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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D2B4E it is the complementary color #D2D4B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D2B4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D2B4E shade: #322B49, #433D5C, #544F6F, #656182 and #767395

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D2B4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D2B4E shade: #2D2B4E, #1C193B, #0B0728, #000015 and #000002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D2B4E shade: #2D2B4E, #372B4E, #402B4E, #4A2B4E and #4E2B4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D2B4E shade: #2D2B4E and #2B2B4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D2B4E shade matches the following richer shades: #2D2B4E, #242158, #1B1762, #130D6C and #0A0376

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D2B4E shade: #2D2B4E, #363545, #3F3F3B, #474931 and #505327

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D2B4E shade: #2B3C4E, #2B334E, #2D2B4E, #362B4E and #402B4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D2B4E shade: #0E0E19, #1E1C34, #2D2B4E, #3C3A69 and #4C4884

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D2B4E shade: #2D2B4E, #4E2B46 and #374E2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D2B4E shade: #2D2B4E, #4E2D2B and #2B4E2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D2B4E shade: #2D2B4E, #4E2B46, #4D4E2B and #2B4E34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D2B4E shade: #2D2B4E, #4E2B3B, #4D4E2B and #2B4E3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 45 / 0 / 69

HEX #2D2B4E

RGB 45 43 78

HSL 243.43, 0.29%, 0.24%

LAB 19.37, 10.99, -21.29

 

Complementary color

CMYK 1 / 0 / 17 / 17

HEX #D2D4B1

RGB 210 212 177

HSL 63.43, 0.29%, 0.76%

LAB 83.95, -6.56, 17.12

 

CMYK 32 / 41 / 0 / 71

HEX #322B49

RGB 50 43 73

HSL 254, 0.26%, 0.23%

LAB 19.59, 11.07, -17.54

 

CMYK 27 / 34 / 0 / 64

HEX #433D5C

RGB 67 61 92

HSL 251.61, 0.2%, 0.3%

LAB 27.58, 10.29, -17.54

 

CMYK 24 / 29 / 0 / 56

HEX #544F6F

RGB 84 79 111

HSL 249.38, 0.17%, 0.37%

LAB 35.25, 9.67, -17.64

 

CMYK 22 / 25 / 0 / 49

HEX #656182

RGB 101 97 130

HSL 247.27, 0.15%, 0.45%

LAB 42.65, 9.15, -17.8

 

CMYK 21 / 23 / 0 / 42

HEX #767395

RGB 118 115 149

HSL 245.29, 0.14%, 0.52%

LAB 49.84, 8.71, -18

 

CMYK 42 / 45 / 0 / 69

HEX #2D2B4E

RGB 45 43 78

HSL 243.43, 0.29%, 0.24%

LAB 19.37, 10.99, -21.29

 

CMYK 53 / 58 / 0 / 77

HEX #1C193B

RGB 28 25 59

HSL 245.29, 0.4%, 0.16%

LAB 10.98, 12.28, -21.57

 

CMYK 73 / 83 / 0 / 84

HEX #0B0728

RGB 11 7 40

HSL 247.27, 0.7%, 0.09%

LAB 3.4, 9.8, -19.75

 

CMYK 100 / 100 / 0 / 92

HEX #000015

RGB 0 0 21

HSL 240, 1%, 0.04%

LAB 0.49, 3.44, -9.35

 

CMYK 100 / 100 / 0 / 99

HEX #000002

RGB 0 0 2

HSL 240, 1%, 0%

LAB 0.04, 0.28, -0.76

 

CMYK 42 / 45 / 0 / 69

HEX #2D2B4E

RGB 45 43 78

HSL 243.43, 0.29%, 0.24%

LAB 19.37, 10.99, -21.29

 

CMYK 29 / 45 / 0 / 69

HEX #372B4E

RGB 55 43 78

HSL 260.57, 0.29%, 0.24%

LAB 20.4, 14.29, -19.6

 

CMYK 18 / 45 / 0 / 69

HEX #402B4E

RGB 64 43 78

HSL 276, 0.29%, 0.24%

LAB 21.46, 17.43, -17.86

 

CMYK 5 / 45 / 0 / 69

HEX #4A2B4E

RGB 74 43 78

HSL 293.14, 0.29%, 0.24%

LAB 22.77, 21.02, -15.72

 

CMYK 0 / 45 / 5 / 69

HEX #4E2B4A

RGB 78 43 74

HSL 306.86, 0.29%, 0.24%

LAB 23.14, 21.61, -12.42

 

CMYK 42 / 45 / 0 / 69

HEX #2D2B4E

RGB 45 43 78

HSL 243.43, 0.29%, 0.24%

LAB 19.37, 10.99, -21.29

 

CMYK 45 / 45 / 0 / 69

HEX #2B2B4E

RGB 43 43 78

HSL 240, 0.29%, 0.24%

LAB 19.19, 10.37, -21.59

 

CMYK 42 / 45 / 0 / 69

HEX #2D2B4E

RGB 45 43 78

HSL 243.43, 0.29%, 0.24%

LAB 19.37, 10.99, -21.29

 

CMYK 59 / 63 / 0 / 65

HEX #242158

RGB 36 33 88

HSL 243.27, 0.45%, 0.24%

LAB 16.34, 19.18, -32.92

 

CMYK 72 / 77 / 0 / 62

HEX #1B1762

RGB 27 23 98

HSL 243.2, 0.62%, 0.24%

LAB 13.99, 28.11, -43.47

 

CMYK 82 / 88 / 0 / 58

HEX #130D6C

RGB 19 13 108

HSL 243.79, 0.79%, 0.24%

LAB 12.67, 36.52, -52.27

 

CMYK 92 / 97 / 0 / 54

HEX #0A0376

RGB 10 3 118

HSL 243.65, 0.95%, 0.24%

LAB 12.21, 43.62, -59.56

 

CMYK 42 / 45 / 0 / 69

HEX #2D2B4E

RGB 45 43 78

HSL 243.43, 0.29%, 0.24%

LAB 19.37, 10.99, -21.29

 

CMYK 22 / 23 / 0 / 73

HEX #363545

RGB 54 53 69

HSL 243.75, 0.13%, 0.24%

LAB 22.86, 4.48, -9.74

 

CMYK 0 / 0 / 6 / 75

HEX #3F3F3B

RGB 63 63 59

HSL 60, 0.03%, 0.24%

LAB 26.53, -0.87, 2.45

 

CMYK 3 / 0 / 33 / 71

HEX #474931

RGB 71 73 49

HSL 65, 0.2%, 0.24%

LAB 30.22, -5.42, 14.13

 

CMYK 4 / 0 / 53 / 67

HEX #505327

RGB 80 83 39

HSL 64.09, 0.36%, 0.24%

LAB 34.06, -8.55, 25.15

 

CMYK 45 / 23 / 0 / 69

HEX #2B3C4E

RGB 43 60 78

HSL 210.86, 0.29%, 0.24%

LAB 24.62, -1.37, -13.11

 

CMYK 45 / 35 / 0 / 69

HEX #2B334E

RGB 43 51 78

HSL 226.29, 0.29%, 0.24%

LAB 21.69, 4.74, -17.65

 

CMYK 42 / 45 / 0 / 69

HEX #2D2B4E

RGB 45 43 78

HSL 243.43, 0.29%, 0.24%

LAB 19.37, 10.99, -21.29

 

CMYK 31 / 45 / 0 / 69

HEX #362B4E

RGB 54 43 78

HSL 258.86, 0.29%, 0.24%

LAB 20.29, 13.95, -19.78

 

CMYK 18 / 45 / 0 / 69

HEX #402B4E

RGB 64 43 78

HSL 276, 0.29%, 0.24%

LAB 21.46, 17.43, -17.86

 

CMYK 44 / 44 / 0 / 90

HEX #0E0E19

RGB 14 14 25

HSL 240, 0.28%, 0.08%

LAB 4.31, 2.44, -6.65

 

CMYK 42 / 46 / 0 / 80

HEX #1E1C34

RGB 30 28 52

HSL 245, 0.3%, 0.16%

LAB 11.65, 8.17, -15.47

 

CMYK 42 / 45 / 0 / 69

HEX #2D2B4E

RGB 45 43 78

HSL 243.43, 0.29%, 0.24%

LAB 19.37, 10.99, -21.29

 

CMYK 43 / 45 / 0 / 59

HEX #3C3A69

RGB 60 58 105

HSL 242.55, 0.29%, 0.32%

LAB 26.75, 13.98, -27.28

 

CMYK 42 / 45 / 0 / 48

HEX #4C4884

RGB 76 72 132

HSL 244, 0.29%, 0.4%

LAB 33.64, 17.77, -33.25

 

CMYK 42 / 45 / 0 / 69

HEX #2D2B4E

RGB 45 43 78

HSL 243.43, 0.29%, 0.24%

LAB 19.37, 10.99, -21.29

 

CMYK 0 / 45 / 10 / 69

HEX #4E2B46

RGB 78 43 70

HSL 313.71, 0.29%, 0.24%

LAB 22.96, 20.78, -10

 

CMYK 29 / 0 / 45 / 69

HEX #374E2B

RGB 55 78 43

HSL 99.43, 0.29%, 0.24%

LAB 30.49, -16.38, 17.93

 

CMYK 42 / 45 / 0 / 69

HEX #2D2B4E

RGB 45 43 78

HSL 243.43, 0.29%, 0.24%

LAB 19.37, 10.99, -21.29

 

CMYK 0 / 42 / 45 / 69

HEX #4E2D2B

RGB 78 45 43

HSL 3.43, 0.29%, 0.24%

LAB 22.55, 14.93, 7.75

 

CMYK 45 / 0 / 42 / 69

HEX #2B4E2D

RGB 43 78 45

HSL 123.43, 0.29%, 0.24%

LAB 29.79, -20.69, 15.67

 

CMYK 42 / 45 / 0 / 69

HEX #2D2B4E

RGB 45 43 78

HSL 243.43, 0.29%, 0.24%

LAB 19.37, 10.99, -21.29

 

CMYK 0 / 45 / 10 / 69

HEX #4E2B46

RGB 78 43 70

HSL 313.71, 0.29%, 0.24%

LAB 22.96, 20.78, -10

 

CMYK 1 / 0 / 45 / 69

HEX #4D4E2B

RGB 77 78 43

HSL 61.71, 0.29%, 0.24%

LAB 32.26, -6.52, 20.55

 

CMYK 45 / 0 / 33 / 69

HEX #2B4E34

RGB 43 78 52

HSL 135.43, 0.29%, 0.24%

LAB 29.94, -19.29, 11.53

 

CMYK 42 / 45 / 0 / 69

HEX #2D2B4E

RGB 45 43 78

HSL 243.43, 0.29%, 0.24%

LAB 19.37, 10.99, -21.29

 

CMYK 0 / 45 / 24 / 69

HEX #4E2B3B

RGB 78 43 59

HSL 332.57, 0.29%, 0.24%

LAB 22.53, 18.7, -3.19

 

CMYK 1 / 0 / 45 / 69

HEX #4D4E2B

RGB 77 78 43

HSL 61.71, 0.29%, 0.24%

LAB 32.26, -6.52, 20.55

 

CMYK 45 / 0 / 21 / 69

HEX #2B4E3E

RGB 43 78 62

HSL 152.57, 0.29%, 0.24%

LAB 30.18, -16.98, 5.54

 

Description

Color code: HEX #2D2B4E | qconv.com Color code: HEX #2D2B4E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 43 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 43 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 45 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 45% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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