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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DC1B9 it is the complementary color #D23E46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DC1B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DC1B9 shade: #32C1B4, #43D3C7, #54E5DA, #65F7ED and #76FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DC1B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DC1B9 shade: #2DC1B9, #1CAFA6, #0B9D93, #008B80 and #00796D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DC1B9 shade: #2DC2BA, #2DC292, #2DC269, #2DC241 and #41C22D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DC1B9 shade: #2DC2BA, #2DA2C2, #2D7AC2, #2D51C2 and #2D2DC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DC1B9 shade matches the following richer shades: #2DC2BA, #1AD5CB and #06E8DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DC1B9 shade: #2DC2BA, #40AEA8, #549B97, #678786 and #7B7474

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DC1B9 shade: #2DC268, #2DC290, #2DC2B8, #2DA4C2 and #2D7CC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DC1B9 shade: #1D7F7A, #25A09A, #2DC2BA, #45D3CB and #66DBD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DC1B9 shade: #2DC1B9, #412DC2 and #C27C2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DC1B9 shade: #2DC1B9, #B82DC2 and #C2B82D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DC1B9 shade: #2DC1B9, #412DC2, #C22D37 and #AEC22D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DC1B9 shade: #2DC1B9, #6D2DC2, #C22D37 and #81C22D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 4 / 24

HEX #2DC1B9

RGB 45 193 185

HSL 176.76, 0.62%, 0.47%

LAB 71.01, -38.78, -6.84

 

Complementary color

CMYK 0 / 70 / 67 / 18

HEX #D23E46

RGB 210 62 70

HSL 356.76, 0.62%, 0.53%

LAB 48.99, 58.03, 29.57

 

CMYK 74 / 0 / 7 / 24

HEX #32C1B4

RGB 50 193 180

HSL 174.55, 0.59%, 0.48%

LAB 70.95, -39.64, -4.18

 

CMYK 68 / 0 / 6 / 17

HEX #43D3C7

RGB 67 211 199

HSL 175, 0.62%, 0.55%

LAB 77.22, -40.34, -5.18

 

CMYK 63 / 0 / 5 / 10

HEX #54E5DA

RGB 84 229 218

HSL 175.45, 0.74%, 0.61%

LAB 83.43, -40.84, -6.09

 

CMYK 59 / 0 / 4 / 3

HEX #65F7ED

RGB 101 247 237

HSL 175.89, 0.9%, 0.68%

LAB 89.58, -41.2, -6.93

 

CMYK 54 / 0 / 0 / 0

HEX #76FFFF

RGB 118 255 255

HSL 180, 1%, 0.73%

LAB 92.84, -37.17, -11.39

 

CMYK 77 / 0 / 4 / 24

HEX #2DC1B9

RGB 45 193 185

HSL 176.76, 0.62%, 0.47%

LAB 71.01, -38.78, -6.84

 

CMYK 84 / 0 / 5 / 31

HEX #1CAFA6

RGB 28 175 166

HSL 176.33, 0.72%, 0.4%

LAB 64.69, -37.63, -5.74

 

CMYK 93 / 0 / 6 / 38

HEX #0B9D93

RGB 11 157 147

HSL 175.89, 0.87%, 0.33%

LAB 58.31, -36.07, -4.51

 

CMYK 100 / 0 / 8 / 45

HEX #008B80

RGB 0 139 128

HSL 175.25, 1%, 0.27%

LAB 51.86, -34.05, -3.12

 

CMYK 100 / 0 / 10 / 53

HEX #00796D

RGB 0 121 109

HSL 174.05, 1%, 0.24%

LAB 45.33, -31.52, -1.56

 

CMYK 77 / 0 / 4 / 24

HEX #2DC2BA

RGB 45 194 186

HSL 176.78, 0.62%, 0.47%

LAB 71.34, -38.95, -6.89

 

CMYK 77 / 0 / 25 / 24

HEX #2DC292

RGB 45 194 146

HSL 160.67, 0.62%, 0.47%

LAB 70.33, -49.36, 13.42

 

CMYK 77 / 0 / 46 / 24

HEX #2DC269

RGB 45 194 105

HSL 144.16, 0.62%, 0.47%

LAB 69.58, -57.66, 34.04

 

CMYK 77 / 0 / 66 / 24

HEX #2DC241

RGB 45 194 65

HSL 128.05, 0.62%, 0.47%

LAB 69.13, -63.1, 52.22

 

CMYK 66 / 0 / 77 / 24

HEX #41C22D

RGB 65 194 45

HSL 111.95, 0.62%, 0.47%

LAB 69.4, -61.35, 60.03

 

CMYK 77 / 0 / 4 / 24

HEX #2DC2BA

RGB 45 194 186

HSL 176.78, 0.62%, 0.47%

LAB 71.34, -38.95, -6.89

 

CMYK 77 / 16 / 0 / 24

HEX #2DA2C2

RGB 45 162 194

HSL 192.89, 0.62%, 0.47%

LAB 61.91, -20.92, -25.57

 

CMYK 77 / 37 / 0 / 24

HEX #2D7AC2

RGB 45 122 194

HSL 208.99, 0.62%, 0.47%

LAB 49.94, 1.71, -44.27

 

CMYK 77 / 58 / 0 / 24

HEX #2D51C2

RGB 45 81 194

HSL 225.5, 0.62%, 0.47%

LAB 38.44, 27.89, -62.77

 

CMYK 77 / 77 / 0 / 24

HEX #2D2DC2

RGB 45 45 194

HSL 240, 0.62%, 0.47%

LAB 30.23, 49.87, -76.26

 

CMYK 77 / 0 / 4 / 24

HEX #2DC2BA

RGB 45 194 186

HSL 176.78, 0.62%, 0.47%

LAB 71.34, -38.95, -6.89

 

CMYK 88 / 0 / 5 / 16

HEX #1AD5CB

RGB 26 213 203

HSL 176.79, 0.78%, 0.47%

LAB 77.35, -44, -7.2

 

CMYK 97 / 0 / 5 / 9

HEX #06E8DC

RGB 6 232 220

HSL 176.81, 0.95%, 0.47%

LAB 83.4, -48.06, -7.31

 

CMYK 77 / 0 / 4 / 24

HEX #2DC2BA

RGB 45 194 186

HSL 176.78, 0.62%, 0.47%

LAB 71.34, -38.95, -6.89

 

CMYK 63 / 0 / 3 / 32

HEX #40AEA8

RGB 64 174 168

HSL 176.73, 0.46%, 0.47%

LAB 65.11, -32.2, -6.16

 

CMYK 46 / 0 / 3 / 39

HEX #549B97

RGB 84 155 151

HSL 176.62, 0.3%, 0.47%

LAB 59.49, -23.3, -4.85

 

CMYK 24 / 0 / 1 / 47

HEX #678786

RGB 103 135 134

HSL 178.13, 0.13%, 0.47%

LAB 53.96, -11.45, -3.16

 

CMYK 0 / 6 / 6 / 52

HEX #7B7474

RGB 123 116 116

HSL 0, 0.03%, 0.47%

LAB 49.45, 2.69, 0.96

 

CMYK 77 / 0 / 46 / 24

HEX #2DC268

RGB 45 194 104

HSL 143.76, 0.62%, 0.47%

LAB 69.57, -57.83, 34.53

 

CMYK 77 / 0 / 26 / 24

HEX #2DC290

RGB 45 194 144

HSL 159.87, 0.62%, 0.47%

LAB 70.28, -49.82, 14.44

 

CMYK 77 / 0 / 5 / 24

HEX #2DC2B8

RGB 45 194 184

HSL 175.97, 0.62%, 0.47%

LAB 71.28, -39.52, -5.88

 

CMYK 77 / 15 / 0 / 24

HEX #2DA4C2

RGB 45 164 194

HSL 192.08, 0.62%, 0.47%

LAB 62.51, -21.96, -24.64

 

CMYK 77 / 36 / 0 / 24

HEX #2D7CC2

RGB 45 124 194

HSL 208.19, 0.62%, 0.47%

LAB 50.53, 0.5, -43.33

 

CMYK 77 / 0 / 4 / 50

HEX #1D7F7A

RGB 29 127 122

HSL 176.94, 0.63%, 0.31%

LAB 48.06, -28.06, -5.19

 

CMYK 77 / 0 / 4 / 37

HEX #25A09A

RGB 37 160 154

HSL 177.07, 0.62%, 0.39%

LAB 59.77, -33.39, -6.29

 

CMYK 77 / 0 / 4 / 24

HEX #2DC2BA

RGB 45 194 186

HSL 176.78, 0.62%, 0.47%

LAB 71.34, -38.95, -6.89

 

CMYK 67 / 0 / 4 / 17

HEX #45D3CB

RGB 69 211 203

HSL 176.62, 0.62%, 0.55%

LAB 77.38, -38.98, -7.09

 

CMYK 53 / 0 / 3 / 14

HEX #66DBD5

RGB 102 219 213

HSL 176.92, 0.62%, 0.63%

LAB 80.9, -34.37, -7.13

 

CMYK 77 / 0 / 4 / 24

HEX #2DC1B9

RGB 45 193 185

HSL 176.76, 0.62%, 0.47%

LAB 71.01, -38.78, -6.84

 

CMYK 66 / 77 / 0 / 24

HEX #412DC2

RGB 65 45 194

HSL 248.05, 0.62%, 0.47%

LAB 31.57, 51.63, -74.01

 

CMYK 0 / 36 / 77 / 24

HEX #C27C2D

RGB 194 124 45

HSL 31.81, 0.62%, 0.47%

LAB 58.11, 20.74, 51.93

 

CMYK 77 / 0 / 4 / 24

HEX #2DC1B9

RGB 45 193 185

HSL 176.76, 0.62%, 0.47%

LAB 71.01, -38.78, -6.84

 

CMYK 5 / 77 / 0 / 24

HEX #B82DC2

RGB 184 45 194

HSL 295.97, 0.62%, 0.47%

LAB 46.92, 70.87, -48.35

 

CMYK 0 / 5 / 77 / 24

HEX #C2B82D

RGB 194 184 45

HSL 55.97, 0.62%, 0.47%

LAB 73.51, -11.54, 66.4

 

CMYK 77 / 0 / 4 / 24

HEX #2DC1B9

RGB 45 193 185

HSL 176.76, 0.62%, 0.47%

LAB 71.01, -38.78, -6.84

 

CMYK 66 / 77 / 0 / 24

HEX #412DC2

RGB 65 45 194

HSL 248.05, 0.62%, 0.47%

LAB 31.57, 51.63, -74.01

 

CMYK 0 / 77 / 72 / 24

HEX #C22D37

RGB 194 45 55

HSL 355.97, 0.62%, 0.47%

LAB 43.69, 58.22, 31.36

 

CMYK 10 / 0 / 77 / 24

HEX #AEC22D

RGB 174 194 45

HSL 68.05, 0.62%, 0.47%

LAB 74.68, -25.06, 66.89

 

CMYK 77 / 0 / 4 / 24

HEX #2DC1B9

RGB 45 193 185

HSL 176.76, 0.62%, 0.47%

LAB 71.01, -38.78, -6.84

 

CMYK 44 / 77 / 0 / 24

HEX #6D2DC2

RGB 109 45 194

HSL 265.77, 0.62%, 0.47%

LAB 36.03, 57.36, -66.51

 

CMYK 0 / 77 / 72 / 24

HEX #C22D37

RGB 194 45 55

HSL 355.97, 0.62%, 0.47%

LAB 43.69, 58.22, 31.36

 

CMYK 34 / 0 / 77 / 24

HEX #81C22D

RGB 129 194 45

HSL 86.17, 0.62%, 0.47%

LAB 71.85, -42.77, 63.24

 

Description

Color code: HEX #2DC1B9 | qconv.com Color code: HEX #2DC1B9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 193 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 193 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 4 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 4% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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