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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DC7BF it is the complementary color #D23840. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DC7BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DC7BF shade: #32C7BA, #43D9CD, #54EBE0, #65FDF3 and #76FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DC7BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DC7BF shade: #2DC7BF, #1CB5AC, #0BA399, #009186 and #007F73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DC7BF shade: #2DC7BF, #2DC795, #2DC76C, #2DC742 and #41C72D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DC7BF shade: #2DC7BF, #2DA5C7, #2D7CC7, #2D52C7 and #2D2DC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DC7BF shade matches the following richer shades: #2DC7BF, #19DBD1 and #05EFE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DC7BF shade: #2DC7BF, #41B3AD, #549F9C, #688C8A and #7C7878

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DC7BF shade: #2DC76A, #2DC794, #2DC7BD, #2DA8C7 and #2D7FC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DC7BF shade: #1E847E, #25A59F, #2DC7BF, #48D5CE and #6ADDD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DC7BF shade: #2DC7BF, #412DC7 and #C77F2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DC7BF shade: #2DC7BF, #BD2DC7 and #C7BD2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DC7BF shade: #2DC7BF, #412DC7, #C72D37 and #B2C72D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DC7BF shade: #2DC7BF, #702DC7, #C72D37 and #84C72D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 4 / 22

HEX #2DC7BF

RGB 45 199 191

HSL 176.88, 0.63%, 0.48%

LAB 73, -39.79, -7.15

 

Complementary color

CMYK 0 / 73 / 70 / 18

HEX #D23840

RGB 210 56 64

HSL 356.88, 0.63%, 0.52%

LAB 48.13, 59.85, 32.06

 

CMYK 75 / 0 / 7 / 22

HEX #32C7BA

RGB 50 199 186

HSL 174.77, 0.6%, 0.49%

LAB 72.94, -40.66, -4.52

 

CMYK 69 / 0 / 6 / 15

HEX #43D9CD

RGB 67 217 205

HSL 175.2, 0.66%, 0.56%

LAB 79.17, -41.41, -5.52

 

CMYK 64 / 0 / 5 / 8

HEX #54EBE0

RGB 84 235 224

HSL 175.63, 0.79%, 0.63%

LAB 85.34, -41.95, -6.43

 

CMYK 60 / 0 / 4 / 1

HEX #65FDF3

RGB 101 253 243

HSL 176.05, 0.97%, 0.69%

LAB 91.45, -42.34, -7.27

 

CMYK 54 / 0 / 0 / 0

HEX #76FFFF

RGB 118 255 255

HSL 180, 1%, 0.73%

LAB 92.84, -37.17, -11.39

 

CMYK 77 / 0 / 4 / 22

HEX #2DC7BF

RGB 45 199 191

HSL 176.88, 0.63%, 0.48%

LAB 73, -39.79, -7.15

 

CMYK 85 / 0 / 5 / 29

HEX #1CB5AC

RGB 28 181 172

HSL 176.47, 0.73%, 0.41%

LAB 66.73, -38.6, -6.06

 

CMYK 93 / 0 / 6 / 36

HEX #0BA399

RGB 11 163 153

HSL 176.05, 0.87%, 0.34%

LAB 60.4, -37.02, -4.83

 

CMYK 100 / 0 / 8 / 43

HEX #009186

RGB 0 145 134

HSL 175.45, 1%, 0.28%

LAB 54, -34.99, -3.45

 

CMYK 100 / 0 / 9 / 50

HEX #007F73

RGB 0 127 115

HSL 174.33, 1%, 0.25%

LAB 47.52, -32.47, -1.91

 

CMYK 77 / 0 / 4 / 22

HEX #2DC7BF

RGB 45 199 191

HSL 176.88, 0.63%, 0.48%

LAB 73, -39.79, -7.15

 

CMYK 77 / 0 / 25 / 22

HEX #2DC795

RGB 45 199 149

HSL 160.52, 0.63%, 0.48%

LAB 71.94, -50.66, 14.07

 

CMYK 77 / 0 / 46 / 22

HEX #2DC76C

RGB 45 199 108

HSL 144.55, 0.63%, 0.48%

LAB 71.21, -58.93, 34.6

 

CMYK 77 / 0 / 67 / 22

HEX #2DC742

RGB 45 199 66

HSL 128.18, 0.63%, 0.48%

LAB 70.73, -64.59, 53.55

 

CMYK 67 / 0 / 77 / 22

HEX #41C72D

RGB 65 199 45

HSL 112.21, 0.63%, 0.48%

LAB 70.98, -62.99, 61.56

 

CMYK 77 / 0 / 4 / 22

HEX #2DC7BF

RGB 45 199 191

HSL 176.88, 0.63%, 0.48%

LAB 73, -39.79, -7.15

 

CMYK 77 / 17 / 0 / 22

HEX #2DA5C7

RGB 45 165 199

HSL 193.25, 0.63%, 0.48%

LAB 63, -20.83, -26.67

 

CMYK 77 / 38 / 0 / 22

HEX #2D7CC7

RGB 45 124 199

HSL 209.22, 0.63%, 0.48%

LAB 50.8, 2.35, -45.77

 

CMYK 77 / 59 / 0 / 22

HEX #2D52C7

RGB 45 82 199

HSL 225.58, 0.63%, 0.48%

LAB 39.1, 29.11, -64.61

 

CMYK 77 / 77 / 0 / 22

HEX #2D2DC7

RGB 45 45 199

HSL 240, 0.63%, 0.48%

LAB 30.78, 51.47, -78.29

 

CMYK 77 / 0 / 4 / 22

HEX #2DC7BF

RGB 45 199 191

HSL 176.88, 0.63%, 0.48%

LAB 73, -39.79, -7.15

 

CMYK 89 / 0 / 5 / 14

HEX #19DBD1

RGB 25 219 209

HSL 176.91, 0.8%, 0.48%

LAB 79.31, -44.96, -7.51

 

CMYK 98 / 0 / 5 / 6

HEX #05EFE2

RGB 5 239 226

HSL 176.67, 0.96%, 0.48%

LAB 85.63, -49.37, -7.16

 

CMYK 77 / 0 / 4 / 22

HEX #2DC7BF

RGB 45 199 191

HSL 176.88, 0.63%, 0.48%

LAB 73, -39.79, -7.15

 

CMYK 64 / 0 / 3 / 30

HEX #41B3AD

RGB 65 179 173

HSL 176.84, 0.47%, 0.48%

LAB 66.81, -33.02, -6.41

 

CMYK 47 / 0 / 2 / 38

HEX #549F9C

RGB 84 159 156

HSL 177.6, 0.31%, 0.48%

LAB 60.85, -24.01, -5.67

 

CMYK 26 / 0 / 1 / 45

HEX #688C8A

RGB 104 140 138

HSL 176.67, 0.15%, 0.48%

LAB 55.62, -12.93, -3.02

 

CMYK 0 / 3 / 3 / 51

HEX #7C7878

RGB 124 120 120

HSL 0, 0.02%, 0.48%

LAB 50.77, 1.52, 0.54

 

CMYK 77 / 0 / 47 / 22

HEX #2DC76A

RGB 45 199 106

HSL 143.77, 0.63%, 0.48%

LAB 71.18, -59.26, 35.57

 

CMYK 77 / 0 / 26 / 22

HEX #2DC794

RGB 45 199 148

HSL 160.13, 0.63%, 0.48%

LAB 71.92, -50.9, 14.58

 

CMYK 77 / 0 / 5 / 22

HEX #2DC7BD

RGB 45 199 189

HSL 176.1, 0.63%, 0.48%

LAB 72.94, -40.35, -6.15

 

CMYK 77 / 16 / 0 / 22

HEX #2DA8C7

RGB 45 168 199

HSL 192.08, 0.63%, 0.48%

LAB 63.91, -22.39, -25.29

 

CMYK 77 / 36 / 0 / 22

HEX #2D7FC7

RGB 45 127 199

HSL 208.05, 0.63%, 0.48%

LAB 51.68, 0.53, -44.37

 

CMYK 77 / 0 / 5 / 48

HEX #1E847E

RGB 30 132 126

HSL 176.47, 0.63%, 0.32%

LAB 49.84, -29.17, -4.91

 

CMYK 78 / 0 / 4 / 35

HEX #25A59F

RGB 37 165 159

HSL 177.19, 0.63%, 0.4%

LAB 61.49, -34.26, -6.56

 

CMYK 77 / 0 / 4 / 22

HEX #2DC7BF

RGB 45 199 191

HSL 176.88, 0.63%, 0.48%

LAB 73, -39.79, -7.15

 

CMYK 66 / 0 / 3 / 16

HEX #48D5CE

RGB 72 213 206

HSL 177.02, 0.63%, 0.56%

LAB 78.12, -38.64, -7.59

 

CMYK 52 / 0 / 3 / 13

HEX #6ADDD7

RGB 106 221 215

HSL 176.87, 0.63%, 0.64%

LAB 81.67, -33.99, -7.04

 

CMYK 77 / 0 / 4 / 22

HEX #2DC7BF

RGB 45 199 191

HSL 176.88, 0.63%, 0.48%

LAB 73, -39.79, -7.15

 

CMYK 67 / 77 / 0 / 22

HEX #412DC7

RGB 65 45 199

HSL 247.79, 0.63%, 0.48%

LAB 32.09, 53.13, -76.08

 

CMYK 0 / 36 / 77 / 22

HEX #C77F2D

RGB 199 127 45

HSL 31.95, 0.63%, 0.48%

LAB 59.44, 21.25, 53.44

 

CMYK 77 / 0 / 4 / 22

HEX #2DC7BF

RGB 45 199 191

HSL 176.88, 0.63%, 0.48%

LAB 73, -39.79, -7.15

 

CMYK 5 / 77 / 0 / 22

HEX #BD2DC7

RGB 189 45 199

HSL 296.1, 0.63%, 0.48%

LAB 48.03, 72.68, -49.44

 

CMYK 0 / 5 / 77 / 22

HEX #C7BD2D

RGB 199 189 45

HSL 56.1, 0.63%, 0.48%

LAB 75.28, -11.94, 68.17

 

CMYK 77 / 0 / 4 / 22

HEX #2DC7BF

RGB 45 199 191

HSL 176.88, 0.63%, 0.48%

LAB 73, -39.79, -7.15

 

CMYK 67 / 77 / 0 / 22

HEX #412DC7

RGB 65 45 199

HSL 247.79, 0.63%, 0.48%

LAB 32.09, 53.13, -76.08

 

CMYK 0 / 77 / 72 / 22

HEX #C72D37

RGB 199 45 55

HSL 356.1, 0.63%, 0.48%

LAB 44.65, 59.7, 32.73

 

CMYK 11 / 0 / 77 / 22

HEX #B2C72D

RGB 178 199 45

HSL 68.18, 0.63%, 0.48%

LAB 76.38, -25.81, 68.55

 

CMYK 77 / 0 / 4 / 22

HEX #2DC7BF

RGB 45 199 191

HSL 176.88, 0.63%, 0.48%

LAB 73, -39.79, -7.15

 

CMYK 44 / 77 / 0 / 22

HEX #702DC7

RGB 112 45 199

HSL 266.1, 0.63%, 0.48%

LAB 36.83, 59.05, -68.11

 

CMYK 0 / 77 / 72 / 22

HEX #C72D37

RGB 199 45 55

HSL 356.1, 0.63%, 0.48%

LAB 44.65, 59.7, 32.73

 

CMYK 34 / 0 / 77 / 22

HEX #84C72D

RGB 132 199 45

HSL 86.1, 0.63%, 0.48%

LAB 73.51, -43.82, 64.85

 

Description

Color code: HEX #2DC7BF | qconv.com Color code: HEX #2DC7BF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 199 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 199 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 4 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 4% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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