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Color name
HEX #2D8A0F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D8A0F it is the complementary color #D275F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D8A0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D8A0F shade: #328A0A, #439C1D, #54AE30, #65C043 and #76D256

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D8A0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D8A0F shade: #2D8A0F, #1C7800, #0B6600, #005400 and #004200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D8A0F shade: #2D890F, #4E890F, #6F890F, #89830F and #89620F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D8A0F shade: #2D890F, #0F8912, #0F8933, #0F8954 and #0F8975

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D8A0F shade matches the following richer shades: #2D890F and #269602

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D8A0F shade: #2D890F, #337D1B, #397028, #406434 and #465840

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D8A0F shade: #6F890F, #4E890F, #2D890F, #0F8911 and #0F8931

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D8A0F shade: #143F07, #20640B, #2D890F, #39AE13 and #45D317

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D8A0F shade: #2D8A0F, #0F8983 and #890F5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D8A0F shade: #2D8A0F, #0F2D89 and #890F2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D8A0F shade: #2D8A0F, #0F8983, #6B0F89 and #890F15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D8A0F shade: #2D8A0F, #0F6B89, #6B0F89 and #892D0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 89 / 46

HEX #2D8A0F

RGB 45 138 15

HSL 105.37, 0.8%, 0.3%

LAB 50.42, -48.23, 50.71

 

Complementary color

CMYK 13 / 51 / 0 / 6

HEX #D275F0

RGB 210 117 240

HSL 285.37, 0.8%, 0.7%

LAB 63.93, 55.48, -47.2

 

CMYK 64 / 0 / 93 / 46

HEX #328A0A

RGB 50 138 10

HSL 101.25, 0.86%, 0.29%

LAB 50.54, -47.23, 51.88

 

CMYK 57 / 0 / 81 / 39

HEX #439C1D

RGB 67 156 29

HSL 102.05, 0.69%, 0.36%

LAB 57.13, -48.52, 53.35

 

CMYK 52 / 0 / 72 / 32

HEX #54AE30

RGB 84 174 48

HSL 102.86, 0.57%, 0.44%

LAB 63.65, -49.29, 53.47

 

CMYK 47 / 0 / 65 / 25

HEX #65C043

RGB 101 192 67

HSL 103.68, 0.5%, 0.51%

LAB 70.09, -49.72, 52.88

 

CMYK 44 / 0 / 59 / 18

HEX #76D256

RGB 118 210 86

HSL 104.52, 0.58%, 0.58%

LAB 76.45, -49.93, 51.96

 

CMYK 67 / 0 / 89 / 46

HEX #2D8A0F

RGB 45 138 15

HSL 105.37, 0.8%, 0.3%

LAB 50.42, -48.23, 50.71

 

CMYK 77 / 0 / 100 / 53

HEX #1C7800

RGB 28 120 0

HSL 106, 1%, 0.24%

LAB 43.77, -46.12, 48.08

 

CMYK 89 / 0 / 100 / 60

HEX #0B6600

RGB 11 102 0

HSL 113.53, 1%, 0.2%

LAB 37.07, -42.78, 42.61

 

CMYK 100 / 0 / 100 / 67

HEX #005400

RGB 0 84 0

HSL 120, 1%, 0.16%

LAB 30.26, -38.43, 37.09

 

CMYK 100 / 0 / 100 / 74

HEX #004200

RGB 0 66 0

HSL 120, 1%, 0.13%

LAB 23.33, -32.67, 30.93

 

CMYK 67 / 0 / 89 / 46

HEX #2D890F

RGB 45 137 15

HSL 105.25, 0.8%, 0.3%

LAB 50.08, -47.88, 50.42

 

CMYK 43 / 0 / 89 / 46

HEX #4E890F

RGB 78 137 15

HSL 89.02, 0.8%, 0.3%

LAB 51.32, -38.13, 51.98

 

CMYK 19 / 0 / 89 / 46

HEX #6F890F

RGB 111 137 15

HSL 72.79, 0.8%, 0.3%

LAB 53.28, -24.95, 54.42

 

CMYK 0 / 4 / 89 / 46

HEX #89830F

RGB 137 131 15

HSL 57.05, 0.8%, 0.3%

LAB 53.58, -10.07, 55.53

 

CMYK 0 / 28 / 89 / 46

HEX #89620F

RGB 137 98 15

HSL 40.82, 0.8%, 0.3%

LAB 44.36, 8.65, 48.05

 

CMYK 67 / 0 / 89 / 46

HEX #2D890F

RGB 45 137 15

HSL 105.25, 0.8%, 0.3%

LAB 50.08, -47.88, 50.42

 

CMYK 89 / 0 / 87 / 46

HEX #0F8912

RGB 15 137 18

HSL 121.48, 0.8%, 0.3%

LAB 49.54, -52.5, 49.01

 

CMYK 89 / 0 / 63 / 46

HEX #0F8933

RGB 15 137 51

HSL 137.7, 0.8%, 0.3%

LAB 49.78, -49.54, 36.72

 

CMYK 89 / 0 / 39 / 46

HEX #0F8954

RGB 15 137 84

HSL 153.93, 0.8%, 0.3%

LAB 50.26, -43.83, 19.92

 

CMYK 89 / 0 / 15 / 46

HEX #0F8975

RGB 15 137 117

HSL 170.16, 0.8%, 0.3%

LAB 51.01, -35.56, 2.04

 

CMYK 67 / 0 / 89 / 46

HEX #2D890F

RGB 45 137 15

HSL 105.25, 0.8%, 0.3%

LAB 50.08, -47.88, 50.42

 

CMYK 75 / 0 / 99 / 41

HEX #269602

RGB 38 150 2

HSL 105.41, 0.97%, 0.3%

LAB 54.27, -54.04, 56.2

 

CMYK 67 / 0 / 89 / 46

HEX #2D890F

RGB 45 137 15

HSL 105.25, 0.8%, 0.3%

LAB 50.08, -47.88, 50.42

 

CMYK 59 / 0 / 78 / 51

HEX #337D1B

RGB 51 125 27

HSL 105.31, 0.64%, 0.3%

LAB 46.24, -41.27, 43.42

 

CMYK 49 / 0 / 64 / 56

HEX #397028

RGB 57 112 40

HSL 105.83, 0.47%, 0.3%

LAB 42.17, -32.86, 33.66

 

CMYK 36 / 0 / 48 / 61

HEX #406434

RGB 64 100 52

HSL 105, 0.32%, 0.3%

LAB 38.64, -23.08, 23.16

 

CMYK 20 / 0 / 27 / 65

HEX #465840

RGB 70 88 64

HSL 105, 0.16%, 0.3%

LAB 35.3, -12.15, 11.7

 

CMYK 19 / 0 / 89 / 46

HEX #6F890F

RGB 111 137 15

HSL 72.79, 0.8%, 0.3%

LAB 53.28, -24.95, 54.42

 

CMYK 43 / 0 / 89 / 46

HEX #4E890F

RGB 78 137 15

HSL 89.02, 0.8%, 0.3%

LAB 51.32, -38.13, 51.98

 

CMYK 67 / 0 / 89 / 46

HEX #2D890F

RGB 45 137 15

HSL 105.25, 0.8%, 0.3%

LAB 50.08, -47.88, 50.42

 

CMYK 89 / 0 / 88 / 46

HEX #0F8911

RGB 15 137 17

HSL 120.98, 0.8%, 0.3%

LAB 49.54, -52.55, 49.26

 

CMYK 89 / 0 / 64 / 46

HEX #0F8931

RGB 15 137 49

HSL 136.72, 0.8%, 0.3%

LAB 49.76, -49.79, 37.64

 

CMYK 68 / 0 / 89 / 75

HEX #143F07

RGB 20 63 7

HSL 106.07, 0.8%, 0.14%

LAB 22.72, -26.5, 27.62

 

CMYK 68 / 0 / 89 / 61

HEX #20640B

RGB 32 100 11

HSL 105.84, 0.8%, 0.22%

LAB 36.83, -37.74, 39.53

 

CMYK 67 / 0 / 89 / 46

HEX #2D890F

RGB 45 137 15

HSL 105.25, 0.8%, 0.3%

LAB 50.08, -47.88, 50.42

 

CMYK 67 / 0 / 89 / 32

HEX #39AE13

RGB 57 174 19

HSL 105.29, 0.8%, 0.38%

LAB 62.67, -57.69, 60.63

 

CMYK 67 / 0 / 89 / 17

HEX #45D317

RGB 69 211 23

HSL 105.32, 0.8%, 0.46%

LAB 74.77, -67.09, 70.38

 

CMYK 67 / 0 / 89 / 46

HEX #2D8A0F

RGB 45 138 15

HSL 105.37, 0.8%, 0.3%

LAB 50.42, -48.23, 50.71

 

CMYK 89 / 0 / 4 / 46

HEX #0F8983

RGB 15 137 131

HSL 177.05, 0.8%, 0.3%

LAB 51.42, -31.41, -5.51

 

CMYK 0 / 89 / 31 / 46

HEX #890F5E

RGB 137 15 94

HSL 321.15, 0.8%, 0.3%

LAB 30.56, 53.61, -13.37

 

CMYK 67 / 0 / 89 / 46

HEX #2D8A0F

RGB 45 138 15

HSL 105.37, 0.8%, 0.3%

LAB 50.42, -48.23, 50.71

 

CMYK 89 / 67 / 0 / 46

HEX #0F2D89

RGB 15 45 137

HSL 225.25, 0.8%, 0.3%

LAB 22.95, 27.28, -53.83

 

CMYK 0 / 89 / 67 / 46

HEX #890F2D

RGB 137 15 45

HSL 345.25, 0.8%, 0.3%

LAB 29.03, 49.28, 17

 

CMYK 67 / 0 / 89 / 46

HEX #2D8A0F

RGB 45 138 15

HSL 105.37, 0.8%, 0.3%

LAB 50.42, -48.23, 50.71

 

CMYK 89 / 0 / 4 / 46

HEX #0F8983

RGB 15 137 131

HSL 177.05, 0.8%, 0.3%

LAB 51.42, -31.41, -5.51

 

CMYK 22 / 89 / 0 / 46

HEX #6B0F89

RGB 107 15 137

HSL 285.25, 0.8%, 0.3%

LAB 27.5, 54.3, -46.01

 

CMYK 0 / 89 / 85 / 46

HEX #890F15

RGB 137 15 21

HSL 357.05, 0.8%, 0.3%

LAB 28.68, 48.26, 31.89

 

CMYK 67 / 0 / 89 / 46

HEX #2D8A0F

RGB 45 138 15

HSL 105.37, 0.8%, 0.3%

LAB 50.42, -48.23, 50.71

 

CMYK 89 / 22 / 0 / 46

HEX #0F6B89

RGB 15 107 137

HSL 194.75, 0.8%, 0.3%

LAB 41.88, -13.68, -23.55

 

CMYK 22 / 89 / 0 / 46

HEX #6B0F89

RGB 107 15 137

HSL 285.25, 0.8%, 0.3%

LAB 27.5, 54.3, -46.01

 

CMYK 0 / 67 / 89 / 46

HEX #892D0F

RGB 137 45 15

HSL 14.75, 0.8%, 0.3%

LAB 32.32, 37.86, 38.2

 

Description

Color code: HEX #2D8A0F | qconv.com Color code: HEX #2D8A0F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 138 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 138 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 89 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 89% 46% C M Y K

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Provide designers and agencies with accurate color values.

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