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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D243A it is the complementary color #D2DBC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D243A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D243A shade: #322435, #433648, #54485B, #655A6E and #766C81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D243A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D243A shade: #2D243A, #1C1227, #0B0014 and #000001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D243A shade: #2B2338, #312338, #372338, #382333 and #38232E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D243A shade: #2B2338, #262338 and #232338

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D243A shade matches the following richer shades: #2B2338, #2A1B3F, #291447, #270D4E and #260556

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D243A shade: #2B2338, #2D2A31, #2E3229, #303922 and #31411A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D243A shade: #232638, #262338, #2B2338, #312338 and #372338

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D243A shade: #040305, #18131F, #2B2338, #3F3351 and #53436B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D243A shade: #2D243A, #38232B and #233823

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D243A shade: #2D243A, #382B23 and #23382B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D243A shade: #2D243A, #38232B, #303823 and #233830

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D243A shade: #2D243A, #382325, #303823 and #233836

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 38 / 0 / 77

HEX #2D243A

RGB 45 36 58

HSL 264.55, 0.23%, 0.18%

LAB 16.13, 9.74, -12.62

 

Complementary color

CMYK 4 / 0 / 10 / 14

HEX #D2DBC5

RGB 210 219 197

HSL 84.55, 0.23%, 0.82%

LAB 86.2, -6.93, 9.77

 

CMYK 6 / 32 / 0 / 79

HEX #322435

RGB 50 36 53

HSL 289.41, 0.19%, 0.17%

LAB 16.49, 10.4, -8.51

 

CMYK 7 / 25 / 0 / 72

HEX #433648

RGB 67 54 72

HSL 283.33, 0.14%, 0.25%

LAB 24.64, 9.7, -8.92

 

CMYK 8 / 21 / 0 / 64

HEX #54485B

RGB 84 72 91

HSL 277.89, 0.12%, 0.32%

LAB 32.42, 9.13, -9.34

 

CMYK 8 / 18 / 0 / 57

HEX #655A6E

RGB 101 90 110

HSL 273, 0.1%, 0.39%

LAB 39.92, 8.65, -9.76

 

CMYK 9 / 16 / 0 / 49

HEX #766C81

RGB 118 108 129

HSL 268.57, 0.09%, 0.46%

LAB 47.19, 8.23, -10.18

 

CMYK 22 / 38 / 0 / 77

HEX #2D243A

RGB 45 36 58

HSL 264.55, 0.23%, 0.18%

LAB 16.13, 9.74, -12.62

 

CMYK 28 / 54 / 0 / 85

HEX #1C1227

RGB 28 18 39

HSL 268.57, 0.37%, 0.11%

LAB 7.46, 10.63, -12.52

 

CMYK 45 / 100 / 0 / 92

HEX #0B0014

RGB 11 0 20

HSL 273, 1%, 0.04%

LAB 1.1, 6.09, -7.71

 

CMYK 100 / 100 / 0 / 100

HEX #000001

RGB 0 0 1

HSL 240, 1%, 0%

LAB 0.02, 0.14, -0.38

 

CMYK 23 / 38 / 0 / 78

HEX #2B2338

RGB 43 35 56

HSL 262.86, 0.23%, 0.18%

LAB 15.49, 9.11, -12.22

 

CMYK 13 / 38 / 0 / 78

HEX #312338

RGB 49 35 56

HSL 280, 0.23%, 0.18%

LAB 16.21, 11.47, -11.06

 

CMYK 2 / 38 / 0 / 78

HEX #372338

RGB 55 35 56

HSL 297.14, 0.23%, 0.18%

LAB 16.99, 13.88, -9.79

 

CMYK 0 / 38 / 9 / 78

HEX #382333

RGB 56 35 51

HSL 314.29, 0.23%, 0.18%

LAB 16.9, 13.14, -6.4

 

CMYK 0 / 38 / 18 / 78

HEX #38232E

RGB 56 35 46

HSL 328.57, 0.23%, 0.18%

LAB 16.7, 12.08, -3.17

 

CMYK 23 / 38 / 0 / 78

HEX #2B2338

RGB 43 35 56

HSL 262.86, 0.23%, 0.18%

LAB 15.49, 9.11, -12.22

 

CMYK 32 / 38 / 0 / 78

HEX #262338

RGB 38 35 56

HSL 248.57, 0.23%, 0.18%

LAB 14.95, 7.2, -13.1

 

CMYK 38 / 38 / 0 / 78

HEX #232338

RGB 35 35 56

HSL 240, 0.23%, 0.18%

LAB 14.65, 6.1, -13.59

 

CMYK 23 / 38 / 0 / 78

HEX #2B2338

RGB 43 35 56

HSL 262.86, 0.23%, 0.18%

LAB 15.49, 9.11, -12.22

 

CMYK 33 / 57 / 0 / 75

HEX #2A1B3F

RGB 42 27 63

HSL 265, 0.4%, 0.18%

LAB 13.44, 16.53, -20.38

 

CMYK 42 / 72 / 0 / 72

HEX #291447

RGB 41 20 71

HSL 264.71, 0.56%, 0.18%

LAB 12.13, 23.39, -28.08

 

CMYK 50 / 83 / 0 / 69

HEX #270D4E

RGB 39 13 78

HSL 264, 0.71%, 0.18%

LAB 11.06, 29.15, -34.7

 

CMYK 56 / 94 / 0 / 66

HEX #260556

RGB 38 5 86

HSL 264.44, 0.89%, 0.18%

LAB 10.5, 35.12, -41.11

 

CMYK 23 / 38 / 0 / 78

HEX #2B2338

RGB 43 35 56

HSL 262.86, 0.23%, 0.18%

LAB 15.49, 9.11, -12.22

 

CMYK 8 / 14 / 0 / 81

HEX #2D2A31

RGB 45 42 49

HSL 265.71, 0.08%, 0.18%

LAB 17.62, 3.06, -4.04

 

CMYK 8 / 0 / 18 / 80

HEX #2E3229

RGB 46 50 41

HSL 86.67, 0.1%, 0.18%

LAB 20.13, -3.79, 5.15

 

CMYK 16 / 0 / 40 / 78

HEX #303922

RGB 48 57 34

HSL 83.48, 0.25%, 0.18%

LAB 22.55, -8.66, 13.13

 

CMYK 25 / 0 / 60 / 75

HEX #31411A

RGB 49 65 26

HSL 84.62, 0.43%, 0.18%

LAB 25.28, -14.12, 21.48

 

CMYK 38 / 32 / 0 / 78

HEX #232638

RGB 35 38 56

HSL 231.43, 0.23%, 0.18%

LAB 15.64, 3.93, -12.06

 

CMYK 32 / 38 / 0 / 78

HEX #262338

RGB 38 35 56

HSL 248.57, 0.23%, 0.18%

LAB 14.95, 7.2, -13.1

 

CMYK 23 / 38 / 0 / 78

HEX #2B2338

RGB 43 35 56

HSL 262.86, 0.23%, 0.18%

LAB 15.49, 9.11, -12.22

 

CMYK 13 / 38 / 0 / 78

HEX #312338

RGB 49 35 56

HSL 280, 0.23%, 0.18%

LAB 16.21, 11.47, -11.06

 

CMYK 2 / 38 / 0 / 78

HEX #372338

RGB 55 35 56

HSL 297.14, 0.23%, 0.18%

LAB 16.99, 13.88, -9.79

 

CMYK 20 / 40 / 0 / 98

HEX #040305

RGB 4 3 5

HSL 270, 0.25%, 0.02%

LAB 0.92, 0.54, -0.67

 

CMYK 23 / 39 / 0 / 88

HEX #18131F

RGB 24 19 31

HSL 265, 0.24%, 0.1%

LAB 6.85, 5.55, -7.42

 

CMYK 23 / 38 / 0 / 78

HEX #2B2338

RGB 43 35 56

HSL 262.86, 0.23%, 0.18%

LAB 15.49, 9.11, -12.22

 

CMYK 22 / 37 / 0 / 68

HEX #3F3351

RGB 63 51 81

HSL 264, 0.23%, 0.26%

LAB 23.73, 12.51, -16.34

 

CMYK 22 / 37 / 0 / 58

HEX #53436B

RGB 83 67 107

HSL 264, 0.23%, 0.34%

LAB 31.61, 15.96, -20.77

 

CMYK 22 / 38 / 0 / 77

HEX #2D243A

RGB 45 36 58

HSL 264.55, 0.23%, 0.18%

LAB 16.13, 9.74, -12.62

 

CMYK 0 / 38 / 23 / 78

HEX #38232B

RGB 56 35 43

HSL 337.14, 0.23%, 0.18%

LAB 16.59, 11.49, -1.2

 

CMYK 38 / 0 / 38 / 78

HEX #233823

RGB 35 56 35

HSL 120, 0.23%, 0.18%

LAB 21.23, -13.59, 10.55

 

CMYK 22 / 38 / 0 / 77

HEX #2D243A

RGB 45 36 58

HSL 264.55, 0.23%, 0.18%

LAB 16.13, 9.74, -12.62

 

CMYK 0 / 23 / 38 / 78

HEX #382B23

RGB 56 43 35

HSL 22.86, 0.23%, 0.18%

LAB 18.76, 4.58, 7.49

 

CMYK 38 / 0 / 23 / 78

HEX #23382B

RGB 35 56 43

HSL 142.86, 0.23%, 0.18%

LAB 21.43, -11.79, 5.5

 

CMYK 22 / 38 / 0 / 77

HEX #2D243A

RGB 45 36 58

HSL 264.55, 0.23%, 0.18%

LAB 16.13, 9.74, -12.62

 

CMYK 0 / 38 / 23 / 78

HEX #38232B

RGB 56 35 43

HSL 337.14, 0.23%, 0.18%

LAB 16.59, 11.49, -1.2

 

CMYK 14 / 0 / 38 / 78

HEX #303823

RGB 48 56 35

HSL 82.86, 0.23%, 0.18%

LAB 22.22, -7.87, 12.05

 

CMYK 38 / 0 / 14 / 78

HEX #233830

RGB 35 56 48

HSL 157.14, 0.23%, 0.18%

LAB 21.58, -10.53, 2.35

 

CMYK 22 / 38 / 0 / 77

HEX #2D243A

RGB 45 36 58

HSL 264.55, 0.23%, 0.18%

LAB 16.13, 9.74, -12.62

 

CMYK 0 / 38 / 34 / 78

HEX #382325

RGB 56 35 37

HSL 354.29, 0.23%, 0.18%

LAB 16.39, 10.39, 2.76

 

CMYK 14 / 0 / 38 / 78

HEX #303823

RGB 48 56 35

HSL 82.86, 0.23%, 0.18%

LAB 22.22, -7.87, 12.05

 

CMYK 38 / 0 / 4 / 78

HEX #233836

RGB 35 56 54

HSL 174.29, 0.23%, 0.18%

LAB 21.77, -8.88, -1.42

 

Description

Color code: HEX #2D243A | qconv.com Color code: HEX #2D243A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 36 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 36 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 38 magenta, none yellow and 77 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 38% 0% 77% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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