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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D572F it is the complementary color #D2A8D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D572F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D572F shade: #32572A, #43693D, #547B50, #658D63 and #769F76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D572F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D572F shade: #2D572F, #1C451C, #0B3309, #002100 and #000F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D572F shade: #2D572F, #36572D, #41572D, #4D572D and #57562D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D572F shade: #2D572F, #2D573A, #2D5745, #2D5751 and #2D5257

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D572F shade matches the following richer shades: #2D572F, #226225, #176C1B, #0C7711 and #028208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D572F shade: #2D572F, #374C38, #424242, #4D374C and #572C55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D572F shade: #42572D, #36572D, #2D572E, #2D5739 and #2D5745

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D572F shade: #112111, #1F3C20, #2D572F, #3B723D and #498D4C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D572F shade: #2D572F, #2D4D57 and #572D3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D572F shade: #2D572F, #2E2D57 and #572E2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D572F shade: #2D572F, #2D4D57, #572D56 and #57362D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D572F shade: #2D572F, #2D4057, #572D56 and #57432D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 46 / 66

HEX #2D572F

RGB 45 87 47

HSL 122.86, 0.32%, 0.26%

LAB 33.09, -24.21, 18.78

 

Complementary color

CMYK 0 / 20 / 1 / 18

HEX #D2A8D0

RGB 210 168 208

HSL 302.86, 0.32%, 0.74%

LAB 73.71, 22.15, -14.47

 

CMYK 43 / 0 / 52 / 66

HEX #32572A

RGB 50 87 42

HSL 109.33, 0.35%, 0.25%

LAB 33.27, -23.26, 21.98

 

CMYK 36 / 0 / 42 / 59

HEX #43693D

RGB 67 105 61

HSL 111.82, 0.27%, 0.33%

LAB 40.63, -23.07, 20.58

 

CMYK 32 / 0 / 35 / 52

HEX #547B50

RGB 84 123 80

HSL 114.42, 0.21%, 0.4%

LAB 47.79, -22.83, 19.28

 

CMYK 28 / 0 / 30 / 45

HEX #658D63

RGB 101 141 99

HSL 117.14, 0.18%, 0.47%

LAB 54.78, -22.58, 18.09

 

CMYK 26 / 0 / 26 / 38

HEX #769F76

RGB 118 159 118

HSL 120, 0.18%, 0.54%

LAB 61.62, -22.35, 16.99

 

CMYK 48 / 0 / 46 / 66

HEX #2D572F

RGB 45 87 47

HSL 122.86, 0.32%, 0.26%

LAB 33.09, -24.21, 18.78

 

CMYK 59 / 0 / 59 / 73

HEX #1C451C

RGB 28 69 28

HSL 120, 0.42%, 0.19%

LAB 25.52, -24.26, 20.31

 

CMYK 78 / 0 / 82 / 80

HEX #0B3309

RGB 11 51 9

HSL 117.14, 0.7%, 0.12%

LAB 17.73, -23.67, 21.12

 

CMYK 100 / 0 / 100 / 87

HEX #002100

RGB 0 33 0

HSL 120, 1%, 0.06%

LAB 9.7, -19.54, 14.13

 

CMYK 100 / 0 / 100 / 94

HEX #000F00

RGB 0 15 0

HSL 120, 1%, 0.03%

LAB 3.09, -6.3, 4.51

 

CMYK 48 / 0 / 46 / 66

HEX #2D572F

RGB 45 87 47

HSL 122.86, 0.32%, 0.26%

LAB 33.09, -24.21, 18.78

 

CMYK 38 / 0 / 48 / 66

HEX #36572D

RGB 54 87 45

HSL 107.14, 0.32%, 0.26%

LAB 33.54, -21.29, 20.63

 

CMYK 25 / 0 / 48 / 66

HEX #41572D

RGB 65 87 45

HSL 91.43, 0.32%, 0.26%

LAB 34.25, -16.83, 21.67

 

CMYK 11 / 0 / 48 / 66

HEX #4D572D

RGB 77 87 45

HSL 74.29, 0.32%, 0.26%

LAB 35.17, -11.55, 23.02

 

CMYK 0 / 1 / 48 / 66

HEX #57562D

RGB 87 86 45

HSL 58.57, 0.32%, 0.26%

LAB 35.74, -6.35, 23.91

 

CMYK 48 / 0 / 46 / 66

HEX #2D572F

RGB 45 87 47

HSL 122.86, 0.32%, 0.26%

LAB 33.09, -24.21, 18.78

 

CMYK 48 / 0 / 33 / 66

HEX #2D573A

RGB 45 87 58

HSL 138.57, 0.32%, 0.26%

LAB 33.31, -22.06, 12.41

 

CMYK 48 / 0 / 21 / 66

HEX #2D5745

RGB 45 87 69

HSL 154.29, 0.32%, 0.26%

LAB 33.57, -19.52, 5.95

 

CMYK 48 / 0 / 7 / 66

HEX #2D5751

RGB 45 87 81

HSL 171.43, 0.32%, 0.26%

LAB 33.92, -16.34, -1.08

 

CMYK 48 / 6 / 0 / 66

HEX #2D5257

RGB 45 82 87

HSL 187.14, 0.32%, 0.26%

LAB 32.44, -11.71, -7.07

 

CMYK 48 / 0 / 46 / 66

HEX #2D572F

RGB 45 87 47

HSL 122.86, 0.32%, 0.26%

LAB 33.09, -24.21, 18.78

 

CMYK 65 / 0 / 62 / 62

HEX #226225

RGB 34 98 37

HSL 122.81, 0.48%, 0.26%

LAB 36.38, -34.04, 28.31

 

CMYK 79 / 0 / 75 / 58

HEX #176C1B

RGB 23 108 27

HSL 122.82, 0.65%, 0.26%

LAB 39.56, -41.34, 36.44

 

CMYK 90 / 0 / 86 / 53

HEX #0C7711

RGB 12 119 17

HSL 122.8, 0.82%, 0.26%

LAB 43.23, -47.23, 43.52

 

CMYK 98 / 0 / 94 / 49

HEX #028208

RGB 2 130 8

HSL 122.81, 0.97%, 0.26%

LAB 46.97, -51.83, 48.89

 

CMYK 48 / 0 / 46 / 66

HEX #2D572F

RGB 45 87 47

HSL 122.86, 0.32%, 0.26%

LAB 33.09, -24.21, 18.78

 

CMYK 28 / 0 / 26 / 70

HEX #374C38

RGB 55 76 56

HSL 122.86, 0.16%, 0.26%

LAB 30.08, -12.84, 9.31

 

CMYK 0 / 0 / 0 / 74

HEX #424242

RGB 66 66 66

HSL 0, 0%, 0.26%

LAB 27.97, 0, -0

 

CMYK 0 / 29 / 1 / 70

HEX #4D374C

RGB 77 55 76

HSL 302.73, 0.17%, 0.26%

LAB 26.25, 13.95, -9.02

 

CMYK 0 / 49 / 2 / 66

HEX #572C55

RGB 87 44 85

HSL 302.79, 0.33%, 0.26%

LAB 25.21, 26.54, -16.45

 

CMYK 24 / 0 / 48 / 66

HEX #42572D

RGB 66 87 45

HSL 90, 0.32%, 0.26%

LAB 34.32, -16.41, 21.78

 

CMYK 38 / 0 / 48 / 66

HEX #36572D

RGB 54 87 45

HSL 107.14, 0.32%, 0.26%

LAB 33.54, -21.29, 20.63

 

CMYK 48 / 0 / 47 / 66

HEX #2D572E

RGB 45 87 46

HSL 121.43, 0.32%, 0.26%

LAB 33.07, -24.39, 19.35

 

CMYK 48 / 0 / 34 / 66

HEX #2D5739

RGB 45 87 57

HSL 137.14, 0.32%, 0.26%

LAB 33.29, -22.27, 13

 

CMYK 48 / 0 / 21 / 66

HEX #2D5745

RGB 45 87 69

HSL 154.29, 0.32%, 0.26%

LAB 33.57, -19.52, 5.95

 

CMYK 48 / 0 / 48 / 87

HEX #112111

RGB 17 33 17

HSL 120, 0.32%, 0.1%

LAB 10.9, -11.12, 8.43

 

CMYK 48 / 0 / 47 / 76

HEX #1F3C20

RGB 31 60 32

HSL 122.07, 0.32%, 0.18%

LAB 22.4, -17.98, 13.99

 

CMYK 48 / 0 / 46 / 66

HEX #2D572F

RGB 45 87 47

HSL 122.86, 0.32%, 0.26%

LAB 33.09, -24.21, 18.78

 

CMYK 48 / 0 / 46 / 55

HEX #3B723D

RGB 59 114 61

HSL 122.18, 0.32%, 0.34%

LAB 43.21, -30.21, 23.82

 

CMYK 48 / 0 / 46 / 45

HEX #498D4C

RGB 73 141 76

HSL 122.65, 0.32%, 0.42%

LAB 52.94, -35.77, 28.1

 

CMYK 48 / 0 / 46 / 66

HEX #2D572F

RGB 45 87 47

HSL 122.86, 0.32%, 0.26%

LAB 33.09, -24.21, 18.78

 

CMYK 48 / 11 / 0 / 66

HEX #2D4D57

RGB 45 77 87

HSL 194.29, 0.32%, 0.26%

LAB 30.77, -8.71, -9.58

 

CMYK 0 / 48 / 31 / 66

HEX #572D3C

RGB 87 45 60

HSL 338.57, 0.32%, 0.26%

LAB 24.42, 21.33, -0.93

 

CMYK 48 / 0 / 46 / 66

HEX #2D572F

RGB 45 87 47

HSL 122.86, 0.32%, 0.26%

LAB 33.09, -24.21, 18.78

 

CMYK 47 / 48 / 0 / 66

HEX #2E2D57

RGB 46 45 87

HSL 241.43, 0.32%, 0.26%

LAB 20.62, 12.91, -25.33

 

CMYK 0 / 47 / 48 / 66

HEX #572E2D

RGB 87 46 45

HSL 1.43, 0.32%, 0.26%

LAB 24.22, 18.61, 8.92

 

CMYK 48 / 0 / 46 / 66

HEX #2D572F

RGB 45 87 47

HSL 122.86, 0.32%, 0.26%

LAB 33.09, -24.21, 18.78

 

CMYK 48 / 11 / 0 / 66

HEX #2D4D57

RGB 45 77 87

HSL 194.29, 0.32%, 0.26%

LAB 30.77, -8.71, -9.58

 

CMYK 0 / 48 / 1 / 66

HEX #572D56

RGB 87 45 86

HSL 301.43, 0.32%, 0.26%

LAB 25.49, 26.15, -16.68

 

CMYK 0 / 38 / 48 / 66

HEX #57362D

RGB 87 54 45

HSL 12.86, 0.32%, 0.26%

LAB 26.31, 13.59, 11.77

 

CMYK 48 / 0 / 46 / 66

HEX #2D572F

RGB 45 87 47

HSL 122.86, 0.32%, 0.26%

LAB 33.09, -24.21, 18.78

 

CMYK 48 / 26 / 0 / 66

HEX #2D4057

RGB 45 64 87

HSL 212.86, 0.32%, 0.26%

LAB 26.48, -0.44, -16.14

 

CMYK 0 / 48 / 1 / 66

HEX #572D56

RGB 87 45 86

HSL 301.43, 0.32%, 0.26%

LAB 25.49, 26.15, -16.68

 

CMYK 0 / 23 / 48 / 66

HEX #57432D

RGB 87 67 45

HSL 31.43, 0.32%, 0.26%

LAB 29.99, 5.32, 16.63

 

Description

Color code: HEX #2D572F | qconv.com Color code: HEX #2D572F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 87 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 87 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 46 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 46% 66% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Appartement kopen of...
Link: http://meerrijk.nl

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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