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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DC741 it is the complementary color #D238BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DC741. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DC741 shade: #32C73C, #43D94F, #54EB62, #65FD75 and #76FF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DC741. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DC741 shade: #2DC741, #1CB52E, #0BA31B, #009108 and #007F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DC741 shade: #2DC741, #42C72D, #6CC72D, #96C72D and #BFC72D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DC741 shade: #2DC741, #2DC76A, #2DC794, #2DC7BE and #2DA7C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DC741 shade matches the following richer shades: #2DC741, #19DB32 and #05EF23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DC741 shade: #2DC741, #41B34F, #549F5E, #688C6D and #7C787B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DC741 shade: #6DC72D, #44C72D, #2DC73F, #2DC768 and #2DC791

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DC741 shade: #1E842B, #25A536, #2DC741, #48D55A and #6ADD79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DC741 shade: #2DC741, #2D96C7 and #C72D58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DC741 shade: #2DC741, #3F2DC7 and #C73F2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DC741 shade: #2DC741, #2D96C7, #C72DB5 and #C75E2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DC741 shade: #2DC741, #2D68C7, #C72DB5 and #C78C2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 67 / 22

HEX #2DC741

RGB 45 199 65

HSL 127.79, 0.63%, 0.48%

LAB 70.72, -64.69, 53.95

 

Complementary color

CMYK 0 / 73 / 10 / 18

HEX #D238BE

RGB 210 56 190

HSL 307.79, 0.63%, 0.52%

LAB 52.12, 72.42, -37.53

 

CMYK 75 / 0 / 70 / 22

HEX #32C73C

RGB 50 199 60

HSL 124.03, 0.6%, 0.49%

LAB 70.77, -64.45, 55.99

 

CMYK 69 / 0 / 64 / 15

HEX #43D94F

RGB 67 217 79

HSL 124.8, 0.66%, 0.56%

LAB 76.91, -65.66, 55.07

 

CMYK 64 / 0 / 58 / 8

HEX #54EB62

RGB 84 235 98

HSL 125.56, 0.79%, 0.63%

LAB 83.01, -66.46, 53.92

 

CMYK 60 / 0 / 54 / 1

HEX #65FD75

RGB 101 253 117

HSL 126.32, 0.97%, 0.69%

LAB 89.06, -66.95, 52.66

 

CMYK 54 / 0 / 47 / 0

HEX #76FF88

RGB 118 255 136

HSL 127.88, 1%, 0.73%

LAB 90.39, -61.31, 45.56

 

CMYK 77 / 0 / 67 / 22

HEX #2DC741

RGB 45 199 65

HSL 127.79, 0.63%, 0.48%

LAB 70.72, -64.69, 53.95

 

CMYK 85 / 0 / 75 / 29

HEX #1CB52E

RGB 28 181 46

HSL 127.06, 0.73%, 0.41%

LAB 64.56, -62.8, 54.68

 

CMYK 93 / 0 / 83 / 36

HEX #0BA31B

RGB 11 163 27

HSL 126.32, 0.87%, 0.34%

LAB 58.36, -60.08, 54.67

 

CMYK 100 / 0 / 94 / 43

HEX #009108

RGB 0 145 8

HSL 123.31, 1%, 0.28%

LAB 52.14, -56.34, 53.25

 

CMYK 100 / 0 / 100 / 50

HEX #007F00

RGB 0 127 0

HSL 120, 1%, 0.25%

LAB 45.88, -51.41, 49.62

 

CMYK 77 / 0 / 67 / 22

HEX #2DC741

RGB 45 199 65

HSL 127.79, 0.63%, 0.48%

LAB 70.72, -64.69, 53.95

 

CMYK 67 / 0 / 77 / 22

HEX #42C72D

RGB 66 199 45

HSL 111.82, 0.63%, 0.48%

LAB 71, -62.79, 61.59

 

CMYK 46 / 0 / 77 / 22

HEX #6CC72D

RGB 108 199 45

HSL 95.45, 0.63%, 0.48%

LAB 72.38, -51.93, 63.39

 

CMYK 25 / 0 / 77 / 22

HEX #96C72D

RGB 150 199 45

HSL 79.09, 0.63%, 0.48%

LAB 74.52, -37.08, 66.17

 

CMYK 4 / 0 / 77 / 22

HEX #BFC72D

RGB 191 199 45

HSL 63.12, 0.63%, 0.48%

LAB 77.35, -20.37, 69.79

 

CMYK 77 / 0 / 67 / 22

HEX #2DC741

RGB 45 199 65

HSL 127.79, 0.63%, 0.48%

LAB 70.72, -64.69, 53.95

 

CMYK 77 / 0 / 47 / 22

HEX #2DC76A

RGB 45 199 106

HSL 143.77, 0.63%, 0.48%

LAB 71.18, -59.26, 35.57

 

CMYK 77 / 0 / 26 / 22

HEX #2DC794

RGB 45 199 148

HSL 160.13, 0.63%, 0.48%

LAB 71.92, -50.9, 14.58

 

CMYK 77 / 0 / 5 / 22

HEX #2DC7BE

RGB 45 199 190

HSL 176.49, 0.63%, 0.48%

LAB 72.97, -40.07, -6.65

 

CMYK 77 / 16 / 0 / 22

HEX #2DA7C7

RGB 45 167 199

HSL 192.47, 0.63%, 0.48%

LAB 63.61, -21.87, -25.75

 

CMYK 77 / 0 / 67 / 22

HEX #2DC741

RGB 45 199 65

HSL 127.79, 0.63%, 0.48%

LAB 70.72, -64.69, 53.95

 

CMYK 89 / 0 / 77 / 14

HEX #19DB32

RGB 25 219 50

HSL 127.73, 0.8%, 0.48%

LAB 76.74, -73.89, 65.37

 

CMYK 98 / 0 / 85 / 6

HEX #05EF23

RGB 5 239 35

HSL 127.69, 0.96%, 0.48%

LAB 82.85, -81.06, 74.84

 

CMYK 77 / 0 / 67 / 22

HEX #2DC741

RGB 45 199 65

HSL 127.79, 0.63%, 0.48%

LAB 70.72, -64.69, 53.95

 

CMYK 64 / 0 / 56 / 30

HEX #41B34F

RGB 65 179 79

HSL 127.37, 0.47%, 0.48%

LAB 64.91, -52.77, 41.25

 

CMYK 47 / 0 / 41 / 38

HEX #549F5E

RGB 84 159 94

HSL 128, 0.31%, 0.48%

LAB 59.42, -37.58, 26.88

 

CMYK 26 / 0 / 22 / 45

HEX #688C6D

RGB 104 140 109

HSL 128.33, 0.15%, 0.48%

LAB 54.87, -19.15, 12.57

 

CMYK 0 / 3 / 1 / 51

HEX #7C787B

RGB 124 120 123

HSL 315, 0.02%, 0.48%

LAB 50.86, 2.12, -1.1

 

CMYK 45 / 0 / 77 / 22

HEX #6DC72D

RGB 109 199 45

HSL 95.06, 0.63%, 0.48%

LAB 72.42, -51.61, 63.44

 

CMYK 66 / 0 / 77 / 22

HEX #44C72D

RGB 68 199 45

HSL 111.04, 0.63%, 0.48%

LAB 71.05, -62.39, 61.66

 

CMYK 77 / 0 / 68 / 22

HEX #2DC73F

RGB 45 199 63

HSL 127.01, 0.63%, 0.48%

LAB 70.71, -64.88, 54.73

 

CMYK 77 / 0 / 48 / 22

HEX #2DC768

RGB 45 199 104

HSL 142.99, 0.63%, 0.48%

LAB 71.15, -59.59, 36.54

 

CMYK 77 / 0 / 27 / 22

HEX #2DC791

RGB 45 199 145

HSL 158.96, 0.63%, 0.48%

LAB 71.86, -51.58, 16.1

 

CMYK 77 / 0 / 67 / 48

HEX #1E842B

RGB 30 132 43

HSL 127.65, 0.63%, 0.32%

LAB 48.2, -46.97, 38.73

 

CMYK 78 / 0 / 67 / 35

HEX #25A536

RGB 37 165 54

HSL 127.97, 0.63%, 0.4%

LAB 59.5, -55.92, 46.31

 

CMYK 77 / 0 / 67 / 22

HEX #2DC741

RGB 45 199 65

HSL 127.79, 0.63%, 0.48%

LAB 70.72, -64.69, 53.95

 

CMYK 66 / 0 / 58 / 16

HEX #48D55A

RGB 72 213 90

HSL 127.66, 0.63%, 0.56%

LAB 75.89, -62.14, 49.12

 

CMYK 52 / 0 / 45 / 13

HEX #6ADD79

RGB 106 221 121

HSL 127.83, 0.63%, 0.64%

LAB 79.7, -53.28, 39.25

 

CMYK 77 / 0 / 67 / 22

HEX #2DC741

RGB 45 199 65

HSL 127.79, 0.63%, 0.48%

LAB 70.72, -64.69, 53.95

 

CMYK 77 / 25 / 0 / 22

HEX #2D96C7

RGB 45 150 199

HSL 199.09, 0.63%, 0.48%

LAB 58.5, -12.76, -33.65

 

CMYK 0 / 77 / 56 / 22

HEX #C72D58

RGB 199 45 88

HSL 343.25, 0.63%, 0.48%

LAB 45.25, 61.6, 13.34

 

CMYK 77 / 0 / 67 / 22

HEX #2DC741

RGB 45 199 65

HSL 127.79, 0.63%, 0.48%

LAB 70.72, -64.69, 53.95

 

CMYK 68 / 77 / 0 / 22

HEX #3F2DC7

RGB 63 45 199

HSL 247.01, 0.63%, 0.48%

LAB 31.94, 52.94, -76.34

 

CMYK 0 / 68 / 77 / 22

HEX #C73F2D

RGB 199 63 45

HSL 7.01, 0.63%, 0.48%

LAB 46.83, 52.96, 40.8

 

CMYK 77 / 0 / 67 / 22

HEX #2DC741

RGB 45 199 65

HSL 127.79, 0.63%, 0.48%

LAB 70.72, -64.69, 53.95

 

CMYK 77 / 25 / 0 / 22

HEX #2D96C7

RGB 45 150 199

HSL 199.09, 0.63%, 0.48%

LAB 58.5, -12.76, -33.65

 

CMYK 0 / 77 / 9 / 22

HEX #C72DB5

RGB 199 45 181

HSL 307.01, 0.63%, 0.48%

LAB 48.7, 71.93, -37.79

 

CMYK 0 / 53 / 77 / 22

HEX #C75E2D

RGB 199 94 45

HSL 19.09, 0.63%, 0.48%

LAB 52.22, 38.77, 46.33

 

CMYK 77 / 0 / 67 / 22

HEX #2DC741

RGB 45 199 65

HSL 127.79, 0.63%, 0.48%

LAB 70.72, -64.69, 53.95

 

CMYK 77 / 48 / 0 / 22

HEX #2D68C7

RGB 45 104 199

HSL 217.01, 0.63%, 0.48%

LAB 45.06, 14.85, -54.96

 

CMYK 0 / 77 / 9 / 22

HEX #C72DB5

RGB 199 45 181

HSL 307.01, 0.63%, 0.48%

LAB 48.7, 71.93, -37.79

 

CMYK 0 / 30 / 77 / 22

HEX #C78C2D

RGB 199 140 45

HSL 37.01, 0.63%, 0.48%

LAB 62.58, 14.14, 56.44

 

Description

Color code: HEX #2DC741 | qconv.com Color code: HEX #2DC741 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 199 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 199 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 67 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 67% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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