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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D6F44 it is the complementary color #D290BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D6F44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D6F44 shade: #326F3F, #438152, #549365, #65A578 and #76B78B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D6F44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D6F44 shade: #2D6F44, #1C5D31, #0B4B1E, #00390B and #002700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D6F44 shade: #2D7044, #2D7033, #3A702D, #4C702D and #5E702D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D6F44 shade: #2D7044, #2D7056, #2D7068, #2D6570 and #2D5370

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D6F44 shade matches the following richer shades: #2D7044, #217D41, #14893D and #079639

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D6F44 shade: #2D7044, #3A6348, #47564C, #544950 and #613D54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D6F44 shade: #3B702D, #2D7032, #2D7043, #2D7055 and #2D7067

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D6F44 shade: #153520, #215232, #2D7044, #398D56 and #45AA68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D6F44 shade: #2D6F44, #2D4C70 and #702D32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D6F44 shade: #2D6F44, #432D70 and #70432D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D6F44 shade: #2D6F44, #2D4C70, #702D5A and #70512D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D6F44 shade: #2D6F44, #2D3870, #702D5A and #70652D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 39 / 56

HEX #2D6F44

RGB 45 111 68

HSL 140.91, 0.42%, 0.31%

LAB 41.76, -31.58, 17.82

 

Complementary color

CMYK 0 / 31 / 11 / 18

HEX #D290BB

RGB 210 144 187

HSL 320.91, 0.42%, 0.69%

LAB 67.45, 31.48, -12.25

 

CMYK 55 / 0 / 43 / 56

HEX #326F3F

RGB 50 111 63

HSL 132.79, 0.38%, 0.32%

LAB 41.85, -31.19, 20.86

 

CMYK 48 / 0 / 36 / 49

HEX #438152

RGB 67 129 82

HSL 134.52, 0.32%, 0.38%

LAB 48.89, -31.05, 19.45

 

CMYK 43 / 0 / 31 / 42

HEX #549365

RGB 84 147 101

HSL 136.19, 0.27%, 0.45%

LAB 55.78, -30.81, 18.17

 

CMYK 39 / 0 / 27 / 35

HEX #65A578

RGB 101 165 120

HSL 137.81, 0.26%, 0.52%

LAB 62.54, -30.54, 17.01

 

CMYK 36 / 0 / 24 / 28

HEX #76B78B

RGB 118 183 139

HSL 139.38, 0.31%, 0.59%

LAB 69.17, -30.26, 15.94

 

CMYK 59 / 0 / 39 / 56

HEX #2D6F44

RGB 45 111 68

HSL 140.91, 0.42%, 0.31%

LAB 41.76, -31.58, 17.82

 

CMYK 70 / 0 / 47 / 64

HEX #1C5D31

RGB 28 93 49

HSL 139.38, 0.54%, 0.24%

LAB 34.59, -31.39, 19.41

 

CMYK 85 / 0 / 60 / 71

HEX #0B4B1E

RGB 11 75 30

HSL 137.81, 0.74%, 0.17%

LAB 27.29, -30.56, 21.18

 

CMYK 100 / 0 / 81 / 78

HEX #00390B

RGB 0 57 11

HSL 131.58, 1%, 0.11%

LAB 19.84, -28.43, 22.69

 

CMYK 100 / 0 / 100 / 85

HEX #002700

RGB 0 39 0

HSL 120, 1%, 0.08%

LAB 12.29, -23.27, 17.74

 

CMYK 60 / 0 / 39 / 56

HEX #2D7044

RGB 45 112 68

HSL 140.6, 0.43%, 0.31%

LAB 42.1, -32.04, 18.27

 

CMYK 60 / 0 / 54 / 56

HEX #2D7033

RGB 45 112 51

HSL 125.37, 0.43%, 0.31%

LAB 41.82, -35.02, 27.46

 

CMYK 48 / 0 / 60 / 56

HEX #3A702D

RGB 58 112 45

HSL 108.36, 0.43%, 0.31%

LAB 42.27, -31.94, 31.29

 

CMYK 32 / 0 / 60 / 56

HEX #4C702D

RGB 76 112 45

HSL 92.24, 0.43%, 0.31%

LAB 43.23, -25.34, 32.65

 

CMYK 16 / 0 / 60 / 56

HEX #5E702D

RGB 94 112 45

HSL 76.12, 0.43%, 0.31%

LAB 44.46, -17.79, 34.37

 

CMYK 60 / 0 / 39 / 56

HEX #2D7044

RGB 45 112 68

HSL 140.6, 0.43%, 0.31%

LAB 42.1, -32.04, 18.27

 

CMYK 60 / 0 / 23 / 56

HEX #2D7056

RGB 45 112 86

HSL 156.72, 0.43%, 0.31%

LAB 42.49, -28.02, 8.18

 

CMYK 60 / 0 / 7 / 56

HEX #2D7068

RGB 45 112 104

HSL 172.84, 0.43%, 0.31%

LAB 42.98, -23.21, -1.92

 

CMYK 60 / 10 / 0 / 56

HEX #2D6570

RGB 45 101 112

HSL 189.85, 0.43%, 0.31%

LAB 39.64, -14.83, -11.77

 

CMYK 60 / 26 / 0 / 56

HEX #2D5370

RGB 45 83 112

HSL 205.97, 0.43%, 0.31%

LAB 33.8, -4.09, -20.72

 

CMYK 60 / 0 / 39 / 56

HEX #2D7044

RGB 45 112 68

HSL 140.6, 0.43%, 0.31%

LAB 42.1, -32.04, 18.27

 

CMYK 74 / 0 / 48 / 51

HEX #217D41

RGB 33 125 65

HSL 140.87, 0.58%, 0.31%

LAB 46.14, -40.67, 25.16

 

CMYK 85 / 0 / 55 / 46

HEX #14893D

RGB 20 137 61

HSL 141.03, 0.75%, 0.31%

LAB 49.95, -47.63, 31.98

 

CMYK 95 / 0 / 62 / 41

HEX #079639

RGB 7 150 57

HSL 140.98, 0.91%, 0.31%

LAB 54.19, -53.59, 38.93

 

CMYK 60 / 0 / 39 / 56

HEX #2D7044

RGB 45 112 68

HSL 140.6, 0.43%, 0.31%

LAB 42.1, -32.04, 18.27

 

CMYK 41 / 0 / 27 / 61

HEX #3A6348

RGB 58 99 72

HSL 140.49, 0.26%, 0.31%

LAB 38.36, -21.03, 10.92

 

CMYK 17 / 0 / 12 / 66

HEX #47564C

RGB 71 86 76

HSL 140, 0.1%, 0.31%

LAB 35.04, -8.13, 3.88

 

CMYK 0 / 13 / 5 / 67

HEX #544950

RGB 84 73 80

HSL 321.82, 0.07%, 0.31%

LAB 32.32, 6.04, -2.46

 

CMYK 0 / 37 / 13 / 62

HEX #613D54

RGB 97 61 84

HSL 321.67, 0.23%, 0.31%

LAB 30.69, 19.69, -7.31

 

CMYK 47 / 0 / 60 / 56

HEX #3B702D

RGB 59 112 45

HSL 107.46, 0.43%, 0.31%

LAB 42.32, -31.6, 31.35

 

CMYK 60 / 0 / 55 / 56

HEX #2D7032

RGB 45 112 50

HSL 124.48, 0.43%, 0.31%

LAB 41.81, -35.17, 27.98

 

CMYK 60 / 0 / 40 / 56

HEX #2D7043

RGB 45 112 67

HSL 139.7, 0.43%, 0.31%

LAB 42.08, -32.23, 18.82

 

CMYK 60 / 0 / 24 / 56

HEX #2D7055

RGB 45 112 85

HSL 155.82, 0.43%, 0.31%

LAB 42.46, -28.26, 8.75

 

CMYK 60 / 0 / 8 / 56

HEX #2D7067

RGB 45 112 103

HSL 171.94, 0.43%, 0.31%

LAB 42.95, -23.5, -1.36

 

CMYK 60 / 0 / 40 / 79

HEX #153520

RGB 21 53 32

HSL 140.63, 0.43%, 0.15%

LAB 19.27, -17.68, 9.74

 

CMYK 60 / 0 / 39 / 68

HEX #215232

RGB 33 82 50

HSL 140.82, 0.43%, 0.23%

LAB 30.85, -24.89, 13.92

 

CMYK 60 / 0 / 39 / 56

HEX #2D7044

RGB 45 112 68

HSL 140.6, 0.43%, 0.31%

LAB 42.1, -32.04, 18.27

 

CMYK 60 / 0 / 39 / 45

HEX #398D56

RGB 57 141 86

HSL 140.71, 0.42%, 0.39%

LAB 52.5, -38.36, 21.95

 

CMYK 59 / 0 / 39 / 33

HEX #45AA68

RGB 69 170 104

HSL 140.79, 0.42%, 0.47%

LAB 62.52, -44.42, 25.48

 

CMYK 59 / 0 / 39 / 56

HEX #2D6F44

RGB 45 111 68

HSL 140.91, 0.42%, 0.31%

LAB 41.76, -31.58, 17.82

 

CMYK 60 / 32 / 0 / 56

HEX #2D4C70

RGB 45 76 112

HSL 212.24, 0.43%, 0.31%

LAB 31.57, 0.38, -24.21

 

CMYK 0 / 60 / 55 / 56

HEX #702D32

RGB 112 45 50

HSL 355.52, 0.43%, 0.31%

LAB 28.25, 30.16, 11.77

 

CMYK 59 / 0 / 39 / 56

HEX #2D6F44

RGB 45 111 68

HSL 140.91, 0.42%, 0.31%

LAB 41.76, -31.58, 17.82

 

CMYK 40 / 60 / 0 / 56

HEX #432D70

RGB 67 45 112

HSL 259.7, 0.43%, 0.31%

LAB 24.45, 26.68, -35.41

 

CMYK 0 / 40 / 60 / 56

HEX #70432D

RGB 112 67 45

HSL 19.7, 0.43%, 0.31%

LAB 33.24, 17.02, 21.45

 

CMYK 59 / 0 / 39 / 56

HEX #2D6F44

RGB 45 111 68

HSL 140.91, 0.42%, 0.31%

LAB 41.76, -31.58, 17.82

 

CMYK 60 / 32 / 0 / 56

HEX #2D4C70

RGB 45 76 112

HSL 212.24, 0.43%, 0.31%

LAB 31.57, 0.38, -24.21

 

CMYK 0 / 60 / 20 / 56

HEX #702D5A

RGB 112 45 90

HSL 319.7, 0.43%, 0.31%

LAB 29.56, 35.37, -12.7

 

CMYK 0 / 28 / 60 / 56

HEX #70512D

RGB 112 81 45

HSL 32.24, 0.43%, 0.31%

LAB 36.97, 8.51, 26.03

 

CMYK 59 / 0 / 39 / 56

HEX #2D6F44

RGB 45 111 68

HSL 140.91, 0.42%, 0.31%

LAB 41.76, -31.58, 17.82

 

CMYK 60 / 50 / 0 / 56

HEX #2D3870

RGB 45 56 112

HSL 230.15, 0.43%, 0.31%

LAB 25.43, 13.88, -33.94

 

CMYK 0 / 60 / 20 / 56

HEX #702D5A

RGB 112 45 90

HSL 319.7, 0.43%, 0.31%

LAB 29.56, 35.37, -12.7

 

CMYK 0 / 10 / 60 / 56

HEX #70652D

RGB 112 101 45

HSL 50.15, 0.43%, 0.31%

LAB 42.68, -3.41, 32.75

 

Description

Color code: HEX #2D6F44 | qconv.com Color code: HEX #2D6F44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 111 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 111 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 39 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 39% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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