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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C7390 it is the complementary color #D38C6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C7390. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C7390 shade: #31738B, #42859E, #5397B1, #64A9C4 and #75BBD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C7390. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C7390 shade: #2C7390, #1B617D, #0A4F6A, #003D57 and #002B44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C7390 shade: #2C7390, #2C5890, #2C3D90, #362C90 and #512C90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C7390 shade: #2C7390, #2C5890, #2C3D90 and #2C2C90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C7390 shade matches the following richer shades: #2C7390, #1D799F and #0D80AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C7390 shade: #2C7390, #3B6C81, #4A6671, #5A6062 and #695953

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C7390 shade: #2C9077, #2C8E90, #2C7490, #2C5990 and #2C3E90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C7390 shade: #184051, #225A70, #2C7390, #368CAF and #48A2C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C7390 shade: #2C7390, #5C2C90 and #90842C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C7390 shade: #2C7390, #902C74 and #74902C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C7390 shade: #2C7390, #5C2C90, #90482C and #60902C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C7390 shade: #2C7390, #7A2C90, #90482C and #42902C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 20 / 0 / 44

HEX #2C7390

RGB 44 115 144

HSL 197.4, 0.53%, 0.37%

LAB 45.37, -12.3, -22.27

 

Complementary color

CMYK 0 / 34 / 47 / 17

HEX #D38C6F

RGB 211 140 111

HSL 17.4, 0.53%, 0.63%

LAB 64.77, 23.77, 26.53

 

CMYK 65 / 17 / 0 / 45

HEX #31738B

RGB 49 115 139

HSL 196, 0.48%, 0.37%

LAB 45.33, -13.12, -19.35

 

CMYK 58 / 16 / 0 / 38

HEX #42859E

RGB 66 133 158

HSL 196.3, 0.41%, 0.44%

LAB 52.29, -13.71, -19.78

 

CMYK 53 / 15 / 0 / 31

HEX #5397B1

RGB 83 151 177

HSL 196.6, 0.38%, 0.51%

LAB 59.11, -14.13, -20.18

 

CMYK 49 / 14 / 0 / 23

HEX #64A9C4

RGB 100 169 196

HSL 196.88, 0.45%, 0.58%

LAB 65.8, -14.43, -20.57

 

CMYK 46 / 13 / 0 / 16

HEX #75BBD7

RGB 117 187 215

HSL 197.14, 0.55%, 0.65%

LAB 72.38, -14.65, -20.93

 

CMYK 69 / 20 / 0 / 44

HEX #2C7390

RGB 44 115 144

HSL 197.4, 0.53%, 0.37%

LAB 45.37, -12.3, -22.27

 

CMYK 78 / 22 / 0 / 51

HEX #1B617D

RGB 27 97 125

HSL 197.14, 0.64%, 0.3%

LAB 38.31, -11.13, -21.8

 

CMYK 91 / 25 / 0 / 58

HEX #0A4F6A

RGB 10 79 106

HSL 196.88, 0.83%, 0.23%

LAB 31.11, -9.39, -21.23

 

CMYK 100 / 30 / 0 / 66

HEX #003D57

RGB 0 61 87

HSL 197.93, 1%, 0.17%

LAB 23.76, -6.79, -20.52

 

CMYK 100 / 37 / 0 / 73

HEX #002B44

RGB 0 43 68

HSL 202.06, 1%, 0.13%

LAB 16.23, -3.06, -19.61

 

CMYK 69 / 20 / 0 / 44

HEX #2C7390

RGB 44 115 144

HSL 197.4, 0.53%, 0.37%

LAB 45.37, -12.3, -22.27

 

CMYK 69 / 39 / 0 / 44

HEX #2C5890

RGB 44 88 144

HSL 213.6, 0.53%, 0.37%

LAB 36.98, 4.18, -35.41

 

CMYK 69 / 58 / 0 / 44

HEX #2C3D90

RGB 44 61 144

HSL 229.8, 0.53%, 0.37%

LAB 29.12, 22.23, -48.03

 

CMYK 63 / 69 / 0 / 44

HEX #362C90

RGB 54 44 144

HSL 246, 0.53%, 0.37%

LAB 25.56, 34.9, -53.81

 

CMYK 44 / 69 / 0 / 44

HEX #512C90

RGB 81 44 144

HSL 262.2, 0.53%, 0.37%

LAB 28.29, 39.75, -49.25

 

CMYK 69 / 20 / 0 / 44

HEX #2C7390

RGB 44 115 144

HSL 197.4, 0.53%, 0.37%

LAB 45.37, -12.3, -22.27

 

CMYK 69 / 39 / 0 / 44

HEX #2C5890

RGB 44 88 144

HSL 213.6, 0.53%, 0.37%

LAB 36.98, 4.18, -35.41

 

CMYK 69 / 58 / 0 / 44

HEX #2C3D90

RGB 44 61 144

HSL 229.8, 0.53%, 0.37%

LAB 29.12, 22.23, -48.03

 

CMYK 69 / 69 / 0 / 44

HEX #2C2C90

RGB 44 44 144

HSL 240, 0.53%, 0.37%

LAB 24.8, 33.47, -55.09

 

CMYK 69 / 20 / 0 / 44

HEX #2C7390

RGB 44 115 144

HSL 197.4, 0.53%, 0.37%

LAB 45.37, -12.3, -22.27

 

CMYK 82 / 24 / 0 / 38

HEX #1D799F

RGB 29 121 159

HSL 197.54, 0.69%, 0.37%

LAB 47.55, -12.37, -27.78

 

CMYK 93 / 26 / 0 / 32

HEX #0D80AE

RGB 13 128 174

HSL 197.14, 0.86%, 0.37%

LAB 50.19, -11.99, -32.4

 

CMYK 69 / 20 / 0 / 44

HEX #2C7390

RGB 44 115 144

HSL 197.4, 0.53%, 0.37%

LAB 45.37, -12.3, -22.27

 

CMYK 54 / 16 / 0 / 49

HEX #3B6C81

RGB 59 108 129

HSL 198, 0.37%, 0.37%

LAB 43.12, -10.23, -16.72

 

CMYK 35 / 10 / 0 / 56

HEX #4A6671

RGB 74 102 113

HSL 196.92, 0.21%, 0.37%

LAB 41.45, -7.31, -9.5

 

CMYK 8 / 2 / 0 / 62

HEX #5A6062

RGB 90 96 98

HSL 195, 0.04%, 0.37%

LAB 40.28, -1.89, -1.95

 

CMYK 0 / 15 / 21 / 59

HEX #695953

RGB 105 89 83

HSL 16.36, 0.12%, 0.37%

LAB 39.19, 5.45, 5.88

 

CMYK 69 / 0 / 17 / 44

HEX #2C9077

RGB 44 144 119

HSL 165, 0.53%, 0.37%

LAB 53.83, -34.8, 5.01

 

CMYK 69 / 1 / 0 / 44

HEX #2C8E90

RGB 44 142 144

HSL 181.2, 0.53%, 0.37%

LAB 53.92, -26.75, -9.28

 

CMYK 69 / 19 / 0 / 44

HEX #2C7490

RGB 44 116 144

HSL 196.8, 0.53%, 0.37%

LAB 45.69, -12.87, -21.78

 

CMYK 69 / 38 / 0 / 44

HEX #2C5990

RGB 44 89 144

HSL 213, 0.53%, 0.37%

LAB 37.29, 3.53, -34.93

 

CMYK 69 / 57 / 0 / 44

HEX #2C3E90

RGB 44 62 144

HSL 229.2, 0.53%, 0.37%

LAB 29.4, 21.56, -47.58

 

CMYK 70 / 21 / 0 / 68

HEX #184051

RGB 24 64 81

HSL 197.89, 0.54%, 0.21%

LAB 25.12, -7.87, -14.41

 

CMYK 70 / 20 / 0 / 56

HEX #225A70

RGB 34 90 112

HSL 196.92, 0.53%, 0.29%

LAB 35.64, -10.63, -17.92

 

CMYK 69 / 20 / 0 / 44

HEX #2C7390

RGB 44 115 144

HSL 197.4, 0.53%, 0.37%

LAB 45.37, -12.3, -22.27

 

CMYK 69 / 20 / 0 / 31

HEX #368CAF

RGB 54 140 175

HSL 197.36, 0.53%, 0.45%

LAB 54.69, -14.24, -25.91

 

CMYK 64 / 18 / 0 / 22

HEX #48A2C6

RGB 72 162 198

HSL 197.14, 0.53%, 0.53%

LAB 62.76, -15.79, -26.44

 

CMYK 69 / 20 / 0 / 44

HEX #2C7390

RGB 44 115 144

HSL 197.4, 0.53%, 0.37%

LAB 45.37, -12.3, -22.27

 

CMYK 36 / 69 / 0 / 44

HEX #5C2C90

RGB 92 44 144

HSL 268.8, 0.53%, 0.37%

LAB 29.64, 42.03, -46.99

 

CMYK 0 / 8 / 69 / 44

HEX #90842C

RGB 144 132 44

HSL 52.8, 0.53%, 0.37%

LAB 54.67, -6.2, 47.11

 

CMYK 69 / 20 / 0 / 44

HEX #2C7390

RGB 44 115 144

HSL 197.4, 0.53%, 0.37%

LAB 45.37, -12.3, -22.27

 

CMYK 0 / 69 / 19 / 44

HEX #902C74

RGB 144 44 116

HSL 316.8, 0.53%, 0.37%

LAB 35.97, 49.49, -19.01

 

CMYK 19 / 0 / 69 / 44

HEX #74902C

RGB 116 144 44

HSL 76.8, 0.53%, 0.37%

LAB 55.93, -24.88, 47.67

 

CMYK 69 / 20 / 0 / 44

HEX #2C7390

RGB 44 115 144

HSL 197.4, 0.53%, 0.37%

LAB 45.37, -12.3, -22.27

 

CMYK 36 / 69 / 0 / 44

HEX #5C2C90

RGB 92 44 144

HSL 268.8, 0.53%, 0.37%

LAB 29.64, 42.03, -46.99

 

CMYK 0 / 50 / 69 / 44

HEX #90482C

RGB 144 72 44

HSL 16.8, 0.53%, 0.37%

LAB 39.15, 28.06, 30.28

 

CMYK 33 / 0 / 69 / 44

HEX #60902C

RGB 96 144 44

HSL 88.8, 0.53%, 0.37%

LAB 54.67, -32.92, 45.98

 

CMYK 69 / 20 / 0 / 44

HEX #2C7390

RGB 44 115 144

HSL 197.4, 0.53%, 0.37%

LAB 45.37, -12.3, -22.27

 

CMYK 15 / 69 / 0 / 44

HEX #7A2C90

RGB 122 44 144

HSL 286.8, 0.53%, 0.37%

LAB 33.88, 48.79, -39.93

 

CMYK 0 / 50 / 69 / 44

HEX #90482C

RGB 144 72 44

HSL 16.8, 0.53%, 0.37%

LAB 39.15, 28.06, 30.28

 

CMYK 54 / 0 / 69 / 44

HEX #42902C

RGB 66 144 44

HSL 106.8, 0.53%, 0.37%

LAB 53.26, -43.09, 44.06

 

Description

Color code: HEX #2C7390 | qconv.com Color code: HEX #2C7390 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 115 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 115 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 20 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 20% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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