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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DAE72 it is the complementary color #D2518D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DAE72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DAE72 shade: #32AE6D, #43C080, #54D293, #65E4A6 and #76F6B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DAE72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DAE72 shade: #2DAE72, #1C9C5F, #0B8A4C, #007839 and #006626

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DAE72 shade: #2CAE72, #2CAE4F, #2DAE2C, #50AE2C and #73AE2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DAE72 shade: #2CAE72, #2CAE95, #2CA4AE, #2C81AE and #2C5EAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DAE72 shade matches the following richer shades: #2CAE72, #1BC073 and #09D174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DAE72 shade: #2CAE72, #3E9C70, #508A6F, #62796E and #73676D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DAE72 shade: #2CAE2C, #2CAE4F, #2CAE71, #2CAE94 and #2CA5AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DAE72 shade: #1C6C47, #248D5C, #2CAE72, #38CB87 and #59D49B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DAE72 shade: #2DAE72, #2C4FAE and #AE3E2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DAE72 shade: #2DAE72, #712CAE and #AE712C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DAE72 shade: #2DAE72, #2C4FAE, #AE2C69 and #AE8B2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DAE72 shade: #2DAE72, #312CAE, #AE2C69 and #AAAE2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 34 / 32

HEX #2DAE72

RGB 45 174 114

HSL 152.09, 0.59%, 0.43%

LAB 63.38, -48.5, 21.14

 

Complementary color

CMYK 0 / 61 / 33 / 18

HEX #D2518D

RGB 210 81 141

HSL 332.09, 0.59%, 0.57%

LAB 53.5, 56.49, -6.65

 

CMYK 71 / 0 / 37 / 32

HEX #32AE6D

RGB 50 174 109

HSL 148.55, 0.55%, 0.44%

LAB 63.39, -48.75, 23.87

 

CMYK 65 / 0 / 33 / 25

HEX #43C080

RGB 67 192 128

HSL 149.28, 0.5%, 0.51%

LAB 69.79, -49.16, 22.4

 

CMYK 60 / 0 / 30 / 18

HEX #54D293

RGB 84 210 147

HSL 150, 0.58%, 0.58%

LAB 76.12, -49.35, 21.07

 

CMYK 56 / 0 / 27 / 11

HEX #65E4A6

RGB 101 228 166

HSL 150.71, 0.7%, 0.65%

LAB 82.38, -49.39, 19.83

 

CMYK 52 / 0 / 25 / 4

HEX #76F6B9

RGB 118 246 185

HSL 151.41, 0.88%, 0.71%

LAB 88.57, -49.33, 18.69

 

CMYK 74 / 0 / 34 / 32

HEX #2DAE72

RGB 45 174 114

HSL 152.09, 0.59%, 0.43%

LAB 63.38, -48.5, 21.14

 

CMYK 82 / 0 / 39 / 39

HEX #1C9C5F

RGB 28 156 95

HSL 151.41, 0.7%, 0.36%

LAB 56.93, -47.6, 22.76

 

CMYK 92 / 0 / 45 / 46

HEX #0B8A4C

RGB 11 138 76

HSL 150.71, 0.85%, 0.29%

LAB 50.42, -46.13, 24.56

 

CMYK 100 / 0 / 53 / 53

HEX #007839

RGB 0 120 57

HSL 148.5, 1%, 0.24%

LAB 43.84, -43.91, 26.53

 

CMYK 100 / 0 / 63 / 60

HEX #006626

RGB 0 102 38

HSL 142.35, 1%, 0.2%

LAB 37.19, -40.68, 28.57

 

CMYK 75 / 0 / 34 / 32

HEX #2CAE72

RGB 44 174 114

HSL 152.31, 0.6%, 0.43%

LAB 63.36, -48.64, 21.12

 

CMYK 75 / 0 / 55 / 32

HEX #2CAE4F

RGB 44 174 79

HSL 136.15, 0.6%, 0.43%

LAB 62.82, -54.83, 38.63

 

CMYK 74 / 0 / 75 / 32

HEX #2DAE2C

RGB 45 174 44

HSL 119.54, 0.6%, 0.43%

LAB 62.52, -58.54, 53.43

 

CMYK 54 / 0 / 75 / 32

HEX #50AE2C

RGB 80 174 44

HSL 103.38, 0.6%, 0.43%

LAB 63.47, -50.73, 54.7

 

CMYK 34 / 0 / 75 / 32

HEX #73AE2C

RGB 115 174 44

HSL 87.23, 0.6%, 0.43%

LAB 65.04, -39.28, 56.77

 

CMYK 75 / 0 / 34 / 32

HEX #2CAE72

RGB 44 174 114

HSL 152.31, 0.6%, 0.43%

LAB 63.36, -48.64, 21.12

 

CMYK 75 / 0 / 14 / 32

HEX #2CAE95

RGB 44 174 149

HSL 168.46, 0.6%, 0.43%

LAB 64.14, -40.32, 2.94

 

CMYK 75 / 6 / 0 / 32

HEX #2CA4AE

RGB 44 164 174

HSL 184.62, 0.6%, 0.43%

LAB 61.78, -28.46, -14.55

 

CMYK 75 / 26 / 0 / 32

HEX #2C81AE

RGB 44 129 174

HSL 200.77, 0.6%, 0.43%

LAB 51.03, -9.82, -31.05

 

CMYK 75 / 46 / 0 / 32

HEX #2C5EAE

RGB 44 94 174

HSL 216.92, 0.6%, 0.43%

LAB 40.57, 11.67, -47.61

 

CMYK 75 / 0 / 34 / 32

HEX #2CAE72

RGB 44 174 114

HSL 152.31, 0.6%, 0.43%

LAB 63.36, -48.64, 21.12

 

CMYK 86 / 0 / 40 / 25

HEX #1BC073

RGB 27 192 115

HSL 152, 0.75%, 0.43%

LAB 68.87, -57.01, 27.92

 

CMYK 96 / 0 / 44 / 18

HEX #09D174

RGB 9 209 116

HSL 152.1, 0.92%, 0.43%

LAB 74.14, -63.68, 34.25

 

CMYK 75 / 0 / 34 / 32

HEX #2CAE72

RGB 44 174 114

HSL 152.31, 0.6%, 0.43%

LAB 63.36, -48.64, 21.12

 

CMYK 60 / 0 / 28 / 39

HEX #3E9C70

RGB 62 156 112

HSL 151.91, 0.43%, 0.43%

LAB 58.01, -38.4, 14.95

 

CMYK 42 / 0 / 20 / 46

HEX #508A6F

RGB 80 138 111

HSL 152.07, 0.27%, 0.43%

LAB 52.98, -25.55, 8.58

 

CMYK 19 / 0 / 9 / 53

HEX #62796E

RGB 98 121 110

HSL 151.3, 0.11%, 0.43%

LAB 48.76, -10.8, 3.25

 

CMYK 0 / 10 / 5 / 55

HEX #73676D

RGB 115 103 109

HSL 330, 0.06%, 0.43%

LAB 44.87, 5.9, -1.64

 

CMYK 75 / 0 / 75 / 32

HEX #2CAE2C

RGB 44 174 44

HSL 120, 0.6%, 0.43%

LAB 62.5, -58.71, 53.4

 

CMYK 75 / 0 / 55 / 32

HEX #2CAE4F

RGB 44 174 79

HSL 136.15, 0.6%, 0.43%

LAB 62.82, -54.83, 38.63

 

CMYK 75 / 0 / 35 / 32

HEX #2CAE71

RGB 44 174 113

HSL 151.85, 0.6%, 0.43%

LAB 63.34, -48.85, 21.63

 

CMYK 75 / 0 / 15 / 32

HEX #2CAE94

RGB 44 174 148

HSL 168, 0.6%, 0.43%

LAB 64.12, -40.59, 3.46

 

CMYK 75 / 5 / 0 / 32

HEX #2CA5AE

RGB 44 165 174

HSL 184.15, 0.6%, 0.43%

LAB 62.08, -28.96, -14.09

 

CMYK 74 / 0 / 34 / 58

HEX #1C6C47

RGB 28 108 71

HSL 152.25, 0.59%, 0.27%

LAB 40.29, -33.26, 13.99

 

CMYK 74 / 0 / 35 / 45

HEX #248D5C

RGB 36 141 92

HSL 152, 0.59%, 0.35%

LAB 52.06, -41.25, 17.91

 

CMYK 75 / 0 / 34 / 32

HEX #2CAE72

RGB 44 174 114

HSL 152.31, 0.6%, 0.43%

LAB 63.36, -48.64, 21.12

 

CMYK 72 / 0 / 33 / 20

HEX #38CB87

RGB 56 203 135

HSL 152.24, 0.59%, 0.51%

LAB 73.09, -53.87, 23.14

 

CMYK 58 / 0 / 27 / 17

HEX #59D49B

RGB 89 212 155

HSL 152.2, 0.59%, 0.59%

LAB 77.03, -47.51, 18.12

 

CMYK 74 / 0 / 34 / 32

HEX #2DAE72

RGB 45 174 114

HSL 152.09, 0.59%, 0.43%

LAB 63.38, -48.5, 21.14

 

CMYK 75 / 55 / 0 / 32

HEX #2C4FAE

RGB 44 79 174

HSL 223.85, 0.6%, 0.43%

LAB 36.34, 21.54, -54.44

 

CMYK 0 / 64 / 75 / 32

HEX #AE3E2C

RGB 174 62 44

HSL 8.31, 0.6%, 0.43%

LAB 42.19, 44.73, 35.06

 

CMYK 74 / 0 / 34 / 32

HEX #2DAE72

RGB 45 174 114

HSL 152.09, 0.59%, 0.43%

LAB 63.38, -48.5, 21.14

 

CMYK 35 / 75 / 0 / 32

HEX #712CAE

RGB 113 44 174

HSL 271.85, 0.6%, 0.43%

LAB 34.74, 53.59, -56.77

 

CMYK 0 / 35 / 75 / 32

HEX #AE712C

RGB 174 113 44

HSL 31.85, 0.6%, 0.43%

LAB 52.94, 18.06, 46.4

 

CMYK 74 / 0 / 34 / 32

HEX #2DAE72

RGB 45 174 114

HSL 152.09, 0.59%, 0.43%

LAB 63.38, -48.5, 21.14

 

CMYK 75 / 55 / 0 / 32

HEX #2C4FAE

RGB 44 79 174

HSL 223.85, 0.6%, 0.43%

LAB 36.34, 21.54, -54.44

 

CMYK 0 / 75 / 40 / 32

HEX #AE2C69

RGB 174 44 105

HSL 331.85, 0.6%, 0.43%

LAB 40.93, 56.44, -4.08

 

CMYK 0 / 20 / 75 / 32

HEX #AE8B2C

RGB 174 139 44

HSL 43.85, 0.6%, 0.43%

LAB 59.57, 3.54, 52.98

 

CMYK 74 / 0 / 34 / 32

HEX #2DAE72

RGB 45 174 114

HSL 152.09, 0.59%, 0.43%

LAB 63.38, -48.5, 21.14

 

CMYK 72 / 75 / 0 / 32

HEX #312CAE

RGB 49 44 174

HSL 242.31, 0.6%, 0.43%

LAB 28.14, 44.25, -67.84

 

CMYK 0 / 75 / 40 / 32

HEX #AE2C69

RGB 174 44 105

HSL 331.85, 0.6%, 0.43%

LAB 40.93, 56.44, -4.08

 

CMYK 2 / 0 / 75 / 32

HEX #AAAE2C

RGB 170 174 44

HSL 61.85, 0.6%, 0.43%

LAB 68.75, -16.86, 61.61

 

Description

Color code: HEX #2DAE72 | qconv.com Color code: HEX #2DAE72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 174 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 174 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 34 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 34% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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