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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DBDE1 it is the complementary color #D2421E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DBDE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DBDE1 shade: #32BDDC, #43CFEF, #54E1FF, #65F3FF and #76FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DBDE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DBDE1 shade: #2DBDE1, #1CABCE, #0B99BB, #0087A8 and #007595

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DBDE1 shade: #2DBDE1, #2D8CE1, #2D5CE1, #2E2DE1 and #5F2DE1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DBDE1 shade: #2DBDE1, #2D8CE1, #2D5CE1 and #2D2DE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DBDE1 shade matches the following richer shades: #2DBDE1 and #19C8F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DBDE1 shade: #2DBDE1, #40B1CD, #54A5BA, #679AA6 and #7A8E93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DBDE1 shade: #2DE1A5, #2DE1D5, #2DBDE1, #2D8DE1 and #2D5DE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DBDE1 shade: #1788A4, #1CA6C8, #2DBDE1, #51C8E6 and #75D3EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DBDE1 shade: #2DBDE1, #752DE1 and #E1BD2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DBDE1 shade: #2DBDE1, #E12DBD and #BDE12D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DBDE1 shade: #2DBDE1, #752DE1, #E1512D and #99E12D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DBDE1 shade: #2DBDE1, #AB2DE1, #E1512D and #63E12D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 16 / 0 / 12

HEX #2DBDE1

RGB 45 189 225

HSL 192, 0.75%, 0.53%

LAB 71.14, -24.64, -28.47

 

Complementary color

CMYK 0 / 69 / 86 / 18

HEX #D2421E

RGB 210 66 30

HSL 12, 0.75%, 0.47%

LAB 49.12, 54.99, 51.03

 

CMYK 77 / 14 / 0 / 14

HEX #32BDDC

RGB 50 189 220

HSL 190.94, 0.71%, 0.53%

LAB 71.04, -25.77, -25.9

 

CMYK 72 / 13 / 0 / 6

HEX #43CFEF

RGB 67 207 239

HSL 191.16, 0.84%, 0.6%

LAB 77.31, -26.86, -26.53

 

CMYK 67 / 12 / 0 / 0

HEX #54E1FF

RGB 84 225 255

HSL 190.53, 1%, 0.66%

LAB 83.42, -28.62, -25.68

 

CMYK 60 / 5 / 0 / 0

HEX #65F3FF

RGB 101 243 255

HSL 184.68, 1%, 0.7%

LAB 88.96, -34.6, -17.24

 

CMYK 54 / 0 / 0 / 0

HEX #76FFFF

RGB 118 255 255

HSL 180, 1%, 0.73%

LAB 92.84, -37.17, -11.39

 

CMYK 80 / 16 / 0 / 12

HEX #2DBDE1

RGB 45 189 225

HSL 192, 0.75%, 0.53%

LAB 71.14, -24.64, -28.47

 

CMYK 86 / 17 / 0 / 19

HEX #1CABCE

RGB 28 171 206

HSL 191.8, 0.76%, 0.46%

LAB 64.83, -23.06, -27.78

 

CMYK 94 / 18 / 0 / 27

HEX #0B99BB

RGB 11 153 187

HSL 191.59, 0.89%, 0.39%

LAB 58.45, -21.07, -26.99

 

CMYK 100 / 20 / 0 / 34

HEX #0087A8

RGB 0 135 168

HSL 191.79, 1%, 0.33%

LAB 52.01, -18.63, -26.1

 

CMYK 100 / 21 / 0 / 42

HEX #007595

RGB 0 117 149

HSL 192.89, 1%, 0.29%

LAB 45.49, -15.7, -25.12

 

CMYK 80 / 16 / 0 / 12

HEX #2DBDE1

RGB 45 189 225

HSL 192, 0.75%, 0.53%

LAB 71.14, -24.64, -28.47

 

CMYK 80 / 38 / 0 / 12

HEX #2D8CE1

RGB 45 140 225

HSL 208.33, 0.75%, 0.53%

LAB 56.83, 2.32, -50.86

 

CMYK 80 / 59 / 0 / 12

HEX #2D5CE1

RGB 45 92 225

HSL 224.33, 0.75%, 0.53%

LAB 43.72, 32.33, -71.99

 

CMYK 80 / 80 / 0 / 12

HEX #2E2DE1

RGB 46 45 225

HSL 240.33, 0.75%, 0.53%

LAB 33.76, 59.6, -88.39

 

CMYK 58 / 80 / 0 / 12

HEX #5F2DE1

RGB 95 45 225

HSL 256.67, 0.75%, 0.53%

LAB 37.38, 63.52, -82.29

 

CMYK 80 / 16 / 0 / 12

HEX #2DBDE1

RGB 45 189 225

HSL 192, 0.75%, 0.53%

LAB 71.14, -24.64, -28.47

 

CMYK 80 / 38 / 0 / 12

HEX #2D8CE1

RGB 45 140 225

HSL 208.33, 0.75%, 0.53%

LAB 56.83, 2.32, -50.86

 

CMYK 80 / 59 / 0 / 12

HEX #2D5CE1

RGB 45 92 225

HSL 224.33, 0.75%, 0.53%

LAB 43.72, 32.33, -71.99

 

CMYK 80 / 80 / 0 / 12

HEX #2D2DE1

RGB 45 45 225

HSL 240, 0.75%, 0.53%

LAB 33.71, 59.54, -88.48

 

CMYK 80 / 16 / 0 / 12

HEX #2DBDE1

RGB 45 189 225

HSL 192, 0.75%, 0.53%

LAB 71.14, -24.64, -28.47

 

CMYK 90 / 18 / 0 / 4

HEX #19C8F4

RGB 25 200 244

HSL 192.05, 0.91%, 0.53%

LAB 74.85, -25.27, -33.04

 

CMYK 80 / 16 / 0 / 12

HEX #2DBDE1

RGB 45 189 225

HSL 192, 0.75%, 0.53%

LAB 71.14, -24.64, -28.47

 

CMYK 69 / 14 / 0 / 20

HEX #40B1CD

RGB 64 177 205

HSL 191.91, 0.59%, 0.53%

LAB 67.23, -22.72, -23.47

 

CMYK 55 / 11 / 0 / 27

HEX #54A5BA

RGB 84 165 186

HSL 192.35, 0.43%, 0.53%

LAB 63.62, -18.74, -18.37

 

CMYK 38 / 7 / 0 / 35

HEX #679AA6

RGB 103 154 166

HSL 191.43, 0.26%, 0.53%

LAB 60.56, -13.82, -11.67

 

CMYK 17 / 3 / 0 / 42

HEX #7A8E93

RGB 122 142 147

HSL 192, 0.1%, 0.53%

LAB 57.65, -6.02, -5.07

 

CMYK 80 / 0 / 27 / 12

HEX #2DE1A5

RGB 45 225 165

HSL 160, 0.75%, 0.53%

LAB 80.25, -57.18, 17.21

 

CMYK 80 / 0 / 5 / 12

HEX #2DE1D5

RGB 45 225 213

HSL 176, 0.75%, 0.53%

LAB 81.41, -45.11, -6.52

 

CMYK 80 / 16 / 0 / 12

HEX #2DBDE1

RGB 45 189 225

HSL 192, 0.75%, 0.53%

LAB 71.14, -24.64, -28.47

 

CMYK 80 / 37 / 0 / 12

HEX #2D8DE1

RGB 45 141 225

HSL 208, 0.75%, 0.53%

LAB 57.12, 1.73, -50.4

 

CMYK 80 / 59 / 0 / 12

HEX #2D5DE1

RGB 45 93 225

HSL 224, 0.75%, 0.53%

LAB 43.98, 31.7, -71.57

 

CMYK 86 / 17 / 0 / 36

HEX #1788A4

RGB 23 136 164

HSL 191.91, 0.75%, 0.37%

LAB 52.37, -19.42, -23.23

 

CMYK 86 / 17 / 0 / 22

HEX #1CA6C8

RGB 28 166 200

HSL 191.86, 0.75%, 0.45%

LAB 63.09, -22.5, -27.13

 

CMYK 80 / 16 / 0 / 12

HEX #2DBDE1

RGB 45 189 225

HSL 192, 0.75%, 0.53%

LAB 71.14, -24.64, -28.47

 

CMYK 65 / 13 / 0 / 10

HEX #51C8E6

RGB 81 200 230

HSL 192.08, 0.75%, 0.61%

LAB 75.31, -24.16, -24.72

 

CMYK 50 / 10 / 0 / 8

HEX #75D3EB

RGB 117 211 235

HSL 192.2, 0.75%, 0.69%

LAB 79.82, -21.53, -20.43

 

CMYK 80 / 16 / 0 / 12

HEX #2DBDE1

RGB 45 189 225

HSL 192, 0.75%, 0.53%

LAB 71.14, -24.64, -28.47

 

CMYK 48 / 80 / 0 / 12

HEX #752DE1

RGB 117 45 225

HSL 264, 0.75%, 0.53%

LAB 39.74, 66.11, -78.32

 

CMYK 0 / 16 / 80 / 12

HEX #E1BD2D

RGB 225 189 45

HSL 48, 0.75%, 0.53%

LAB 77.63, -0.71, 71.16

 

CMYK 80 / 16 / 0 / 12

HEX #2DBDE1

RGB 45 189 225

HSL 192, 0.75%, 0.53%

LAB 71.14, -24.64, -28.47

 

CMYK 0 / 80 / 16 / 12

HEX #E12DBD

RGB 225 45 189

HSL 312, 0.75%, 0.53%

LAB 53.56, 78.52, -34.52

 

CMYK 16 / 0 / 80 / 12

HEX #BDE12D

RGB 189 225 45

HSL 72, 0.75%, 0.53%

LAB 84.41, -33.57, 76.05

 

CMYK 80 / 16 / 0 / 12

HEX #2DBDE1

RGB 45 189 225

HSL 192, 0.75%, 0.53%

LAB 71.14, -24.64, -28.47

 

CMYK 48 / 80 / 0 / 12

HEX #752DE1

RGB 117 45 225

HSL 264, 0.75%, 0.53%

LAB 39.74, 66.11, -78.32

 

CMYK 0 / 64 / 80 / 12

HEX #E1512D

RGB 225 81 45

HSL 12, 0.75%, 0.53%

LAB 54.11, 54.34, 49.61

 

CMYK 32 / 0 / 80 / 12

HEX #99E12D

RGB 153 225 45

HSL 84, 0.75%, 0.53%

LAB 82.28, -47.25, 73.33

 

CMYK 80 / 16 / 0 / 12

HEX #2DBDE1

RGB 45 189 225

HSL 192, 0.75%, 0.53%

LAB 71.14, -24.64, -28.47

 

CMYK 24 / 80 / 0 / 12

HEX #AB2DE1

RGB 171 45 225

HSL 282, 0.75%, 0.53%

LAB 46.94, 74.09, -66.27

 

CMYK 0 / 64 / 80 / 12

HEX #E1512D

RGB 225 81 45

HSL 12, 0.75%, 0.53%

LAB 54.11, 54.34, 49.61

 

CMYK 56 / 0 / 80 / 12

HEX #63E12D

RGB 99 225 45

HSL 102, 0.75%, 0.53%

LAB 80.01, -64.02, 70.42

 

Description

Color code: HEX #2DBDE1 | qconv.com Color code: HEX #2DBDE1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 189 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 189 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 16 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 16% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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