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Color name
HEX #2D70BC

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D70BC it is the complementary color #D28F43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D70BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D70BC shade: #3270B7, #4382CA, #5494DD, #65A6F0 and #76B8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D70BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D70BC shade: #2D70BC, #1C5EA9, #0B4C96, #003A83 and #002870

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D70BC shade: #2D70BC, #2D4ABC, #372DBC, #5E2DBC and #852DBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D70BC shade: #2D70BC, #2D4ABC and #2D2DBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D70BC shade matches the following richer shades: #2D70BC, #1A6FCF and #076EE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D70BC shade: #2D70BC, #4071A9, #537396, #667483 and #797570

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D70BC shade: #2DBCBA, #2D99BC, #2D72BC, #2D4CBC and #342DBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D70BC shade: #1D497A, #255C9B, #2D70BC, #4285D1 and #639AD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D70BC shade: #2D70BC, #942DBC and #ACBC2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D70BC shade: #2D70BC, #BC2D72 and #72BC2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D70BC shade: #2D70BC, #942DBC, #BC772D and #56BC2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D70BC shade: #2D70BC, #BC2DBA, #BC772D and #2DBC30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 40 / 0 / 26

HEX #2D70BC

RGB 45 112 188

HSL 211.89, 0.61%, 0.46%

LAB 46.68, 5.63, -46

 

Complementary color

CMYK 0 / 32 / 68 / 18

HEX #D28F43

RGB 210 143 67

HSL 31.89, 0.61%, 0.54%

LAB 64.77, 18.31, 49.46

 

CMYK 73 / 39 / 0 / 28

HEX #3270B7

RGB 50 112 183

HSL 212.03, 0.57%, 0.46%

LAB 46.56, 4.44, -43.29

 

CMYK 67 / 36 / 0 / 21

HEX #4382CA

RGB 67 130 202

HSL 212, 0.56%, 0.53%

LAB 53.41, 2.89, -43.3

 

CMYK 62 / 33 / 0 / 13

HEX #5494DD

RGB 84 148 221

HSL 211.97, 0.67%, 0.6%

LAB 60.15, 1.67, -43.3

 

CMYK 58 / 31 / 0 / 6

HEX #65A6F0

RGB 101 166 240

HSL 211.94, 0.82%, 0.67%

LAB 66.77, 0.69, -43.32

 

CMYK 54 / 28 / 0 / 0

HEX #76B8FF

RGB 118 184 255

HSL 211.09, 1%, 0.73%

LAB 73.12, -1.33, -41.46

 

CMYK 76 / 40 / 0 / 26

HEX #2D70BC

RGB 45 112 188

HSL 211.89, 0.61%, 0.46%

LAB 46.68, 5.63, -46

 

CMYK 83 / 44 / 0 / 34

HEX #1C5EA9

RGB 28 94 169

HSL 211.91, 0.72%, 0.39%

LAB 39.78, 7.9, -45.95

 

CMYK 93 / 49 / 0 / 41

HEX #0B4C96

RGB 11 76 150

HSL 211.94, 0.86%, 0.32%

LAB 32.79, 10.87, -45.81

 

CMYK 100 / 56 / 0 / 49

HEX #003A83

RGB 0 58 131

HSL 213.44, 1%, 0.26%

LAB 25.76, 14.68, -45.5

 

CMYK 100 / 64 / 0 / 56

HEX #002870

RGB 0 40 112

HSL 218.57, 1%, 0.22%

LAB 18.75, 19.44, -44.87

 

CMYK 76 / 40 / 0 / 26

HEX #2D70BC

RGB 45 112 188

HSL 211.89, 0.61%, 0.46%

LAB 46.68, 5.63, -46

 

CMYK 76 / 61 / 0 / 26

HEX #2D4ABC

RGB 45 74 188

HSL 227.83, 0.61%, 0.46%

LAB 36.15, 30.22, -63

 

CMYK 71 / 76 / 0 / 26

HEX #372DBC

RGB 55 45 188

HSL 244.2, 0.61%, 0.46%

LAB 30.21, 48.79, -72.75

 

CMYK 50 / 76 / 0 / 26

HEX #5E2DBC

RGB 94 45 188

HSL 260.56, 0.61%, 0.46%

LAB 33.75, 53.54, -66.79

 

CMYK 29 / 76 / 0 / 26

HEX #852DBC

RGB 133 45 188

HSL 276.92, 0.61%, 0.46%

LAB 38.72, 60, -58.47

 

CMYK 76 / 40 / 0 / 26

HEX #2D70BC

RGB 45 112 188

HSL 211.89, 0.61%, 0.46%

LAB 46.68, 5.63, -46

 

CMYK 76 / 61 / 0 / 26

HEX #2D4ABC

RGB 45 74 188

HSL 227.83, 0.61%, 0.46%

LAB 36.15, 30.22, -63

 

CMYK 76 / 76 / 0 / 26

HEX #2D2DBC

RGB 45 45 188

HSL 240, 0.61%, 0.46%

LAB 29.58, 47.93, -73.81

 

CMYK 76 / 40 / 0 / 26

HEX #2D70BC

RGB 45 112 188

HSL 211.89, 0.61%, 0.46%

LAB 46.68, 5.63, -46

 

CMYK 87 / 46 / 0 / 19

HEX #1A6FCF

RGB 26 111 207

HSL 211.82, 0.78%, 0.46%

LAB 47.1, 11.79, -56.29

 

CMYK 97 / 51 / 0 / 11

HEX #076EE2

RGB 7 110 226

HSL 211.78, 0.94%, 0.46%

LAB 47.86, 19.07, -65.85

 

CMYK 76 / 40 / 0 / 26

HEX #2D70BC

RGB 45 112 188

HSL 211.89, 0.61%, 0.46%

LAB 46.68, 5.63, -46

 

CMYK 62 / 33 / 0 / 34

HEX #4071A9

RGB 64 113 169

HSL 212, 0.45%, 0.46%

LAB 46.66, 1.18, -34.93

 

CMYK 45 / 23 / 0 / 41

HEX #537396

RGB 83 115 150

HSL 211.34, 0.29%, 0.46%

LAB 47.37, -1.73, -22.6

 

CMYK 22 / 11 / 0 / 49

HEX #667483

RGB 102 116 131

HSL 211.03, 0.12%, 0.46%

LAB 48.2, -1.69, -9.97

 

CMYK 0 / 3 / 7 / 53

HEX #797570

RGB 121 117 112

HSL 33.33, 0.04%, 0.46%

LAB 49.44, 0.57, 3.29

 

CMYK 76 / 0 / 1 / 26

HEX #2DBCBA

RGB 45 188 186

HSL 179.16, 0.61%, 0.46%

LAB 69.52, -36.21, -9.6

 

CMYK 76 / 19 / 0 / 26

HEX #2D99BC

RGB 45 153 188

HSL 194.69, 0.61%, 0.46%

LAB 58.95, -18.16, -26.76

 

CMYK 76 / 39 / 0 / 26

HEX #2D72BC

RGB 45 114 188

HSL 211.05, 0.61%, 0.46%

LAB 47.27, 4.39, -45.07

 

CMYK 76 / 60 / 0 / 26

HEX #2D4CBC

RGB 45 76 188

HSL 226.99, 0.61%, 0.46%

LAB 36.66, 28.91, -62.16

 

CMYK 72 / 76 / 0 / 26

HEX #342DBC

RGB 52 45 188

HSL 242.94, 0.61%, 0.46%

LAB 30, 48.51, -73.09

 

CMYK 76 / 40 / 0 / 52

HEX #1D497A

RGB 29 73 122

HSL 211.61, 0.62%, 0.3%

LAB 30.48, 3.11, -32.25

 

CMYK 76 / 41 / 0 / 39

HEX #255C9B

RGB 37 92 155

HSL 212.03, 0.61%, 0.38%

LAB 38.58, 4.72, -39.52

 

CMYK 76 / 40 / 0 / 26

HEX #2D70BC

RGB 45 112 188

HSL 211.89, 0.61%, 0.46%

LAB 46.68, 5.63, -46

 

CMYK 68 / 36 / 0 / 18

HEX #4285D1

RGB 66 133 209

HSL 211.89, 0.61%, 0.54%

LAB 54.59, 3.38, -45.39

 

CMYK 54 / 29 / 0 / 15

HEX #639AD9

RGB 99 154 217

HSL 212.03, 0.61%, 0.62%

LAB 62.32, -0.09, -37.62

 

CMYK 76 / 40 / 0 / 26

HEX #2D70BC

RGB 45 112 188

HSL 211.89, 0.61%, 0.46%

LAB 46.68, 5.63, -46

 

CMYK 21 / 76 / 0 / 26

HEX #942DBC

RGB 148 45 188

HSL 283.22, 0.61%, 0.46%

LAB 40.9, 62.79, -54.83

 

CMYK 9 / 0 / 76 / 26

HEX #ACBC2D

RGB 172 188 45

HSL 66.71, 0.61%, 0.46%

LAB 72.84, -22.97, 65.15

 

CMYK 76 / 40 / 0 / 26

HEX #2D70BC

RGB 45 112 188

HSL 211.89, 0.61%, 0.46%

LAB 46.68, 5.63, -46

 

CMYK 0 / 76 / 39 / 26

HEX #BC2D72

RGB 188 45 114

HSL 331.05, 0.61%, 0.46%

LAB 43.92, 60.86, -4.97

 

CMYK 39 / 0 / 76 / 26

HEX #72BC2D

RGB 114 188 45

HSL 91.05, 0.61%, 0.46%

LAB 69.28, -45.54, 60.52

 

CMYK 76 / 40 / 0 / 26

HEX #2D70BC

RGB 45 112 188

HSL 211.89, 0.61%, 0.46%

LAB 46.68, 5.63, -46

 

CMYK 21 / 76 / 0 / 26

HEX #942DBC

RGB 148 45 188

HSL 283.22, 0.61%, 0.46%

LAB 40.9, 62.79, -54.83

 

CMYK 0 / 37 / 76 / 26

HEX #BC772D

RGB 188 119 45

HSL 31.05, 0.61%, 0.46%

LAB 56.16, 20.89, 49.76

 

CMYK 54 / 0 / 76 / 26

HEX #56BC2D

RGB 86 188 45

HSL 102.8, 0.61%, 0.46%

LAB 68.12, -54.22, 59

 

CMYK 76 / 40 / 0 / 26

HEX #2D70BC

RGB 45 112 188

HSL 211.89, 0.61%, 0.46%

LAB 46.68, 5.63, -46

 

CMYK 0 / 76 / 1 / 26

HEX #BC2DBA

RGB 188 45 186

HSL 300.84, 0.61%, 0.46%

LAB 47.12, 70.38, -43.33

 

CMYK 0 / 37 / 76 / 26

HEX #BC772D

RGB 188 119 45

HSL 31.05, 0.61%, 0.46%

LAB 56.16, 20.89, 49.76

 

CMYK 76 / 0 / 74 / 26

HEX #2DBC30

RGB 45 188 48

HSL 121.26, 0.61%, 0.46%

LAB 67.08, -62.71, 56.59

 

Description

Color code: HEX #2D70BC | qconv.com Color code: HEX #2D70BC | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 112 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 112 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 40 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 40% 0% 26% C M Y K

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Provide designers and agencies with accurate color values.

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