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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C9FA9 it is the complementary color #D36056. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C9FA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C9FA9 shade: #319FA4, #42B1B7, #53C3CA, #64D5DD and #75E7F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C9FA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C9FA9 shade: #2C9FA9, #1B8D96, #0A7B83, #006970 and #00575D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C9FA9 shade: #2BA0AA, #2B7EAA, #2B5CAA, #2B39AA and #3F2BAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C9FA9 shade: #2BA0AA, #2B7EAA, #2B5CAA, #2B39AA and #2B2BAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C9FA9 shade matches the following richer shades: #2BA0AA, #1AAEBB and #09BDCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C9FA9 shade: #2BA0AA, #3D9198, #4E8387, #5F7476 and #716564

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C9FA9 shade: #2BAA6F, #2BAA91, #2BA1AA, #2B80AA and #2B5EAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C9FA9 shade: #1A6268, #238189, #2BA0AA, #34BECA and #55C9D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C9FA9 shade: #2C9FA9, #4D2BAA and #AA802B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C9FA9 shade: #2C9FA9, #AA2BA1 and #A1AA2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C9FA9 shade: #2C9FA9, #4D2BAA, #AA342B and #88AA2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C9FA9 shade: #2C9FA9, #732BAA, #AA342B and #62AA2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 6 / 0 / 34

HEX #2C9FA9

RGB 44 159 169

HSL 184.8, 0.59%, 0.42%

LAB 60.07, -27.54, -14.32

 

Complementary color

CMYK 0 / 55 / 59 / 17

HEX #D36056

RGB 211 96 86

HSL 4.8, 0.59%, 0.58%

LAB 54.96, 44.61, 27.81

 

CMYK 70 / 3 / 0 / 36

HEX #319FA4

RGB 49 159 164

HSL 182.61, 0.54%, 0.42%

LAB 60.01, -28.41, -11.57

 

CMYK 64 / 3 / 0 / 28

HEX #42B1B7

RGB 66 177 183

HSL 183.08, 0.47%, 0.49%

LAB 66.54, -29.05, -12.36

 

CMYK 59 / 3 / 0 / 21

HEX #53C3CA

RGB 83 195 202

HSL 183.53, 0.53%, 0.56%

LAB 72.98, -29.49, -13.08

 

CMYK 55 / 4 / 0 / 13

HEX #64D5DD

RGB 100 213 221

HSL 183.97, 0.64%, 0.63%

LAB 79.34, -29.8, -13.73

 

CMYK 51 / 4 / 0 / 6

HEX #75E7F0

RGB 117 231 240

HSL 184.39, 0.8%, 0.7%

LAB 85.62, -30.01, -14.35

 

CMYK 74 / 6 / 0 / 34

HEX #2C9FA9

RGB 44 159 169

HSL 184.8, 0.59%, 0.42%

LAB 60.07, -27.54, -14.32

 

CMYK 82 / 6 / 0 / 41

HEX #1B8D96

RGB 27 141 150

HSL 184.39, 0.69%, 0.35%

LAB 53.48, -26.4, -13.44

 

CMYK 92 / 6 / 0 / 49

HEX #0A7B83

RGB 10 123 131

HSL 183.97, 0.86%, 0.28%

LAB 46.8, -24.81, -12.43

 

CMYK 100 / 6 / 0 / 56

HEX #006970

RGB 0 105 112

HSL 183.75, 1%, 0.22%

LAB 40.04, -22.63, -11.26

 

CMYK 100 / 6 / 0 / 64

HEX #00575D

RGB 0 87 93

HSL 183.87, 1%, 0.18%

LAB 33.15, -19.83, -9.91

 

CMYK 75 / 6 / 0 / 33

HEX #2BA0AA

RGB 43 160 170

HSL 184.72, 0.6%, 0.42%

LAB 60.39, -27.84, -14.4

 

CMYK 75 / 26 / 0 / 33

HEX #2B7EAA

RGB 43 126 170

HSL 200.79, 0.6%, 0.42%

LAB 49.9, -9.65, -30.49

 

CMYK 75 / 46 / 0 / 33

HEX #2B5CAA

RGB 43 92 170

HSL 216.85, 0.6%, 0.42%

LAB 39.7, 11.3, -46.65

 

CMYK 75 / 66 / 0 / 33

HEX #2B39AA

RGB 43 57 170

HSL 233.39, 0.6%, 0.42%

LAB 30.26, 34.38, -61.96

 

CMYK 63 / 75 / 0 / 33

HEX #3F2BAA

RGB 63 43 170

HSL 249.45, 0.6%, 0.42%

LAB 28.61, 45.09, -64.63

 

CMYK 75 / 6 / 0 / 33

HEX #2BA0AA

RGB 43 160 170

HSL 184.72, 0.6%, 0.42%

LAB 60.39, -27.84, -14.4

 

CMYK 75 / 26 / 0 / 33

HEX #2B7EAA

RGB 43 126 170

HSL 200.79, 0.6%, 0.42%

LAB 49.9, -9.65, -30.49

 

CMYK 75 / 46 / 0 / 33

HEX #2B5CAA

RGB 43 92 170

HSL 216.85, 0.6%, 0.42%

LAB 39.7, 11.3, -46.65

 

CMYK 75 / 66 / 0 / 33

HEX #2B39AA

RGB 43 57 170

HSL 233.39, 0.6%, 0.42%

LAB 30.26, 34.38, -61.96

 

CMYK 75 / 75 / 0 / 33

HEX #2B2BAA

RGB 43 43 170

HSL 240, 0.6%, 0.42%

LAB 27.14, 42.92, -67.1

 

CMYK 75 / 6 / 0 / 33

HEX #2BA0AA

RGB 43 160 170

HSL 184.72, 0.6%, 0.42%

LAB 60.39, -27.84, -14.4

 

CMYK 86 / 7 / 0 / 27

HEX #1AAEBB

RGB 26 174 187

HSL 184.84, 0.76%, 0.42%

LAB 65.03, -30.9, -16.93

 

CMYK 96 / 7 / 0 / 20

HEX #09BDCC

RGB 9 189 204

HSL 184.62, 0.92%, 0.42%

LAB 70.04, -33.47, -18.71

 

CMYK 75 / 6 / 0 / 33

HEX #2BA0AA

RGB 43 160 170

HSL 184.72, 0.6%, 0.42%

LAB 60.39, -27.84, -14.4

 

CMYK 60 / 5 / 0 / 40

HEX #3D9198

RGB 61 145 152

HSL 184.62, 0.43%, 0.42%

LAB 55.59, -22.97, -11.32

 

CMYK 42 / 3 / 0 / 47

HEX #4E8387

RGB 78 131 135

HSL 184.21, 0.27%, 0.42%

LAB 51.38, -16.51, -7.71

 

CMYK 19 / 2 / 0 / 54

HEX #5F7476

RGB 95 116 118

HSL 185.22, 0.11%, 0.42%

LAB 47.28, -7.22, -3.68

 

CMYK 0 / 11 / 12 / 56

HEX #716564

RGB 113 101 100

HSL 4.62, 0.06%, 0.42%

LAB 43.86, 4.57, 2.29

 

CMYK 75 / 0 / 35 / 33

HEX #2BAA6F

RGB 43 170 111

HSL 152.13, 0.6%, 0.42%

LAB 62.01, -47.83, 20.91

 

CMYK 75 / 0 / 15 / 33

HEX #2BAA91

RGB 43 170 145

HSL 168.19, 0.6%, 0.42%

LAB 62.77, -39.75, 3.18

 

CMYK 75 / 5 / 0 / 33

HEX #2BA1AA

RGB 43 161 170

HSL 184.25, 0.6%, 0.42%

LAB 60.7, -28.34, -13.93

 

CMYK 75 / 25 / 0 / 33

HEX #2B80AA

RGB 43 128 170

HSL 199.84, 0.6%, 0.42%

LAB 50.52, -10.8, -29.54

 

CMYK 75 / 45 / 0 / 33

HEX #2B5EAA

RGB 43 94 170

HSL 215.91, 0.6%, 0.42%

LAB 40.28, 10, -45.71

 

CMYK 75 / 6 / 0 / 59

HEX #1A6268

RGB 26 98 104

HSL 184.62, 0.6%, 0.25%

LAB 37.76, -19.27, -9.76

 

CMYK 74 / 6 / 0 / 46

HEX #238189

RGB 35 129 137

HSL 184.71, 0.59%, 0.34%

LAB 49.33, -23.6, -12.12

 

CMYK 75 / 6 / 0 / 33

HEX #2BA0AA

RGB 43 160 170

HSL 184.72, 0.6%, 0.42%

LAB 60.39, -27.84, -14.4

 

CMYK 74 / 6 / 0 / 21

HEX #34BECA

RGB 52 190 202

HSL 184.8, 0.59%, 0.5%

LAB 70.75, -31.63, -16.51

 

CMYK 60 / 5 / 0 / 17

HEX #55C9D3

RGB 85 201 211

HSL 184.76, 0.59%, 0.58%

LAB 75.08, -29.52, -14.8

 

CMYK 74 / 6 / 0 / 34

HEX #2C9FA9

RGB 44 159 169

HSL 184.8, 0.59%, 0.42%

LAB 60.07, -27.54, -14.32

 

CMYK 55 / 75 / 0 / 33

HEX #4D2BAA

RGB 77 43 170

HSL 256.06, 0.6%, 0.42%

LAB 29.93, 47.01, -62.41

 

CMYK 0 / 25 / 75 / 33

HEX #AA802B

RGB 170 128 43

HSL 40.16, 0.6%, 0.42%

LAB 56.25, 7.81, 49.99

 

CMYK 74 / 6 / 0 / 34

HEX #2C9FA9

RGB 44 159 169

HSL 184.8, 0.59%, 0.42%

LAB 60.07, -27.54, -14.32

 

CMYK 0 / 75 / 5 / 33

HEX #AA2BA1

RGB 170 43 161

HSL 304.25, 0.6%, 0.42%

LAB 42.53, 63.19, -36.01

 

CMYK 5 / 0 / 75 / 33

HEX #A1AA2B

RGB 161 170 43

HSL 64.25, 0.6%, 0.42%

LAB 66.9, -18.77, 59.96

 

CMYK 74 / 6 / 0 / 34

HEX #2C9FA9

RGB 44 159 169

HSL 184.8, 0.59%, 0.42%

LAB 60.07, -27.54, -14.32

 

CMYK 55 / 75 / 0 / 33

HEX #4D2BAA

RGB 77 43 170

HSL 256.06, 0.6%, 0.42%

LAB 29.93, 47.01, -62.41

 

CMYK 0 / 69 / 75 / 33

HEX #AA342B

RGB 170 52 43

HSL 4.25, 0.6%, 0.42%

LAB 39.88, 47.57, 32.86

 

CMYK 20 / 0 / 75 / 33

HEX #88AA2B

RGB 136 170 43

HSL 76.06, 0.6%, 0.42%

LAB 65.09, -29.31, 57.59

 

CMYK 74 / 6 / 0 / 34

HEX #2C9FA9

RGB 44 159 169

HSL 184.8, 0.59%, 0.42%

LAB 60.07, -27.54, -14.32

 

CMYK 32 / 75 / 0 / 33

HEX #732BAA

RGB 115 43 170

HSL 274.02, 0.6%, 0.42%

LAB 34.55, 53.45, -54.67

 

CMYK 0 / 69 / 75 / 33

HEX #AA342B

RGB 170 52 43

HSL 4.25, 0.6%, 0.42%

LAB 39.88, 47.57, 32.86

 

CMYK 42 / 0 / 75 / 33

HEX #62AA2B

RGB 98 170 43

HSL 94.02, 0.6%, 0.42%

LAB 62.94, -43.64, 54.78

 

Description

Color code: HEX #2C9FA9 | qconv.com Color code: HEX #2C9FA9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 159 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 159 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 6 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 6% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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