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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D556D it is the complementary color #D2AA92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D556D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D556D shade: #325568, #43677B, #54798E, #658BA1 and #769DB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D556D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D556D shade: #2D556D, #1C435A, #0B3147, #001F34 and #000D21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D556D shade: #2C546C, #2C436C, #2C316C, #382C6C and #492C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D556D shade: #2C546C, #2C436C, #2C316C and #2C2C6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D556D shade matches the following richer shades: #2C546C, #1F5779, #135A85 and #075D91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D556D shade: #2C546C, #385160, #454E53, #514B47 and #5D483B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D556D shade: #2C6C61, #2C666C, #2C556C, #2C436C and #2C326C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D556D shade: #142632, #203D4F, #2C546C, #386B89 and #4482A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D556D shade: #2D556D, #502C6C and #6C6A2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D556D shade: #2D556D, #6C2C55 and #556C2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D556D shade: #2D556D, #502C6C, #6C432C and #486C2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D556D shade: #2D556D, #642C6C, #6C432C and #346C2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 22 / 0 / 57

HEX #2D556D

RGB 45 85 109

HSL 202.5, 0.42%, 0.3%

LAB 34.31, -6.37, -18.06

 

Complementary color

CMYK 0 / 19 / 30 / 18

HEX #D2AA92

RGB 210 170 146

HSL 22.5, 0.42%, 0.7%

LAB 72.58, 11.16, 17.9

 

CMYK 52 / 18 / 0 / 59

HEX #325568

RGB 50 85 104

HSL 201.11, 0.35%, 0.3%

LAB 34.34, -6.79, -14.87

 

CMYK 46 / 16 / 0 / 52

HEX #43677B

RGB 67 103 123

HSL 201.43, 0.29%, 0.37%

LAB 41.73, -7.09, -15.2

 

CMYK 41 / 15 / 0 / 44

HEX #54798E

RGB 84 121 142

HSL 201.72, 0.26%, 0.44%

LAB 48.9, -7.3, -15.53

 

CMYK 37 / 14 / 0 / 37

HEX #658BA1

RGB 101 139 161

HSL 202, 0.24%, 0.51%

LAB 55.89, -7.45, -15.87

 

CMYK 34 / 13 / 0 / 29

HEX #769DB4

RGB 118 157 180

HSL 202.26, 0.29%, 0.58%

LAB 62.73, -7.58, -16.21

 

CMYK 59 / 22 / 0 / 57

HEX #2D556D

RGB 45 85 109

HSL 202.5, 0.42%, 0.3%

LAB 34.31, -6.37, -18.06

 

CMYK 69 / 26 / 0 / 65

HEX #1C435A

RGB 28 67 90

HSL 202.26, 0.53%, 0.23%

LAB 26.73, -5.6, -17.77

 

CMYK 85 / 31 / 0 / 72

HEX #0B3147

RGB 11 49 71

HSL 202, 0.73%, 0.16%

LAB 18.9, -4.27, -17.44

 

CMYK 100 / 40 / 0 / 80

HEX #001F34

RGB 0 31 52

HSL 204.23, 1%, 0.1%

LAB 10.76, -1.92, -17.01

 

CMYK 100 / 61 / 0 / 87

HEX #000D21

RGB 0 13 33

HSL 216.36, 1%, 0.06%

LAB 3.59, 1.66, -14.1

 

CMYK 59 / 22 / 0 / 58

HEX #2C546C

RGB 44 84 108

HSL 202.5, 0.42%, 0.3%

LAB 33.9, -6.33, -18.08

 

CMYK 59 / 38 / 0 / 58

HEX #2C436C

RGB 44 67 108

HSL 218.44, 0.42%, 0.3%

LAB 28.47, 4.65, -26.56

 

CMYK 59 / 55 / 0 / 58

HEX #2C316C

RGB 44 49 108

HSL 235.31, 0.42%, 0.3%

LAB 23.05, 17.06, -35.2

 

CMYK 48 / 59 / 0 / 58

HEX #382C6C

RGB 56 44 108

HSL 251.25, 0.42%, 0.3%

LAB 22.74, 23.3, -35.64

 

CMYK 32 / 59 / 0 / 58

HEX #492C6C

RGB 73 44 108

HSL 267.19, 0.42%, 0.3%

LAB 24.64, 27.76, -32.49

 

CMYK 59 / 22 / 0 / 58

HEX #2C546C

RGB 44 84 108

HSL 202.5, 0.42%, 0.3%

LAB 33.9, -6.33, -18.08

 

CMYK 59 / 38 / 0 / 58

HEX #2C436C

RGB 44 67 108

HSL 218.44, 0.42%, 0.3%

LAB 28.47, 4.65, -26.56

 

CMYK 59 / 55 / 0 / 58

HEX #2C316C

RGB 44 49 108

HSL 235.31, 0.42%, 0.3%

LAB 23.05, 17.06, -35.2

 

CMYK 59 / 59 / 0 / 58

HEX #2C2C6C

RGB 44 44 108

HSL 240, 0.42%, 0.3%

LAB 21.65, 20.53, -37.46

 

CMYK 59 / 22 / 0 / 58

HEX #2C546C

RGB 44 84 108

HSL 202.5, 0.42%, 0.3%

LAB 33.9, -6.33, -18.08

 

CMYK 74 / 28 / 0 / 53

HEX #1F5779

RGB 31 87 121

HSL 202.67, 0.59%, 0.3%

LAB 34.98, -6, -24.52

 

CMYK 86 / 32 / 0 / 48

HEX #135A85

RGB 19 90 133

HSL 202.63, 0.75%, 0.3%

LAB 36.26, -4.7, -29.91

 

CMYK 95 / 36 / 0 / 43

HEX #075D91

RGB 7 93 145

HSL 202.61, 0.91%, 0.3%

LAB 37.7, -2.6, -34.94

 

CMYK 59 / 22 / 0 / 58

HEX #2C546C

RGB 44 84 108

HSL 202.5, 0.42%, 0.3%

LAB 33.9, -6.33, -18.08

 

CMYK 42 / 16 / 0 / 62

HEX #385160

RGB 56 81 96

HSL 202.5, 0.26%, 0.3%

LAB 33.07, -5.13, -11.75

 

CMYK 17 / 6 / 0 / 67

HEX #454E53

RGB 69 78 83

HSL 201.43, 0.09%, 0.3%

LAB 32.57, -2.38, -4.17

 

CMYK 0 / 7 / 12 / 68

HEX #514B47

RGB 81 75 71

HSL 24, 0.07%, 0.3%

LAB 32.34, 1.69, 3.27

 

CMYK 0 / 23 / 37 / 64

HEX #5D483B

RGB 93 72 59

HSL 22.94, 0.22%, 0.3%

LAB 32.43, 6.85, 11.22

 

CMYK 59 / 0 / 10 / 58

HEX #2C6C61

RGB 44 108 97

HSL 169.69, 0.42%, 0.3%

LAB 41.41, -23.35, 0.01

 

CMYK 59 / 6 / 0 / 58

HEX #2C666C

RGB 44 102 108

HSL 185.63, 0.42%, 0.3%

LAB 39.78, -16.88, -9.11

 

CMYK 59 / 21 / 0 / 58

HEX #2C556C

RGB 44 85 108

HSL 201.56, 0.42%, 0.3%

LAB 34.22, -6.95, -17.58

 

CMYK 59 / 38 / 0 / 58

HEX #2C436C

RGB 44 67 108

HSL 218.44, 0.42%, 0.3%

LAB 28.47, 4.65, -26.56

 

CMYK 59 / 54 / 0 / 58

HEX #2C326C

RGB 44 50 108

HSL 234.38, 0.42%, 0.3%

LAB 23.34, 16.36, -34.74

 

CMYK 60 / 24 / 0 / 80

HEX #142632

RGB 20 38 50

HSL 204, 0.43%, 0.14%

LAB 14.2, -3.19, -10.13

 

CMYK 59 / 23 / 0 / 69

HEX #203D4F

RGB 32 61 79

HSL 202.98, 0.42%, 0.22%

LAB 24.35, -4.84, -14.25

 

CMYK 59 / 22 / 0 / 58

HEX #2C546C

RGB 44 84 108

HSL 202.5, 0.42%, 0.3%

LAB 33.9, -6.33, -18.08

 

CMYK 59 / 22 / 0 / 46

HEX #386B89

RGB 56 107 137

HSL 202.22, 0.42%, 0.38%

LAB 43.01, -7.73, -21.71

 

CMYK 59 / 22 / 0 / 35

HEX #4482A7

RGB 68 130 167

HSL 202.42, 0.42%, 0.46%

LAB 51.82, -8.74, -25.71

 

CMYK 59 / 22 / 0 / 57

HEX #2D556D

RGB 45 85 109

HSL 202.5, 0.42%, 0.3%

LAB 34.31, -6.37, -18.06

 

CMYK 26 / 59 / 0 / 58

HEX #502C6C

RGB 80 44 108

HSL 273.75, 0.42%, 0.3%

LAB 25.53, 29.72, -31.01

 

CMYK 0 / 2 / 59 / 58

HEX #6C6A2C

RGB 108 106 44

HSL 58.13, 0.42%, 0.3%

LAB 43.77, -8.24, 34.41

 

CMYK 59 / 22 / 0 / 57

HEX #2D556D

RGB 45 85 109

HSL 202.5, 0.42%, 0.3%

LAB 34.31, -6.37, -18.06

 

CMYK 0 / 59 / 21 / 58

HEX #6C2C55

RGB 108 44 85

HSL 321.56, 0.42%, 0.3%

LAB 28.5, 33.74, -11.12

 

CMYK 21 / 0 / 59 / 58

HEX #556C2C

RGB 85 108 44

HSL 81.56, 0.42%, 0.3%

LAB 42.52, -19.68, 32.49

 

CMYK 59 / 22 / 0 / 57

HEX #2D556D

RGB 45 85 109

HSL 202.5, 0.42%, 0.3%

LAB 34.31, -6.37, -18.06

 

CMYK 26 / 59 / 0 / 58

HEX #502C6C

RGB 80 44 108

HSL 273.75, 0.42%, 0.3%

LAB 25.53, 29.72, -31.01

 

CMYK 0 / 38 / 59 / 58

HEX #6C432C

RGB 108 67 44

HSL 21.56, 0.42%, 0.3%

LAB 32.67, 15.1, 21.22

 

CMYK 33 / 0 / 59 / 58

HEX #486C2C

RGB 72 108 44

HSL 93.75, 0.42%, 0.3%

LAB 41.67, -25.05, 31.28

 

CMYK 59 / 22 / 0 / 57

HEX #2D556D

RGB 45 85 109

HSL 202.5, 0.42%, 0.3%

LAB 34.31, -6.37, -18.06

 

CMYK 7 / 59 / 0 / 58

HEX #642C6C

RGB 100 44 108

HSL 292.5, 0.42%, 0.3%

LAB 28.36, 35.52, -26.35

 

CMYK 0 / 38 / 59 / 58

HEX #6C432C

RGB 108 67 44

HSL 21.56, 0.42%, 0.3%

LAB 32.67, 15.1, 21.22

 

CMYK 52 / 0 / 59 / 58

HEX #346C2C

RGB 52 108 44

HSL 112.5, 0.42%, 0.3%

LAB 40.63, -32.22, 29.81

 

Description

Color code: HEX #2D556D | qconv.com Color code: HEX #2D556D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 85 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 85 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 22 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 22% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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