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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D4B12 it is the complementary color #D2B4ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D4B12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D4B12 shade: #324B0D, #435D20, #546F33, #658146 and #769359

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D4B12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D4B12 shade: #2D4B12, #1C3900, #0B2700, #001500 and #000300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D4B12 shade: #2C4911, #3B4911, #494911, #493A11 and #492A11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D4B12 shade: #2C4911, #1D4911, #114915, #114924 and #114933

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D4B12 shade matches the following richer shades: #2C4911, #2C510A and #2B5803

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D4B12 shade: #2C4911, #2C4219, #2D3B20, #2D3328 and #2D2C2F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D4B12 shade: #494811, #3B4911, #2C4911, #1E4911 and #114914

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D4B12 shade: #040701, #182809, #2C4911, #406B19 and #548C21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D4B12 shade: #2D4B12, #11493A and #491143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D4B12 shade: #2D4B12, #112C49 and #49112C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D4B12 shade: #2D4B12, #11493A, #2E1149 and #491121

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D4B12 shade: #2D4B12, #114849, #2E1149 and #491211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 76 / 71

HEX #2D4B12

RGB 45 75 18

HSL 91.58, 0.61%, 0.18%

LAB 28.47, -22.11, 29.11

 

Complementary color

CMYK 11 / 24 / 0 / 7

HEX #D2B4ED

RGB 210 180 237

HSL 271.58, 0.61%, 0.82%

LAB 77.55, 21.3, -24.42

 

CMYK 33 / 0 / 83 / 71

HEX #324B0D

RGB 50 75 13

HSL 84.19, 0.7%, 0.17%

LAB 28.75, -20.35, 31.64

 

CMYK 28 / 0 / 66 / 64

HEX #435D20

RGB 67 93 32

HSL 85.57, 0.49%, 0.25%

LAB 36.23, -20.75, 31.11

 

CMYK 24 / 0 / 54 / 56

HEX #546F33

RGB 84 111 51

HSL 87, 0.37%, 0.32%

LAB 43.5, -20.9, 29.96

 

CMYK 22 / 0 / 46 / 49

HEX #658146

RGB 101 129 70

HSL 88.47, 0.3%, 0.39%

LAB 50.58, -20.92, 28.69

 

CMYK 20 / 0 / 39 / 42

HEX #769359

RGB 118 147 89

HSL 90, 0.25%, 0.46%

LAB 57.5, -20.88, 27.44

 

CMYK 40 / 0 / 76 / 71

HEX #2D4B12

RGB 45 75 18

HSL 91.58, 0.61%, 0.18%

LAB 28.47, -22.11, 29.11

 

CMYK 51 / 0 / 100 / 78

HEX #1C3900

RGB 28 57 0

HSL 90.53, 1%, 0.11%

LAB 20.72, -21.6, 28.44

 

CMYK 72 / 0 / 100 / 85

HEX #0B2700

RGB 11 39 0

HSL 103.08, 1%, 0.08%

LAB 12.75, -19.58, 18.43

 

CMYK 100 / 0 / 100 / 92

HEX #001500

RGB 0 21 0

HSL 120, 1%, 0.04%

LAB 4.84, -9.9, 7.07

 

CMYK 100 / 0 / 100 / 99

HEX #000300

RGB 0 3 0

HSL 120, 1%, 0.01%

LAB 0.59, -1.2, 0.86

 

CMYK 40 / 0 / 77 / 71

HEX #2C4911

RGB 44 73 17

HSL 91.07, 0.62%, 0.18%

LAB 27.69, -21.6, 28.74

 

CMYK 19 / 0 / 77 / 71

HEX #3B4911

RGB 59 73 17

HSL 75, 0.62%, 0.18%

LAB 28.73, -14.84, 30.15

 

CMYK 0 / 0 / 77 / 71

HEX #494911

RGB 73 73 17

HSL 60, 0.62%, 0.18%

LAB 29.97, -7.94, 31.78

 

CMYK 0 / 21 / 77 / 71

HEX #493A11

RGB 73 58 17

HSL 43.93, 0.62%, 0.18%

LAB 25.21, 1.39, 26.97

 

CMYK 0 / 42 / 77 / 71

HEX #492A11

RGB 73 42 17

HSL 26.79, 0.62%, 0.18%

LAB 20.49, 11.82, 21.92

 

CMYK 40 / 0 / 77 / 71

HEX #2C4911

RGB 44 73 17

HSL 91.07, 0.62%, 0.18%

LAB 27.69, -21.6, 28.74

 

CMYK 60 / 0 / 77 / 71

HEX #1D4911

RGB 29 73 17

HSL 107.14, 0.62%, 0.18%

LAB 26.92, -27.17, 27.71

 

CMYK 77 / 0 / 71 / 71

HEX #114915

RGB 17 73 21

HSL 124.29, 0.62%, 0.18%

LAB 26.56, -29.96, 25.24

 

CMYK 77 / 0 / 51 / 71

HEX #114924

RGB 17 73 36

HSL 140.36, 0.62%, 0.18%

LAB 26.77, -27.53, 17.03

 

CMYK 77 / 0 / 30 / 71

HEX #114933

RGB 17 73 51

HSL 156.43, 0.62%, 0.18%

LAB 27.08, -24.06, 8.06

 

CMYK 40 / 0 / 77 / 71

HEX #2C4911

RGB 44 73 17

HSL 91.07, 0.62%, 0.18%

LAB 27.69, -21.6, 28.74

 

CMYK 46 / 0 / 88 / 68

HEX #2C510A

RGB 44 81 10

HSL 91.27, 0.78%, 0.18%

LAB 30.5, -26, 34.26

 

CMYK 51 / 0 / 97 / 65

HEX #2B5803

RGB 43 88 3

HSL 91.76, 0.93%, 0.18%

LAB 32.92, -29.94, 38.67

 

CMYK 40 / 0 / 77 / 71

HEX #2C4911

RGB 44 73 17

HSL 91.07, 0.62%, 0.18%

LAB 27.69, -21.6, 28.74

 

CMYK 33 / 0 / 62 / 74

HEX #2C4219

RGB 44 66 25

HSL 92.2, 0.45%, 0.18%

LAB 25.27, -17.06, 21.94

 

CMYK 24 / 0 / 46 / 77

HEX #2D3B20

RGB 45 59 32

HSL 91.11, 0.3%, 0.18%

LAB 22.97, -11.59, 14.9

 

CMYK 12 / 0 / 22 / 80

HEX #2D3328

RGB 45 51 40

HSL 92.73, 0.12%, 0.18%

LAB 20.36, -5.11, 6.13

 

CMYK 4 / 6 / 0 / 82

HEX #2D2C2F

RGB 45 44 47

HSL 260, 0.03%, 0.18%

LAB 18.21, 1.17, -1.78

 

CMYK 0 / 1 / 77 / 71

HEX #494811

RGB 73 72 17

HSL 58.93, 0.62%, 0.18%

LAB 29.64, -7.33, 31.46

 

CMYK 19 / 0 / 77 / 71

HEX #3B4911

RGB 59 73 17

HSL 75, 0.62%, 0.18%

LAB 28.73, -14.84, 30.15

 

CMYK 40 / 0 / 77 / 71

HEX #2C4911

RGB 44 73 17

HSL 91.07, 0.62%, 0.18%

LAB 27.69, -21.6, 28.74

 

CMYK 59 / 0 / 77 / 71

HEX #1E4911

RGB 30 73 17

HSL 106.07, 0.62%, 0.18%

LAB 26.97, -26.85, 27.77

 

CMYK 77 / 0 / 73 / 71

HEX #114914

RGB 17 73 20

HSL 123.21, 0.62%, 0.18%

LAB 26.55, -30.09, 25.74

 

CMYK 43 / 0 / 86 / 97

HEX #040701

RGB 4 7 1

HSL 90, 0.75%, 0.02%

LAB 1.63, -1.62, 1.99

 

CMYK 40 / 0 / 78 / 84

HEX #182809

RGB 24 40 9

HSL 90.97, 0.63%, 0.1%

LAB 14.01, -13.42, 16.57

 

CMYK 40 / 0 / 77 / 71

HEX #2C4911

RGB 44 73 17

HSL 91.07, 0.62%, 0.18%

LAB 27.69, -21.6, 28.74

 

CMYK 40 / 0 / 77 / 58

HEX #406B19

RGB 64 107 25

HSL 91.46, 0.62%, 0.26%

LAB 40.7, -29.47, 38.89

 

CMYK 40 / 0 / 76 / 45

HEX #548C21

RGB 84 140 33

HSL 91.4, 0.62%, 0.34%

LAB 52.68, -36.38, 48.04

 

CMYK 40 / 0 / 76 / 71

HEX #2D4B12

RGB 45 75 18

HSL 91.58, 0.61%, 0.18%

LAB 28.47, -22.11, 29.11

 

CMYK 77 / 0 / 21 / 71

HEX #11493A

RGB 17 73 58

HSL 163.93, 0.62%, 0.18%

LAB 27.27, -22.12, 3.82

 

CMYK 0 / 77 / 8 / 71

HEX #491143

RGB 73 17 67

HSL 306.43, 0.62%, 0.18%

LAB 16.61, 32.77, -17.84

 

CMYK 40 / 0 / 76 / 71

HEX #2D4B12

RGB 45 75 18

HSL 91.58, 0.61%, 0.18%

LAB 28.47, -22.11, 29.11

 

CMYK 77 / 40 / 0 / 71

HEX #112C49

RGB 17 44 73

HSL 211.07, 0.62%, 0.18%

LAB 17.47, 1.08, -21.04

 

CMYK 0 / 77 / 40 / 71

HEX #49112C

RGB 73 17 44

HSL 331.07, 0.62%, 0.18%

LAB 15.48, 29.09, -3.23

 

CMYK 40 / 0 / 76 / 71

HEX #2D4B12

RGB 45 75 18

HSL 91.58, 0.61%, 0.18%

LAB 28.47, -22.11, 29.11

 

CMYK 77 / 0 / 21 / 71

HEX #11493A

RGB 17 73 58

HSL 163.93, 0.62%, 0.18%

LAB 27.27, -22.12, 3.82

 

CMYK 37 / 77 / 0 / 71

HEX #2E1149

RGB 46 17 73

HSL 271.07, 0.62%, 0.18%

LAB 12.37, 27, -29.06

 

CMYK 0 / 77 / 55 / 71

HEX #491121

RGB 73 17 33

HSL 342.86, 0.62%, 0.18%

LAB 15.1, 27.78, 4.22

 

CMYK 40 / 0 / 76 / 71

HEX #2D4B12

RGB 45 75 18

HSL 91.58, 0.61%, 0.18%

LAB 28.47, -22.11, 29.11

 

CMYK 77 / 1 / 0 / 71

HEX #114849

RGB 17 72 73

HSL 181.07, 0.62%, 0.18%

LAB 27.39, -16.81, -5.74

 

CMYK 37 / 77 / 0 / 71

HEX #2E1149

RGB 46 17 73

HSL 271.07, 0.62%, 0.18%

LAB 12.37, 27, -29.06

 

CMYK 0 / 75 / 77 / 71

HEX #491211

RGB 73 18 17

HSL 1.07, 0.62%, 0.18%

LAB 14.9, 25.98, 15.19

 

Description

Color code: HEX #2D4B12 | qconv.com Color code: HEX #2D4B12 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 75 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 75 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 76 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 76% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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