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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C9FEB it is the complementary color #D36014. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C9FEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C9FEB shade: #319FE6, #42B1F9, #53C3FF, #64D5FF and #75E7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C9FEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C9FEB shade: #2C9FEB, #1B8DD8, #0A7BC5, #0069B2 and #00579F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C9FEB shade: #2D9FEB, #2D6CEB, #2D38EB, #542DEB and #872DEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C9FEB shade: #2D9FEB, #2D6CEB, #2D38EB and #2D2DEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C9FEB shade matches the following richer shades: #2D9FEB and #1AA3FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C9FEB shade: #2D9FEB, #3F9BD8, #5298C6, #6494B3 and #7790A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C9FEB shade: #2DEBCE, #2DD5EB, #2DA2EB, #2D6FEB and #2D3CEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C9FEB shade: #1073B5, #148BDA, #2D9FEB, #52B0EE and #78C1F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C9FEB shade: #2C9FEB, #9C2DEB and #EBE82D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C9FEB shade: #2C9FEB, #EB2DA2 and #A2EB2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C9FEB shade: #2C9FEB, #9C2DEB, #EB762D and #7CEB2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C9FEB shade: #2C9FEB, #D52DEB, #EB762D and #43EB2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 32 / 0 / 8

HEX #2C9FEB

RGB 44 159 235

HSL 203.87, 0.83%, 0.55%

LAB 62.79, -5.2, -46.97

 

Complementary color

CMYK 0 / 55 / 91 / 17

HEX #D36014

RGB 211 96 20

HSL 23.87, 0.83%, 0.45%

LAB 54.31, 41.76, 58.76

 

CMYK 79 / 31 / 0 / 10

HEX #319FE6

RGB 49 159 230

HSL 203.54, 0.78%, 0.55%

LAB 62.64, -6.5, -44.43

 

CMYK 73 / 29 / 0 / 2

HEX #42B1F9

RGB 66 177 249

HSL 203.61, 0.94%, 0.62%

LAB 69.07, -8.07, -44.7

 

CMYK 67 / 24 / 0 / 0

HEX #53C3FF

RGB 83 195 255

HSL 200.93, 1%, 0.66%

LAB 74.88, -13.53, -38.82

 

CMYK 61 / 16 / 0 / 0

HEX #64D5FF

RGB 100 213 255

HSL 196.26, 1%, 0.7%

LAB 80.47, -20.15, -30.15

 

CMYK 54 / 9 / 0 / 0

HEX #75E7FF

RGB 117 231 255

HSL 190.43, 1%, 0.73%

LAB 86.08, -26, -21.54

 

CMYK 81 / 32 / 0 / 8

HEX #2C9FEB

RGB 44 159 235

HSL 203.87, 0.83%, 0.55%

LAB 62.79, -5.2, -46.97

 

CMYK 88 / 35 / 0 / 15

HEX #1B8DD8

RGB 27 141 216

HSL 203.81, 0.78%, 0.48%

LAB 56.33, -3.04, -46.64

 

CMYK 95 / 38 / 0 / 23

HEX #0A7BC5

RGB 10 123 197

HSL 203.74, 0.9%, 0.41%

LAB 49.81, -0.39, -46.23

 

CMYK 100 / 41 / 0 / 30

HEX #0069B2

RGB 0 105 178

HSL 204.61, 1%, 0.35%

LAB 43.24, 2.86, -45.73

 

CMYK 100 / 45 / 0 / 38

HEX #00579F

RGB 0 87 159

HSL 207.17, 1%, 0.31%

LAB 36.59, 6.69, -45.13

 

CMYK 81 / 32 / 0 / 8

HEX #2D9FEB

RGB 45 159 235

HSL 204, 0.83%, 0.55%

LAB 62.8, -5.11, -46.94

 

CMYK 81 / 54 / 0 / 8

HEX #2D6CEB

RGB 45 108 235

HSL 220.11, 0.83%, 0.55%

LAB 48.61, 25.87, -69.67

 

CMYK 81 / 76 / 0 / 8

HEX #2D38EB

RGB 45 56 235

HSL 236.53, 0.83%, 0.55%

LAB 36.71, 57.19, -89.2

 

CMYK 64 / 81 / 0 / 8

HEX #542DEB

RGB 84 45 235

HSL 252.32, 0.83%, 0.55%

LAB 37.41, 65.14, -87.97

 

CMYK 43 / 81 / 0 / 8

HEX #872DEB

RGB 135 45 235

HSL 268.42, 0.83%, 0.55%

LAB 42.8, 70.81, -78.9

 

CMYK 81 / 32 / 0 / 8

HEX #2D9FEB

RGB 45 159 235

HSL 204, 0.83%, 0.55%

LAB 62.8, -5.11, -46.94

 

CMYK 81 / 54 / 0 / 8

HEX #2D6CEB

RGB 45 108 235

HSL 220.11, 0.83%, 0.55%

LAB 48.61, 25.87, -69.67

 

CMYK 81 / 76 / 0 / 8

HEX #2D38EB

RGB 45 56 235

HSL 236.53, 0.83%, 0.55%

LAB 36.71, 57.19, -89.2

 

CMYK 81 / 81 / 0 / 8

HEX #2D2DEB

RGB 45 45 235

HSL 240, 0.83%, 0.55%

LAB 34.87, 62.54, -92.26

 

CMYK 81 / 32 / 0 / 8

HEX #2D9FEB

RGB 45 159 235

HSL 204, 0.83%, 0.55%

LAB 62.8, -5.11, -46.94

 

CMYK 90 / 36 / 0 / 0

HEX #1AA3FE

RGB 26 163 254

HSL 203.95, 0.99%, 0.55%

LAB 64.62, -1.8, -54.49

 

CMYK 81 / 32 / 0 / 8

HEX #2D9FEB

RGB 45 159 235

HSL 204, 0.83%, 0.55%

LAB 62.8, -5.11, -46.94

 

CMYK 71 / 28 / 0 / 15

HEX #3F9BD8

RGB 63 155 216

HSL 203.92, 0.66%, 0.55%

LAB 61.18, -7.42, -38.94

 

CMYK 59 / 23 / 0 / 22

HEX #5298C6

RGB 82 152 198

HSL 203.79, 0.5%, 0.55%

LAB 60.18, -8.44, -30.38

 

CMYK 44 / 17 / 0 / 30

HEX #6494B3

RGB 100 148 179

HSL 203.54, 0.34%, 0.55%

LAB 59.11, -7.79, -21.25

 

CMYK 26 / 11 / 0 / 37

HEX #7790A1

RGB 119 144 161

HSL 204.29, 0.18%, 0.55%

LAB 58.45, -4.83, -11.89

 

CMYK 81 / 0 / 12 / 8

HEX #2DEBCE

RGB 45 235 206

HSL 170.84, 0.83%, 0.55%

LAB 84.19, -51.22, 1.27

 

CMYK 81 / 9 / 0 / 8

HEX #2DD5EB

RGB 45 213 235

HSL 186.95, 0.83%, 0.55%

LAB 78.55, -33.23, -22.54

 

CMYK 81 / 31 / 0 / 8

HEX #2DA2EB

RGB 45 162 235

HSL 203.05, 0.83%, 0.55%

LAB 63.67, -6.8, -45.57

 

CMYK 81 / 53 / 0 / 8

HEX #2D6FEB

RGB 45 111 235

HSL 219.16, 0.83%, 0.55%

LAB 49.4, 23.97, -68.39

 

CMYK 81 / 74 / 0 / 8

HEX #2D3CEB

RGB 45 60 235

HSL 235.26, 0.83%, 0.55%

LAB 37.46, 55.07, -87.96

 

CMYK 91 / 36 / 0 / 29

HEX #1073B5

RGB 16 115 181

HSL 204, 0.84%, 0.39%

LAB 46.59, -1.48, -42.13

 

CMYK 91 / 36 / 0 / 15

HEX #148BDA

RGB 20 139 218

HSL 203.94, 0.83%, 0.47%

LAB 55.76, -1.51, -48.67

 

CMYK 81 / 32 / 0 / 8

HEX #2D9FEB

RGB 45 159 235

HSL 204, 0.83%, 0.55%

LAB 62.8, -5.11, -46.94

 

CMYK 66 / 26 / 0 / 7

HEX #52B0EE

RGB 82 176 238

HSL 203.85, 0.82%, 0.63%

LAB 68.76, -8.91, -39.16

 

CMYK 50 / 20 / 0 / 5

HEX #78C1F2

RGB 120 193 242

HSL 204.1, 0.82%, 0.71%

LAB 75.17, -9.59, -31.29

 

CMYK 81 / 32 / 0 / 8

HEX #2C9FEB

RGB 44 159 235

HSL 203.87, 0.83%, 0.55%

LAB 62.79, -5.2, -46.97

 

CMYK 34 / 81 / 0 / 8

HEX #9C2DEB

RGB 156 45 235

HSL 275.05, 0.83%, 0.55%

LAB 45.56, 73.75, -74.28

 

CMYK 0 / 1 / 81 / 8

HEX #EBE82D

RGB 235 232 45

HSL 59.05, 0.83%, 0.55%

LAB 89.66, -18.11, 81.91

 

CMYK 81 / 32 / 0 / 8

HEX #2C9FEB

RGB 44 159 235

HSL 203.87, 0.83%, 0.55%

LAB 62.79, -5.2, -46.97

 

CMYK 0 / 81 / 31 / 8

HEX #EB2DA2

RGB 235 45 162

HSL 323.05, 0.83%, 0.55%

LAB 54.18, 77.48, -17.62

 

CMYK 31 / 0 / 81 / 8

HEX #A2EB2D

RGB 162 235 45

HSL 83.05, 0.83%, 0.55%

LAB 85.65, -48.21, 76.54

 

CMYK 81 / 32 / 0 / 8

HEX #2C9FEB

RGB 44 159 235

HSL 203.87, 0.83%, 0.55%

LAB 62.79, -5.2, -46.97

 

CMYK 34 / 81 / 0 / 8

HEX #9C2DEB

RGB 156 45 235

HSL 275.05, 0.83%, 0.55%

LAB 45.56, 73.75, -74.28

 

CMYK 0 / 50 / 81 / 8

HEX #EB762D

RGB 235 118 45

HSL 23.05, 0.83%, 0.55%

LAB 62.35, 40.75, 57.9

 

CMYK 47 / 0 / 81 / 8

HEX #7CEB2D

RGB 124 235 45

HSL 95.05, 0.83%, 0.55%

LAB 83.91, -60.71, 74.32

 

CMYK 81 / 32 / 0 / 8

HEX #2C9FEB

RGB 44 159 235

HSL 203.87, 0.83%, 0.55%

LAB 62.79, -5.2, -46.97

 

CMYK 9 / 81 / 0 / 8

HEX #D52DEB

RGB 213 45 235

HSL 293.05, 0.83%, 0.55%

LAB 54.05, 83.01, -60.12

 

CMYK 0 / 50 / 81 / 8

HEX #EB762D

RGB 235 118 45

HSL 23.05, 0.83%, 0.55%

LAB 62.35, 40.75, 57.9

 

CMYK 71 / 0 / 81 / 8

HEX #43EB2D

RGB 67 235 45

HSL 113.05, 0.83%, 0.55%

LAB 82.27, -73.95, 72.22

 

Description

Color code: HEX #2C9FEB | qconv.com Color code: HEX #2C9FEB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 159 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 159 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 32 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 32% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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