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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C9F65 it is the complementary color #D3609A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C9F65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C9F65 shade: #319F60, #42B173, #53C386, #64D599 and #75E7AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C9F65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C9F65 shade: #2C9F65, #1B8D52, #0A7B3F, #00692C and #005719

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C9F65 shade: #2BA065, #2BA046, #30A02B, #50A02B and #6FA02B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C9F65 shade: #2BA065, #2BA084, #2B9CA0, #2B7CA0 and #2B5DA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C9F65 shade matches the following richer shades: #2BA065, #1BB065 and #0AC165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C9F65 shade: #2BA065, #3C8F65, #4C7F65, #5D6E65 and #6D5E66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C9F65 shade: #31A02B, #2BA045, #2BA064, #2BA083 and #2B9EA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C9F65 shade: #1A5F3C, #227F50, #2BA065, #34C07A and #4FCE8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C9F65 shade: #2C9F65, #2B50A0 and #A0352B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C9F65 shade: #2C9F65, #642BA0 and #A0642B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C9F65 shade: #2C9F65, #2B50A0, #A02B67 and #A07B2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C9F65 shade: #2C9F65, #2B2DA0, #A02B67 and #A09E2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 36 / 38

HEX #2C9F65

RGB 44 159 101

HSL 149.74, 0.57%, 0.4%

LAB 58.29, -45.39, 21.36

 

Complementary color

CMYK 0 / 55 / 27 / 17

HEX #D3609A

RGB 211 96 154

HSL 329.74, 0.57%, 0.6%

LAB 56.63, 51.62, -9.61

 

CMYK 69 / 0 / 40 / 38

HEX #319F60

RGB 49 159 96

HSL 145.64, 0.53%, 0.41%

LAB 58.31, -45.54, 24.13

 

CMYK 63 / 0 / 35 / 31

HEX #42B173

RGB 66 177 115

HSL 146.49, 0.46%, 0.48%

LAB 64.84, -45.85, 22.65

 

CMYK 57 / 0 / 31 / 24

HEX #53C386

RGB 83 195 134

HSL 147.32, 0.48%, 0.55%

LAB 71.28, -45.95, 21.31

 

CMYK 53 / 0 / 28 / 16

HEX #64D599

RGB 100 213 153

HSL 148.14, 0.57%, 0.61%

LAB 77.64, -45.91, 20.07

 

CMYK 49 / 0 / 26 / 9

HEX #75E7AC

RGB 117 231 172

HSL 148.95, 0.7%, 0.68%

LAB 83.92, -45.79, 18.93

 

CMYK 72 / 0 / 36 / 38

HEX #2C9F65

RGB 44 159 101

HSL 149.74, 0.57%, 0.4%

LAB 58.29, -45.39, 21.36

 

CMYK 81 / 0 / 42 / 45

HEX #1B8D52

RGB 27 141 82

HSL 148.95, 0.68%, 0.33%

LAB 51.71, -44.58, 23

 

CMYK 92 / 0 / 49 / 52

HEX #0A7B3F

RGB 10 123 63

HSL 148.14, 0.85%, 0.26%

LAB 45.07, -43.14, 24.82

 

CMYK 100 / 0 / 58 / 59

HEX #00692C

RGB 0 105 44

HSL 145.14, 1%, 0.21%

LAB 38.35, -40.8, 26.79

 

CMYK 100 / 0 / 71 / 66

HEX #005719

RGB 0 87 25

HSL 137.24, 1%, 0.17%

LAB 31.55, -37.28, 28.69

 

CMYK 73 / 0 / 37 / 37

HEX #2BA065

RGB 43 160 101

HSL 149.74, 0.58%, 0.4%

LAB 58.6, -45.95, 21.76

 

CMYK 73 / 0 / 56 / 37

HEX #2BA046

RGB 43 160 70

HSL 133.85, 0.58%, 0.4%

LAB 58.13, -51.3, 37.4

 

CMYK 70 / 0 / 73 / 37

HEX #30A02B

RGB 48 160 43

HSL 117.44, 0.58%, 0.4%

LAB 57.98, -53.43, 49.22

 

CMYK 50 / 0 / 73 / 37

HEX #50A02B

RGB 80 160 43

HSL 101.03, 0.58%, 0.4%

LAB 58.99, -45.37, 50.57

 

CMYK 31 / 0 / 73 / 37

HEX #6FA02B

RGB 111 160 43

HSL 85.13, 0.58%, 0.4%

LAB 60.51, -34.58, 52.59

 

CMYK 73 / 0 / 37 / 37

HEX #2BA065

RGB 43 160 101

HSL 149.74, 0.58%, 0.4%

LAB 58.6, -45.95, 21.76

 

CMYK 73 / 0 / 18 / 37

HEX #2BA084

RGB 43 160 132

HSL 165.64, 0.58%, 0.4%

LAB 59.27, -38.74, 5.43

 

CMYK 73 / 2 / 0 / 37

HEX #2B9CA0

RGB 43 156 160

HSL 182.05, 0.58%, 0.4%

LAB 58.82, -28.95, -11.1

 

CMYK 73 / 23 / 0 / 37

HEX #2B7CA0

RGB 43 124 160

HSL 198.46, 0.58%, 0.4%

LAB 48.84, -12.03, -26.32

 

CMYK 73 / 42 / 0 / 37

HEX #2B5DA0

RGB 43 93 160

HSL 214.36, 0.58%, 0.4%

LAB 39.38, 6.84, -41.22

 

CMYK 73 / 0 / 37 / 37

HEX #2BA065

RGB 43 160 101

HSL 149.74, 0.58%, 0.4%

LAB 58.6, -45.95, 21.76

 

CMYK 85 / 0 / 43 / 31

HEX #1BB065

RGB 27 176 101

HSL 149.8, 0.73%, 0.4%

LAB 63.53, -53.93, 28.24

 

CMYK 95 / 0 / 48 / 24

HEX #0AC165

RGB 10 193 101

HSL 149.84, 0.9%, 0.4%

LAB 68.86, -60.9, 35.07

 

CMYK 73 / 0 / 37 / 37

HEX #2BA065

RGB 43 160 101

HSL 149.74, 0.58%, 0.4%

LAB 58.6, -45.95, 21.76

 

CMYK 58 / 0 / 29 / 44

HEX #3C8F65

RGB 60 143 101

HSL 149.64, 0.41%, 0.4%

LAB 53.54, -35.47, 14.95

 

CMYK 40 / 0 / 20 / 50

HEX #4C7F65

RGB 76 127 101

HSL 149.41, 0.25%, 0.4%

LAB 49.07, -23.42, 8.82

 

CMYK 15 / 0 / 8 / 57

HEX #5D6E65

RGB 93 110 101

HSL 148.24, 0.08%, 0.4%

LAB 44.83, -8.33, 2.88

 

CMYK 0 / 14 / 6 / 57

HEX #6D5E66

RGB 109 94 102

HSL 328, 0.07%, 0.4%

LAB 41.56, 7.58, -2.33

 

CMYK 69 / 0 / 73 / 37

HEX #31A02B

RGB 49 160 43

HSL 116.92, 0.58%, 0.4%

LAB 58.01, -53.23, 49.25

 

CMYK 73 / 0 / 57 / 37

HEX #2BA045

RGB 43 160 69

HSL 133.33, 0.58%, 0.4%

LAB 58.12, -51.44, 37.88

 

CMYK 73 / 0 / 38 / 37

HEX #2BA064

RGB 43 160 100

HSL 149.23, 0.58%, 0.4%

LAB 58.58, -46.15, 22.28

 

CMYK 73 / 0 / 18 / 37

HEX #2BA083

RGB 43 160 131

HSL 165.13, 0.58%, 0.4%

LAB 59.25, -39, 5.96

 

CMYK 73 / 1 / 0 / 37

HEX #2B9EA0

RGB 43 158 160

HSL 181.03, 0.58%, 0.4%

LAB 59.44, -29.93, -10.17

 

CMYK 73 / 0 / 37 / 63

HEX #1A5F3C

RGB 26 95 60

HSL 149.57, 0.57%, 0.24%

LAB 35.46, -30.38, 14

 

CMYK 73 / 0 / 37 / 50

HEX #227F50

RGB 34 127 80

HSL 149.68, 0.58%, 0.32%

LAB 47.1, -38.36, 18.01

 

CMYK 73 / 0 / 37 / 37

HEX #2BA065

RGB 43 160 101

HSL 149.74, 0.58%, 0.4%

LAB 58.6, -45.95, 21.76

 

CMYK 73 / 0 / 36 / 25

HEX #34C07A

RGB 52 192 122

HSL 150, 0.57%, 0.48%

LAB 69.35, -52.84, 24.94

 

CMYK 62 / 0 / 31 / 19

HEX #4FCE8E

RGB 79 206 142

HSL 149.76, 0.56%, 0.56%

LAB 74.67, -49.72, 21.69

 

CMYK 72 / 0 / 36 / 38

HEX #2C9F65

RGB 44 159 101

HSL 149.74, 0.57%, 0.4%

LAB 58.29, -45.39, 21.36

 

CMYK 73 / 50 / 0 / 37

HEX #2B50A0

RGB 43 80 160

HSL 221.03, 0.58%, 0.4%

LAB 35.57, 15.38, -47.32

 

CMYK 0 / 67 / 73 / 37

HEX #A0352B

RGB 160 53 43

HSL 5.13, 0.58%, 0.4%

LAB 38.19, 43.69, 30.45

 

CMYK 72 / 0 / 36 / 38

HEX #2C9F65

RGB 44 159 101

HSL 149.74, 0.57%, 0.4%

LAB 58.29, -45.39, 21.36

 

CMYK 38 / 73 / 0 / 37

HEX #642BA0

RGB 100 43 160

HSL 269.23, 0.58%, 0.4%

LAB 31.75, 48.21, -53.29

 

CMYK 0 / 38 / 73 / 37

HEX #A0642B

RGB 160 100 43

HSL 29.23, 0.58%, 0.4%

LAB 47.96, 19.16, 41.16

 

CMYK 72 / 0 / 36 / 38

HEX #2C9F65

RGB 44 159 101

HSL 149.74, 0.57%, 0.4%

LAB 58.29, -45.39, 21.36

 

CMYK 73 / 50 / 0 / 37

HEX #2B50A0

RGB 43 80 160

HSL 221.03, 0.58%, 0.4%

LAB 35.57, 15.38, -47.32

 

CMYK 0 / 73 / 36 / 37

HEX #A02B67

RGB 160 43 103

HSL 329.23, 0.58%, 0.4%

LAB 38.16, 52.65, -7.22

 

CMYK 0 / 23 / 73 / 37

HEX #A07B2B

RGB 160 123 43

HSL 41.03, 0.58%, 0.4%

LAB 53.83, 6.08, 47.21

 

CMYK 72 / 0 / 36 / 38

HEX #2C9F65

RGB 44 159 101

HSL 149.74, 0.57%, 0.4%

LAB 58.29, -45.39, 21.36

 

CMYK 73 / 72 / 0 / 37

HEX #2B2DA0

RGB 43 45 160

HSL 238.97, 0.58%, 0.4%

LAB 26.53, 38.33, -62.06

 

CMYK 0 / 73 / 36 / 37

HEX #A02B67

RGB 160 43 103

HSL 329.23, 0.58%, 0.4%

LAB 38.16, 52.65, -7.22

 

CMYK 0 / 1 / 73 / 37

HEX #A09E2B

RGB 160 158 43

HSL 58.97, 0.58%, 0.4%

LAB 63.43, -13.02, 56.63

 

Description

Color code: HEX #2C9F65 | qconv.com Color code: HEX #2C9F65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 159 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 159 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 36 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 36% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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