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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C8C9A it is the complementary color #D37365. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C8C9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C8C9A shade: #318C95, #429EA8, #53B0BB, #64C2CE and #75D4E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C8C9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C8C9A shade: #2C8C9A, #1B7A87, #0A6874, #005661 and #00444E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C8C9A shade: #2B8C9B, #2B6E9B, #2B509B, #2B329B and #422B9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C8C9A shade: #2B8C9B, #2B6E9B, #2B509B, #2B329B and #2B2B9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C8C9A shade matches the following richer shades: #2B8C9B, #1B98AB and #0BA4BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C8C9A shade: #2B8C9B, #3B808B, #4B747A, #5C686A and #6C5C5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C8C9A shade: #2B9B6C, #2B9B8A, #2B8E9B, #2B709B and #2B529B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C8C9A shade: #19525A, #226F7A, #2B8C9B, #34AABB and #4CBCCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C8C9A shade: #2C8C9A, #4F2B9B and #9B7B2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C8C9A shade: #2C8C9A, #9B2B8E and #8E9B2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C8C9A shade: #2C8C9A, #4F2B9B, #9B382B and #779B2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C8C9A shade: #2C8C9A, #702B9B, #9B382B and #569B2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 9 / 0 / 40

HEX #2C8C9A

RGB 44 140 154

HSL 187.64, 0.56%, 0.39%

LAB 53.63, -22.61, -15.49

 

Complementary color

CMYK 0 / 45 / 52 / 17

HEX #D37365

RGB 211 115 101

HSL 7.64, 0.56%, 0.61%

LAB 59.02, 36.19, 24.54

 

CMYK 67 / 6 / 0 / 42

HEX #318C95

RGB 49 140 149

HSL 185.4, 0.51%, 0.39%

LAB 53.58, -23.43, -12.67

 

CMYK 61 / 6 / 0 / 34

HEX #429EA8

RGB 66 158 168

HSL 185.88, 0.44%, 0.46%

LAB 60.28, -23.96, -13.37

 

CMYK 56 / 6 / 0 / 27

HEX #53B0BB

RGB 83 176 187

HSL 186.35, 0.43%, 0.53%

LAB 66.88, -24.32, -14

 

CMYK 51 / 6 / 0 / 19

HEX #64C2CE

RGB 100 194 206

HSL 186.79, 0.52%, 0.6%

LAB 73.38, -24.55, -14.59

 

CMYK 48 / 6 / 0 / 12

HEX #75D4E1

RGB 117 212 225

HSL 187.22, 0.64%, 0.67%

LAB 79.79, -24.71, -15.14

 

CMYK 71 / 9 / 0 / 40

HEX #2C8C9A

RGB 44 140 154

HSL 187.64, 0.56%, 0.39%

LAB 53.63, -22.61, -15.49

 

CMYK 80 / 10 / 0 / 47

HEX #1B7A87

RGB 27 122 135

HSL 187.22, 0.67%, 0.32%

LAB 46.84, -21.56, -14.72

 

CMYK 91 / 10 / 0 / 55

HEX #0A6874

RGB 10 104 116

HSL 186.79, 0.84%, 0.25%

LAB 39.96, -20.02, -13.8

 

CMYK 100 / 11 / 0 / 62

HEX #005661

RGB 0 86 97

HSL 186.8, 1%, 0.19%

LAB 32.96, -17.81, -12.72

 

CMYK 100 / 13 / 0 / 69

HEX #00444E

RGB 0 68 78

HSL 187.69, 1%, 0.15%

LAB 25.82, -14.81, -11.43

 

CMYK 72 / 10 / 0 / 39

HEX #2B8C9B

RGB 43 140 155

HSL 188.04, 0.57%, 0.39%

LAB 53.64, -22.43, -16.05

 

CMYK 72 / 29 / 0 / 39

HEX #2B6E9B

RGB 43 110 155

HSL 204.11, 0.57%, 0.39%

LAB 44.28, -5.63, -30.5

 

CMYK 72 / 48 / 0 / 39

HEX #2B509B

RGB 43 80 155

HSL 220.18, 0.57%, 0.39%

LAB 35.24, 13.46, -44.85

 

CMYK 72 / 68 / 0 / 39

HEX #2B329B

RGB 43 50 155

HSL 236.25, 0.57%, 0.39%

LAB 27.19, 33.45, -57.93

 

CMYK 57 / 72 / 0 / 39

HEX #422B9B

RGB 66 43 155

HSL 252.32, 0.57%, 0.39%

LAB 27.44, 40.87, -57.44

 

CMYK 72 / 10 / 0 / 39

HEX #2B8C9B

RGB 43 140 155

HSL 188.04, 0.57%, 0.39%

LAB 53.64, -22.43, -16.05

 

CMYK 72 / 29 / 0 / 39

HEX #2B6E9B

RGB 43 110 155

HSL 204.11, 0.57%, 0.39%

LAB 44.28, -5.63, -30.5

 

CMYK 72 / 48 / 0 / 39

HEX #2B509B

RGB 43 80 155

HSL 220.18, 0.57%, 0.39%

LAB 35.24, 13.46, -44.85

 

CMYK 72 / 68 / 0 / 39

HEX #2B329B

RGB 43 50 155

HSL 236.25, 0.57%, 0.39%

LAB 27.19, 33.45, -57.93

 

CMYK 72 / 72 / 0 / 39

HEX #2B2B9B

RGB 43 43 155

HSL 240, 0.57%, 0.39%

LAB 25.59, 37.81, -60.56

 

CMYK 72 / 10 / 0 / 39

HEX #2B8C9B

RGB 43 140 155

HSL 188.04, 0.57%, 0.39%

LAB 53.64, -22.43, -16.05

 

CMYK 84 / 11 / 0 / 33

HEX #1B98AB

RGB 27 152 171

HSL 187.92, 0.73%, 0.39%

LAB 57.68, -25.09, -19.09

 

CMYK 94 / 12 / 0 / 27

HEX #0BA4BB

RGB 11 164 187

HSL 187.84, 0.89%, 0.39%

LAB 61.83, -26.73, -21.8

 

CMYK 72 / 10 / 0 / 39

HEX #2B8C9B

RGB 43 140 155

HSL 188.04, 0.57%, 0.39%

LAB 53.64, -22.43, -16.05

 

CMYK 58 / 8 / 0 / 45

HEX #3B808B

RGB 59 128 139

HSL 188.25, 0.4%, 0.39%

LAB 49.78, -18.32, -12.55

 

CMYK 39 / 5 / 0 / 52

HEX #4B747A

RGB 75 116 122

HSL 187.66, 0.24%, 0.39%

LAB 46.17, -12.61, -7.85

 

CMYK 13 / 2 / 0 / 58

HEX #5C686A

RGB 92 104 106

HSL 188.57, 0.07%, 0.39%

LAB 43.09, -4.1, -2.68

 

CMYK 0 / 15 / 17 / 58

HEX #6C5C5A

RGB 108 92 90

HSL 6.67, 0.09%, 0.39%

LAB 40.54, 6.12, 3.54

 

CMYK 72 / 0 / 30 / 39

HEX #2B9B6C

RGB 43 155 108

HSL 154.82, 0.57%, 0.39%

LAB 57.11, -42.42, 15.87

 

CMYK 72 / 0 / 11 / 39

HEX #2B9B8A

RGB 43 155 138

HSL 170.89, 0.57%, 0.39%

LAB 57.84, -34.88, -0.04

 

CMYK 72 / 8 / 0 / 39

HEX #2B8E9B

RGB 43 142 155

HSL 186.96, 0.57%, 0.39%

LAB 54.27, -23.47, -15.1

 

CMYK 72 / 28 / 0 / 39

HEX #2B709B

RGB 43 112 155

HSL 203.04, 0.57%, 0.39%

LAB 44.9, -6.82, -29.53

 

CMYK 72 / 47 / 0 / 39

HEX #2B529B

RGB 43 82 155

HSL 219.11, 0.57%, 0.39%

LAB 35.82, 12.13, -43.91

 

CMYK 72 / 9 / 0 / 65

HEX #19525A

RGB 25 82 90

HSL 187.38, 0.57%, 0.23%

LAB 31.76, -15.28, -10.07

 

CMYK 72 / 9 / 0 / 52

HEX #226F7A

RGB 34 111 122

HSL 187.5, 0.56%, 0.31%

LAB 42.93, -19.12, -12.88

 

CMYK 72 / 10 / 0 / 39

HEX #2B8C9B

RGB 43 140 155

HSL 188.04, 0.57%, 0.39%

LAB 53.64, -22.43, -16.05

 

CMYK 72 / 9 / 0 / 27

HEX #34AABB

RGB 52 170 187

HSL 187.56, 0.56%, 0.47%

LAB 64.22, -26.42, -18.12

 

CMYK 63 / 8 / 0 / 20

HEX #4CBCCC

RGB 76 188 204

HSL 187.5, 0.56%, 0.55%

LAB 70.78, -26.7, -17.51

 

CMYK 71 / 9 / 0 / 40

HEX #2C8C9A

RGB 44 140 154

HSL 187.64, 0.56%, 0.39%

LAB 53.63, -22.61, -15.49

 

CMYK 49 / 72 / 0 / 39

HEX #4F2B9B

RGB 79 43 155

HSL 259.29, 0.57%, 0.39%

LAB 28.79, 43.02, -55.18

 

CMYK 0 / 21 / 72 / 39

HEX #9B7B2B

RGB 155 123 43

HSL 42.86, 0.57%, 0.39%

LAB 53.29, 3.8, 46.48

 

CMYK 71 / 9 / 0 / 40

HEX #2C8C9A

RGB 44 140 154

HSL 187.64, 0.56%, 0.39%

LAB 53.63, -22.61, -15.49

 

CMYK 0 / 72 / 8 / 39

HEX #9B2B8E

RGB 155 43 142

HSL 306.96, 0.57%, 0.39%

LAB 38.98, 56.7, -30.28

 

CMYK 8 / 0 / 72 / 39

HEX #8E9B2B

RGB 142 155 43

HSL 66.96, 0.57%, 0.39%

LAB 61.1, -19.37, 53.88

 

CMYK 71 / 9 / 0 / 40

HEX #2C8C9A

RGB 44 140 154

HSL 187.64, 0.56%, 0.39%

LAB 53.63, -22.61, -15.49

 

CMYK 49 / 72 / 0 / 39

HEX #4F2B9B

RGB 79 43 155

HSL 259.29, 0.57%, 0.39%

LAB 28.79, 43.02, -55.18

 

CMYK 0 / 64 / 72 / 39

HEX #9B382B

RGB 155 56 43

HSL 6.96, 0.57%, 0.39%

LAB 37.79, 40.53, 29.76

 

CMYK 23 / 0 / 72 / 39

HEX #779B2B

RGB 119 155 43

HSL 79.29, 0.57%, 0.39%

LAB 59.47, -29.08, 51.72

 

CMYK 71 / 9 / 0 / 40

HEX #2C8C9A

RGB 44 140 154

HSL 187.64, 0.56%, 0.39%

LAB 53.63, -22.61, -15.49

 

CMYK 28 / 72 / 0 / 39

HEX #702B9B

RGB 112 43 155

HSL 276.96, 0.57%, 0.39%

LAB 33, 49.41, -48.14

 

CMYK 0 / 64 / 72 / 39

HEX #9B382B

RGB 155 56 43

HSL 6.96, 0.57%, 0.39%

LAB 37.79, 40.53, 29.76

 

CMYK 45 / 0 / 72 / 39

HEX #569B2B

RGB 86 155 43

HSL 96.96, 0.57%, 0.39%

LAB 57.65, -41.41, 49.29

 

Description

Color code: HEX #2C8C9A | qconv.com Color code: HEX #2C8C9A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 140 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 140 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 9 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 9% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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