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Color name
HEX #2C9250

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C9250 it is the complementary color #D36DAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C9250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C9250 shade: #31924B, #42A45E, #53B671, #64C884 and #75DA97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C9250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C9250 shade: #2C9250, #1B803D, #0A6E2A, #005C17 and #004A04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C9250 shade: #2B914F, #2B9133, #3E912B, #59912B and #75912B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C9250 shade: #2B914F, #2B916A, #2B9186, #2B8091 and #2B6591

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C9250 shade matches the following richer shades: #2B914F, #1CA04A and #0CAF46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C9250 shade: #2B914F, #3A8253, #497258, #59635C and #685461

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C9250 shade: #3E912B, #2B9133, #2B914F, #2B916A and #2B9185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C9250 shade: #18512C, #21713E, #2B914F, #34B160 and #47C874

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C9250 shade: #2C9250, #2B5991 and #912B30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C9250 shade: #2C9250, #4F2B91 and #914F2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C9250 shade: #2C9250, #2B5991, #912B6D and #91632B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C9250 shade: #2C9250, #2B3A91, #912B6D and #91822B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 45 / 43

HEX #2C9250

RGB 44 146 80

HSL 141.18, 0.54%, 0.37%

LAB 53.68, -44.28, 26.7

 

Complementary color

CMYK 0 / 48 / 17 / 17

HEX #D36DAF

RGB 211 109 175

HSL 321.18, 0.54%, 0.63%

LAB 59.78, 48.27, -17.01

 

CMYK 66 / 0 / 49 / 43

HEX #31924B

RGB 49 146 75

HSL 136.08, 0.5%, 0.38%

LAB 53.73, -44.16, 29.47

 

CMYK 60 / 0 / 43 / 36

HEX #42A45E

RGB 66 164 94

HSL 137.14, 0.43%, 0.45%

LAB 60.35, -44.43, 27.96

 

CMYK 54 / 0 / 38 / 29

HEX #53B671

RGB 83 182 113

HSL 138.18, 0.4%, 0.52%

LAB 66.89, -44.47, 26.56

 

CMYK 50 / 0 / 34 / 22

HEX #64C884

RGB 100 200 132

HSL 139.2, 0.48%, 0.59%

LAB 73.34, -44.37, 25.26

 

CMYK 46 / 0 / 31 / 15

HEX #75DA97

RGB 117 218 151

HSL 140.2, 0.58%, 0.66%

LAB 79.7, -44.2, 24.05

 

CMYK 70 / 0 / 45 / 43

HEX #2C9250

RGB 44 146 80

HSL 141.18, 0.54%, 0.37%

LAB 53.68, -44.28, 26.7

 

CMYK 79 / 0 / 52 / 50

HEX #1B803D

RGB 27 128 61

HSL 140.2, 0.65%, 0.3%

LAB 46.99, -43.48, 28.36

 

CMYK 91 / 0 / 62 / 57

HEX #0A6E2A

RGB 10 110 42

HSL 139.2, 0.83%, 0.24%

LAB 40.22, -41.93, 30.08

 

CMYK 100 / 0 / 75 / 64

HEX #005C17

RGB 0 92 23

HSL 135, 1%, 0.18%

LAB 33.38, -39.21, 31.59

 

CMYK 100 / 0 / 95 / 71

HEX #004A04

RGB 0 74 4

HSL 123.24, 1%, 0.15%

LAB 26.47, -34.93, 32.31

 

CMYK 70 / 0 / 46 / 43

HEX #2B914F

RGB 43 145 79

HSL 141.18, 0.54%, 0.37%

LAB 53.31, -44.25, 26.76

 

CMYK 70 / 0 / 65 / 43

HEX #2B9133

RGB 43 145 51

HSL 124.71, 0.54%, 0.37%

LAB 52.95, -48.35, 40.45

 

CMYK 57 / 0 / 70 / 43

HEX #3E912B

RGB 62 145 43

HSL 108.82, 0.54%, 0.37%

LAB 53.44, -44.71, 44.62

 

CMYK 39 / 0 / 70 / 43

HEX #59912B

RGB 89 145 43

HSL 92.94, 0.54%, 0.37%

LAB 54.6, -36.06, 46.2

 

CMYK 19 / 0 / 70 / 43

HEX #75912B

RGB 117 145 43

HSL 76.47, 0.54%, 0.37%

LAB 56.29, -25.03, 48.48

 

CMYK 70 / 0 / 46 / 43

HEX #2B914F

RGB 43 145 79

HSL 141.18, 0.54%, 0.37%

LAB 53.31, -44.25, 26.76

 

CMYK 70 / 0 / 27 / 43

HEX #2B916A

RGB 43 145 106

HSL 157.06, 0.54%, 0.37%

LAB 53.82, -38.64, 12.43

 

CMYK 70 / 0 / 8 / 43

HEX #2B9186

RGB 43 145 134

HSL 173.53, 0.54%, 0.37%

LAB 54.54, -31.32, -2.59

 

CMYK 70 / 12 / 0 / 43

HEX #2B8091

RGB 43 128 145

HSL 190, 0.54%, 0.37%

LAB 49.49, -19.33, -16.55

 

CMYK 70 / 30 / 0 / 43

HEX #2B6591

RGB 43 101 145

HSL 205.88, 0.54%, 0.37%

LAB 41, -3.81, -29.67

 

CMYK 70 / 0 / 46 / 43

HEX #2B914F

RGB 43 145 79

HSL 141.18, 0.54%, 0.37%

LAB 53.31, -44.25, 26.76

 

CMYK 83 / 0 / 54 / 37

HEX #1CA04A

RGB 28 160 74

HSL 140.91, 0.7%, 0.37%

LAB 57.93, -52.8, 35.1

 

CMYK 93 / 0 / 60 / 31

HEX #0CAF46

RGB 12 175 70

HSL 141.35, 0.87%, 0.37%

LAB 62.66, -59.64, 42.65

 

CMYK 70 / 0 / 46 / 43

HEX #2B914F

RGB 43 145 79

HSL 141.18, 0.54%, 0.37%

LAB 53.31, -44.25, 26.76

 

CMYK 55 / 0 / 36 / 49

HEX #3A8253

RGB 58 130 83

HSL 140.83, 0.38%, 0.37%

LAB 48.87, -33.84, 18.8

 

CMYK 36 / 0 / 23 / 55

HEX #497258

RGB 73 114 88

HSL 141.95, 0.22%, 0.37%

LAB 44.46, -20.47, 9.94

 

CMYK 10 / 0 / 7 / 61

HEX #59635C

RGB 89 99 92

HSL 138, 0.05%, 0.37%

LAB 40.93, -5.37, 2.66

 

CMYK 0 / 19 / 7 / 59

HEX #685461

RGB 104 84 97

HSL 321, 0.11%, 0.37%

LAB 38.1, 10.73, -4.4

 

CMYK 57 / 0 / 70 / 43

HEX #3E912B

RGB 62 145 43

HSL 108.82, 0.54%, 0.37%

LAB 53.44, -44.71, 44.62

 

CMYK 70 / 0 / 65 / 43

HEX #2B9133

RGB 43 145 51

HSL 124.71, 0.54%, 0.37%

LAB 52.95, -48.35, 40.45

 

CMYK 70 / 0 / 46 / 43

HEX #2B914F

RGB 43 145 79

HSL 141.18, 0.54%, 0.37%

LAB 53.31, -44.25, 26.76

 

CMYK 70 / 0 / 27 / 43

HEX #2B916A

RGB 43 145 106

HSL 157.06, 0.54%, 0.37%

LAB 53.82, -38.64, 12.43

 

CMYK 70 / 0 / 8 / 43

HEX #2B9185

RGB 43 145 133

HSL 172.94, 0.54%, 0.37%

LAB 54.51, -31.6, -2.06

 

CMYK 70 / 0 / 46 / 68

HEX #18512C

RGB 24 81 44

HSL 141.05, 0.54%, 0.21%

LAB 30.06, -27.97, 16.48

 

CMYK 71 / 0 / 45 / 56

HEX #21713E

RGB 33 113 62

HSL 141.75, 0.55%, 0.29%

LAB 41.97, -36.36, 21.48

 

CMYK 70 / 0 / 46 / 43

HEX #2B914F

RGB 43 145 79

HSL 141.18, 0.54%, 0.37%

LAB 53.31, -44.25, 26.76

 

CMYK 71 / 0 / 46 / 31

HEX #34B160

RGB 52 177 96

HSL 141.12, 0.55%, 0.45%

LAB 64.18, -51.96, 31.77

 

CMYK 65 / 0 / 42 / 22

HEX #47C874

RGB 71 200 116

HSL 140.93, 0.54%, 0.53%

LAB 72.17, -53.78, 31.86

 

CMYK 70 / 0 / 45 / 43

HEX #2C9250

RGB 44 146 80

HSL 141.18, 0.54%, 0.37%

LAB 53.68, -44.28, 26.7

 

CMYK 70 / 39 / 0 / 43

HEX #2B5991

RGB 43 89 145

HSL 212.94, 0.54%, 0.37%

LAB 37.3, 3.74, -35.51

 

CMYK 0 / 70 / 67 / 43

HEX #912B30

RGB 145 43 48

HSL 357.06, 0.54%, 0.37%

LAB 33.9, 43.01, 21.59

 

CMYK 70 / 0 / 45 / 43

HEX #2C9250

RGB 44 146 80

HSL 141.18, 0.54%, 0.37%

LAB 53.68, -44.28, 26.7

 

CMYK 46 / 70 / 0 / 43

HEX #4F2B91

RGB 79 43 145

HSL 261.18, 0.54%, 0.37%

LAB 27.94, 40.18, -50.44

 

CMYK 0 / 46 / 70 / 43

HEX #914F2B

RGB 145 79 43

HSL 21.18, 0.54%, 0.37%

LAB 40.87, 24.51, 32.85

 

CMYK 70 / 0 / 45 / 43

HEX #2C9250

RGB 44 146 80

HSL 141.18, 0.54%, 0.37%

LAB 53.68, -44.28, 26.7

 

CMYK 70 / 39 / 0 / 43

HEX #2B5991

RGB 43 89 145

HSL 212.94, 0.54%, 0.37%

LAB 37.3, 3.74, -35.51

 

CMYK 0 / 70 / 25 / 43

HEX #912B6D

RGB 145 43 109

HSL 321.18, 0.54%, 0.37%

LAB 35.7, 49.17, -15

 

CMYK 0 / 32 / 70 / 43

HEX #91632B

RGB 145 99 43

HSL 32.94, 0.54%, 0.37%

LAB 45.8, 12.99, 38.28

 

CMYK 70 / 0 / 45 / 43

HEX #2C9250

RGB 44 146 80

HSL 141.18, 0.54%, 0.37%

LAB 53.68, -44.28, 26.7

 

CMYK 70 / 60 / 0 / 43

HEX #2B3A91

RGB 43 58 145

HSL 231.18, 0.54%, 0.37%

LAB 28.34, 24.49, -49.92

 

CMYK 0 / 70 / 25 / 43

HEX #912B6D

RGB 145 43 109

HSL 321.18, 0.54%, 0.37%

LAB 35.7, 49.17, -15

 

CMYK 0 / 10 / 70 / 43

HEX #91822B

RGB 145 130 43

HSL 51.18, 0.54%, 0.37%

LAB 54.2, -4.7, 47.08

 

Description

Color code: HEX #2C9250 | qconv.com Color code: HEX #2C9250 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 146 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 146 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 45 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 45% 43% C M Y K

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Provide designers and agencies with accurate color values.

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