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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D579E it is the complementary color #D2A861. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D579E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D579E shade: #325799, #4369AC, #547BBF, #658DD2 and #769FE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D579E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D579E shade: #2D579E, #1C458B, #0B3378, #002165 and #000F52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D579E shade: #2C579F, #2C389F, #402C9F, #5E2C9F and #7D2C9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D579E shade: #2C579F, #2C389F and #2C2C9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D579E shade matches the following richer shades: #2C579F, #1C53AF and #0B4EC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D579E shade: #2C579F, #3D5B8E, #4D5F7E, #5E646D and #6E685D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D579E shade: #2C959F, #2C779F, #2C589F, #2C3A9F and #3E2C9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D579E shade: #1A345E, #23457E, #2C579F, #3569BF and #507FCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D579E shade: #2D579E, #8A2C9F and #869F2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D579E shade: #2D579E, #9F2C58 and #589F2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D579E shade: #2D579E, #8A2C9F, #9F732C and #419F2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D579E shade: #2D579E, #9F2C91, #9F732C and #2C9F3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 45 / 0 / 38

HEX #2D579E

RGB 45 87 158

HSL 217.7, 0.56%, 0.4%

LAB 37.56, 10.28, -42.92

 

Complementary color

CMYK 0 / 20 / 54 / 18

HEX #D2A861

RGB 210 168 97

HSL 37.7, 0.56%, 0.6%

LAB 71.26, 6.93, 42.18

 

CMYK 67 / 43 / 0 / 40

HEX #325799

RGB 50 87 153

HSL 218.45, 0.51%, 0.4%

LAB 37.47, 9.23, -40.05

 

CMYK 61 / 39 / 0 / 33

HEX #4369AC

RGB 67 105 172

HSL 218.29, 0.44%, 0.47%

LAB 44.62, 7.76, -39.9

 

CMYK 56 / 36 / 0 / 25

HEX #547BBF

RGB 84 123 191

HSL 218.13, 0.46%, 0.54%

LAB 51.62, 6.62, -39.79

 

CMYK 52 / 33 / 0 / 18

HEX #658DD2

RGB 101 141 210

HSL 217.98, 0.55%, 0.61%

LAB 58.48, 5.71, -39.71

 

CMYK 48 / 31 / 0 / 10

HEX #769FE5

RGB 118 159 229

HSL 217.84, 0.68%, 0.68%

LAB 65.2, 4.96, -39.68

 

CMYK 72 / 45 / 0 / 38

HEX #2D579E

RGB 45 87 158

HSL 217.7, 0.56%, 0.4%

LAB 37.56, 10.28, -42.92

 

CMYK 80 / 50 / 0 / 45

HEX #1C458B

RGB 28 69 139

HSL 217.84, 0.66%, 0.33%

LAB 30.32, 12.56, -43.05

 

CMYK 91 / 58 / 0 / 53

HEX #0B3378

RGB 11 51 120

HSL 217.98, 0.83%, 0.26%

LAB 22.98, 15.66, -43.07

 

CMYK 100 / 67 / 0 / 60

HEX #002165

RGB 0 33 101

HSL 220.4, 1%, 0.2%

LAB 15.63, 19.77, -42.8

 

CMYK 100 / 82 / 0 / 68

HEX #000F52

RGB 0 15 82

HSL 229.02, 1%, 0.16%

LAB 8.58, 24.67, -41.66

 

CMYK 72 / 45 / 0 / 38

HEX #2C579F

RGB 44 87 159

HSL 217.57, 0.57%, 0.4%

LAB 37.58, 10.51, -43.49

 

CMYK 72 / 65 / 0 / 38

HEX #2C389F

RGB 44 56 159

HSL 233.74, 0.57%, 0.4%

LAB 29.07, 31.14, -57.27

 

CMYK 60 / 72 / 0 / 38

HEX #402C9F

RGB 64 44 159

HSL 250.43, 0.57%, 0.4%

LAB 27.83, 41.25, -59.25

 

CMYK 41 / 72 / 0 / 38

HEX #5E2C9F

RGB 94 44 159

HSL 266.09, 0.57%, 0.4%

LAB 31.08, 46.34, -53.81

 

CMYK 21 / 72 / 0 / 38

HEX #7D2C9F

RGB 125 44 159

HSL 282.26, 0.57%, 0.4%

LAB 35.33, 52.6, -46.72

 

CMYK 72 / 45 / 0 / 38

HEX #2C579F

RGB 44 87 159

HSL 217.57, 0.57%, 0.4%

LAB 37.58, 10.51, -43.49

 

CMYK 72 / 65 / 0 / 38

HEX #2C389F

RGB 44 56 159

HSL 233.74, 0.57%, 0.4%

LAB 29.07, 31.14, -57.27

 

CMYK 72 / 72 / 0 / 38

HEX #2C2C9F

RGB 44 44 159

HSL 240, 0.57%, 0.4%

LAB 26.27, 38.69, -61.87

 

CMYK 72 / 45 / 0 / 38

HEX #2C579F

RGB 44 87 159

HSL 217.57, 0.57%, 0.4%

LAB 37.58, 10.51, -43.49

 

CMYK 84 / 53 / 0 / 31

HEX #1C53AF

RGB 28 83 175

HSL 217.55, 0.72%, 0.4%

LAB 36.98, 17.56, -54.01

 

CMYK 94 / 59 / 0 / 25

HEX #0B4EC0

RGB 11 78 192

HSL 217.79, 0.89%, 0.4%

LAB 36.6, 26.69, -64.64

 

CMYK 72 / 45 / 0 / 38

HEX #2C579F

RGB 44 87 159

HSL 217.57, 0.57%, 0.4%

LAB 37.58, 10.51, -43.49

 

CMYK 57 / 36 / 0 / 44

HEX #3D5B8E

RGB 61 91 142

HSL 217.78, 0.4%, 0.4%

LAB 38.6, 4.94, -31.59

 

CMYK 39 / 25 / 0 / 51

HEX #4D5F7E

RGB 77 95 126

HSL 217.96, 0.24%, 0.4%

LAB 40.03, 1.56, -19.57

 

CMYK 14 / 8 / 0 / 57

HEX #5E646D

RGB 94 100 109

HSL 216, 0.07%, 0.4%

LAB 42.15, -0.28, -5.87

 

CMYK 0 / 5 / 15 / 57

HEX #6E685D

RGB 110 104 93

HSL 38.82, 0.08%, 0.4%

LAB 44.24, 0.29, 7.04

 

CMYK 72 / 6 / 0 / 38

HEX #2C959F

RGB 44 149 159

HSL 185.22, 0.57%, 0.4%

LAB 56.62, -25.64, -13.84

 

CMYK 72 / 25 / 0 / 38

HEX #2C779F

RGB 44 119 159

HSL 200.87, 0.57%, 0.4%

LAB 47.28, -9.36, -28.17

 

CMYK 72 / 45 / 0 / 38

HEX #2C589F

RGB 44 88 159

HSL 217.04, 0.57%, 0.4%

LAB 37.87, 9.86, -43.02

 

CMYK 72 / 64 / 0 / 38

HEX #2C3A9F

RGB 44 58 159

HSL 232.7, 0.57%, 0.4%

LAB 29.58, 29.83, -56.45

 

CMYK 61 / 72 / 0 / 38

HEX #3E2C9F

RGB 62 44 159

HSL 249.39, 0.57%, 0.4%

LAB 27.65, 40.96, -59.55

 

CMYK 72 / 45 / 0 / 63

HEX #1A345E

RGB 26 52 94

HSL 217.06, 0.57%, 0.24%

LAB 21.89, 5.76, -28.02

 

CMYK 72 / 45 / 0 / 51

HEX #23457E

RGB 35 69 126

HSL 217.58, 0.57%, 0.32%

LAB 29.71, 8.34, -35.95

 

CMYK 72 / 45 / 0 / 38

HEX #2C579F

RGB 44 87 159

HSL 217.57, 0.57%, 0.4%

LAB 37.58, 10.51, -43.49

 

CMYK 72 / 45 / 0 / 25

HEX #3569BF

RGB 53 105 191

HSL 217.39, 0.57%, 0.48%

LAB 45.11, 12.23, -50.23

 

CMYK 61 / 38 / 0 / 20

HEX #507FCD

RGB 80 127 205

HSL 217.44, 0.56%, 0.56%

LAB 53.27, 8.04, -45.19

 

CMYK 72 / 45 / 0 / 38

HEX #2D579E

RGB 45 87 158

HSL 217.7, 0.56%, 0.4%

LAB 37.56, 10.28, -42.92

 

CMYK 13 / 72 / 0 / 38

HEX #8A2C9F

RGB 138 44 159

HSL 289.04, 0.57%, 0.4%

LAB 37.31, 55.41, -43.43

 

CMYK 16 / 0 / 72 / 38

HEX #869F2C

RGB 134 159 44

HSL 73.04, 0.57%, 0.4%

LAB 61.69, -24.74, 53.89

 

CMYK 72 / 45 / 0 / 38

HEX #2D579E

RGB 45 87 158

HSL 217.7, 0.56%, 0.4%

LAB 37.56, 10.28, -42.92

 

CMYK 0 / 72 / 45 / 38

HEX #9F2C58

RGB 159 44 88

HSL 337.04, 0.57%, 0.4%

LAB 37.62, 50.37, 1.48

 

CMYK 45 / 0 / 72 / 38

HEX #589F2C

RGB 88 159 44

HSL 97.04, 0.57%, 0.4%

LAB 59.02, -42.34, 50.33

 

CMYK 72 / 45 / 0 / 38

HEX #2D579E

RGB 45 87 158

HSL 217.7, 0.56%, 0.4%

LAB 37.56, 10.28, -42.92

 

CMYK 13 / 72 / 0 / 38

HEX #8A2C9F

RGB 138 44 159

HSL 289.04, 0.57%, 0.4%

LAB 37.31, 55.41, -43.43

 

CMYK 0 / 28 / 72 / 38

HEX #9F732C

RGB 159 115 44

HSL 37.04, 0.57%, 0.4%

LAB 51.63, 10.22, 44.47

 

CMYK 59 / 0 / 72 / 38

HEX #419F2C

RGB 65 159 44

HSL 109.04, 0.57%, 0.4%

LAB 58.13, -49.14, 49.14

 

CMYK 72 / 45 / 0 / 38

HEX #2D579E

RGB 45 87 158

HSL 217.7, 0.56%, 0.4%

LAB 37.56, 10.28, -42.92

 

CMYK 0 / 72 / 9 / 38

HEX #9F2C91

RGB 159 44 145

HSL 307.3, 0.57%, 0.4%

LAB 39.94, 57.79, -30.55

 

CMYK 0 / 28 / 72 / 38

HEX #9F732C

RGB 159 115 44

HSL 37.04, 0.57%, 0.4%

LAB 51.63, 10.22, 44.47

 

CMYK 72 / 0 / 64 / 38

HEX #2C9F3A

RGB 44 159 58

HSL 127.3, 0.57%, 0.4%

LAB 57.69, -52.32, 42.58

 

Description

Color code: HEX #2D579E | qconv.com Color code: HEX #2D579E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 87 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 87 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 45 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 45% 0% 38% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

67% - Telefony komórkowe i...
Link: http://www.nokia.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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