0 / 12 / 34

HEX #2CA994

RGB 44 169 148

HSL 169.92, 0.59%, 0.42%

LAB 62.55, -38.37, 1.19

 

CMYK 74 / 8 / 0 / 34

HEX #2C9CA9

RGB 44 156 169

HSL 186.24, 0.59%, 0.42%

LAB 59.14, -26.04, -15.72

 

CMYK 74 / 27 / 0 / 34

HEX #2C7BA9

RGB 44 123 169

HSL 202.08, 0.59%, 0.42%

LAB 48.97, -8.13, -31.37

 

CMYK 74 / 47 / 0 / 34

HEX #2C5AA9

RGB 44 90 169

HSL 217.92, 0.59%, 0.42%

LAB 39.09, 12.36, -47.02

 

CMYK 74 / 66 / 0 / 34

HEX #2C39A9

RGB 44 57 169

HSL 233.76, 0.59%, 0.42%

LAB 30.22, 34.13, -61.43

 

CMYK 74 / 28 / 0 / 59

HEX #1B4B68

RGB 27 75 104

HSL 202.6, 0.59%, 0.26%

LAB 30.07, -5.58, -21.56

 

CMYK 74 / 28 / 0 / 47

HEX #246288

RGB 36 98 136

HSL 202.8, 0.58%, 0.34%

LAB 39.39, -6.4, -26.79

 

CMYK 74 / 28 / 0 / 34

HEX #2C7AA9

RGB 44 122 169

HSL 202.56, 0.59%, 0.42%

LAB 48.66, -7.55, -31.85

 

CMYK 74 / 28 / 0 / 21

HEX #3591C9

RGB 53 145 201

HSL 202.7, 0.58%, 0.5%

LAB 57.29, -8.29, -36.65

 

CMYK 59 / 22 / 0 / 18

HEX #56A3D2

RGB 86 163 210

HSL 202.74, 0.58%, 0.58%

LAB 64.02, -9.99, -31.13

 

CMYK 74 / 28 / 0 / 34

HEX #2C79A8

RGB 44 121 168

HSL 202.74, 0.58%, 0.42%

LAB 48.31, -7.32, -31.82

 

CMYK 32 / 74 / 0 / 34

HEX #732CA9

RGB 115 44 169

HSL 274.08, 0.59%, 0.42%

LAB 34.62, 52.8, -53.95

 

CMYK 0 / 2 / 74 / 34

HEX #A9A52C

RGB 169 165 44

HSL 58.08, 0.59%, 0.42%

LAB 66.16, -12.67, 59.14

 

CMYK 74 / 28 / 0 / 34

HEX #2C79A8

RGB 44 121 168

HSL 202.74, 0.58%, 0.42%

LAB 48.31, -7.32, -31.82

 

CMYK 0 / 74 / 27 / 34

HEX #A92C7B

RGB 169 44 123

HSL 322.08, 0.59%, 0.42%

LAB 40.68, 57.18, -15.76

 

CMYK 27 / 0 / 74 / 34

HEX #7BA92C

RGB 123 169 44

HSL 82.08, 0.59%, 0.42%

LAB 63.97, -33.99, 55.88

 

CMYK 74 / 28 / 0 / 34

HEX #2C79A8

RGB 44 121 168

HSL 202.74, 0.58%, 0.42%

LAB 48.31, -7.32, -31.82

 

CMYK 32 / 74 / 0 / 34

HEX #732CA9

RGB 115 44 169

HSL 274.08, 0.59%, 0.42%

LAB 34.62, 52.8, -53.95

 

CMYK 0 / 47 / 74 / 34

HEX #A95A2C

RGB 169 90 44

HSL 22.08, 0.59%, 0.42%

LAB 46.88, 28.68, 39.9

 

CMYK 42 / 0 / 74 / 34

HEX #62A92C

RGB 98 169 44

HSL 94.08, 0.59%, 0.42%

LAB 62.64, -43.16, 54.11

 

CMYK 74 / 28 / 0 / 34

HEX #2C79A8

RGB 44 121 168

HSL 202.74, 0.58%, 0.42%

LAB 48.31, -7.32, -31.82

 

CMYK 10 / 74 / 0 / 34

HEX #982CA9

RGB 152 44 169

HSL 291.84, 0.59%, 0.42%

LAB 40.15, 60.3, -44.76

 

CMYK 0 / 47 / 74 / 34

HEX #A95A2C

RGB 169 90 44

HSL 22.08, 0.59%, 0.42%

LAB 46.88, 28.68, 39.9

 

CMYK 64 / 0 / 74 / 34

HEX #3DA92C

RGB 61 169 44

HSL 111.84, 0.59%, 0.42%

LAB 61.26, -53.73, 52.29

 

Description

Color code: HEX #2C79A8 | qconv.com Color code: HEX #2C79A8 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 121 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 121 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 28 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 28% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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