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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C8EB9 it is the complementary color #D37146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C8EB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C8EB9 shade: #318EB4, #42A0C7, #53B2DA, #64C4ED and #75D6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C8EB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C8EB9 shade: #2C8EB9, #1B7CA6, #0A6A93, #005880 and #00466D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C8EB9 shade: #2B8EB9, #2B68B9, #2B41B9, #3B2BB9 and #622BB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C8EB9 shade: #2B8EB9, #2B68B9, #2B41B9 and #2B2BB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C8EB9 shade matches the following richer shades: #2B8EB9, #1995CC and #069CDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C8EB9 shade: #2B8EB9, #3E87A7, #508094, #637882 and #75716F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C8EB9 shade: #2BB998, #2BB5B9, #2B8FB9, #2B69B9 and #2B43B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C8EB9 shade: #1B5B77, #237498, #2B8EB9, #3DA4D1 and #5EB3D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C8EB9 shade: #2C8EB9, #722BB9 and #B9AB2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C8EB9 shade: #2C8EB9, #B92B8F and #8FB92B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C8EB9 shade: #2C8EB9, #722BB9, #B9562B and #72B92B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C8EB9 shade: #2C8EB9, #9D2BB9, #B9562B and #48B92B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 23 / 0 / 27

HEX #2C8EB9

RGB 44 142 185

HSL 198.3, 0.62%, 0.45%

LAB 55.47, -13.31, -30.45

 

Complementary color

CMYK 0 / 46 / 67 / 17

HEX #D37146

RGB 211 113 70

HSL 18.3, 0.62%, 0.55%

LAB 58.13, 34.96, 40.54

 

CMYK 73 / 21 / 0 / 29

HEX #318EB4

RGB 49 142 180

HSL 197.4, 0.57%, 0.45%

LAB 55.37, -14.38, -27.73

 

CMYK 67 / 20 / 0 / 22

HEX #42A0C7

RGB 66 160 199

HSL 197.59, 0.54%, 0.52%

LAB 62.02, -15.39, -28.15

 

CMYK 62 / 18 / 0 / 15

HEX #53B2DA

RGB 83 178 218

HSL 197.78, 0.65%, 0.59%

LAB 68.56, -16.15, -28.53

 

CMYK 58 / 17 / 0 / 7

HEX #64C4ED

RGB 100 196 237

HSL 197.96, 0.79%, 0.66%

LAB 75.02, -16.74, -28.89

 

CMYK 54 / 16 / 0 / 0

HEX #75D6FF

RGB 117 214 255

HSL 197.83, 1%, 0.73%

LAB 81.34, -17.49, -28.76

 

CMYK 76 / 23 / 0 / 27

HEX #2C8EB9

RGB 44 142 185

HSL 198.3, 0.62%, 0.45%

LAB 55.47, -13.31, -30.45

 

CMYK 84 / 25 / 0 / 35

HEX #1B7CA6

RGB 27 124 166

HSL 198.13, 0.72%, 0.38%

LAB 48.76, -11.72, -29.97

 

CMYK 93 / 28 / 0 / 42

HEX #0A6A93

RGB 10 106 147

HSL 197.96, 0.87%, 0.31%

LAB 41.97, -9.6, -29.41

 

CMYK 100 / 31 / 0 / 50

HEX #005880

RGB 0 88 128

HSL 198.75, 1%, 0.25%

LAB 35.08, -6.8, -28.72

 

CMYK 100 / 36 / 0 / 57

HEX #00466D

RGB 0 70 109

HSL 201.47, 1%, 0.21%

LAB 28.07, -3.24, -27.91

 

CMYK 77 / 23 / 0 / 27

HEX #2B8EB9

RGB 43 142 185

HSL 198.17, 0.62%, 0.45%

LAB 55.44, -13.42, -30.49

 

CMYK 77 / 44 / 0 / 27

HEX #2B68B9

RGB 43 104 185

HSL 214.23, 0.62%, 0.45%

LAB 44.11, 9.3, -48.37

 

CMYK 77 / 65 / 0 / 27

HEX #2B41B9

RGB 43 65 185

HSL 230.7, 0.62%, 0.45%

LAB 33.56, 34.72, -65.48

 

CMYK 68 / 77 / 0 / 27

HEX #3B2BB9

RGB 59 43 185

HSL 246.76, 0.62%, 0.45%

LAB 29.81, 49.29, -71.61

 

CMYK 47 / 77 / 0 / 27

HEX #622BB9

RGB 98 43 185

HSL 263.24, 0.62%, 0.45%

LAB 33.62, 54.25, -65.21

 

CMYK 77 / 23 / 0 / 27

HEX #2B8EB9

RGB 43 142 185

HSL 198.17, 0.62%, 0.45%

LAB 55.44, -13.42, -30.49

 

CMYK 77 / 44 / 0 / 27

HEX #2B68B9

RGB 43 104 185

HSL 214.23, 0.62%, 0.45%

LAB 44.11, 9.3, -48.37

 

CMYK 77 / 65 / 0 / 27

HEX #2B41B9

RGB 43 65 185

HSL 230.7, 0.62%, 0.45%

LAB 33.56, 34.72, -65.48

 

CMYK 77 / 77 / 0 / 27

HEX #2B2BB9

RGB 43 43 185

HSL 240, 0.62%, 0.45%

LAB 28.76, 47.88, -73.39

 

CMYK 77 / 23 / 0 / 27

HEX #2B8EB9

RGB 43 142 185

HSL 198.17, 0.62%, 0.45%

LAB 55.44, -13.42, -30.49

 

CMYK 88 / 27 / 0 / 20

HEX #1995CC

RGB 25 149 204

HSL 198.44, 0.78%, 0.45%

LAB 58.1, -12.16, -37.12

 

CMYK 97 / 30 / 0 / 13

HEX #069CDF

RGB 6 156 223

HSL 198.53, 0.95%, 0.45%

LAB 60.91, -9.94, -43.32

 

CMYK 77 / 23 / 0 / 27

HEX #2B8EB9

RGB 43 142 185

HSL 198.17, 0.62%, 0.45%

LAB 55.44, -13.42, -30.49

 

CMYK 63 / 19 / 0 / 35

HEX #3E87A7

RGB 62 135 167

HSL 198.29, 0.46%, 0.45%

LAB 53.1, -12.74, -23.75

 

CMYK 46 / 14 / 0 / 42

HEX #508094

RGB 80 128 148

HSL 197.65, 0.3%, 0.45%

LAB 51.02, -10.66, -15.85

 

CMYK 24 / 8 / 0 / 49

HEX #637882

RGB 99 120 130

HSL 199.35, 0.14%, 0.45%

LAB 49.13, -5.27, -8.02

 

CMYK 0 / 3 / 5 / 54

HEX #75716F

RGB 117 113 111

HSL 20, 0.03%, 0.45%

LAB 47.93, 1.15, 1.65

 

CMYK 77 / 0 / 18 / 27

HEX #2BB998

RGB 43 185 152

HSL 166.06, 0.62%, 0.45%

LAB 67.63, -44.41, 6.32

 

CMYK 77 / 2 / 0 / 27

HEX #2BB5B9

RGB 43 181 185

HSL 181.69, 0.62%, 0.45%

LAB 67.33, -33.44, -12.33

 

CMYK 77 / 23 / 0 / 27

HEX #2B8FB9

RGB 43 143 185

HSL 197.75, 0.62%, 0.45%

LAB 55.75, -13.98, -30.01

 

CMYK 77 / 43 / 0 / 27

HEX #2B69B9

RGB 43 105 185

HSL 213.8, 0.62%, 0.45%

LAB 44.4, 8.66, -47.91

 

CMYK 77 / 64 / 0 / 27

HEX #2B43B9

RGB 43 67 185

HSL 229.86, 0.62%, 0.45%

LAB 34.05, 33.43, -64.68

 

CMYK 77 / 24 / 0 / 53

HEX #1B5B77

RGB 27 91 119

HSL 198.26, 0.63%, 0.29%

LAB 36.07, -9.78, -21.59

 

CMYK 77 / 24 / 0 / 40

HEX #237498

RGB 35 116 152

HSL 198.46, 0.63%, 0.37%

LAB 45.79, -11.36, -26.38

 

CMYK 77 / 23 / 0 / 27

HEX #2B8EB9

RGB 43 142 185

HSL 198.17, 0.62%, 0.45%

LAB 55.44, -13.42, -30.49

 

CMYK 71 / 22 / 0 / 18

HEX #3DA4D1

RGB 61 164 209

HSL 198.24, 0.62%, 0.53%

LAB 63.46, -15.02, -31.5

 

CMYK 57 / 18 / 0 / 15

HEX #5EB3D9

RGB 94 179 217

HSL 198.54, 0.62%, 0.61%

LAB 69.2, -14.92, -26.97

 

CMYK 76 / 23 / 0 / 27

HEX #2C8EB9

RGB 44 142 185

HSL 198.3, 0.62%, 0.45%

LAB 55.47, -13.31, -30.45

 

CMYK 38 / 77 / 0 / 27

HEX #722BB9

RGB 114 43 185

HSL 270, 0.62%, 0.45%

LAB 35.61, 56.8, -61.87

 

CMYK 0 / 8 / 77 / 27

HEX #B9AB2B

RGB 185 171 43

HSL 54.08, 0.62%, 0.45%

LAB 69.19, -8.81, 62.82

 

CMYK 76 / 23 / 0 / 27

HEX #2C8EB9

RGB 44 142 185

HSL 198.3, 0.62%, 0.45%

LAB 55.47, -13.31, -30.45

 

CMYK 0 / 77 / 23 / 27

HEX #B92B8F

RGB 185 43 143

HSL 317.75, 0.62%, 0.45%

LAB 44.27, 64.08, -22.25

 

CMYK 23 / 0 / 77 / 27

HEX #8FB92B

RGB 143 185 43

HSL 77.75, 0.62%, 0.45%

LAB 69.97, -33.53, 62.39

 

CMYK 76 / 23 / 0 / 27

HEX #2C8EB9

RGB 44 142 185

HSL 198.3, 0.62%, 0.45%

LAB 55.47, -13.31, -30.45

 

CMYK 38 / 77 / 0 / 27

HEX #722BB9

RGB 114 43 185

HSL 270, 0.62%, 0.45%

LAB 35.61, 56.8, -61.87

 

CMYK 0 / 54 / 77 / 27

HEX #B9562B

RGB 185 86 43

HSL 18.17, 0.62%, 0.45%

LAB 48.44, 37.26, 42.78

 

CMYK 38 / 0 / 77 / 27

HEX #72B92B

RGB 114 185 43

HSL 90, 0.62%, 0.45%

LAB 68.35, -44.4, 60.28

 

CMYK 76 / 23 / 0 / 27

HEX #2C8EB9

RGB 44 142 185

HSL 198.3, 0.62%, 0.45%

LAB 55.47, -13.31, -30.45

 

CMYK 15 / 77 / 0 / 27

HEX #9D2BB9

RGB 157 43 185

HSL 288.17, 0.62%, 0.45%

LAB 41.84, 64.61, -51.48

 

CMYK 0 / 54 / 77 / 27

HEX #B9562B

RGB 185 86 43

HSL 18.17, 0.62%, 0.45%

LAB 48.44, 37.26, 42.78

 

CMYK 61 / 0 / 77 / 27

HEX #48B92B

RGB 72 185 43

HSL 107.75, 0.62%, 0.45%

LAB 66.71, -56.87, 58.13

 

Description

Color code: HEX #2C8EB9 | qconv.com Color code: HEX #2C8EB9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 142 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 142 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 23 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 23% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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