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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D177B it is the complementary color #D2E884. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D177B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D177B shade: #321776, #432989, #543B9C, #654DAF and #765FC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D177B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D177B shade: #2D177B, #1C0568, #0B0055, #000042 and #00002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D177B shade: #2D177C, #48177C, #64177C, #7C1779 and #7C175E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D177B shade: #2D177C and #17177C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D177B shade matches the following richer shades: #2D177C and #270B88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D177B shade: #2D177C, #342370, #3B2F64, #413B58 and #48474C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D177B shade: #17377C, #171C7C, #2D177C, #48177C and #63177C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D177B shade: #140A36, #211159, #2D177C, #3A1E9E and #4724C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D177B shade: #2D177B, #7C1752 and #2A7C17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D177B shade: #2D177B, #7C2D17 and #177C2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D177B shade: #2D177B, #7C1752, #667C17 and #177C41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D177B shade: #2D177B, #7C1734, #667C17 and #177C5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 81 / 0 / 52

HEX #2D177B

RGB 45 23 123

HSL 253.2, 0.68%, 0.29%

LAB 18.37, 38.75, -52.47

 

Complementary color

CMYK 9 / 0 / 43 / 9

HEX #D2E884

RGB 210 232 132

HSL 73.2, 0.68%, 0.71%

LAB 88.49, -22.41, 46.09

 

CMYK 58 / 81 / 0 / 54

HEX #321776

RGB 50 23 118

HSL 257.05, 0.67%, 0.28%

LAB 18.36, 37.88, -49.26

 

CMYK 51 / 70 / 0 / 46

HEX #432989

RGB 67 41 137

HSL 256.25, 0.54%, 0.35%

LAB 25.52, 36.66, -49.48

 

CMYK 46 / 62 / 0 / 39

HEX #543B9C

RGB 84 59 156

HSL 255.46, 0.45%, 0.42%

LAB 32.73, 35.24, -49.36

 

CMYK 42 / 56 / 0 / 31

HEX #654DAF

RGB 101 77 175

HSL 254.69, 0.39%, 0.49%

LAB 39.86, 33.89, -49.13

 

CMYK 39 / 51 / 0 / 24

HEX #765FC2

RGB 118 95 194

HSL 253.94, 0.45%, 0.57%

LAB 46.88, 32.66, -48.9

 

CMYK 63 / 81 / 0 / 52

HEX #2D177B

RGB 45 23 123

HSL 253.2, 0.68%, 0.29%

LAB 18.37, 38.75, -52.47

 

CMYK 73 / 95 / 0 / 59

HEX #1C0568

RGB 28 5 104

HSL 253.94, 0.91%, 0.21%

LAB 11.65, 39.37, -51.3

 

CMYK 87 / 100 / 0 / 67

HEX #0B0055

RGB 11 0 85

HSL 247.76, 1%, 0.17%

LAB 6.57, 35.45, -47.04

 

CMYK 100 / 100 / 0 / 74

HEX #000042

RGB 0 0 66

HSL 240, 1%, 0.13%

LAB 3.55, 24.67, -38.75

 

CMYK 100 / 100 / 0 / 82

HEX #00002F

RGB 0 0 47

HSL 240, 1%, 0.09%

LAB 1.85, 13.03, -27.55

 

CMYK 64 / 81 / 0 / 51

HEX #2D177C

RGB 45 23 124

HSL 253.07, 0.69%, 0.29%

LAB 18.48, 39.06, -52.92

 

CMYK 42 / 81 / 0 / 51

HEX #48177C

RGB 72 23 124

HSL 269.11, 0.69%, 0.29%

LAB 21.75, 42.98, -47.43

 

CMYK 19 / 81 / 0 / 51

HEX #64177C

RGB 100 23 124

HSL 285.74, 0.69%, 0.29%

LAB 26.09, 48.15, -40.18

 

CMYK 0 / 81 / 2 / 51

HEX #7C1779

RGB 124 23 121

HSL 301.78, 0.69%, 0.29%

LAB 30.1, 52.59, -31.61

 

CMYK 0 / 81 / 24 / 51

HEX #7C175E

RGB 124 23 94

HSL 317.82, 0.69%, 0.29%

LAB 28.66, 48.47, -16.52

 

CMYK 64 / 81 / 0 / 51

HEX #2D177C

RGB 45 23 124

HSL 253.07, 0.69%, 0.29%

LAB 18.48, 39.06, -52.92

 

CMYK 81 / 81 / 0 / 51

HEX #17177C

RGB 23 23 124

HSL 240, 0.69%, 0.29%

LAB 16.75, 36.97, -55.84

 

CMYK 64 / 81 / 0 / 51

HEX #2D177C

RGB 45 23 124

HSL 253.07, 0.69%, 0.29%

LAB 18.48, 39.06, -52.92

 

CMYK 71 / 92 / 0 / 47

HEX #270B88

RGB 39 11 136

HSL 253.44, 0.85%, 0.29%

LAB 17.68, 47.03, -61.86

 

CMYK 64 / 81 / 0 / 51

HEX #2D177C

RGB 45 23 124

HSL 253.07, 0.69%, 0.29%

LAB 18.48, 39.06, -52.92

 

CMYK 54 / 69 / 0 / 56

HEX #342370

RGB 52 35 112

HSL 253.25, 0.52%, 0.29%

LAB 20.45, 29.52, -41.96

 

CMYK 41 / 53 / 0 / 61

HEX #3B2F64

RGB 59 47 100

HSL 253.58, 0.36%, 0.29%

LAB 23.28, 19.53, -29.57

 

CMYK 26 / 33 / 0 / 65

HEX #413B58

RGB 65 59 88

HSL 252.41, 0.2%, 0.29%

LAB 26.61, 9.79, -16.47

 

CMYK 5 / 7 / 0 / 70

HEX #48474C

RGB 72 71 76

HSL 252, 0.03%, 0.29%

LAB 30.41, 1.54, -2.84

 

CMYK 81 / 56 / 0 / 51

HEX #17377C

RGB 23 55 124

HSL 220.99, 0.69%, 0.29%

LAB 24.86, 15.6, -42.54

 

CMYK 81 / 77 / 0 / 51

HEX #171C7C

RGB 23 28 124

HSL 237.03, 0.69%, 0.29%

LAB 17.77, 34.05, -54.14

 

CMYK 64 / 81 / 0 / 51

HEX #2D177C

RGB 45 23 124

HSL 253.07, 0.69%, 0.29%

LAB 18.48, 39.06, -52.92

 

CMYK 42 / 81 / 0 / 51

HEX #48177C

RGB 72 23 124

HSL 269.11, 0.69%, 0.29%

LAB 21.75, 42.98, -47.43

 

CMYK 20 / 81 / 0 / 51

HEX #63177C

RGB 99 23 124

HSL 285.15, 0.69%, 0.29%

LAB 25.92, 47.95, -40.45

 

CMYK 63 / 81 / 0 / 79

HEX #140A36

RGB 20 10 54

HSL 253.64, 0.69%, 0.13%

LAB 5.71, 18.23, -26.5

 

CMYK 63 / 81 / 0 / 65

HEX #211159

RGB 33 17 89

HSL 253.33, 0.68%, 0.21%

LAB 12.26, 29.45, -40.27

 

CMYK 64 / 81 / 0 / 51

HEX #2D177C

RGB 45 23 124

HSL 253.07, 0.69%, 0.29%

LAB 18.48, 39.06, -52.92

 

CMYK 63 / 81 / 0 / 38

HEX #3A1E9E

RGB 58 30 158

HSL 253.13, 0.68%, 0.37%

LAB 24.63, 47.42, -63.93

 

CMYK 63 / 81 / 0 / 24

HEX #4724C1

RGB 71 36 193

HSL 253.38, 0.69%, 0.45%

LAB 30.52, 56.12, -75.13

 

CMYK 63 / 81 / 0 / 52

HEX #2D177B

RGB 45 23 123

HSL 253.2, 0.68%, 0.29%

LAB 18.37, 38.75, -52.47

 

CMYK 0 / 81 / 34 / 51

HEX #7C1752

RGB 124 23 82

HSL 324.95, 0.69%, 0.29%

LAB 28.13, 46.92, -9.42

 

CMYK 66 / 0 / 81 / 51

HEX #2A7C17

RGB 42 124 23

HSL 108.71, 0.69%, 0.29%

LAB 45.59, -43.5, 44.08

 

CMYK 63 / 81 / 0 / 52

HEX #2D177B

RGB 45 23 123

HSL 253.2, 0.68%, 0.29%

LAB 18.37, 38.75, -52.47

 

CMYK 0 / 64 / 81 / 51

HEX #7C2D17

RGB 124 45 23

HSL 13.07, 0.69%, 0.29%

LAB 29.97, 33.12, 31.14

 

CMYK 81 / 0 / 64 / 51

HEX #177C2D

RGB 23 124 45

HSL 133.07, 0.69%, 0.29%

LAB 45.34, -44.96, 34.56

 

CMYK 63 / 81 / 0 / 52

HEX #2D177B

RGB 45 23 123

HSL 253.2, 0.68%, 0.29%

LAB 18.37, 38.75, -52.47

 

CMYK 0 / 81 / 34 / 51

HEX #7C1752

RGB 124 23 82

HSL 324.95, 0.69%, 0.29%

LAB 28.13, 46.92, -9.42

 

CMYK 18 / 0 / 81 / 51

HEX #667C17

RGB 102 124 23

HSL 73.07, 0.69%, 0.29%

LAB 48.64, -22.05, 48.02

 

CMYK 81 / 0 / 48 / 51

HEX #177C41

RGB 23 124 65

HSL 144.95, 0.69%, 0.29%

LAB 45.61, -41.81, 24.44

 

CMYK 63 / 81 / 0 / 52

HEX #2D177B

RGB 45 23 123

HSL 253.2, 0.68%, 0.29%

LAB 18.37, 38.75, -52.47

 

CMYK 0 / 81 / 58 / 51

HEX #7C1734

RGB 124 23 52

HSL 342.77, 0.69%, 0.29%

LAB 27.15, 43.92, 9.29

 

CMYK 18 / 0 / 81 / 51

HEX #667C17

RGB 102 124 23

HSL 73.07, 0.69%, 0.29%

LAB 48.64, -22.05, 48.02

 

CMYK 81 / 0 / 23 / 51

HEX #177C5F

RGB 23 124 95

HSL 162.77, 0.69%, 0.29%

LAB 46.21, -35.08, 8.03

 

Description

Color code: HEX #2D177B | qconv.com Color code: HEX #2D177B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 23 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 23 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 81 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 81% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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