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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DA904 it is the complementary color #D256FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DA904. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DA904 shade: #32A900, #43BB12, #54CD25, #65DF38 and #76F14B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DA904. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DA904 shade: #2DA904, #1C9700, #0B8500, #007300 and #006100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DA904 shade: #2DA904, #59A904, #86A904, #A99F04 and #A97304

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DA904 shade: #2DA904, #04A907, #04A934, #04A960 and #04A98D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DA904 shade matches the following richer shades: #2DA904

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DA904 shade: #2DA904, #349B12, #3B8D20, #427E2E and #49703C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DA904 shade: #85A904, #59A904, #2DA904, #04A907 and #04A933

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DA904 shade: #175802, #228003, #2DA904, #38D105 and #43F807

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DA904 shade: #2DA904, #04A9A0 and #A9046F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DA904 shade: #2DA904, #042DA9 and #A9042D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DA904 shade: #2DA904, #04A9A0, #7F04A9 and #A9040C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DA904 shade: #2DA904, #047FA9, #7F04A9 and #A92D04

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 98 / 34

HEX #2DA904

RGB 45 169 4

HSL 105.09, 0.95%, 0.34%

LAB 60.73, -58.79, 61.18

 

Complementary color

CMYK 16 / 66 / 0 / 2

HEX #D256FB

RGB 210 86 251

HSL 285.09, 0.95%, 0.66%

LAB 59.27, 71.83, -60.69

 

CMYK 70 / 0 / 100 / 34

HEX #32A900

RGB 50 169 0

HSL 102.25, 1%, 0.33%

LAB 60.83, -57.97, 61.86

 

CMYK 64 / 0 / 90 / 27

HEX #43BB12

RGB 67 187 18

HSL 102.6, 0.82%, 0.4%

LAB 67.11, -59.88, 64.7

 

CMYK 59 / 0 / 82 / 20

HEX #54CD25

RGB 84 205 37

HSL 103.21, 0.69%, 0.47%

LAB 73.34, -61.25, 66.25

 

CMYK 55 / 0 / 75 / 13

HEX #65DF38

RGB 101 223 56

HSL 103.83, 0.72%, 0.55%

LAB 79.52, -62.18, 66.69

 

CMYK 51 / 0 / 69 / 5

HEX #76F14B

RGB 118 241 75

HSL 104.46, 0.86%, 0.62%

LAB 85.64, -62.8, 66.46

 

CMYK 73 / 0 / 98 / 34

HEX #2DA904

RGB 45 169 4

HSL 105.09, 0.95%, 0.34%

LAB 60.73, -58.79, 61.18

 

CMYK 81 / 0 / 100 / 41

HEX #1C9700

RGB 28 151 0

HSL 108.87, 1%, 0.3%

LAB 54.43, -55.94, 56.58

 

CMYK 92 / 0 / 100 / 48

HEX #0B8500

RGB 11 133 0

HSL 115.04, 1%, 0.26%

LAB 48.07, -52.33, 51.41

 

CMYK 100 / 0 / 100 / 55

HEX #007300

RGB 0 115 0

HSL 120, 1%, 0.23%

LAB 41.63, -47.88, 46.21

 

CMYK 100 / 0 / 100 / 62

HEX #006100

RGB 0 97 0

HSL 120, 1%, 0.19%

LAB 35.1, -42.46, 40.98

 

CMYK 73 / 0 / 98 / 34

HEX #2DA904

RGB 45 169 4

HSL 105.09, 0.95%, 0.34%

LAB 60.73, -58.79, 61.18

 

CMYK 47 / 0 / 98 / 34

HEX #59A904

RGB 89 169 4

HSL 89.09, 0.95%, 0.34%

LAB 62.09, -47.72, 62.84

 

CMYK 21 / 0 / 98 / 34

HEX #86A904

RGB 134 169 4

HSL 72.73, 0.95%, 0.34%

LAB 64.53, -30.88, 65.79

 

CMYK 0 / 6 / 98 / 34

HEX #A99F04

RGB 169 159 4

HSL 56.36, 0.95%, 0.34%

LAB 64.35, -10.59, 66.86

 

CMYK 0 / 32 / 98 / 34

HEX #A97304

RGB 169 115 4

HSL 40.36, 0.95%, 0.34%

LAB 52.63, 13.57, 58.42

 

CMYK 73 / 0 / 98 / 34

HEX #2DA904

RGB 45 169 4

HSL 105.09, 0.95%, 0.34%

LAB 60.73, -58.79, 61.18

 

CMYK 98 / 0 / 96 / 34

HEX #04A907

RGB 4 169 7

HSL 121.09, 0.95%, 0.34%

LAB 60.26, -62.94, 60.19

 

CMYK 98 / 0 / 69 / 34

HEX #04A934

RGB 4 169 52

HSL 137.45, 0.95%, 0.34%

LAB 60.47, -60.27, 48.09

 

CMYK 98 / 0 / 43 / 34

HEX #04A960

RGB 4 169 96

HSL 153.45, 0.95%, 0.34%

LAB 61, -53.82, 27.55

 

CMYK 98 / 0 / 17 / 34

HEX #04A98D

RGB 4 169 141

HSL 169.82, 0.95%, 0.34%

LAB 61.93, -43.33, 4.16

 

CMYK 73 / 0 / 98 / 34

HEX #2DA904

RGB 45 169 4

HSL 105.09, 0.95%, 0.34%

LAB 60.73, -58.79, 61.18

 

CMYK 73 / 0 / 98 / 34

HEX #2DA904

RGB 45 169 4

HSL 105.09, 0.95%, 0.34%

LAB 60.73, -58.79, 61.18

 

CMYK 66 / 0 / 88 / 39

HEX #349B12

RGB 52 155 18

HSL 105.11, 0.79%, 0.34%

LAB 56.3, -52.42, 55.27

 

CMYK 58 / 0 / 77 / 45

HEX #3B8D20

RGB 59 141 32

HSL 105.14, 0.63%, 0.34%

LAB 51.93, -44.87, 47.3

 

CMYK 48 / 0 / 63 / 51

HEX #427E2E

RGB 66 126 46

HSL 105, 0.47%, 0.34%

LAB 47.34, -35.39, 36.69

 

CMYK 35 / 0 / 46 / 56

HEX #49703C

RGB 73 112 60

HSL 105, 0.3%, 0.34%

LAB 43.26, -24.55, 24.59

 

CMYK 21 / 0 / 98 / 34

HEX #85A904

RGB 133 169 4

HSL 73.09, 0.95%, 0.34%

LAB 64.46, -31.3, 65.71

 

CMYK 47 / 0 / 98 / 34

HEX #59A904

RGB 89 169 4

HSL 89.09, 0.95%, 0.34%

LAB 62.09, -47.72, 62.84

 

CMYK 73 / 0 / 98 / 34

HEX #2DA904

RGB 45 169 4

HSL 105.09, 0.95%, 0.34%

LAB 60.73, -58.79, 61.18

 

CMYK 98 / 0 / 96 / 34

HEX #04A907

RGB 4 169 7

HSL 121.09, 0.95%, 0.34%

LAB 60.26, -62.94, 60.19

 

CMYK 98 / 0 / 70 / 34

HEX #04A933

RGB 4 169 51

HSL 137.09, 0.95%, 0.34%

LAB 60.46, -60.37, 48.49

 

CMYK 74 / 0 / 98 / 65

HEX #175802

RGB 23 88 2

HSL 105.35, 0.96%, 0.18%

LAB 32.18, -35.9, 38.11

 

CMYK 73 / 0 / 98 / 50

HEX #228003

RGB 34 128 3

HSL 105.12, 0.95%, 0.26%

LAB 46.69, -47.55, 49.83

 

CMYK 73 / 0 / 98 / 34

HEX #2DA904

RGB 45 169 4

HSL 105.09, 0.95%, 0.34%

LAB 60.73, -58.79, 61.18

 

CMYK 73 / 0 / 98 / 18

HEX #38D105

RGB 56 209 5

HSL 105, 0.95%, 0.42%

LAB 73.84, -69.2, 71.76

 

CMYK 73 / 0 / 97 / 3

HEX #43F807

RGB 67 248 7

HSL 105.06, 0.95%, 0.5%

LAB 86.18, -78.92, 81.63

 

CMYK 73 / 0 / 98 / 34

HEX #2DA904

RGB 45 169 4

HSL 105.09, 0.95%, 0.34%

LAB 60.73, -58.79, 61.18

 

CMYK 98 / 0 / 5 / 34

HEX #04A9A0

RGB 4 169 160

HSL 176.73, 0.95%, 0.34%

LAB 62.46, -37.92, -5.72

 

CMYK 0 / 98 / 34 / 34

HEX #A9046F

RGB 169 4 111

HSL 321.09, 0.95%, 0.34%

LAB 37.24, 64.26, -13.5

 

CMYK 73 / 0 / 98 / 34

HEX #2DA904

RGB 45 169 4

HSL 105.09, 0.95%, 0.34%

LAB 60.73, -58.79, 61.18

 

CMYK 98 / 73 / 0 / 34

HEX #042DA9

RGB 4 45 169

HSL 225.09, 0.95%, 0.34%

LAB 26.06, 39.19, -68.33

 

CMYK 0 / 98 / 73 / 34

HEX #A9042D

RGB 169 4 45

HSL 345.09, 0.95%, 0.34%

LAB 35.42, 59.4, 26.46

 

CMYK 73 / 0 / 98 / 34

HEX #2DA904

RGB 45 169 4

HSL 105.09, 0.95%, 0.34%

LAB 60.73, -58.79, 61.18

 

CMYK 98 / 0 / 5 / 34

HEX #04A9A0

RGB 4 169 160

HSL 176.73, 0.95%, 0.34%

LAB 62.46, -37.92, -5.72

 

CMYK 25 / 98 / 0 / 34

HEX #7F04A9

RGB 127 4 169

HSL 284.73, 0.95%, 0.34%

LAB 32.84, 65.32, -56.77

 

CMYK 0 / 98 / 93 / 34

HEX #A9040C

RGB 169 4 12

HSL 357.09, 0.95%, 0.34%

LAB 35.1, 58.51, 44.48

 

CMYK 73 / 0 / 98 / 34

HEX #2DA904

RGB 45 169 4

HSL 105.09, 0.95%, 0.34%

LAB 60.73, -58.79, 61.18

 

CMYK 98 / 25 / 0 / 34

HEX #047FA9

RGB 4 127 169

HSL 195.27, 0.95%, 0.34%

LAB 49.58, -13.67, -30.46

 

CMYK 25 / 98 / 0 / 34

HEX #7F04A9

RGB 127 4 169

HSL 284.73, 0.95%, 0.34%

LAB 32.84, 65.32, -56.77

 

CMYK 0 / 73 / 98 / 34

HEX #A92D04

RGB 169 45 4

HSL 14.91, 0.95%, 0.34%

LAB 38.41, 48.95, 49.38

 

Description

Color code: HEX #2DA904 | qconv.com Color code: HEX #2DA904 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 169 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 169 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 98 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 98% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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